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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
He Is The Way!
Non classifié
519
Piano & claviers
Piano seul
345
Piano, Voix
225
Piano, Voix et Guitare
94
Piano Facile
45
Orgue
37
Instruments en Do
34
Piano Trio: piano, violon, violoncelle
9
Accompagnement Piano
5
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano grosses notes
3
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
Accordéon
1
Orgue, Trompette (duo)
1
+ 13 instrumentations
Retracter
Guitares
Guitare
49
Guitare notes et tablatures
17
Ligne De Mélodie, (Paroles) et Accords
7
Ukulele
6
Mandoline
2
Piano, Guitare (duo)
1
Paroles et Accords
1
Ukulele Baryton
1
Basse electrique
1
Ensemble de guitares
1
Dulcimer
1
2 Guitares (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
231
Chorale 3 parties
32
Chorale TTBB
26
Chorale 2 parties
16
Voix Alto, Piano
13
Chorale Unison
11
Voix duo, Piano
7
Voix Baryton, Piano
7
Voix Soprano, Piano
6
Chorale SSAA
6
Voix Tenor
6
Voix Tenor, Piano
6
Voix duo
5
Voix haute
3
Chorale SSATTB
2
Voix seule
2
Voix basse, Piano
2
Chorale SSAATTBB
1
+ 13 instrumentations
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Vents
2 Saxophones (duo)
70
Flûte traversière et Piano
53
Clarinette et Piano
41
Saxophone Alto et Piano
35
Saxophone, Clarinette (duo)
32
Quatuor de Saxophones: 4 saxophones
30
Hautbois, Piano (duo)
29
2 Clarinettes (duo)
25
2 Flûtes traversières (duo)
24
Saxophone Tenor et Piano
24
Saxophone Soprano et Piano
23
Clarinette, Violon (duo)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Clarinette
18
Saxophone Baryton, Piano
18
Flûte traversière
17
Quatuor de Clarinettes: 4 clarinettes
16
Ensemble de Flûtes
15
Ensemble de Clarinettes
14
Cor anglais, Piano
13
Clarinette, Trompette (duo)
13
Hautbois, Basson (duo)
13
Flûte, Hautbois, Clarinette, Basson
12
Flûte, Violon
12
Clarinette Basse, Piano
12
Hautbois, Clarinette (duo)
11
2 Hautbois (duo)
11
Hautbois, Flûte
11
Flûte, Trompette (duo)
10
Flûte, Clarinette (duo)
10
Clarinette et Alto
10
Flûte, Saxophone (duo)
9
Quatuor de Flûtes : 4 flûtes
8
Flûte, Alto (duo)
7
Hautbois (partie séparée)
7
Quintette de Saxophone: 5 saxophones
6
3 Clarinettes (trio)
4
Clarinette, Violoncelle (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Tenor
4
Saxophone Alto
4
Flute (partie séparée)
3
Saxophone
3
Clarinette, Basson (duo)
3
Flûte à bec Soprano
3
Clarinette, Guitare (duo)
3
Flûte, Alto et Piano
2
Ocarina
2
Ensemble de saxophones
2
Quatuor de Flûtes à bec
2
2 Flûte à bec (duo)
2
Piccolo, Piano
2
Saxophone (partie séparée)
2
Hautbois, Guitare (duo)
2
Quintette de Flûte : 5 flûtes
2
Flûte traversière, Basse continue
1
Flûte à bec Tenor
1
3 Saxophones (trio)
1
Flûte, Hautbois (duo)
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto, Piano
1
Harmonica
1
Flûte à bec Alto
1
Hautbois, Violoncelle
1
Flûte irlandaise
1
Cor anglais et Harpe (duo)
1
Flûte, Clarinette, Piano (trio)
1
Piccolo
1
Cor Anglais
1
Clarinette Basse
1
Flûte, Clarinette et Basson
1
+ 66 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Trombone et Piano
27
Trompette, Saxophone (duo)
22
Cor et Piano
21
Trompette
19
Euphonium, Piano (duo)
18
Trompette, Piano
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Trompette, Trombone (duo)
15
Cor anglais, Piano
13
2 Trombones (duo)
12
Trombone
11
Cor
10
2 Trompettes (duo)
10
Tuba et Piano
9
Tuba
7
Quatuor de Cuivres
6
Trompette (partie séparée)
4
Quatuor de cuivres: 4 trombones
3
Trombone (partie séparée)
3
2 Cors (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Euphoniums et 2 Tubas
2
3 Trombones (trio)
2
Ensemble de Trompettes
2
Clarinette, Cor (duo)
1
Trombone basse et Piano
1
Ensemble de Trombones
1
3 Trompettes (trio)
1
Euphonium
1
Tuba et Orgue
1
Cor anglais et Harpe (duo)
1
2 Tubas (duo)
1
Cor Anglais
1
Ensemble de Tubas
1
+ 30 instrumentations
Retracter
Cordes
Violon et Piano
80
Quatuor à cordes: 2 violons, alto, violoncelle
77
Violoncelle, Piano
50
Alto, Piano
41
Violon
24
2 Violons (duo)
23
Trio à Cordes: violon, alto, violoncelle
17
Violon, Alto (duo)
16
2 Altos (duo)
15
Violon, Violoncelle (duo)
14
Violoncelle
14
Harpe
14
2 Violoncelles (duo)
13
Alto seul
9
Contre Basse
6
Contrebasse, Piano (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Alto (partie séparée)
4
Violon, Guitare (duo)
3
Harpe, Flûte (duo)
3
Harpe, Voix
3
Alto, Violoncelle (duo)
3
Violon (partie séparée)
2
Violoncelle , Guitare (duo)
2
Violoncelle (partie séparée)
2
Ensemble de Violons
1
Trio à Cordes: 3 violoncelles
1
Violon, Clarinette, Piano (trio)
1
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Ensemble d'Altos
1
2 Harpes (duo)
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
158
Orchestre
58
Ensemble Jazz
39
Ensemble de cuivres
35
Orchestre à Cordes
28
Orchestre de chambre
24
Cloches
13
Jazz combo
4
Ensemble de Percussions
3
Batterie
2
Vibraphone
2
Xylophone, Piano
1
2 Marimbas
1
Percussion
1
Fanfare
1
Marimba
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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Crtitères actifs :
He Is The Way!
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
4 partitions trouvées
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Luther: Out of the Depths for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
Away In A Manger for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger for Piano Qua
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
Pachelbel: Canon in D for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
Mussorgsky: Pictures at an Exhibition for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549937 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standar...
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Piano Quartet - Level 4 - SKU: A0.549937 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standards. 208 pages. Jmsgu3 #4317807. Published by jmsgu3 (A0.549937). Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри) Score: 103 pages, 924 measures, duration: 34:30. Contents:  Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)    Allegretto non troppo, capriccioso  4. BYDLO (Cattle) Sempre moderato pesante  Promenade 4 Tranquillo  5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²   Scherzino  6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир Andante  Promenade 5 Allegro giusto, nel modo russico, poco sostenuto  7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)     Allegretto vivo, sempre scherzando  8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo     CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)     Andante non troppo, con lamento  9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле    Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezzaMussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$52.95
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