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Piano & claviers
Piano seul
359
Piano, Voix
25
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13
Piano, Voix et Guitare
13
Piano Facile
10
Instruments en Do
3
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
1
Ensemble d'Accordéons
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
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Guitares
Guitare
10
Guitare notes et tablatures
7
Ukulele
7
Basse electrique
6
Mandoline
4
Ukulele Baryton
2
Piano, Guitare (duo)
1
Banjo
1
Orchestre à Plectres
1
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1
4 Guitares (Quatuor)
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Mandoline, Guitare (duo)
1
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41
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20
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15
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9
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4
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3
Chorale Unison
3
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2
Chorale 2 parties
2
Chorale SSAATTBB
1
Voix Tenor
1
Voix haute
1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Flûte traversière et Piano
13
2 Saxophones (duo)
11
Clarinette et Piano
10
Saxophone Tenor et Piano
8
Hautbois, Piano (duo)
7
Saxophone Alto et Piano
6
2 Clarinettes (duo)
5
2 Flûtes traversières (duo)
4
Saxophone Soprano et Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Clarinette, Guitare (duo)
3
2 Hautbois (duo)
3
Saxophone Baryton, Piano
3
Clarinette, Violon (duo)
3
Saxophone, Clarinette (duo)
3
Hautbois, Basson (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte à bec Tenor
2
Flûte, Violon et Violoncelle
2
Clarinette, Trompette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Ensemble de Clarinettes
2
Flûte, Saxophone (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
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2
Flûte et Guitare
2
Quintette de Saxophone: 5 saxophones
2
Clarinette
2
Ensemble de Flûtes
2
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1
Quintette de Flûte : 5 flûtes
1
Cor anglais et Harpe (duo)
1
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1
Hautbois, Basson et Piano
1
Flûte, Alto (duo)
1
Clarinette Basse, Piano
1
3 Clarinettes (trio)
1
Flûte, Trompette (duo)
1
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1
Hautbois, Flûte
1
Cor anglais, Guitare (duo)
1
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8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trompette
6
Trompette, Piano
5
Trombone et Piano
4
2 Trompettes (duo)
4
2 Trombones (duo)
4
Trompette, Saxophone (duo)
2
Cor et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone
2
Trompette, Trombone (duo)
2
Ensemble de Trombones
2
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1
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1
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1
Cor anglais et Harpe (duo)
1
Cor
1
Ensemble de Trompettes
1
2 Euphoniums et 2 Tubas
1
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1
Cor anglais, Guitare (duo)
1
Tuba
1
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Quatuor à cordes: 2 violons, alto, violoncelle
18
Violon et Piano
18
Harpe
15
Alto, Piano
10
Violon, Violoncelle (duo)
8
2 Violons (duo)
7
Violon
6
2 Violoncelles (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
Violon, Alto (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle
5
2 Altos (duo)
4
Violoncelle, Piano
3
Alto seul
2
Alto (partie séparée)
2
Harpe, Flûte (duo)
2
Violoncelle, Contrebasse (duo)
2
Violoncelle, Basse continue
2
Violon, Guitare (duo)
2
4 Violoncelles
1
2 Contrebasses (duo)
1
Violoncelle , Guitare (duo)
1
Ensemble de Violons
1
Contrebasse, Piano (duo)
1
Ensemble d'Altos
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
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Orchestre d'harmonie
55
Orchestre
18
Ensemble de cuivres
13
Orchestre à Cordes
13
Ensemble Jazz
9
Cloches
5
Orchestre de chambre
5
Percussion
2
Jazz combo
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Fanfare
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Ensemble de Percussions
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Piano Quatuor: piano, violon, alto, violoncelle
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Pachelbel: Canon in D for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
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Fauré: Élégie Op. 24 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...
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Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
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