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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TUBA
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PIANO & CLAVIERS
Piano seul
1158
Piano, Voix
511
Piano, Voix et Guitare
404
Piano Facile
272
Instruments en Do
265
Orgue
72
Accompagnement Piano
32
Accordéon
23
Piano (partie séparée)
22
1 Piano, 4 mains
18
Piano Trio: piano, violon, violoncelle
16
2 Pianos, 4 mains
9
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano grosses notes
9
Orgue, Trompette (duo)
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavecin
3
Ligne De Mélodie, Piano
2
Orgue, Piano (duo)
2
Accordéon, Voix
2
2 Accordéons
2
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
1 Piano, 6 mains
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Clavier
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GUITARES
Guitare
135
Guitare notes et tablatures
108
Ligne De Mélodie, (Paroles) et Accords
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43
2 Guitares (duo)
34
Basse electrique
32
Ukulele
17
Mandoline
14
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7
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5
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5
Banjo
2
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Dulcimer
2
Mandoline, Guitare (duo)
1
Orchestre à Plectres
1
3 Guitares (trio)
1
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VOIX
Chorale SATB
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Chorale 3 parties
233
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203
Chorale 2 parties
97
Chorale Unison
48
Voix duo, Piano
19
Voix duo
18
Voix Soprano, Piano
11
Chorale
8
Voix basse, Piano
6
Chorale SSAATTBB
6
Voix seule
6
Voix Alto, Piano
6
Voix moyenne, Piano
5
Voix Tenor
3
Voix Tenor, Piano
3
Soli, choeur mixte et accompagnement
2
Voix Mezzo-Soprano, Piano
2
Voix, Guitare
2
Chorale SSATB
1
Chorale SSAB, Piano
1
Voix haute, Piano
1
Voix basse
1
Voix haute
1
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VENTS
Saxophone (partie séparée)
341
Quatuor de Saxophones: 4 saxophones
157
Flûte traversière et Piano
126
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
107
Hautbois, Piano (duo)
101
2 Saxophones (duo)
100
Clarinette
95
Hautbois (partie séparée)
90
Saxophone Alto et Piano
85
Flûte traversière
75
Flûte, Hautbois, Clarinette, Basson
68
Quatuor de Clarinettes: 4 clarinettes
68
Clarinette et Piano
68
Saxophone Alto
66
Clarinette (partie séparée)
66
Saxophone Tenor et Piano
63
2 Flûtes traversières (duo)
54
Ensemble de saxophones
42
2 Clarinettes (duo)
42
Quintette de Saxophone: 5 saxophones
39
Flûte et Guitare
35
Saxophone Soprano et Piano
34
Quatuor de Flûtes : 4 flûtes
29
Saxophone Baryton, Piano
29
Ensemble de Clarinettes
24
Saxophone, Clarinette (duo)
21
Flute (partie séparée)
20
Flûte à Bec
19
2 Hautbois (duo)
19
Hautbois, Basson (duo)
18
Flûte à bec Soprano
16
Clarinette, Violon (duo)
15
Clarinette Basse, Piano
14
Ensemble de Flûtes
14
Quintette de Clarinettes: 5 clarinettes
13
Flûte, Clarinette (duo)
12
3 Clarinettes (trio)
12
Cor anglais, Piano
11
Flûte, Violon
10
Clarinette, Trompette (duo)
10
2 Flûte à bec (duo)
10
3 Saxophones (trio)
10
Clarinette et Alto
9
Flûte à bec Alto
9
Quatuor de Flûtes à bec
8
Hautbois, Clarinette (duo)
7
Flûte, Saxophone (duo)
7
Flûte, Clarinette et Basson
6
Quintette de Flûte : 5 flûtes
6
Flûte, Clarinette, Cor, Basson (Quartet)
6
Hautbois, Flûte
6
Saxophone Tenor
5
Flûte, Alto (duo)
5
Harmonica
4
Flûte, Hautbois, Basson
4
Flûte à bec Alto, Piano
4
Flûte, Violoncelle
4
2 Clarinettes, Piano
4
Cor Anglais
3
Clarinette, Basson (duo)
3
Flûte, Trompette (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Violon, Piano
3
Ensemble De Flûte à bec
3
Clarinette, Violoncelle (duo)
3
Flûte à bec Alto, Basse continue
3
Trio de Flûtes: 3 flûtes
3
Saxophone Soprano
3
Hautbois, Violoncelle
3
Saxophone et Guitare
2
Hautbois, Guitare (duo)
2
Hautbois
2
3 Flûtes à bec (trio)
2
Saxophone
2
2 Clarinettes, Basson
2
Flûte, Hautbois (duo)
2
2 Flûtes traversières, Piano
2
Flûte, Violon et Violoncelle
2
Piccolo, Piano
2
Flûte à bec Soprano, Piano
2
Piccolo
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette, Piano (trio)
1
Flute, harpe et violon
1
Flûte, Harpe et Violoncelle
1
Cor anglais et Harpe (duo)
1
Hautbois, violon (duo)
1
2 Saxophones, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, trombone et piano
1
4 Hautbois
1
2 Cors Anglais Et Pianoforte
1
Flûte traversière, Basse continue
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone et Piano
1
5 Flûtes à bec
1
Saxophone et Orgue
1
Clarinette, Guitare (duo)
1
Flûte, Alto et Piano
1
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CUIVRES
Trompette (partie séparée)
196
Trombone (partie séparée)
188
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
157
Quatuor de Cuivres : 2 trompettes, trombone, tuba
78
Trombone et Piano
78
Trompette
67
Trompette, Piano
66
Trombone
50
Cor et Piano
49
Ensemble de Trompettes
41
Cor (partie séparée)
38
Cor
30
Tuba (partie séparée)
25
Quatuor de Cuivres
24
Tuba
24
Euphonium, Piano (duo)
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Tuba et Piano
22
2 Trompettes (duo)
19
Trompette, Trombone (duo)
16
Ensemble de Trombones
14
2 Trombones (duo)
13
Trompette, Saxophone (duo)
13
Euphonium
12
Cor anglais, Piano
11
Quatuor de cuivres: 4 trombones
10
2 Cors (duo)
8
Quatuor de cuivres: 4 cors
8
Trompette, Cor (duo)
7
Trio de Cuivres
6
Ensemble de Cors
5
Trombone basse
5
Quatuor de cuivres: 4 trompettes
4
Cor Anglais
3
2 Euphoniums (duo)
3
2 Tubas (duo)
3
Cor, Violoncelle (duo)
3
3 Trompettes (trio)
2
4 Tubas
2
3 Tubas (trio)
1
Trombone, Orgue
1
Tuba et Orgue
1
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
Clarinette, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums et 2 Tubas
1
Cor, Tuba (duo)
1
Trombone, Cor (duo)
1
Trombone basse et Piano
1
3 Trombones (trio)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
437
Violoncelle (partie séparée)
165
Violon et Piano
147
Violon, Violoncelle (duo)
135
Violon (partie séparée)
114
Violon
111
Violoncelle, Piano
103
Alto, Piano
97
Trio à Cordes: 2 violons, violoncelle
71
Contrebasse (partie séparée)
60
Trio à Cordes: violon, alto, violoncelle
59
Alto (partie séparée)
54
Violon, Alto (duo)
39
2 Violons (duo)
38
Violoncelle
37
Alto seul
31
Harpe
29
2 Violoncelles (duo)
29
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Contrebasse, Piano (duo)
20
2 Altos (duo)
17
Contre Basse
15
4 Violoncelles
12
Alto, Violoncelle (duo)
8
Trio à Cordes: 3 violoncelles
7
Harpe, Flûte (duo)
7
Harpe, Violon (duo)
7
Quatuor à cordes: 4 violons
6
Violon, Guitare (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto et Harpe
5
Harpe, Violoncelle (duo)
4
Quatuor à cordes : 4 altos
4
Flûte, Contrebasse (duo)
3
Violoncelle , Guitare (duo)
2
Alto, Guitare (duo)
2
Ensemble d'Altos
2
Violon, Basson (duo)
2
Ensemble de Violons
2
Alto et Basson
2
Harpe, Voix
2
2 Harpes (duo)
1
2 Violons, Piano
1
2 Violons et Basse continue
1
Violon, Clarinette, Piano (trio)
1
Violon, Basse continue
1
4 Contrebasses
1
2 Contrebasses (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 2 violons, alto
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
589
Orchestre à Cordes
207
Orchestre
186
Ensemble Jazz
85
Orchestre de chambre
74
Ensemble de cuivres
67
Percussion (partie séparée)
54
Batterie (partie séparée)
34
Cloches
34
Jazz combo
29
Ensemble de Percussions
23
Fanfare
19
Xylophone
9
Batterie
9
Xylophone, Piano
6
Piano et Orchestre
4
Quintette de Cuivres: autres combinaisons
4
Timbales (partie séparée)
3
Marimba
3
3 Marimbas
2
Percussion
2
Vibraphone
2
Vibraphone et Marimba
1
2 Xylophones
1
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AUTRES
Formation musicale - Solfège
6
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Piano Quatuor: piano, violon, alto, violoncelle
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Pachelbel: Canon in D for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
43.42 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Piano Quartet
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jmsgu3
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SheetMusicPlus
Beethoven - Rondo Op.49 - Piano Quartet Violin, Viola, Cello, Piano
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.823998 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.823998 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert,Standards. Score and parts. 28 pages. TK (Tim) Murray #4783589. Published by TK (Tim) Murray (A0.823998). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Violin, Viola, Cello, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
6.43 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Ludwig van Beethoven
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Tim TK Murray
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tkmurraycomp@aol
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Beethoven - Rondo Op.49 - Piano Quartet Violin, Viola, Cello, Piano
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TK
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SheetMusicPlus
Funny Like a Monkey for piano quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed …
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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
33.29 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Robert M
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Funny Like a Monkey for piano quartet
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Robert M. Greenberg
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SheetMusicPlus
O Holy Night for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.548706 Composed by Ad…
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Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
36.94 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Adam
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James M
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O Holy Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.49 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
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