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AUTOHARPE
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Non classifié
1794
PIANO & CLAVIERS
Piano seul
749
Piano, Voix
372
Piano Facile
233
Piano, Voix et Guitare
177
Instruments en Do
77
Orgue
43
Accompagnement Piano
28
Piano Trio: piano, violon, violoncelle
18
2 Pianos, 4 mains
14
1 Piano, 4 mains
14
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano (partie séparée)
6
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon
2
Orgue, Trompette (duo)
2
Clavecin
1
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GUITARES
Guitare
104
Guitare notes et tablatures
93
Ukulele
32
Guitare (partie séparée)
13
2 Guitares (duo)
13
Basse electrique
13
Ligne De Mélodie, (Paroles) et Accords
10
Mandoline
8
4 Guitares (Quatuor)
6
Banjo
3
Paroles et Accords
3
Piano, Guitare (duo)
2
Dulcimer
2
Mandoline, Piano (duo)
2
3 Guitares (trio)
1
Basse électrique (partie séparée)
1
Guitare, Violon, Violoncelle (trio)
1
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VOIX
Chorale SATB
463
Chorale 3 parties
118
Chorale 2 parties
108
Chorale TTBB
67
Chorale Unison
65
Chorale SSAA
59
Voix Soprano, Piano
38
Voix duo, Piano
28
Voix Tenor, Piano
24
Voix Alto, Piano
23
Voix duo
18
Voix Baryton, Piano
18
Voix haute
4
Voix seule
3
Voix moyenne, Piano
3
Voix basse
3
Voix Tenor
2
Voix Mezzo-Soprano, Piano
1
Voix basse, Piano
1
Voix Soprano
1
Voix duo, Orgue
1
Chorale SSAATTBB
1
Chorale SSATTB
1
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VENTS
Ocarina
271
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
151
Flûte traversière et Piano
134
Clarinette et Piano
113
Quatuor de Saxophones: 4 saxophones
112
Quintette de Saxophone: 5 saxophones
106
Hautbois, Piano (duo)
101
2 Saxophones (duo)
96
Flûte, Hautbois, Clarinette, Basson
89
Saxophone Alto et Piano
85
Flûte traversière
78
Saxophone (partie séparée)
78
Clarinette
78
Saxophone Tenor et Piano
67
Saxophone Soprano et Piano
61
2 Flûtes traversières (duo)
59
Hautbois (partie séparée)
58
Saxophone Alto
54
2 Clarinettes (duo)
50
Saxophone Baryton, Piano
46
Saxophone Tenor
43
Quatuor de Clarinettes: 4 clarinettes
37
Cor anglais, Piano
29
Hautbois
28
Flûte, Clarinette (duo)
28
Ensemble de Clarinettes
28
Flûte à Bec
27
Saxophone, Clarinette (duo)
26
Clarinette, Violon (duo)
24
2 Hautbois (duo)
23
Flûte à bec Soprano
20
Saxophone
19
Clarinette Basse, Piano
19
Ensemble de saxophones
18
Ensemble de Flûtes
17
Clarinette, Trompette (duo)
17
Hautbois, Basson (duo)
16
Hautbois, Clarinette (duo)
15
Quintette de Clarinettes: 5 clarinettes
14
Quintette de Flûte : 5 flûtes
14
3 Saxophones (trio)
12
Quatuor de Flûtes : 4 flûtes
12
Harmonica
12
Flûte à bec Alto
11
Flûte, Violon
11
Hautbois, Flûte
11
Flûte, Alto (duo)
11
Flûte, Saxophone (duo)
11
Clarinette et Alto
9
Flûte et Guitare
8
Quatuor de Flûtes à bec
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte, Trompette (duo)
7
Flute (partie séparée)
6
Flûte, Clarinette et Basson
6
Hautbois, Violoncelle
6
Clarinette, Violoncelle (duo)
6
Flûte, Hautbois (duo)
6
Clarinette, Basson (duo)
6
3 Clarinettes (trio)
6
Flûte à bec Alto, Piano
5
2 Flûte à bec (duo)
4
Saxophone Baryton
4
Flûte, Basson et Piano
4
Saxophone Soprano
4
Flûte à bec Tenor
4
Clarinette (partie séparée)
4
Flûte à bec Soprano, Piano
3
Flûte, Violoncelle
3
Flûte, Violoncelle, Piano (trio)
3
5 Flûtes à bec
3
Piccolo, Piano
3
2 Clarinettes, Piano
3
Trio de Flûtes: 3 flûtes
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, Alto et Piano
2
Hautbois, violon (duo)
2
Flûte, Violon, Piano
2
Hautbois, Guitare (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Ensemble de Hautbois
1
Hautbois, Violoncelle et Piano
1
Clarinette, Harpe (duo)
1
Hautbois, Basson et Piano
1
Clarinette, Tuba
1
Flûte, Harpe et Violoncelle
1
Piccolo
1
Hautbois, Harpe
1
Flute, harpe et violon
1
Cor Anglais
1
Clarinette, Basson, Piano (trio)
1
Flûte irlandaise
1
Saxophone et Guitare
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Trombone (duo)
1
Hautbois, trombone (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Guitare (duo)
1
Hautbois et alto (duo)
1
Flûte, Tuba (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Violon, Piano
1
2 Hautbois, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
216
Trombone et Piano
95
Trompette
91
Quatuor de Cuivres : 2 trompettes, trombone, tuba
79
Cor et Piano
75
Trompette, Piano
72
Ensemble de Trompettes
66
Cor
51
Trombone
51
Trombone (partie séparée)
44
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
Euphonium, Piano (duo)
39
Tuba et Piano
38
Tuba
38
Trompette (partie séparée)
34
Quatuor de cuivres: 4 trombones
33
2 Trompettes (duo)
30
2 Trombones (duo)
30
Cor anglais, Piano
29
Trompette, Saxophone (duo)
23
Ensemble de Trombones
18
Trompette, Trombone (duo)
16
Quatuor de Cuivres
16
2 Cors (duo)
12
Cor (partie séparée)
9
Tuba (partie séparée)
7
Euphonium
6
Quatuor de cuivres: 4 trompettes
6
Trompette, Basson (duo)
5
Quatuor de cuivres: 4 cors
4
Trompette, Violoncelle (duo)
4
Trio de Cuivres
3
Cor, Violoncelle (duo)
3
3 Trompettes (trio)
3
2 Tubas (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Tuba (duo)
2
2 Euphoniums et 2 Tubas
2
Trompette, Cor (duo)
2
4 Tubas
2
Trompette, Trombone, Piano
2
Cor et Basson (duo)
2
Trombone basse
2
Trombone, Tuba (duo)
1
Bass Clef Instruments
1
Ensemble de Tubas
1
3 Euphoniums
1
Ensemble de Cors
1
Cor Anglais
1
3 Trombones (trio)
1
Euphonium, Tuba (duo)
1
2 Cors, Piano
1
Trombone et orchestre
1
2 Euphoniums (duo)
1
Trombone, Violon (duo)
1
Cor et Orgue
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
353
Violon et Piano
157
Violon, Violoncelle (duo)
137
Violon
123
Violoncelle
118
Violoncelle, Piano
110
Alto, Piano
103
Trio à Cordes: 2 violons, violoncelle
82
Trio à Cordes: violon, alto, violoncelle
69
Alto seul
60
Harpe
43
Contre Basse
42
2 Violoncelles (duo)
42
Violon, Alto (duo)
42
Quintette à cordes: 2 violons, alto, violoncelle, basse
39
2 Violons (duo)
39
Contrebasse, Piano (duo)
29
Alto (partie séparée)
24
2 Altos (duo)
21
Contrebasse (partie séparée)
12
Violon (partie séparée)
11
Ensemble d'Altos
8
Ensemble de Violons
7
4 Violoncelles
7
Piano Trio: Violon, Alto, Piano
5
Harpe, Voix
4
Alto, Violoncelle (duo)
4
2 Contrebasses (duo)
3
2 Altos, Piano
3
Harpe, Flûte (duo)
3
Violon, Clarinette, Piano (trio)
3
Violon, Basson (duo)
3
Violon, Guitare (duo)
2
2 Harpes (duo)
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
2
2 Violoncelles, Piano
1
Trio à Cordes: 2 violons, alto
1
Alto et Basson
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Orgue
1
Harpe et Piano
1
Trio à cordes: 3 altos
1
Violon, Tuba (duo)
1
Alto et orchestre
1
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 violins
1
Harpe et mandoline
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
252
Orchestre
162
Ensemble de cuivres
84
Orchestre à Cordes
77
Ensemble Jazz
64
Orchestre de chambre
47
Cloches
44
Jazz combo
17
Ensemble de Percussions
15
Xylophone, Piano
12
Xylophone
10
Fanfare
9
Batterie (partie séparée)
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Percussion (partie séparée)
7
Batterie
3
Orchestre, Violon
2
Vibraphone
2
Marimba
2
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Ensemble d'École
1
2 Xylophones
1
2 Marimbas
1
Percussion
1
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AUTRES
Vous avez sélectionné:
At Wit's End
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
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Strangers Like Me(r)
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1142316 By Phil Collins. By Phil Collins. Arranged by Wendy Hellmann. Broadway,Film/TV,Musical/Show,Pop,Rock. Score and parts. 23 pages. Gwendolyn Hellmann #742691. Published by Gwendolyn Hellmann (A0.1142316). This lively piece from Disney's Tarzan is arranged for the advanced ensemble. It starts in the original key of E flat and modulates to E Major at the end. Piano and cello take over the rhythmic drive throughout the piece, while violin takes the melody and viola switches between chordal harmonies and harmonizing with the violin. This piece works as a string trio (without the piano part) though the piano adds much more depth and excitement. The PDF download contains both a full score and a set of individual parts - Piano, Violin, Viola, and Cello. All strings parts are formatted on two pages to avoid page turns.
$13.99
12.65 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Phil Collins
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Wendy Hellmann
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Strangers Like Me(r)
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Gwendolyn Hellmann
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SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. …
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Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.56 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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James M
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The First Noel for Piano Quartet
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jmsgu3
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SheetMusicPlus
Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.07 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Funny Like a Monkey for piano quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed …
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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
32.55 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Robert M
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Funny Like a Monkey for piano quartet
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Robert M. Greenberg
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SheetMusicPlus
Nocturne for Clarinet, Violin, Cello & Piano
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Compo…
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Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. Published by EAMUSIC (A0.1283409). Nocturne was inspired by a meteorological phenomenon that is known as “noctilucence†and refers to shining clouds at high altitudes only observable for a short period of time in the summer twilight sky. In Canada we don’t get many summer days, that is why this occurrence is particularly special and beautiful. From the first measures the music evokes the feelings of tranquility and ephemeral elegance. Structurally this piece is almost built after some of Chopin’s Nocturnes which were written in 3-part form and often featured emotional and moving musical material towards the end of the piece. Even though nocturnes are generally meant to depict peaceful night music and my piece certainly opens that way, it does not stay calm and quiet for the duration of the piece because the night, after all, can be full of surprises and mysteries. The music is meant to be played with flair and colour, in a light and improvisatory way. This piece was first premiered at the Intimacy of Creativity Festival in Hong Kong in May 2019 with the assistance from Bright Sheng. Following the Audience Choice vote at the festival, and further revised, the piece was brought to the audiences in Philadelphia at the Curtis Institute of Music featuring musicians from the Curtis 20/21 Ensemble in December 2019.The piece is scored for Clarinet, Violin, Cello and Piano. Duration is approximately 9 minutes.
$20.00
18.08 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Eugene Astapov
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Nocturne for Clarinet, Violin, Cello & Piano
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EAMUSIC
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SheetMusicPlus
Cooling Dawn Breeze, Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.874432 Composed by Gavin Koh. Concert,Contemporary,Latin,Standards. Score and parts. 19 pages. Gavin Koh #4300377. Published by Gavin Koh (A0.874432). Enjoy a cooling early morning breeze at dawn. What a great way to spend at the beach. This version is for Piano Quartet (piano, violin, viola, cello). The idea for this composition just came out of the blue. I needed something exotic - so I grabbed some Latin rhythms and came up with a melody that invoked the feeling of lazing in the early dawn morning on the beach with a gentle breeze blowing in from the sea. I sincerely hope you will like performing this. Please provide feedback at the Facebook link below.Listen to the composer's works at https://soundcloud.com/gavinkohFollow the composer at https://www.facebook.com/gavinkoh1970
$6.00
5.42 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gavin Koh
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Cooling Dawn Breeze, Piano Quartet
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Gavin Koh
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SheetMusicPlus
Handel: Seven Pieces from Water Music for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.552117 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 36 pages. Jmsgu3 #6121085. Published by jmsgu3 (A0.552117). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 16 pages, Duration 12:15. Players may read from the score, or from the included instrumental parts.Contents: 1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, and hornpipes, along with lively fanfares and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Water Music has been performed by many orchestras and is a popular choice for special occasions, such as coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's own compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based and where his music was extremely popular. Handel wrote a number of pieces specifically for use at weddings, including the popular Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often quite lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites that were specifically designed for this purpose. The bride and groom would often have a special dance to the music of Handel's Water Music, a particularly popular piece for the occasion. Guests at the wedding would be treated to a variety of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$36.95
33.41 €
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Piano Quatuor: piano, violon, alto, violoncelle
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George Friderick Handel
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James M
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Handel: Seven Pieces from Water Music for Piano Quartet
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jmsgu3
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SheetMusicPlus
O Holy Night for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.548706 Composed by Ad…
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Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
36.12 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Adam
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James M
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O Holy Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed …
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Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
41.54 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Martin Luther
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James M
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Luther: Out of the Depths for Piano Quartet
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jmsgu3
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SheetMusicPlus
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