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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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HAUTBOIS
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PIANO & CLAVIERS
Piano Facile
1807
Piano, Voix
510
Piano seul
485
Piano, Voix et Guitare
190
Instruments en Do
56
Piano grosses notes
44
Orgue
36
1 Piano, 4 mains
34
Accompagnement Piano
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Accordéon
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Piano Trio: piano, violon, violoncelle
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Piano Quatuor: piano, violon, alto, violoncelle
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Piano Quatuor: piano, 2 violons, violoncelle
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2 Pianos, 4 mains
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86
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82
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69
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62
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59
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47
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40
Saxophone Tenor et Piano
33
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33
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30
Flûte, Hautbois, Clarinette, Basson
27
2 Saxophones (duo)
25
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23
Saxophone Baryton, Piano
23
Saxophone Soprano et Piano
23
Hautbois
22
Saxophone
21
2 Clarinettes (duo)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
2 Flûtes traversières (duo)
15
Clarinette Basse, Piano
14
Quatuor de Clarinettes: 4 clarinettes
14
Quintette de Saxophone: 5 saxophones
11
Flûte à bec Alto
10
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9
Flûte, Clarinette (duo)
9
2 Hautbois (duo)
8
Saxophone, Clarinette (duo)
8
Clarinette, Violon (duo)
8
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8
Saxophone Soprano
6
Hautbois, Clarinette (duo)
5
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5
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Quatuor de Flûtes à bec
5
Flûte, Violon
5
Flûte à bec Tenor
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5 Flûtes à bec
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Clarinette et Alto
4
Hautbois, Flûte
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Ensemble de Flûtes
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4
Flûte à Bec
4
Cor anglais, Piano
4
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4
Saxophone Baryton
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3
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3 Clarinettes (trio)
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Flûte, Alto (duo)
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2
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2
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2
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Saxophone et Orgue
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2
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1
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1
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Piccolo
1
Clarinette, Orgue
1
Flûte, Hautbois, Clarinette (trio)
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1
Cor Anglais
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CUIVRES
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82
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61
Trombone et Piano
61
Cor et Piano
51
Trombone
32
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30
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27
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26
Tuba
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
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12
2 Trombones (duo)
9
2 Trompettes (duo)
8
Quatuor de Cuivres
7
Trompette, Saxophone (duo)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
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2 Cors (duo)
5
Trompette, Trombone (duo)
5
Tuba et Orgue
4
Cor anglais, Piano
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Cor (partie séparée)
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2 Tubas (duo)
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Tuba (partie séparée)
3
Euphonium, Piano (duo)
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Trombone, Orgue
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3 Trombones (trio)
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Trompette et Guitare
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Euphonium
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Cor Anglais
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CORDES
Violon et Piano
115
Violon
103
Quatuor à cordes: 2 violons, alto, violoncelle
99
Violoncelle, Piano
95
Violoncelle
84
Alto seul
73
Alto, Piano
65
Contre Basse
36
Violon, Violoncelle (duo)
36
Harpe
32
Contrebasse, Piano (duo)
29
Trio à Cordes: violon, alto, violoncelle
25
2 Violons (duo)
23
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
Trio à Cordes: 2 violons, violoncelle
16
2 Violoncelles (duo)
15
Alto (partie séparée)
13
2 Altos (duo)
11
Violon, Alto (duo)
10
Contrebasse (partie séparée)
10
Alto, Violoncelle (duo)
7
Violon (partie séparée)
6
Trio à cordes: 3 violins
6
Violon, Guitare (duo)
4
2 Contrebasses (duo)
3
Harpe, Voix
3
Violon, Basson (duo)
3
Harpe, Flûte (duo)
2
4 Violoncelles
2
Quatuor à cordes: 4 violons
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Alto, Guitare (duo)
1
Autoharp
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Piano Trio: Violon, Alto, Piano
1
Alto, Orgue
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Quintette à cordes : 2 violons, alto et 2 violoncelles
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Alto et Basson
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Violoncelle, Orgue
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Violoncelle (partie séparée)
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2 Harpes (duo)
1
Violoncelle, Basse continue
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
92
Cloches
90
Orchestre à Cordes
25
Ensemble Jazz
18
Ensemble de cuivres
16
Batterie
14
Xylophone, Piano
10
Ensemble de Percussions
8
Orchestre de chambre
8
Orchestre
7
Ensemble d'École
5
Jazz combo
5
Xylophone
4
Batterie (partie séparée)
4
Marimba
3
Vibraphone
2
Fanfare
2
Percussion (partie séparée)
1
Percussion
1
Piano et Orchestre
1
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AUTRES
Vous avez sélectionné:
Easy to sing and play.
Piano Quatuor: piano, violon, alto, violoncelle
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Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.01 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
#
SheetMusicPlus
Silent Night for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548633 Composed by Gruber. Arran…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jmsgu3 (A0.548633). Silent Night for piano quartet. The final verse features a surprise re-harmonization of the melody. Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to accompany the lyrics. The result is probably the most famous Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs or to ensure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and Mohr's name was largely forgotten.  Though the public initially recognized Gruber as the composer, many people began rumors that a more famous composer was responsible over time. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.
$32.95
29.69 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gruber
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James M
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Silent Night for Piano Quartet
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jmsgu3
#
SheetMusicPlus
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