Partitions Numériques de Call it a Day pour Piano Quatuor: piano, violon, alto, violoncelle

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TRI ET FILTRES

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PIANO & CLAVIERS

Piano seul 171 Piano, Voix 38 Piano, Voix et Guitare 36 Piano Facile 31 Instruments en Do 18 Orgue 15 1 Piano, 4 mains 5 Piano Trio: piano, violon, violoncelle 4 Clavier 4 Piano Quatuor: piano, violon, alto, violoncelle 3

Piano grosses notes 2 Orgue, Piano (duo) 1 Accompagnement Piano 1

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GUITARES

Guitare notes et tablatures 17 Guitare 15 Ligne De Mélodie, (Paroles) et Accords 10 Ukulele 2 2 Guitares (duo) 2

Mandoline 1 Paroles et Accords 1

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VOIX

Chorale SATB 106 Chorale 3 parties 25 Chorale Unison 17 Chorale 2 parties 16 Chorale TTBB 12

Voix duo, Piano 8 Chorale SSAA 6 Voix duo 3 Voix haute 3 Voix Alto, Piano 3 Voix Soprano 2 Voix Baryton, Piano 2 Voix Tenor, Piano 1 Chorale SSATTB 1 Voix Soprano, Piano 1 Voix basse, Piano 1 Chorale SSAATTBB 1 Voix Tenor 1

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VENTS

Quatuor de Saxophones: 4 saxophones 33 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 29 Quintette de Saxophone: 5 saxophones 24 Saxophone Alto et Piano 22 Quatuor de Clarinettes: 4 clarinettes 21

Flûte traversière et Piano 21 Clarinette et Piano 21 Saxophone Soprano et Piano 19 Hautbois, Piano (duo) 16 2 Saxophones (duo) 14 Flûte, Hautbois, Clarinette, Basson 12 Ensemble de Clarinettes 12 Saxophone Tenor et Piano 11 Clarinette 11 Ensemble de saxophones 11 3 Saxophones (trio) 11 Ensemble de Flûtes 11 2 Flûtes traversières (duo) 10 Flûte traversière 8 Quintette de Clarinettes: 5 clarinettes 8 Saxophone Alto 7 Quatuor de Flûtes : 4 flûtes 7 Hautbois (partie séparée) 7 Saxophone Tenor 6 Saxophone Baryton, Piano 6 2 Clarinettes (duo) 6 Saxophone (partie séparée) 6 Quintette de Flûte : 5 flûtes 5 2 Flûte à bec (duo) 5 Flûte, Clarinette (duo) 5 Cor anglais, Piano 4 Flûte, Hautbois (duo) 4 Clarinette Basse, Piano 4 3 Clarinettes (trio) 4 2 Hautbois (duo) 3 Clarinette, Basson (duo) 3 Quatuor de Flûtes à bec 3 Flute (partie séparée) 3 Hautbois, Clarinette (duo) 2 Hautbois, Basson (duo) 2 Flûte à bec Soprano 2 Clarinette, Violon (duo) 1 Flûte, Violon et Violoncelle 1 Saxophone et Guitare 1 Flûte et Guitare 1 3 Flûtes à bec (trio) 1 Ensemble De Flûte à bec 1 Clarinette, Harpe (duo) 1 Hautbois, Harpe 1 Saxophone et Orgue 1 5 Flûtes à bec 1 Flûte, Violon 1 Trio de Flûtes: 3 flûtes 1 Flûte, Hautbois, Clarinette (trio) 1 Hautbois, Clarinette, Basson (trio d'anches) 1 Flûte irlandaise 1 Ensemble de Hautbois 1 Flûte à Bec 1 Flûte, Clarinette et Basson 1

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CUIVRES

Quatuor de Cuivres : 2 trompettes, trombone, tuba 29 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 25 Trompette 17 Trombone et Piano 13 Trompette, Piano 11

Cor et Piano 10 Quatuor de Cuivres: 2 trompettes, Cor, trombone 9 Tuba et Piano 6 Cor 6 Ensemble de Trombones 6 2 Cors (duo) 5 Trombone 5 Euphonium, Piano (duo) 5 Cor anglais, Piano 4 2 Trombones (duo) 4 2 Trompettes (duo) 4 Tuba 4 Trompette, Cor (duo) 3 Ensemble de Trompettes 3 Trompette, Trombone (duo) 3 Quatuor de Cuivres 3 Quatuor de cuivres: 4 trombones 3 Trombone, Tuba (duo) 2 2 Tubas (duo) 2 Trio de Cuivres 2 Trompette, Tuba (duo) 2 Trombone, Cor (duo) 2 Cor, Tuba (duo) 2 Ensemble de Cors 1 Cor et Orgue 1 4 Tubas 1 2 Euphoniums (duo) 1 Quatuor de cuivres: 4 trompettes 1 Euphonium 1 Ensemble de Tubas 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 62 Violon et Piano 29 Alto, Piano 18 Violoncelle, Piano 17 Violon 13

Violoncelle 11 Trio à Cordes: violon, alto, violoncelle 8 2 Violons (duo) 7 Harpe 7 Violon, Violoncelle (duo) 6 2 Harpes (duo) 5 Contre Basse 5 Contrebasse, Piano (duo) 4 Alto seul 4 Violon, Alto (duo) 4 2 Altos (duo) 4 2 Violoncelles (duo) 4 Alto, Violoncelle (duo) 3 Harpe, Voix 3 4 Violoncelles 2 2 Contrebasses (duo) 2 Alto (partie séparée) 2 Quintette à cordes: 2 violons, alto, violoncelle, basse 2 Ensemble de Violons 1 Trio à cordes: 3 violins 1 Violon, Guitare (duo) 1 Harpe, Flûte (duo) 1 Violon (partie séparée) 1 Ensemble d'Altos 1 Trio à Cordes: 3 violoncelles 1 Quatuor à cordes : 4 altos 1 Harpe, Violon (duo) 1 Quintette à cordes: 2 violons, 2 altos, violoncelle 1 Quatuor à cordes: 4 violons 1 Trio à cordes: 3 altos 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 91 Orchestre 52 Orchestre à Cordes 25 Jazz combo 12 Ensemble de cuivres 10

Orchestre de chambre 8 Cloches 8 Ensemble Jazz 6 Batterie 3 Ensemble de Percussions 3 Xylophone, Piano 1 Marimba 1 Piano et Orchestre 1 Fanfare 1

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AUTRES

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Call it a Day

Piano Quatuor: piano, violon, alto, violoncelle

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O Come All Ye Faithful for Piano Quartet

Piano Quatuor: piano, violon, alto, violoncelle

Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arrange…(+)

Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â€“1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â

$24.95 22.86 € #Piano Quatuor: piano, violon, alto, violoncelle #Wade #James M #O Come All Ye Faithful for Piano Quartet #jmsgu3 #SheetMusicPlus

Fauré: Sicilienne for Piano Quartet

Piano Quatuor: piano, violon, alto, violoncelle

Piano Quartet - Level 4 - Digital Download SKU: A0.549058 Composed by Gabriel Faure…(+)

Piano Quartet - Level 4 - Digital Download SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 21 pages. Jmsgu3 #3449745. Published by jmsgu3 (A0.549058). Gabriel FaurÃ©: Sicilienne Op. 78. Nice recital encore piece. It is very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity. Significant Aspects of Faure's Sicilienne Gabriel FaurÃ©'s Sicilienne, Op. 78 is significant due to its history, influence, and musical characteristics. Historical Significance The piece was initially composed in 1893 as part of incidental music for a theatrical production that was later abandoned. FaurÃ© reused the Sicilienne in 1898 when he wrote incidental music for the English translation of Maeterlinck's play PellÃ©as et MÃ©lisande. This piece was later extracted and formed into an orchestral suite for concerts, known as the PellÃ©as et MÃ©lisande Suite, Op. 80. Influence and Popularity FaurÃ©'s harmonic richness and melodic innovations in the Sicilienne influenced other composers. The Sicilienne is the most famous piece from the PellÃ©as et MÃ©lisande Suite and is frequently played by significant orchestras today. Musical Characteristics The piece is known for its conversational style for both cello and piano, and it exhibits chromatic movement to evoke a Renaissance aesthetic with the Sicilienne dance. It is also more complex than the typical song in terms of chords and melody, with above-average scores in chord and melodic complexity. In conclusion, Faure's Sicilienne is significant due to its historical background, influence on other composers, and unique musical characteristics. Dance and Fabric The term Sicilienne is derived from the French word Sicilienne, which means Sicilian. It is associated with a dance called the Siciliana and a kind of rich poplin fabric. Musical Style Sicilienne refers to a musical style or genre often included as a movement within more significant pieces of music, starting in the Baroque period. It is associated with a pastoral mood and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale.

$43.95 40.27 € #Piano Quatuor: piano, violon, alto, violoncelle #Gabriel Faure #James M #Fauré: Sicilienne for Piano Quartet #jmsgu3 #SheetMusicPlus

The First Noel for Piano Quartet

Piano Quatuor: piano, violon, alto, violoncelle

Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. …(+)

Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning â€œChristmas.â€ Therefore, â€œthe First Noelâ€ translates as â€œthe First Christmas.â€ First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the â€œCarols Ancient and Modernâ€ songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling â€“ like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.

$24.95 22.86 € #Piano Quatuor: piano, violon, alto, violoncelle #Traditional #James M #The First Noel for Piano Quartet #jmsgu3 #SheetMusicPlus