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51
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31
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17
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74
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72
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64
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Quatuor à cordes: 2 violons, alto, violoncelle
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317
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Alto seul
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114
2 Violons (duo)
114
2 Violoncelles (duo)
97
Violon, Alto (duo)
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Harpe
79
Trio à Cordes: 2 violons, violoncelle
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71
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66
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36
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30
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28
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22
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Contrebasse (partie séparée)
19
Trio à Cordes: 3 violoncelles
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Violon, Basson (duo)
19
Quatuor à cordes : 4 altos
17
2 Contrebasses (duo)
16
Quatuor à cordes: 4 violons
13
Trio à cordes: 3 altos
11
Alto et Basson
11
Quintette à cordes : 2 violons, alto et 2 violoncelles
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Trio à Cordes: 2 violons, alto
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Ensemble de Violons
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Ensemble d'Altos
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Violon, Clarinette, Piano (trio)
9
Violon, Guitare (duo)
8
2 Harpes (duo)
6
Violoncelle (partie séparée)
6
Violoncelle, Contrebasse (duo)
5
Harpe, Flûte (duo)
4
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Harpe, Voix
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Orchestre d'harmonie
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242
Orchestre
219
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Fanfare
81
Cloches
80
Orchestre de chambre
78
Jazz combo
47
Batterie
37
Ensemble de Percussions
28
Marimba
22
Xylophone
18
Percussion (partie séparée)
13
Xylophone, Piano
11
Batterie (partie séparée)
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Vibraphone
4
Ensemble d'École
2
2 Xylophones
2
Quintette de Cuivres: autres combinaisons
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Percussion
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Piano et Orchestre
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Orchestre, Violon
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2 Marimbas
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Vous avez sélectionné:
End Of Time
Piano Quatuor: piano, violon, alto, violoncelle
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Luther: Out of the Depths for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed …
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Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
42.1 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Martin Luther
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James M
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Luther: Out of the Depths for Piano Quartet
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jmsgu3
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SheetMusicPlus
Song of My Children for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Small Ensemble Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.982071
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Small Ensemble Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.982071 Composed by James Gardner. Contemporary. Score and parts. 36 pages. James Gardner #6074275. Published by James Gardner (A0.982071). I wanted to set a precious memory I had from a time when two of my children were quite young. My daughter Cassi was only 1 year old or so, and my son Christopher about 8. I was holding my little Cassi in my lap and Christopher was running back and forth through the living room in his Batman cape, pretending to be his hero at that moment! This memory would come and go for me over the next few years until I began to find musical themes for each child and determined to compose a tone poem with them.
$8.99
8.24 €
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Piano Quatuor: piano, violon, alto, violoncelle
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James Gardner
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Song of My Children for Piano Quartet
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James Gardner
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SheetMusicPlus
Remnants of the Past - for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1086071 Composed by W. Brent Sawyer. Classical,Contemporary. Score and parts. 68 pages. Diamond S Music #690266. Published by Diamond S Music (A0.1086071). Remnants of the Past - for Piano Quartet by W. Brent Sawyer. scored for Violin, Viola, Cello, and Piano. FULL SCORE and PARTS. Written in a Neo-Classical style, yet has elements of Romanticism and even jazz, a very energetic and entertaining piece. It is in one movements yet has very distinct sections. This piece is written in what I call … a nouveau classique style - meaning It sounds kinda classical and kinda modern - with a dash of jazz thrown in as well. Hence the Title… Remnants of the Past. In fact there are several different styles used within the piece. Most of the piece is written in an energetic 6/8 time with a reoccurring melancholy 3/4 section and there is a short nostalgic interlude in 4/4. The piece uses a 5 note turn around swirl as it's melodic germ. The end section uses exciting uprising arpeggios and upward scales in modulating keys.
$12.00
10.99 €
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Piano Quatuor: piano, violon, alto, violoncelle
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W
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Remnants of the Past - for Piano Quartet
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Diamond S Music
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SheetMusicPlus
Fauré: Élégie Op. 24 for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 4 - Digital Download SKU: A0.549720 Composed by Gabriel Faure…
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Piano Quartet - Level 4 - Digital Download SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
39.35 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Piano Quartet
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jmsgu3
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SheetMusicPlus
Nocturne for Clarinet, Violin, Cello & Piano
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Compo…
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Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. Published by EAMUSIC (A0.1283409). Nocturne was inspired by a meteorological phenomenon that is known as “noctilucence†and refers to shining clouds at high altitudes only observable for a short period of time in the summer twilight sky. In Canada we don’t get many summer days, that is why this occurrence is particularly special and beautiful. From the first measures the music evokes the feelings of tranquility and ephemeral elegance. Structurally this piece is almost built after some of Chopin’s Nocturnes which were written in 3-part form and often featured emotional and moving musical material towards the end of the piece. Even though nocturnes are generally meant to depict peaceful night music and my piece certainly opens that way, it does not stay calm and quiet for the duration of the piece because the night, after all, can be full of surprises and mysteries. The music is meant to be played with flair and colour, in a light and improvisatory way. This piece was first premiered at the Intimacy of Creativity Festival in Hong Kong in May 2019 with the assistance from Bright Sheng. Following the Audience Choice vote at the festival, and further revised, the piece was brought to the audiences in Philadelphia at the Curtis Institute of Music featuring musicians from the Curtis 20/21 Ensemble in December 2019.The piece is scored for Clarinet, Violin, Cello and Piano. Duration is approximately 9 minutes.
$20.00
18.32 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Eugene Astapov
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Nocturne for Clarinet, Violin, Cello & Piano
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EAMUSIC
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SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. …
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Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.86 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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James M
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The First Noel for Piano Quartet
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arrange…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
22.86 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Wade
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James M
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O Come All Ye Faithful for Piano Quartet
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jmsgu3
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SheetMusicPlus
Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.31 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Deck the Halls
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1309436…
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Piano Quartet Cello,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1309436 Composed by Traditional. Arranged by André Nusa. Christmas,Traditional. 6 pages. Andre_Nusa #898610. Published by Andre_Nusa (A0.1309436). Experience the magic of the season with this arrangement of 'Deck the Halls' tailored for violin, viola, cello and piano quartet. Dive into the festive spirit as you explore the enchanting melodies and harmonies of this timeless classic. Perfect for musicians at the early stages of their musical journey, this arrangement offers a delightful ensemble experience, combining the sweet sounds of the violin, viola, and cello with the uplifting accompaniment of the piano. Let the joy of the holidays come alive with this heartwarming rendition of 'Deck the Halls,' designed to make your festive celebrations truly memorable.
$5.99
5.49 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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André Nusa
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Deck the Halls
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Andre_Nusa
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SheetMusicPlus
Can't Help Falling In Love
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1048643 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Wendy Hellmann. Rock,Wedding. Score and parts. 13 pages. Gwendolyn Hellmann #653054. Published by Gwendolyn Hellmann (A0.1048643). This classic arrangement of Can't Help Falling in Love is written for piano quartet (piano, violin, viola, and cello). It is in E flat Major with a 12/8 time signature. Perfect for weddings and cocktail hour events! The PDF download contains both a full score and individual parts - Piano, Violin, Viola, and Cello. All strings parts are formatted on 1 page; the piano part is formatted on 2 pages to avoid page turns.
$12.99
11.9 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Elvis Presley
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Wendy Hellmann
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Can't Help Falling In Love
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Gwendolyn Hellmann
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SheetMusicPlus
O Sacred Heart, Now Wounded
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1382269…
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Piano Quartet Cello,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1382269 Composed by Hans Leo Hassler. Arranged by André Nusa. Easter,Religious,Sacred. 5 pages. Andre_Nusa #966783. Published by Andre_Nusa (A0.1382269). Discover the heartfelt beauty of 'O Sacred Heart, Now Wounded' with this beginner-friendly arrangement for violin, viola, cello and piano. Tailored for novice players, this rendition allows beginners to explore the rich harmonies and sacred melodies of the piece. With simplified parts and clear notation, aspiring musicians can easily grasp the arrangement and enjoy playing together in an ensemble setting. Perfect for church performances, recitals, or personal practice, this arrangement offers a gentle introduction to the timeless beauty of sacred music.
$3.99
3.66 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Hans Leo Hassler
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André Nusa
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O Sacred Heart, Now Wounded
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Andre_Nusa
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SheetMusicPlus
Handel: Seven Pieces from Water Music for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.552117 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 36 pages. Jmsgu3 #6121085. Published by jmsgu3 (A0.552117). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 16 pages, Duration 12:15. Players may read from the score, or from the included instrumental parts.Contents: 1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, and hornpipes, along with lively fanfares and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Water Music has been performed by many orchestras and is a popular choice for special occasions, such as coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's own compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based and where his music was extremely popular. Handel wrote a number of pieces specifically for use at weddings, including the popular Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often quite lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites that were specifically designed for this purpose. The bride and groom would often have a special dance to the music of Handel's Water Music, a particularly popular piece for the occasion. Guests at the wedding would be treated to a variety of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$36.95
33.85 €
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Piano Quatuor: piano, violon, alto, violoncelle
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George Friderick Handel
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James M
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Handel: Seven Pieces from Water Music for Piano Quartet
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jmsgu3
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SheetMusicPlus
A Change In Me
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1257439…
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Piano Quartet Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1257439 Composed by Alan Menken and Tim Rice. Arranged by André Nusa. Broadway,Children,Contemporary,Film/TV,Musical/Show,Singer/Songwriter. 17 pages. Andre_Nusa #850761. Published by Andre_Nusa (A0.1257439). Experience the enchanting transformation of A Change in Me from Disney's Beauty and the Beast with this exquisite arrangement for violin, viola, cello and piano. Immerse yourself in the captivating melodies as the strings intertwine in harmonious unity, supported by the rich and resonant tones of the piano. This arrangement beautifully captures the essence of personal growth and self-discovery, inviting players and listeners alike to embark on an emotional journey. Perfect for string ensemble performances or chamber music settings, this arrangement offers a wonderful opportunity for musicians to showcase their expressive playing and musical artistry. Delight in the timeless magic of A Change in Me as the strings and piano blend in a harmonious celebration of transformation and inner strength. Elevate your repertoire with this unforgettable arrangement that captures the heart and soul of this beloved Disney song.
$12.99
11.9 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Alan Menken and Tim Rice
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André Nusa
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A Change In Me
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Andre_Nusa
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SheetMusicPlus
At the Cross
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1388124…
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Piano Quartet Cello,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1388124 Composed by Ralph E. Hudson. Arranged by André Nusa. Easter,Religious,Sacred. 5 pages. Andre_Nusa #971722. Published by Andre_Nusa (A0.1388124). Embark on a musical journey with this beginner-friendly arrangement of 'At the Cross' for violin, viola, bassoon and piano. Dive into the rich harmonies as each instrument weaves together to bring this timeless hymn to life. Perfect for novice players, the arrangement offers simplified parts while maintaining the essence of the original composition. Delve into the beauty of sacred music with accessible melodies and harmonies, making it an ideal choice for aspiring musicians looking to explore ensemble playing.
$2.99
2.74 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Ralph E
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André Nusa
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At the Cross
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Andre_Nusa
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SheetMusicPlus
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