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For All We Know - Trombone 1
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Non classifié
234
Piano & claviers
Piano seul
46
Piano Facile
37
Piano, Voix
29
Instruments en Do
12
Orgue
10
Piano, Voix et Guitare
10
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
2
2 Pianos, 4 mains
1
Orgue, Piano (duo)
1
+ 7 instrumentations
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Guitares
Mandoline
66
Ligne De Mélodie, (Paroles) et Accords
7
Guitare notes et tablatures
5
Basse electrique
4
Ukulele
3
Guitare (partie séparée)
3
Dulcimer
2
4 Guitares (Quatuor)
2
Guitare
2
+ 4 instrumentations
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Voix
Chorale SATB
34
Chorale Unison
10
Chorale 3 parties
10
Chorale TTBB
9
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4
Voix Soprano, Piano
3
Chorale 2 parties
3
Voix seule
3
Voix Alto, Piano
1
Voix haute
1
Chorale SSAB, Piano
1
+ 6 instrumentations
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57
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48
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29
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23
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20
Clarinette
16
Ensemble de saxophones
15
3 Saxophones (trio)
13
Quintette de Flûte : 5 flûtes
13
Flûte traversière
12
Flûte à bec Soprano
11
Flûte traversière et Piano
11
Quintette de Clarinettes: 5 clarinettes
9
Clarinette et Piano
8
Ensemble de Clarinettes
8
Saxophone Alto
8
Clarinette (partie séparée)
7
Saxophone Tenor
7
Saxophone Alto et Piano
7
Flûte à bec Alto
6
Ensemble de Flûtes
5
Flûte, Hautbois, Clarinette, Basson
5
Saxophone Tenor et Piano
5
Hautbois, Piano (duo)
5
Piccolo
4
3 Flûtes à bec (trio)
4
Saxophone Baryton, Piano
4
Ensemble De Flûte à bec
4
Saxophone Baryton
4
Trio de Flûtes: 3 flûtes
4
Saxophone Soprano
4
Hautbois
4
Saxophone Soprano et Piano
4
Saxophone (partie séparée)
3
Flûte, Clarinette et Basson
2
Flûte à Bec
2
3 Clarinettes (trio)
2
Cor Anglais
2
Cor anglais, Piano
2
Piccolo, Piano
2
2 Saxophones (duo)
2
Flûte, Hautbois, Basson
2
Flute (partie séparée)
2
Hautbois (partie séparée)
2
2 Flûtes traversières (duo)
1
Quatuor de Flûtes à bec
1
3 Hautbois
1
Flûte, Clarinette (duo)
1
2 Flûte à bec (duo)
1
2 Clarinettes (duo)
1
Ocarina
1
Instruments en Mib
1
+ 47 instrumentations
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Cuivres
Trompette
20
Cor
7
Trompette (partie séparée)
6
Tuba
5
Cor et Piano
4
Cor Anglais
2
Cor anglais, Piano
2
Tuba et Piano
2
Bass Clef Instruments
2
2 Trompettes (duo)
2
Cor (partie séparée)
2
Euphonium, Piano (duo)
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 cors
1
Tuba et Orgue
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Tuba (partie séparée)
1
Trompette, Piano
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon
12
Violoncelle
11
Violoncelle, Piano
8
Alto seul
8
Trio à Cordes: violon, alto, violoncelle
6
Harpe
6
Alto, Piano
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
4
Violon, Violoncelle (duo)
4
Violon et Piano
4
2 Violons (duo)
4
Ensemble d'Altos
4
Trio à cordes: 3 altos
3
Violon, Alto (duo)
3
Trio à cordes: 3 violins
3
Contrebasse (partie séparée)
3
Contre Basse
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
2
2 Altos (duo)
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
2
4 Contrebasses
1
Violon (partie séparée)
1
Alto (partie séparée)
1
Harpe, Voix
1
2 Violoncelles (duo)
1
+ 24 instrumentations
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Orchestre & Percussions
Ensemble de cuivres
28
Orchestre d'harmonie
19
Orchestre à Cordes
11
Orchestre
9
Orchestre de chambre
3
Batterie (partie séparée)
2
Jazz combo
1
Percussion (partie séparée)
1
2 Marimbas
1
+ 4 instrumentations
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Vous avez sélectionné:
For All We Know - Trombone 1
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Partitions à imprimer
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Jingle Bells for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Publishe...
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Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
#
Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
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