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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
Berg Traditional
Non classifié
88
Piano & claviers
Piano seul
66
Piano, Voix
28
Piano, Voix et Guitare
15
Piano Facile
13
Orgue
9
Instruments en Do
4
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Ligne De Mélodie, Piano
1
Accompagnement Piano
1
+ 5 instrumentations
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Guitares
Guitare notes et tablatures
10
Guitare
10
Dulcimer
5
Ensemble de guitares
5
Ukulele
4
Ligne De Mélodie, (Paroles) et Accords
4
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Basse electrique
1
Guitare, Flûte, Clarinette
1
+ 5 instrumentations
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Voix
Chorale SATB
41
Chorale 3 parties
22
Chorale 2 parties
11
Chorale TTBB
11
Chorale SSAA
8
Chorale
7
Voix basse, Piano
4
Chorale Unison
4
Voix haute
1
Voix duo, Piano
1
+ 5 instrumentations
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Vents
Flûte traversière et Piano
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
2 Clarinettes (duo)
4
Flûte et Guitare
4
Clarinette et Piano
3
Clarinette, Violoncelle (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette
2
Hautbois, Piano (duo)
2
Quatuor de Saxophones: 4 saxophones
2
Trio de Flûtes: 3 flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Cor anglais et Harpe (duo)
1
2 Flûtes traversières (duo)
1
Saxophone Tenor et Piano
1
Ensemble de saxophones
1
3 Saxophones (trio)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Baryton, Piano
1
Quintette de Saxophone: 5 saxophones
1
Quatuor de Flûtes : 4 flûtes
1
Flûte traversière
1
3 Clarinettes (trio)
1
3 Flûtes à bec (trio)
1
Ensemble de Clarinettes
1
Clarinette, Guitare (duo)
1
Flûte à bec Alto
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone Alto
1
2 Flûte à bec (duo)
1
Hautbois, Violoncelle
1
Saxophone Tenor
1
Saxophone
1
2 Saxophones (duo)
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de Cuivres
2
Cor anglais et Harpe (duo)
1
Trompette
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Piano (duo)
1
Trombone et Piano
1
Cor et Piano
1
+ 4 instrumentations
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Cordes
Violoncelle, Piano
15
Violon et Piano
15
Violon
9
Quatuor à cordes: 2 violons, alto, violoncelle
8
Alto, Piano
4
Violoncelle , Guitare (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
Violon, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Violoncelle
2
Trio à Cordes: violon, alto, violoncelle
1
Alto (partie séparée)
1
Violon, Guitare (duo)
1
2 Violons (duo)
1
Alto seul
1
Trio à Cordes: 3 violoncelles
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe
1
Alto, Guitare (duo)
1
+ 15 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
11
Orchestre à Cordes
6
Ensemble de cuivres
6
Orchestre
5
Orchestre de chambre
4
Cloches
2
Ensemble Jazz
2
Jazz combo
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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LUTH
MANDOLINE
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Vous avez sélectionné:
Berg Traditional
Piano Quatuor: piano, violon, alto, violoncelle
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Funny Like a Monkey for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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Funny Like a Monkey for piano
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Robert M. Greenberg
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert ...
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Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
Pachelbel: Canon in D for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
#
SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
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