Partitions Numériques de Get Out My Way pour Piano Quatuor: piano, violon, alto, violoncelle

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TRI ET FILTRES

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Non classifié 140

PIANO & CLAVIERS

Piano seul 123 Piano, Voix et Guitare 49 Piano, Voix 32 Piano Facile 29 Instruments en Do 6 Accompagnement Piano 4 2 Pianos, 4 mains 3 Orgue 3 1 Piano, 4 mains 3 Piano Quatuor: piano, violon, alto, violoncelle 2

Piano Trio: piano, violon, violoncelle 1 Piano Quintette: piano, 2 violons, alto, violoncelle 1

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GUITARES

Guitare notes et tablatures 8 Guitare 7 Basse electrique 2 Ukulele 2 Mandoline 1

4 Guitares (Quatuor) 1 Ensemble de guitares 1

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VOIX

Chorale SATB 44 Chorale 3 parties 28 Chorale SSAA 15 Chorale 2 parties 14 Chorale TTBB 13

Chorale Unison 2 Voix seule 2 Voix duo 2 Voix Baryton, Piano 1 Chorale SSATTB 1 Voix Tenor 1

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VENTS

Clarinette 13 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 13 Flûte, Hautbois, Clarinette, Basson 12 Hautbois, Piano (duo) 10 Quatuor de Saxophones: 4 saxophones 10

Flûte traversière 9 Saxophone (partie séparée) 8 3 Clarinettes (trio) 8 Saxophone Alto 7 Saxophone Tenor 7 Flûte traversière et Piano 7 2 Flûte à bec (duo) 6 Hautbois (partie séparée) 6 Quintette de Saxophone: 5 saxophones 5 Saxophone Alto et Piano 5 Clarinette et Piano 4 2 Saxophones (duo) 4 2 Flûtes traversières (duo) 4 Saxophone Tenor et Piano 4 3 Saxophones (trio) 3 Flûte, Clarinette et Basson 3 Hautbois 2 2 Clarinettes (duo) 2 Saxophone Baryton, Piano 2 2 Hautbois (duo) 2 Hautbois, Clarinette (duo) 2 Saxophone Soprano et Piano 2 5 Flûtes à bec 1 Quatuor de Flûtes : 4 flûtes 1 Saxophone et Orgue 1 Quintette de Flûte : 5 flûtes 1 Quatuor de Clarinettes: 4 clarinettes 1 Quintette de Clarinettes: 5 clarinettes 1 Flute (partie séparée) 1 Saxophone 1 Ensemble de saxophones 1 Flûte et Guitare 1 Ensemble de Clarinettes 1 Ensemble de Flûtes 1

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CUIVRES

Trompette 8 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 8 Trompette, Piano 8 Trombone 8 Cor 7

Tuba 6 Cor et Piano 6 Quatuor de Cuivres : 2 trompettes, trombone, tuba 5 Trombone et Piano 5 Quatuor de Cuivres 3 2 Tubas (duo) 3 Quatuor de cuivres: 4 cors 3 Tuba et Piano 3 2 Trombones (duo) 3 Trompette, Trombone (duo) 3 Tuba et Orgue 2 2 Trompettes (duo) 2 Trompette (partie séparée) 2 2 Cors (duo) 2 Ensemble de Trombones 1 2 Euphoniums et 2 Tubas 1 Ensemble de Trompettes 1 Quatuor de Cuivres: 2 trompettes, Cor, trombone 1 Euphonium 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 80 Violon 26 Violon, Violoncelle (duo) 21 Trio à Cordes: violon, alto, violoncelle 17 Violoncelle 12

Violon et Piano 10 Violoncelle, Piano 8 Contre Basse 7 Alto seul 7 Quintette à cordes: 2 violons, alto, violoncelle, basse 6 Trio à Cordes: 2 violons, violoncelle 5 2 Violons (duo) 5 Contrebasse, Piano (duo) 4 Alto, Piano 4 Quintette à cordes : 2 violons, alto et 2 violoncelles 4 Harpe 4 Violon, Alto (duo) 3 2 Violoncelles (duo) 3 2 Altos (duo) 2 Harpe, Voix 2 Alto (partie séparée) 2 2 Contrebasses (duo) 2 Violoncelle, Contrebasse (duo) 1 Trio à Cordes: 3 violoncelles 1 Violoncelle , Guitare (duo) 1 Violon, Guitare (duo) 1

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PERCUSSIONS & ORCHESTRES

Orchestre à Cordes 19 Orchestre d'harmonie 17 Ensemble Jazz 12 Orchestre 10 Ensemble de cuivres 8

Marimba 2 Ensemble d'École 2 Orchestre de chambre 2 Jazz combo 1 Percussion 1 Piano et Orchestre 1 Ensemble de Percussions 1

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AUTRES

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Get Out My Way

Piano Quatuor: piano, violon, alto, violoncelle

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Parallel Tracks

Piano Quatuor: piano, violon, alto, violoncelle

Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…(+)

Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). â€œParallel Tracksâ€ was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nationsâ€™s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.â€œParallel Tracksâ€ begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyageâ€™s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.

$19.99 18.31 € #Piano Quatuor: piano, violon, alto, violoncelle #Terry Vosbein #Parallel Tracks #Max Frank Music #SheetMusicPlus

Funny Like a Monkey for piano quartet

Piano Quatuor: piano, violon, alto, violoncelle

Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed …(+)

Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases â€“ of which Funny Like a Monkey is but one of many â€“ is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movementâ€™s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahmsâ€™ (J.B.â€™s) Piano Quartet in G Minor, Op. 25. Iâ€™m crazy about Brahmsâ€™ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.

$36.00 32.98 € #Piano Quatuor: piano, violon, alto, violoncelle #Robert M #Funny Like a Monkey for piano quartet #Robert M. Greenberg #SheetMusicPlus