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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ein Ton
Non classifié
1 227
Piano & claviers
Piano seul
393
Piano, Voix
190
Orgue
144
Piano, Voix et Guitare
62
Piano Facile
55
Instruments en Do
47
Orgue, Trompette (duo)
14
2 Pianos, 4 mains
14
1 Piano, 4 mains
13
Accordéon
12
Piano Trio: piano, violon, violoncelle
7
Accompagnement Piano
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
3
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Accordéons
1
Piano grosses notes
1
+ 13 instrumentations
Retracter
Guitares
Guitare
36
Guitare notes et tablatures
34
Ukulele
21
Mandoline
13
Ligne De Mélodie, (Paroles) et Accords
10
Piano, Guitare (duo)
8
Banjo
4
Basse electrique
3
2 Guitares (duo)
3
4 Guitares (Quatuor)
2
Ukulele Baryton
2
3 Guitares (trio)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
201
Chorale TTBB
52
Chorale 3 parties
52
Voix Baryton, Piano
45
Chorale SSAA
37
Voix seule
20
Chorale 2 parties
12
Chorale SSAATTBB
11
Voix duo
9
Voix duo, Piano
9
Voix haute
8
Pack Instrumental pour Chorale
7
Voix basse, Piano
7
Voix Soprano, Piano
7
Voix Alto, Piano
3
Voix moyenne, Piano
3
Voix Tenor, Piano
2
Voix basse
1
Chorale SSATB
1
Voix Mezzo-Soprano, Piano
1
+ 15 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
318
Ocarina
279
Flûte à bec Soprano
265
Flûte à bec Alto
192
Quintette de Saxophone: 5 saxophones
145
Saxophone Alto et Piano
145
Saxophone (partie séparée)
92
2 Saxophones (duo)
71
Flûte traversière et Piano
66
Saxophone Baryton, Piano
65
Ensemble de saxophones
58
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
53
Saxophone
52
Clarinette
45
Hautbois, Piano (duo)
43
Clarinette et Piano
37
Flûte traversière
35
3 Saxophones (trio)
34
Flûte à bec Alto, Piano
31
2 Flûtes traversières (duo)
27
Quatuor de Clarinettes: 4 clarinettes
26
2 Flûtes traversières, Piano
25
Flûte, Hautbois, Clarinette, Basson
24
Saxophone Tenor et Piano
23
Saxophone Alto
23
Harmonica
21
2 Clarinettes (duo)
18
Saxophone Baryton
12
Saxophone Soprano et Piano
12
2 Flûte à bec (duo)
12
Quintette de Flûte : 5 flûtes
10
Cor anglais, Piano
10
2 Hautbois (duo)
10
Quintette de Clarinettes: 5 clarinettes
9
Hautbois (partie séparée)
9
Ensemble de Clarinettes
8
Hautbois
8
Quatuor de Flûtes : 4 flûtes
8
Hautbois, Flûte
8
Quatuor de Flûtes à bec
8
Ensemble de Flûtes
7
Saxophone Tenor
7
Clarinette (partie séparée)
6
Flute (partie séparée)
5
Saxophone, Clarinette (duo)
5
Saxophone Soprano
5
3 Clarinettes (trio)
5
Flûte, Clarinette (duo)
5
Clarinette, Trompette (duo)
4
Flûte à bec Soprano, Piano
4
Flûte à Bec
4
Clarinette, Violon (duo)
4
3 Flûtes à bec (trio)
4
Clarinette, Basson (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Violoncelle, Piano (trio)
3
5 Flûtes à bec
3
Clarinette Basse, Piano
3
Hautbois, Clarinette (duo)
3
Flûte et Guitare
3
Clarinette, Guitare (duo)
2
Flûte, Violon
2
Instruments en Mib
2
Hautbois, Basson (duo)
2
Flûte, Alto (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Trompette (duo)
2
Flûte à bec Tenor
2
Flûte irlandaise
2
Flûte traversière, Basse continue
2
Ensemble à vent
2
Trio de Flûtes: 3 flûtes
1
Clarinette, Orchestre
1
Clarinette, Trombone (duo)
1
Cor Anglais
1
Saxophone et Guitare
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette et Basson
1
Clarinette et Alto
1
Ensemble De Flûte à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Guitare (duo)
1
3 Hautbois
1
Flûte, Violoncelle
1
Flûte, Hautbois, Basson
1
+ 80 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
104
Trombone
35
Trompette
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trombone et Piano
29
Quatuor de cuivres: 4 trombones
24
Trompette, Piano
21
Tuba
15
Cor
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Trompette (partie séparée)
11
Ensemble de Trombones
11
Ensemble de Trompettes
11
Cor et Piano
11
Tuba et Piano
10
Cor anglais, Piano
10
2 Trombones (duo)
9
2 Trompettes (duo)
9
2 Cors (duo)
8
Trombone (partie séparée)
8
Trio de Cuivres
6
Quatuor de cuivres: 4 cors
6
Euphonium, Piano (duo)
6
Ensemble de Cors
4
Euphonium
4
Trompette, Saxophone (duo)
4
Cor (partie séparée)
4
Tuba ou Euphonium ou Saxhorn
3
Trombone, Orgue
3
Bass Clef Instruments
3
2 Tubas (duo)
3
Tuba et Orgue
3
4 Tubas
2
Quatuor de cuivres: 4 trompettes
2
Cornet A Pistons
2
Quatuor de Cuivres
2
Tuba (partie séparée)
2
2 Euphoniums (duo)
2
Trompette, Trombone (duo)
2
Trombone basse
1
Cor, Tuba (duo)
1
Cor Anglais
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
Trompette, Tuba (duo)
1
3 Trombones (trio)
1
Trombone, Cor (duo)
1
Trompette, Cor (duo)
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
113
Violon et Piano
52
Violoncelle, Piano
44
Alto, Piano
36
Violon
33
Violoncelle
23
Violon, Violoncelle (duo)
20
2 Violoncelles (duo)
17
Violon, Alto (duo)
16
Alto seul
15
Harpe
14
Violon (partie séparée)
11
Trio à Cordes: violon, alto, violoncelle
11
2 Violons (duo)
10
Contre Basse
9
2 Altos (duo)
8
Alto (partie séparée)
8
Violoncelle, Contrebasse (duo)
6
Alto, Violoncelle (duo)
5
Violoncelle (partie séparée)
5
Trio à cordes: 3 violins
4
Contrebasse, Piano (duo)
4
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 altos
4
Quatuor à cordes : 4 altos
4
4 Violoncelles
4
Ensemble de Violons
3
Trio à cordes
3
Quatuor à cordes: 4 violons
3
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Violon, Violoncelle
2
Harpe et Orgue
2
Harpe, Voix
2
Alto, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
4 Contrebasses
1
Violoncelle, Basse continue
1
Violon, Guitare (duo)
1
Harpe et Piano
1
Ensemble d'Altos
1
Contrebasse (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle, Orgue
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
438
Orchestre
73
Orchestre à Cordes
40
Ensemble Jazz
38
Ensemble de cuivres
38
Orchestre de chambre
36
Cloches
12
Jazz combo
8
Fanfare
7
Percussion (partie séparée)
4
Ensemble de Percussions
4
Batterie
3
Piano et Orchestre
3
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
+ 10 instrumentations
Retracter
Autres
Théorie de la musique
1
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ACCORDEON
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HAUTBOIS
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LUTH, THEOR…
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MARIMBA
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Ein Ton
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
3 partitions trouvées
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Fauré: Élégie Op. 24 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...
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Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
Away In A Manger for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger for Piano Qua
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
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