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Orgue
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1 Piano, 4 mains
76
Accompagnement Piano
50
2 Pianos, 4 mains
45
Piano Trio: piano, violon, violoncelle
28
Ligne De Mélodie, Piano
12
Piano (partie séparée)
11
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Clavier
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Piano Quatuor: piano, 2 violons, violoncelle
8
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Piano Quatuor: piano, violon, alto, violoncelle
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Ukulele
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158
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118
2 Guitares (duo)
25
Guitare (partie séparée)
23
4 Guitares (Quatuor)
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Banjo
15
Mandoline
15
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8
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5
Ensemble de guitares
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4
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2 Ukuleles
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Harpe
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175
2 Harpes (duo)
156
Quintette à cordes: 2 violons, alto, violoncelle, basse
155
2 Violons (duo)
128
Violon, Alto (duo)
100
2 Violoncelles (duo)
76
2 Altos (duo)
73
Contre Basse
60
Alto (partie séparée)
56
Trio à Cordes: 2 violons, violoncelle
50
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38
Violon (partie séparée)
38
Contrebasse (partie séparée)
36
Contrebasse, Piano (duo)
28
Violon, Guitare (duo)
25
Harpe, Flûte (duo)
19
Harpe, Violon (duo)
18
Violoncelle , Guitare (duo)
16
Violoncelle, Contrebasse (duo)
16
Piano Trio: Violon, Alto, Piano
16
Quatuor à cordes: 4 violons
14
2 Contrebasses (duo)
13
4 Violoncelles
13
Harpe, Violoncelle (duo)
11
Trio à Cordes: 2 violons, alto
10
Ensemble de Violons
10
Alto et Harpe
9
2 Violons, Piano
9
Trio à cordes: 3 violins
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Ensemble d'Altos
7
Trio à Cordes: 3 violoncelles
7
Flûte, Contrebasse (duo)
6
Harpe, Voix
6
Alto, Guitare (duo)
5
Violoncelle, Orchestre
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Quatuor à cordes : 4 altos
4
Harpe, Violon, Violoncelle
4
4 Contrebasses
4
Harpe et Piano
3
2 Altos, Piano
2
Trio à cordes: 3 altos
2
Harpe (partie séparée)
2
2 Violoncelles, Piano
1
Violon, Clarinette, Piano (trio)
1
3 Harpes
1
Ensemble de Violoncelles
1
Alto et Basson
1
Violon, Tuba (duo)
1
Violoncelle, Orgue
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
562
Orchestre
432
Batterie
418
Orchestre à Cordes
386
Orchestre de chambre
215
Ensemble Jazz
192
Ensemble de cuivres
149
Cloches
98
Ensemble de Percussions
59
Fanfare
53
Jazz combo
51
Percussion (partie séparée)
24
Marimba
23
Batterie (partie séparée)
21
Percussion
13
Xylophone, Piano
5
Quintette à Vent
5
Vibraphone
5
3 Marimbas
4
Xylophone
4
Timbales
3
Piano et Orchestre
2
Timbales (partie séparée)
2
Instrumentation Flexible
1
Ensemble d'École
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Orchestre, Violon
1
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AUTRES
Formation musicale - Solfège
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Piano Quatuor: piano, violon, alto, violoncelle
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1
Can You Feel The Love Tonight
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.842899 Composed by Brett Allen, Christopher Kevin Willis, Graham Mcmillan Wilson, Ian Levine, James Todman, John Robinson Reid, Nigel Stock, and Ronald Haryanto. Arranged by Dico. Film/TV,Pop,Wedding. Score and parts. 14 pages. Dico #6342341. Published by Dico (A0.842899). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.CAN YOU FEEL THE LOVE TONIGHT - Multi-award winning song (Oscar, Golden Globe and Grammy), main theme of the film The Lion King, arranged for flexible harp/piano quartet:- Part 1: Flute (Violin | Oboe | Clarinet | Sop sax)- Harp (Piano)- Part 2: Violin (Viola)- Cello
$20.00
18.37 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Brett Allen, Christopher Kevin Willis, Graham Mcmillan Wilson, Ian Levine, James Todman, John Robinson Reid, Nigel Stock, and Ronald Haryanto
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Dico
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Can You Feel The Love Tonight
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Dico
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SheetMusicPlus
The Water is Wide (Piano Quartet): Violin, Viola, Cello and Piano
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.525137 …
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Piano Quartet Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.525137 Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Traditional,Wedding. 18 pages. John A. Dempsey #6323387. Published by John A. Dempsey (A0.525137). Give me a boat that can carry two and both shall row, my love and I. From a rich, vibrant Celtic tradition comes the classic The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather). This unabashedly romantic piano quartet for violin, viola, cello and piano is perfect for weddings and ceilidhs (or any Celtic-themed music event) as well as recitals and concerts. As wedding music, The Water is Wide stirs the heart as a prelude, unity candle accompaniment, a bridal march or a bridesmaid processional. Since the melody (O Waly Waly) has been used in multiple hymn settings, including The Gift of Love, Though I May Speak with Bravest Fire and as an alternate melody for When I Survey the Wondrous Cross, this piano quartet is also effective for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, special music and silent prayer accompaniment. 14 pages of music (that includes separate two-page pullout parts for violin, viola and cello). Key: G major.
$14.00
12.86 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional Scottish Melody
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John A
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The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Funny Like a Monkey for piano quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed …
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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
33.06 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Robert M
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Funny Like a Monkey for piano quartet
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Robert M. Greenberg
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SheetMusicPlus
Luther: Out of the Depths for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed …
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Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
42.19 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Martin Luther
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James M
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Luther: Out of the Depths for Piano Quartet
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jmsgu3
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SheetMusicPlus
The Promise
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.874476 By Various Artists. By Brendan Graham, Rolf Loevland, and Rolf Lovland. Arranged by Gavin Koh. Contemporary. Score and parts. 12 pages. Gavin Koh #5034185. Published by Gavin Koh (A0.874476). Here is the orchestral version of Secret Garden's lovely The Promise, scored for Piano, Violin, Viola, and Cello. This version stays true to the original as much as possible. I hope you will love it as much as I enjoyed arranging it.You can listen to Adagio on my Soundcloud channel at https://soundcloud.com/gavinkoh/secret-garden-the-promise-orchestral-versionListen to the composer's works and other arrangements at https://soundcloud.com/gavinkoh
$12.99
11.93 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Various Artists
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Gavin Koh
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The Promise
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Gavin Koh
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SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. …
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Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
22.91 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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James M
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The First Noel for Piano Quartet
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jmsgu3
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SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. …
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Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.91 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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James M
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The First Noel for Piano Quartet
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jmsgu3
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SheetMusicPlus
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