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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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DULCIMER
EUPHONIUM
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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ORCHESTRE
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PERCUSSION
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203
Piano & claviers
Piano seul
172
Piano Facile
29
Orgue
23
Piano, Voix
23
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10
Instruments en Do
9
1 Piano, 4 mains
7
Piano, Voix et Guitare
6
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano (partie séparée)
2
2 Pianos, 4 mains
2
Clavier
1
+ 8 instrumentations
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Guitares
Guitare
16
Guitare notes et tablatures
8
Guitare (partie séparée)
4
4 Guitares (Quatuor)
3
Ligne De Mélodie, (Paroles) et Accords
2
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
1
Basse electrique
1
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Voix
Chorale SATB
73
Chorale 3 parties
35
Chorale 2 parties
21
Chorale Unison
19
Chorale TTBB
5
Chorale SSAA
3
Voix duo, Piano
2
Voix Baryton, Piano
2
Voix haute
2
Voix basse, Piano
1
Voix duo
1
Voix Tenor
1
Soli, choeur mixte et accompagnement
1
Voix Soprano, Piano
1
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Vents
Flûte traversière et Piano
22
Clarinette et Piano
20
2 Saxophones (duo)
19
Saxophone Alto et Piano
18
2 Flûtes traversières (duo)
17
Flûte traversière
16
Saxophone Soprano et Piano
13
Hautbois, Piano (duo)
13
Quatuor de Saxophones: 4 saxophones
13
Saxophone (partie séparée)
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Quatuor de Clarinettes: 4 clarinettes
12
Quintette de Saxophone: 5 saxophones
10
3 Saxophones (trio)
9
Clarinette
9
2 Clarinettes (duo)
7
Saxophone Alto
7
Saxophone Tenor et Piano
7
Flûte, Hautbois, Clarinette, Basson
7
2 Hautbois (duo)
6
Cor anglais, Piano
5
Saxophone Baryton, Piano
5
Quatuor de Flûtes : 4 flûtes
5
Quintette de Clarinettes: 5 clarinettes
5
Clarinette, Trompette (duo)
4
Quintette de Flûte : 5 flûtes
4
Saxophone Tenor
4
Flûte à bec Soprano
4
Ensemble de Clarinettes
3
Saxophone, Clarinette (duo)
3
Clarinette, Violon (duo)
3
Ensemble de Flûtes
3
Flûte à bec Alto, Piano
3
Flûte, Clarinette (duo)
3
Flûte à bec Alto
2
Flûte et Guitare
2
Flûte, Alto (duo)
2
Flûte à Bec
2
Trio de Flûtes: 3 flûtes
2
Saxophone Soprano
2
3 Clarinettes (trio)
2
Hautbois, Flûte
2
Saxophone Baryton
2
Clarinette et Alto
2
Quatuor de Flûtes à bec
2
Hautbois
2
Ensemble de Hautbois
1
Saxophone et Orgue
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute, harpe et violon
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
3 Flûtes à bec (trio)
1
Flûte, Saxophone (duo)
1
Flûte à bec Soprano, Piano
1
Flûte traversière, Orgue (duo)
1
Flute (partie séparée)
1
Hautbois, Guitare (duo)
1
2 Flûte à bec (duo)
1
5 Flûtes à bec
1
+ 55 instrumentations
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Cuivres
Trombone et Piano
13
Trompette
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette, Piano
9
Trombone (partie séparée)
8
Trompette (partie séparée)
8
Cor et Piano
8
2 Trombones (duo)
6
Tuba et Piano
6
2 Cors (duo)
6
2 Trompettes (duo)
5
Cor anglais, Piano
5
Cor
5
Trompette, Saxophone (duo)
4
Trombone
4
Trompette, Trombone (duo)
3
Tuba
3
2 Tubas (duo)
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de Cuivres
2
Ensemble de Cors
2
3 Trombones (trio)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Trompettes
1
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
Quatuor de cuivres: 4 cors
1
Tuba (partie séparée)
1
3 Tubas (trio)
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
Euphonium
1
Cor (partie séparée)
1
Trombone, Cor (duo)
1
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Quatuor à cordes: 2 violons, alto, violoncelle
36
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23
Violoncelle, Piano
17
2 Violons (duo)
12
Alto, Piano
10
2 Violoncelles (duo)
7
Violoncelle
7
Violon
7
2 Altos (duo)
6
Violon, Violoncelle (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
Alto seul
5
Violon, Alto (duo)
4
Alto (partie séparée)
2
Trio à cordes: 3 violins
2
Contrebasse, Piano (duo)
2
Contre Basse
2
Contrebasse (partie séparée)
2
4 Violoncelles
2
Violon (partie séparée)
2
Harpe, Voix
2
Harpe
2
Alto, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Harpe, Flûte (duo)
1
Violoncelle, Orgue
1
+ 26 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
166
Orchestre
19
Cloches
17
Orchestre à Cordes
16
Ensemble Jazz
9
Jazz combo
8
Ensemble de cuivres
5
Orchestre de chambre
3
Batterie (partie séparée)
2
Ensemble de Percussions
2
Piano et Orchestre
1
Xylophone, Piano
1
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Piano Quatuor: piano, violon, alto, violoncelle
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O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
Handel: Seven Pieces from Water Music for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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George Friderick Handel
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James M
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Handel: Seven Pieces from Wate
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.552117 Composed by George Friderick Handel (1685-1756). Arranged by James M. ...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.552117 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 36 pages. Jmsgu3 #6121085. Published by jmsgu3 (A0.552117). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 16 pages, Duration 12:15. Players may read from the score, or from the included instrumental parts.Contents: 1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, and hornpipes, along with lively fanfares and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Water Music has been performed by many orchestras and is a popular choice for special occasions, such as coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's own compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based and where his music was extremely popular. Handel wrote a number of pieces specifically for use at weddings, including the popular Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often quite lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites that were specifically designed for this purpose. The bride and groom would often have a special dance to the music of Handel's Water Music, a particularly popular piece for the occasion. Guests at the wedding would be treated to a variety of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$36.95
O Holy Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Adam
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James M
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O Holy Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #341156...
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Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
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