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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Hora
Non classifié
26 715
Piano & claviers
Piano seul
1 033
Orgue
872
Piano, Voix et Guitare
461
Piano, Voix
386
Piano Facile
155
Instruments en Do
87
Accompagnement Piano
59
Piano Trio: piano, violon, violoncelle
37
Piano (partie séparée)
21
1 Piano, 4 mains
19
Orgue, Trompette (duo)
12
2 Pianos, 4 mains
11
Orgue, Piano (duo)
11
Piano Quatuor: piano, violon, alto, violoncelle
8
Accordéon
8
Piano grosses notes
7
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Clavecin
1
Fake Book
1
Ligne De Mélodie, Piano
1
+ 16 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
148
Guitare notes et tablatures
66
Guitare
52
Guitare (partie séparée)
36
Ukulele
28
Basse electrique
17
3 Guitares (trio)
9
4 Guitares (Quatuor)
8
Paroles et Accords
8
Banjo
7
2 Guitares (duo)
4
Basse électrique (partie séparée)
3
Piano, Guitare (duo)
2
Mandoline
1
Dulcimer
1
Guitare, Violon, Violoncelle (trio)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
66 342
Chorale 3 parties
26 084
Pack Instrumental pour Chorale
19 898
Chorale 2 parties
15 348
Chorale TTBB
13 224
Chorale
8 220
Chorale SSAA
6 956
Chorale Unison
6 211
Chorale SSATB
325
Chorale SSAATTBB
230
Chorale SSATTB
160
Chorale SSAB a cappella
80
Chorale SSAB, Piano
56
Chorale SSAATB
51
Voix duo, Piano
45
Chorale SSATBB
30
Chorale, Orgue
29
Chorale SATBB
25
Voix seule
25
Voix Soprano, Piano
24
Voix duo
23
Soli, choeur mixte et accompagnement
22
Chorale SAATB A Cappella
14
Voix d'Enfants
10
Chorale SSAATB A Cappella
9
Chorale SATTB
7
Voix Baryton, Piano
7
Voix haute
6
Voix Soprano, Orchestre
6
Chorale SATTBB A Cappella
6
Voix Alto, Piano
4
Voix moyenne, Piano
3
Voix basse, Piano
2
Voix Tenor, Piano
2
Chorale SATTBB, Clavier
2
Voix Tenor
1
+ 31 instrumentations
Retracter
Vents
Flute (partie séparée)
530
Saxophone (partie séparée)
216
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
154
Quatuor de Saxophones: 4 saxophones
147
Flûte, Hautbois, Clarinette, Basson
111
Clarinette et Piano
110
Flûte traversière et Piano
109
Clarinette (partie séparée)
93
Quatuor de Clarinettes: 4 clarinettes
81
Hautbois (partie séparée)
73
Hautbois, Piano (duo)
64
Saxophone Alto et Piano
57
Clarinette
56
Flûte traversière
55
Quatuor de Flûtes : 4 flûtes
47
2 Saxophones (duo)
45
Saxophone Alto
45
Flûte et Guitare
44
Quintette de Saxophone: 5 saxophones
40
Ensemble de Flûtes
40
Saxophone
39
Saxophone Tenor et Piano
38
3 Saxophones (trio)
31
Saxophone Soprano et Piano
31
Ensemble de Clarinettes
29
Saxophone Tenor
25
2 Flûtes traversières (duo)
23
Quatuor de Flûtes à bec
23
Cor anglais, Piano
23
2 Clarinettes (duo)
22
Saxophone Baryton, Piano
19
Ensemble de saxophones
18
Quintette de Clarinettes: 5 clarinettes
18
Flûte, Clarinette (duo)
16
Clarinette Basse, Piano
15
3 Clarinettes (trio)
15
3 Flûtes à bec (trio)
14
Trio de Flûtes: 3 flûtes
13
Flûte à Bec
13
Flûte, Clarinette, Cor, Basson (Quartet)
13
Flûte à bec Soprano
11
2 Flûte à bec (duo)
10
Quintette de Flûte : 5 flûtes
9
Ensemble De Flûte à bec
7
Hautbois
7
Clarinette, Guitare (duo)
6
Saxophone, Clarinette (duo)
6
Flûte à bec Tenor
6
Clarinette, Basson (duo)
5
Clarinette, Violon (duo)
5
Flûte, Violoncelle, Piano (trio)
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Harmonica
5
Flûte, Hautbois, Clarinette (trio)
5
Saxophone Baryton
5
2 Hautbois (duo)
4
Saxophone Soprano
4
Cor Anglais
4
Flûte, Violon
4
Hautbois, Basson (duo)
4
Flûte à bec Alto
4
Clarinette Basse
3
Flûte, Violon, Violoncelle et Piano
3
Clarinette, Trompette (duo)
3
Clarinette, Orgue
3
Flûte, Clarinette, Piano (trio)
3
Flûte à bec Soprano, Piano
3
Clarinette et Alto
2
Flûte, Clarinette et Basson
2
Flûte, Violoncelle
2
Flûte à bec, Guitare (duo)
2
Flûte, Alto (duo)
2
Clarinette, Violoncelle (duo)
2
Flûte traversière, Orchestre
2
Piccolo, Piano
2
Hautbois, Flûte
2
Flûte, Trompette (duo)
2
Hautbois, Clarinette (duo)
2
4 Hautbois
2
2 Saxophones, Piano
2
Cor anglais et Harpe (duo)
1
2 Flûtes traversières, Piano
1
Flûte et Quatuor à Cordes
1
Flûte, Hautbois, Basson
1
5 Flûtes à bec
1
Flûte, trombone et piano
1
Instruments en Mib
1
Ensemble à vent
1
Ensemble de Hautbois
1
Clarinette, Harpe (duo)
1
Hautbois, Quatuor à cordes
1
Clarinette, Orchestre
1
Hautbois, Harpe
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Hautbois
1
Hautbois, Violoncelle
1
2 Clarinettes, Piano
1
Flûte et Trio à cordes
1
Flûte, Saxophone (duo)
1
Saxophone et Orgue
1
Flûte à bec Alto, Piano
1
+ 96 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
667
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
216
Trombone (partie séparée)
197
Trompette, Piano
73
Quatuor de cuivres: 4 trombones
72
Trompette
68
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Trombone et Piano
60
Cor (partie séparée)
44
Quatuor de Cuivres
44
Cor et Piano
44
Trombone
40
Quatuor de cuivres: 4 cors
35
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Ensemble de Trombones
27
2 Euphoniums et 2 Tubas
26
Cor
26
Tuba (partie séparée)
25
Cor anglais, Piano
23
Tuba et Piano
22
2 Trompettes (duo)
17
Trompette, Trombone (duo)
17
Tuba
15
3 Trombones (trio)
13
Ensemble de Cors
13
2 Trombones (duo)
12
Quatuor de cuivres: 4 trompettes
12
4 Tubas
10
Euphonium, Piano (duo)
9
3 Cors (trio)
8
Trompette, Cor (duo)
7
2 Cors (duo)
7
Trio de Cuivres
6
3 Tubas (trio)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Cor, Orchestre
5
Euphonium, Tuba (duo)
5
Trompette, Saxophone (duo)
4
Cor Anglais
4
G Instruments
4
Tuba et Orgue
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Tubas (duo)
3
3 Trompettes (trio)
3
Cornet A Pistons
3
Trombone, Cor (duo)
3
Euphonium
3
Trombone basse et Piano
3
Ensemble de Trompettes
2
Cor anglais et Harpe (duo)
1
Euphonium (partie séparée)
1
Trompette, Basson (duo)
1
Trompette, Orchestre
1
Cor, Violoncelle (duo)
1
Trompette, Violoncelle (duo)
1
Bass Clef Instruments
1
Cor et Basson (duo)
1
Trombone, Orgue
1
Trombone basse
1
4 Euphoniums
1
Instruments en Sib
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
364
Violon et Piano
130
Violoncelle, Piano
96
Contrebasse (partie séparée)
94
Alto, Piano
87
Violon (partie séparée)
75
Violon
68
Violoncelle
57
Trio à Cordes: violon, alto, violoncelle
36
Alto seul
33
Harpe
28
Violon, Violoncelle (duo)
26
2 Violons (duo)
21
Violoncelle (partie séparée)
18
Contrebasse, Piano (duo)
18
Alto (partie séparée)
18
4 Violoncelles
18
Violon, Alto (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
2 Violoncelles (duo)
12
Violoncelle, Orchestre
11
2 Altos (duo)
11
Violon, Orgue
10
Trio à cordes: 3 violins
10
Contre Basse
9
Trio à Cordes: 2 violons, violoncelle
9
Trio à Cordes: 3 violoncelles
8
Quatuor à cordes: 4 violons
8
Alto, Violoncelle (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Trio à cordes: 3 altos
6
Quatuor à cordes : 4 altos
5
Harpe, Flûte (duo)
5
Trio à cordes
4
Piano Trio: Violon, Alto, Piano
4
Harpe, Violon, Violoncelle
3
Violon, Guitare (duo)
2
Alto, Guitare (duo)
2
Alto et Basson
1
Harpe, Violon (duo)
1
Harpe (partie séparée)
1
2 Violons, Piano
1
Violoncelle, Basse continue
1
Ensemble d'Altos
1
4 Contrebasses
1
Harpe et Piano
1
Ensemble de Violons
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Orgue
1
Violon, Basson (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 091
Orchestre
626
Orchestre à Cordes
401
Ensemble Jazz
218
Fanfare
147
Cloches
140
Ensemble de cuivres
126
Orchestre de chambre
111
Batterie
83
Piano et Orchestre
71
Percussion (partie séparée)
71
Jazz combo
33
Batterie (partie séparée)
33
Orchestre, Violon
18
Marimba
8
Percussion
8
Timbales (partie séparée)
7
Ensemble de Percussions
6
Xylophone, Piano
5
Instrumentation Flexible
4
Vibraphone
3
Big band
1
Caisse Claire
1
Voix et Orchestre
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
85
Papeterie
1
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CLAIRON
CLARINETTE
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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PERCU. ORCH…
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SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIELLE A RO…
VIOLE DE GA…
VIOLON
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XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Hora
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
8 partitions trouvées
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1
St Anthony Chorale for String Quartet with optional piano
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Piano Quatuor: piano, violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Haydn/Brahms
#
Jerry Lanning
#
St Anthony Chorale for String
#
Jerry Lanning
#
SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.767756 Composed by Haydn/Brahms. Arranged by Jerry Lanning. Classical,Romanti...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.767756 Composed by Haydn/Brahms. Arranged by Jerry Lanning. Classical,Romantic Period. Score and parts. 8 pages. Jerry Lanning #3863257. Published by Jerry Lanning (A0.767756). St Anthony Chorale is the theme from Brahms' great set of orchestral variations, the 'Variations on a Theme of Haydn'. It may be played by string quartet or piano quintet, the piano being optional. If the piano is present the viola and/or cello parts may be safely omitted, so this arrangement is very flexible.
$7.95
Jesus Bleibet Meine Freude (Choral From Cantata BWV 153)
#
Piano Quatuor: piano, violon, alto, violoncelle
#
DÉBUTANT
#
Classique
#
Johann Sebastian Bach
#
Jesus Bleibet Meine Freude
#
SheetmusicLAB
#
SheetMusicPlus
Quartet (Violin, Viola, Cello, Piano) - Primer Level - SKU: P5.CL-BAR-11778 Composed by Johann Sebastian Bach. Baroque Period. Score and Parts. 15 pages...
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Quartet (Violin, Viola, Cello, Piano) - Primer Level - SKU: P5.CL-BAR-11778 Composed by Johann Sebastian Bach. Baroque Period. Score and Parts. 15 pages. SheetmusicLAB #CL-BAR-11778. Published by SheetmusicLAB (P5.CL-BAR-11778). 651 x 297 mm inches.
$3.50
It Is Well With My Soul (Piano Quartet): Violin, Viola, Cello and Piano
#
Piano Quatuor: piano, violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Horatio Spafford, Philip P
#
John A
#
It Is Well With My Soul
#
John A. Dempsey
#
SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1153831 Composed by Horatio Spafford, Philip P. Bliss. Arranged by John A. De...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1153831 Composed by Horatio Spafford, Philip P. Bliss. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 20 pages. John A. Dempsey #754098. Published by John A. Dempsey (A0.1153831). An unforgettable hymn of comfort and assurance, this peaceful string quartet for violin, viola, cello and piano is recommended for traditional church services and other worship events (including funerals), as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Key: D major. 16 pages of music (that includes the score and separate two-parts for violin 1, viola and cello).      When peace like a river attendeth my way   When sorrows like sea billows roll;   Whatever my lot, Thou hast taught me to say   It is well, it is well with my soul.
$14.00
Pray for Them
#
Piano Quatuor: piano, violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Jaie Tiefenbrunn
#
Pray for Them
#
Tiefenbrunn Music
#
SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1149783 Composed by Jaie Tiefenbrunn. Broadway,Musical/Show,Pop,Praise & Wors...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1149783 Composed by Jaie Tiefenbrunn. Broadway,Musical/Show,Pop,Praise & Worship. Score and parts. 24 pages. Tiefenbrunn Music #749934. Published by Tiefenbrunn Music (A0.1149783). This choral anthem with solo feature is a prayer for all those who are struggling with mental illness - from depression to anxiety. Suitable for concert or contemporary worship service. This is the conductor's score for the choral sheet available here. Original song by Jaie Tiefenbrunn composed in 2009, optional strings added in 2017.
$9.99
Luther: Out of the Depths for Piano Quartet
#
Piano Quatuor: piano, violon, alto, violoncelle
#
DÉBUTANT
#
Martin Luther
#
James M
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
Pachelbel: Canon in D for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
Mozart: Romanze from K. 525 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sac...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
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