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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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SheetMusicPlus
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Virtualsheetmusic
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Non classifié
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PIANO & CLAVIERS
Piano seul
1832
Piano, Voix
1256
Piano Facile
613
Piano, Voix et Guitare
562
Accompagnement Piano
167
Instruments en Do
110
Orgue
64
Piano grosses notes
56
Piano Trio: piano, violon, violoncelle
42
1 Piano, 4 mains
33
2 Pianos, 4 mains
15
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano (partie séparée)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Clavecin
3
Accordéon
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
2
2 Accordéons
1
Orgue, Trompette (duo)
1
2 Pianos, 8 mains
1
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GUITARES
Guitare
126
Guitare notes et tablatures
102
Ligne De Mélodie, (Paroles) et Accords
36
2 Guitares (duo)
26
Ukulele
22
Basse electrique
15
Piano, Guitare (duo)
7
Mandoline
6
4 Guitares (Quatuor)
6
3 Guitares (trio)
6
Banjo
6
Dulcimer
5
Paroles et Accords
4
Guitare (partie séparée)
4
Ensemble de guitares
2
Guitare, Violon, Violoncelle (trio)
2
Basse électrique (partie séparée)
2
2 Ukuleles
1
Mandoline, Piano (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
505
Chorale 3 parties
141
Chorale 2 parties
103
Chorale TTBB
73
Chorale Unison
61
Chorale SSAA
48
Voix Soprano, Piano
41
Voix Tenor, Piano
36
Voix duo, Piano
19
Voix Alto, Piano
15
Voix seule
9
Voix Tenor
7
Voix haute
3
Voix duo
2
Chorale SSAATTBB
2
Voix moyenne, Piano
1
Voix basse
1
Voix Soprano
1
Chorale SSAB, Piano
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
649
Saxophone, Clarinette (duo)
261
2 Clarinettes (duo)
250
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
249
2 Flûtes traversières (duo)
227
Flûte traversière et Piano
199
Hautbois, Piano (duo)
188
Clarinette, Violon (duo)
172
Clarinette et Piano
171
Saxophone Alto et Piano
169
Quintette de Saxophone: 5 saxophones
167
Quatuor de Saxophones: 4 saxophones
166
Flûte, Hautbois, Clarinette, Basson
149
Saxophone (partie séparée)
146
Clarinette, Trompette (duo)
146
Clarinette
143
2 Hautbois (duo)
142
Flûte, Clarinette (duo)
132
Hautbois, Clarinette (duo)
113
Quatuor de Clarinettes: 4 clarinettes
104
Saxophone Tenor et Piano
100
Saxophone Soprano et Piano
98
Flûte traversière
97
Saxophone Alto
94
Hautbois, Basson (duo)
92
Flûte, Saxophone (duo)
90
Flûte, Violon
89
2 Flûte à bec (duo)
88
Clarinette et Alto
84
Hautbois, Flûte
79
Flûte, Trompette (duo)
72
Flûte, Alto (duo)
67
Hautbois (partie séparée)
59
Saxophone Baryton, Piano
55
Ensemble de Clarinettes
43
Hautbois
36
Flûte à bec Soprano
32
Saxophone Tenor
32
Ensemble de Flûtes
30
Cor anglais, Piano
26
Quatuor de Flûtes : 4 flûtes
25
Quintette de Clarinettes: 5 clarinettes
24
Cor Anglais
23
Ensemble de saxophones
23
3 Saxophones (trio)
23
Quintette de Flûte : 5 flûtes
19
3 Clarinettes (trio)
16
Saxophone Soprano
14
Saxophone Baryton
14
Clarinette Basse, Piano
14
Trio de Flûtes: 3 flûtes
14
Flûte, Clarinette et Basson
13
Flûte à Bec
12
Flûte, Hautbois (duo)
11
Clarinette, Trombone (duo)
10
Flûte et Guitare
10
Clarinette, Basson (duo)
8
Harmonica
8
Quatuor de Flûtes à bec
8
Clarinette, Violoncelle (duo)
7
Flûte irlandaise
7
Flûte, Violon, Piano
7
Clarinette Basse
6
Hautbois, violon (duo)
6
Flûte, Violoncelle
6
3 Flûtes à bec (trio)
5
Clarinette, Guitare (duo)
5
Clarinette (partie séparée)
5
5 Flûtes à bec
4
Hautbois, Violoncelle
4
Flûte à bec Alto, Piano
4
Flute (partie séparée)
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Violoncelle, Piano (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
2 Flûtes traversières, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Violon et Violoncelle
3
Hautbois, Guitare (duo)
2
Flûte à bec Soprano, Piano
2
Flûte, trombone et piano
2
Clarinette, Harpe (duo)
2
2 Clarinettes, Piano
2
Ensemble à vent
2
Flûte, Trombone (duo)
1
4 Hautbois
1
Flûte à bec Tenor
1
Piccolo, Piano
1
Saxophone et Orgue
1
Flûte, Clarinette, Violon (trio)
1
Ensemble De Flûte à bec
1
Hautbois et alto (duo)
1
Flûte à bec Alto
1
Flûte, Alto et Piano
1
Hautbois, trombone (duo)
1
Flûte à bec Alto, Basse continue
1
Saxophone et Guitare
1
2 Hautbois, Piano
1
Clarinette, trompette et piano
1
Cor anglais, Guitare (duo)
1
Clarinette, Contrebasse (duo)
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Basson
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
252
Trompette, Saxophone (duo)
183
Trompette, Piano
149
2 Trombones (duo)
148
2 Trompettes (duo)
144
Cor et Piano
128
Trombone et Piano
125
Quatuor de Cuivres : 2 trompettes, trombone, tuba
125
Trompette, Trombone (duo)
117
Trompette
114
Trombone
86
Cor
78
Tuba et Piano
76
Tuba
73
Quatuor de Cuivres: 2 trompettes, Cor, trombone
69
2 Cors (duo)
45
Euphonium, Piano (duo)
30
2 Tubas (duo)
27
Trompette (partie séparée)
26
Cor anglais, Piano
26
Quatuor de Cuivres
25
Cor Anglais
23
Ensemble de Trombones
23
Ensemble de Trompettes
19
Trompette, Cor (duo)
16
Trombone (partie séparée)
14
2 Euphoniums (duo)
10
Euphonium
10
Quatuor de cuivres: 4 cors
8
Cor (partie séparée)
8
Quatuor de cuivres: 4 trombones
8
Trio de Cuivres
7
Tuba et Orgue
6
Tuba (partie séparée)
5
4 Tubas
4
Ensemble de Cors
3
3 Trombones (trio)
3
Trombone, Orgue
2
Instruments en Sib
2
2 Euphoniums et 2 Tubas
2
2 Trompettes, Clavier (piano ou orgue)
1
2 Cors, Piano
1
3 Euphoniums
1
Quatuor de cuivres: 4 trompettes
1
Cor, Violoncelle et Piano
1
Cor anglais, Guitare (duo)
1
Trompette, Trombone, Piano
1
Trombone basse
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Cor, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
442
Violon et Piano
248
Violon, Violoncelle (duo)
238
Alto, Piano
197
2 Violons (duo)
177
Violon
176
Violoncelle, Piano
170
2 Violoncelles (duo)
147
2 Altos (duo)
146
Violon, Alto (duo)
141
Quintette à cordes: 2 violons, alto, violoncelle, basse
121
Trio à Cordes: violon, alto, violoncelle
99
Alto seul
87
Contre Basse
76
Violoncelle (partie séparée)
72
Violoncelle
56
Contrebasse, Piano (duo)
55
Trio à Cordes: 2 violons, violoncelle
53
Harpe
41
2 Contrebasses (duo)
27
Alto (partie séparée)
17
Ensemble de Violons
13
Ensemble d'Altos
11
Alto, Violoncelle (duo)
11
Harpe, Flûte (duo)
10
Piano Trio: Violon, Alto, Piano
7
Trio à Cordes: 3 violoncelles
7
2 Harpes (duo)
7
Violon (partie séparée)
6
Trio à Cordes: 2 violons, alto
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Contrebasse (partie séparée)
5
Violon, Guitare (duo)
4
4 Violoncelles
4
Harpe, Voix
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle , Guitare (duo)
2
4 Contrebasses
2
2 Violons, Piano
2
2 Altos, Piano
2
Violon, Clarinette, Piano (trio)
2
Quatuor à cordes : 4 altos
2
Flûte, Contrebasse (duo)
1
2 Violoncelles, Piano
1
Trio à cordes: 3 violins
1
Violon, Basson (duo)
1
Violoncelle, Contrebasse (duo)
1
4 Harpes
1
Alto et Basson
1
Alto et Harpe
1
Violoncelle, Orchestre
1
Trio à cordes: 3 altos
1
3 Harpes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
412
Orchestre à Cordes
190
Orchestre
140
Ensemble Jazz
97
Ensemble de cuivres
83
Orchestre de chambre
54
Fanfare
41
Cloches
36
Jazz combo
27
Marimba
25
Ensemble de Percussions
22
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
17
Xylophone
13
Batterie (partie séparée)
12
Batterie
11
Xylophone, Piano
8
Ensemble d'École
4
Vibraphone
3
Percussion (partie séparée)
2
Percussion
1
Piano et Orchestre
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
All Out of Time
Piano Quatuor: piano, violon, alto, violoncelle
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Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.34 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Luther: Out of the Depths for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed …
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Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
42.15 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Martin Luther
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James M
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Luther: Out of the Depths for Piano Quartet
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jmsgu3
#
SheetMusicPlus
O Come All Ye Faithful for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arrange…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
22.89 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Wade
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James M
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O Come All Ye Faithful for Piano Quartet
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jmsgu3
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SheetMusicPlus
Pachelbel: Canon in D for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
43.07 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Piano Quartet
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jmsgu3
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SheetMusicPlus
Song of My Children for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Small Ensemble Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.982071
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Small Ensemble Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.982071 Composed by James Gardner. Contemporary. Score and parts. 36 pages. James Gardner #6074275. Published by James Gardner (A0.982071). I wanted to set a precious memory I had from a time when two of my children were quite young. My daughter Cassi was only 1 year old or so, and my son Christopher about 8. I was holding my little Cassi in my lap and Christopher was running back and forth through the living room in his Batman cape, pretending to be his hero at that moment! This memory would come and go for me over the next few years until I began to find musical themes for each child and determined to compose a tone poem with them.
$8.99
8.25 €
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Piano Quatuor: piano, violon, alto, violoncelle
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James Gardner
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Song of My Children for Piano Quartet
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James Gardner
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SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. …
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Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.89 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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James M
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The First Noel for Piano Quartet
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jmsgu3
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SheetMusicPlus
Two Nocturnes
Piano Quatuor: piano, violon, alto, violoncelle
Pno-vln.va.vc piano, violin, viola and cello - Digital Download SKU: S9.Q19143 F…
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Pno-vln.va.vc piano, violin, viola and cello - Digital Download SKU: S9.Q19143 For piano quartet. Composed by Sir Peter Maxwell Davies. This edition: score and parts. Downloadable, score and parts. Op. 307. Duration 5 minutes. Schott Music - Digital #Q19143. Published by Schott Music - Digital (S9.Q19143). The two nocturnes were composed immediately after major surgery, against a deadline, and, despite the music sounding unlike anything I have written before, I decided to keep them exactly as they turned out.2010 is a Chopin year, and I made this pair of nocturnes into a little tribute, after playing through and listening to most of his output. Never before had I composed under these drugged conditions – the musical dimensions were enormously exaggerated, with each interval and each phrase being elongated out of all proportion, and the whole few minutes filling the whole of time and space.The orchestration, for piano quartet, was influenced by the very neo-classical feel of the chamber version of the concertos, and the harmonic language very much the result of pondering Chopin’s very individual take on J.S Bach.They are dedicated to James MacMillan and Amelia Freedman respectively.Sir Peter Maxwell Davies (2010).
$12.99
11.92 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Sir Peter Maxwell Davies
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Two Nocturnes
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Schott Music - Digital
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SheetMusicPlus
Mozart: Romanze from K. 525 for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
18.3 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 for Piano Quartet
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jmsgu3
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SheetMusicPlus
Jingle Bells for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpon…
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Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
36.64 €
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Piano Quatuor: piano, violon, alto, violoncelle
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Canon in D (Piano Quartet): Violin, Viola, Cello and Piano
Piano Quatuor: piano, violon, alto, violoncelle
Violin, Viola, Cello, Piano - Intermediate - Digital Download Composed by Johann Pach…
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Violin, Viola, Cello, Piano - Intermediate - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by John A. Dempsey. Romantic Period, Classical Period, Christmas, Easter, Wedding. Score, Set of Parts. 19 pages. Published by John A. Dempsey
A celebrated Baroque work, Pachelbel's "Canon in D" radiates warmth, beauty and serenity, all in a stylishly flowing, timeless way. A favorite for concerts, recitals and especially weddings (as a prelude, a bridal march, unity candle music, a bridesmaid processional or wedding recessional), this music is arranged as a piano quartet for violin, viola, cello and piano. This arrangement also makes a moving prelude, postlude or an offertory for traditional church services and other worship events. 15 pages of music (that includes separate two-page pullout parts for violin, viola and cello). Violin/Viola/Cello Level: Intermediate. Piano Level: Late Intermediate.
$14.00
12.84 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Johann Pachelbel (1653-1706)
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John A
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Canon in D
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SheetMusicPlus
Away In A Manger for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arra…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
22.89 €
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Piano Quatuor: piano, violon, alto, violoncelle
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the 1880’s the cradle song was being performed in church
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Mueller
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James M
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Away In A Manger for Piano Quartet
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jmsgu3
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SheetMusicPlus
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