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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Composer Cat
Non classifié
1 562
Piano & claviers
Piano seul
722
Piano, Voix
224
Piano Facile
201
Orgue
127
Piano, Voix et Guitare
117
Accompagnement Piano
58
Instruments en Do
31
Piano Trio: piano, violon, violoncelle
17
1 Piano, 4 mains
16
2 Pianos, 4 mains
10
Piano Quatuor: piano, violon, alto, violoncelle
9
Clavecin
3
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano (partie séparée)
1
2 Pianos, 8 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare
93
Guitare notes et tablatures
28
2 Guitares (duo)
7
Ukulele
6
Mandoline, Guitare (duo)
4
Ligne De Mélodie, (Paroles) et Accords
3
Mandoline
2
4 Guitares (Quatuor)
2
Basse electrique
1
Dulcimer
1
Ensemble de guitares
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
267
Chorale 3 parties
63
Chorale 2 parties
46
Chorale Unison
37
Voix Tenor, Piano
22
Voix Soprano, Piano
15
Chorale SSAA
13
Chorale TTBB
11
Voix duo, Piano
9
Voix Alto, Piano
6
Voix duo
6
Voix Tenor
5
Voix Soprano
4
Chorale SSAATTBB
4
Voix seule
4
Voix Baryton, Piano
3
Voix basse
1
Soli, choeur mixte et accompagnement
1
Voix basse, Piano
1
Voix moyenne, Piano
1
Chorale SATBB
1
+ 16 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
140
Flûte traversière et Piano
104
Quintette de Saxophone: 5 saxophones
90
2 Flûtes traversières (duo)
83
Clarinette et Piano
80
Quatuor de Saxophones: 4 saxophones
75
Clarinette
71
Quatuor de Clarinettes: 4 clarinettes
70
Hautbois, Piano (duo)
64
Saxophone Alto et Piano
62
Saxophone Tenor et Piano
52
Flûte, Hautbois, Clarinette, Basson
46
3 Clarinettes (trio)
44
2 Clarinettes (duo)
40
Flûte traversière
40
Saxophone Soprano et Piano
40
Saxophone Baryton, Piano
38
2 Saxophones (duo)
38
Ensemble de Clarinettes
33
Ensemble de saxophones
33
3 Saxophones (trio)
32
Cor anglais, Piano
30
Quatuor de Flûtes : 4 flûtes
28
Trio de Flûtes: 3 flûtes
19
Clarinette Basse, Piano
17
Hautbois (partie séparée)
16
Quintette de Clarinettes: 5 clarinettes
16
Ensemble de Flûtes
15
Clarinette, Basson (duo)
14
Quintette de Flûte : 5 flûtes
11
2 Flûte à bec (duo)
10
Flûte, Clarinette (duo)
10
Saxophone Alto
9
Hautbois, Basson (duo)
8
Flute (partie séparée)
8
Flûte à Bec
8
Saxophone (partie séparée)
7
Quatuor de Flûtes à bec
7
Piccolo, Piano
7
Ensemble De Flûte à bec
6
Cor Anglais
6
Flûte à bec Tenor
6
Flûte, Violon
5
Flûte, Hautbois, Clarinette (trio)
5
2 Hautbois (duo)
5
Flûte à bec Soprano
5
Piccolo
5
Saxophone Tenor
5
Flûte et Guitare
5
Flûte, Clarinette et Basson
4
Saxophone Baryton
4
Flûte à bec Alto, Piano
4
Flûte à bec Soprano, Piano
4
Flûte à Bec, Piano
4
Hautbois, Violoncelle
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Violoncelle (duo)
3
3 Flûtes à bec (trio)
3
Hautbois
3
5 Flûtes à bec
3
Clarinette (partie séparée)
3
Flûte, Violon, Violoncelle et Piano
3
Flûte, Violoncelle
3
Clarinette, Harpe (duo)
3
Hautbois, Clarinette (duo)
2
Flûte, Hautbois, Piano (trio)
2
2 Clarinettes, Basson
2
Flûte, Hautbois (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Hautbois, Basson
2
Clarinette, Guitare (duo)
2
Saxophone Soprano
2
Clarinette, Trompette (duo)
2
Flûte à bec Alto
2
Saxophone, Clarinette (duo)
2
Clarinette, Violon (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Hautbois, Harpe
1
Flûte, alto et harpe
1
Flûte, Violon et Violoncelle
1
Hautbois, Guitare (duo)
1
2 Clarinettes, Piano
1
Saxophone
1
Flûte, Violon, Piano
1
Saxophone et Harpe
1
Flûte, Alto (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Flûte et Trio à cordes
1
+ 88 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
266
Trombone et Piano
68
Trompette
47
Trompette, Piano
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
45
Cor et Piano
37
Euphonium, Piano (duo)
35
Cor anglais, Piano
30
Quatuor de Cuivres
26
Cor
22
Quatuor de cuivres: 4 trombones
16
Trombone
13
Ensemble de Trombones
13
Trompette (partie séparée)
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Ensemble de Trompettes
12
Tuba et Piano
12
Trombone (partie séparée)
10
Quatuor de cuivres: 4 cors
9
Quatuor de cuivres: 4 trompettes
9
Trompette, Trombone (duo)
8
Tuba
7
Ensemble de Cors
7
2 Trompettes (duo)
7
2 Trombones (duo)
6
Cor Anglais
6
Trombone basse
5
3 Tubas (trio)
5
4 Tubas
5
Trompette, violon (duo)
3
Trombone basse et Piano
3
Trio de Cuivres
3
3 Trombones (trio)
3
2 Tubas (duo)
3
2 Cors (duo)
3
Trompette, Cor (duo)
2
Cor (partie séparée)
2
3 Trompettes (trio)
2
Trompette et Guitare
2
Trompette, Basson (duo)
2
Trompette, Violoncelle (duo)
2
Cor, Tuba (duo)
2
Trombone, Cor (duo)
2
Euphonium
1
Clarinette, Cor (duo)
1
Trombone et orchestre
1
Cor et Basson (duo)
1
Trompette, Harpe
1
Tuba (partie séparée)
1
Cornet et orchestre
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
Trompette, Saxophone (duo)
1
Cor, Violoncelle (duo)
1
+ 49 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
396
Violon et Piano
138
Violoncelle, Piano
74
Violon
70
Alto, Piano
59
Trio à Cordes: violon, alto, violoncelle
47
Violoncelle
38
Violon, Violoncelle (duo)
27
Harpe
26
Alto seul
24
2 Violons (duo)
24
Violon, Alto (duo)
18
2 Violoncelles (duo)
17
4 Violoncelles
16
Trio à cordes: 3 violins
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Trio à Cordes: 3 violoncelles
14
Trio à cordes: 3 altos
11
2 Altos (duo)
11
Violon, Guitare (duo)
9
Alto, Violoncelle (duo)
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Quatuor à cordes: 4 violons
8
Quatuor à cordes : 4 altos
7
Violoncelle , Guitare (duo)
7
Ensemble d'Altos
5
Contre Basse
5
Ensemble de Violons
5
Contrebasse, Piano (duo)
4
Harpe, Flûte (duo)
4
Alto (partie séparée)
3
Violon, Basson (duo)
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Contrebasse (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
Alto, Guitare (duo)
2
Harpe, Violon, Violoncelle
2
Violoncelle (partie séparée)
2
Violon (partie séparée)
2
Harpe, Violon (duo)
2
Ensemble de Violoncelles
2
Violoncelle, Orgue
1
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Alto et Basson
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Violoncelle (duo)
1
Violon, Orgue
1
4 Contrebasses
1
Harpe et mandoline
1
Harpe et Piano
1
2 Harpes (duo)
1
4 Harpes
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre
237
Orchestre d'harmonie
205
Orchestre à Cordes
151
Orchestre de chambre
62
Ensemble de cuivres
29
Ensemble Jazz
27
Jazz combo
15
Cloches
12
Ensemble de Percussions
12
Batterie
8
Marimba
7
Vibraphone
5
Fanfare
2
Piano et Orchestre
1
2 Marimbas
1
Xylophone
1
Percussion (partie séparée)
1
Ensemble d'École
1
+ 13 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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Vous avez sélectionné:
Composer Cat
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
9 partitions trouvées
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1
Toccata, for piano quintet
#
Piano Quatuor: piano, violon, alto, violoncelle
#
AVANCÉ
#
Panagiotis Theodossiou
#
Toccata, for piano quintet
#
Panagiotis Theodossiou
#
SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - SKU: A0.886751 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Sc...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - SKU: A0.886751 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 28 pages. Panagiotis Theodossiou #6353361. Published by Panagiotis Theodossiou (A0.886751). Toccata for piano solo (2010, op.45.b) is an excerpt by the composer's three-part piano solo suite Scenes from Ancient Greece (2010). The work is also transcribed for violin solo (op.45c) in 2019 and dedicated to soloist Tania Sikelianou. Other transcriptions, for flute, violin, cello, and piano op.45d (2021) and piano quintet op.45e (2021).www.youtube.com/watch?v=5t_kWkL8dOU
$10.00
The First Noel for Piano Quartet
#
Piano Quatuor: piano, violon, alto, violoncelle
#
DÉBUTANT
#
Noël
#
Traditional
#
James M
#
The First Noel for Piano Quart
#
jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu...
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Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
The First Noel for Piano Quartet
#
Piano Quatuor: piano, violon, alto, violoncelle
#
FACILE
#
Noël
#
Traditional
#
James M
#
The First Noel for Piano Quart
#
jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Pu...
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Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Pachelbel: Canon in D for Piano Quartet
#
Piano Quatuor: piano, violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon in D for Pian
#
jmsgu3
#
SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
Fauré: Élégie Op. 24 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...
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Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
O Holy Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Adam
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James M
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O Holy Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #341156...
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Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
Luther: Out of the Depths for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
Mozart: Romanze from K. 525 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sac...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
[Bauer] Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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Contemporain
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Ross Bauer
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[Bauer] Piano Quartet
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American Composers Alliance Inc.
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - SKU: A0.953203 Composed by Ross Bauer. Contemporary. Score and parts. 104 pages. American Compo...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - SKU: A0.953203 Composed by Ross Bauer. Contemporary. Score and parts. 104 pages. American Composers Alliance Inc. #4716197. Published by American Composers Alliance Inc. (A0.953203). A piano quartet dedicated to the Stony Brook Contemporary Chamber Players - PDF download includes score and parts.
$25.95
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