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PIANO & CLAVIERS
Piano seul
618
Piano, Voix
212
Piano Facile
135
Piano, Voix et Guitare
111
Orgue
40
Instruments en Do
37
2 Pianos, 4 mains
13
Piano Trio: piano, violon, violoncelle
12
Accompagnement Piano
12
1 Piano, 4 mains
11
Piano (partie séparée)
10
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano grosses notes
3
Orgue, Piano (duo)
2
2 Pianos, 8 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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1
Orgue, Trompette (duo)
1
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GUITARES
Guitare notes et tablatures
103
Ligne De Mélodie, (Paroles) et Accords
80
Guitare
56
Basse electrique
27
Guitare (partie séparée)
24
Ukulele
15
Banjo
9
2 Guitares (duo)
8
Mandoline
8
4 Guitares (Quatuor)
7
3 Guitares (trio)
4
Ensemble de guitares
3
Dulcimer
3
Basse électrique (partie séparée)
3
Mandoline, Guitare (duo)
2
Mandoline, Piano (duo)
1
Paroles et Accords
1
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VOIX
Chorale SATB
376
Chorale 3 parties
136
Chorale TTBB
75
Chorale 2 parties
57
Chorale SSAA
54
Chorale Unison
24
Voix duo
10
Voix duo, Piano
6
Voix Soprano, Piano
5
Chorale SSAATTBB
4
Voix haute
4
Voix Tenor
4
Voix Alto, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix moyenne, Piano
2
Voix Tenor, Piano
2
Chorale SSATTB
1
Chorale SSAATB
1
Voix Baryton, Piano
1
Voix seule
1
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VENTS
Quatuor de Saxophones: 4 saxophones
105
Flûte, Hautbois, Clarinette, Basson
104
Saxophone (partie séparée)
98
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
72
Flûte traversière et Piano
71
2 Saxophones (duo)
60
Saxophone Alto et Piano
51
Hautbois, Piano (duo)
47
Quatuor de Clarinettes: 4 clarinettes
43
Clarinette
40
Clarinette et Piano
36
Quatuor de Flûtes : 4 flûtes
32
Flûte traversière
30
Saxophone Tenor et Piano
30
Saxophone Alto
25
2 Flûtes traversières (duo)
23
Ensemble de saxophones
21
Hautbois (partie séparée)
20
Quintette de Saxophone: 5 saxophones
20
Saxophone Soprano et Piano
19
2 Clarinettes (duo)
18
Clarinette (partie séparée)
17
Saxophone Baryton, Piano
17
3 Clarinettes (trio)
17
Flûte, Clarinette (duo)
16
Quintette de Clarinettes: 5 clarinettes
15
Flûte à bec Soprano
14
Cor anglais, Piano
11
Ensemble de Flûtes
11
Ensemble de Clarinettes
11
3 Saxophones (trio)
10
Trio de Flûtes: 3 flûtes
10
Flute (partie séparée)
10
Hautbois, Basson (duo)
9
Clarinette, Violon (duo)
9
Clarinette Basse, Piano
8
Flûte, Violoncelle
8
Flûte et Guitare
7
Cor Anglais
6
Flûte, Violon
6
Flûte, Alto (duo)
6
2 Flûte à bec (duo)
6
Clarinette, Violoncelle (duo)
5
Hautbois, Violoncelle
5
Quintette de Flûte : 5 flûtes
5
Clarinette, Basson (duo)
4
Clarinette, Trompette (duo)
4
Flûte à Bec
4
Flûte, Clarinette et Basson
4
Flûte, Violon, Piano
4
Saxophone, Clarinette (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte à bec Tenor
3
Clarinette et Alto
3
Flûte à bec Soprano, Piano
3
Clarinette, Trombone (duo)
3
Clarinette Basse
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Saxophone (duo)
2
Hautbois, Guitare (duo)
2
Flûte, Harpe et Violoncelle
2
2 Saxophones, Piano
2
Flûte, Hautbois, Basson
2
Clarinette, Guitare (duo)
2
Flûte à bec Alto
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Hautbois (duo)
2
Hautbois, Flûte
2
2 Hautbois (duo)
2
Flûte, Trompette (duo)
2
Quatuor de Flûtes à bec
2
Cor anglais et Harpe (duo)
1
Saxophone et Harpe
1
Ensemble De Flûte à bec
1
Saxophone et Orgue
1
3 Flûtes à bec (trio)
1
Piccolo
1
4 Hautbois
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois et alto (duo)
1
Ensemble à vent
1
Hautbois et Orchestre
1
Clarinette, Tuba
1
Hautbois, trombone (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Tuba (duo)
1
Flute, harpe et violon
1
Flûte, Hautbois, Violon
1
Clarinette, Harpe (duo)
1
Flûte, Trombone (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone
1
Piccolo, Piano
1
3 Hautbois
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
78
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
74
Trombone (partie séparée)
69
Trompette (partie séparée)
50
Trompette
34
Cor et Piano
32
Trompette, Piano
31
Trombone et Piano
29
Quatuor de Cuivres
24
Cor (partie séparée)
21
Ensemble de Trombones
19
Trombone
17
Tuba (partie séparée)
17
Tuba et Piano
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Euphonium, Piano (duo)
13
Quatuor de cuivres: 4 trombones
13
Trompette, Saxophone (duo)
12
Cor anglais, Piano
11
Tuba
10
Cor
10
Cor Anglais
6
3 Trombones (trio)
6
Quatuor de cuivres: 4 cors
6
2 Trombones (duo)
5
2 Euphoniums et 2 Tubas
5
2 Cors (duo)
4
Trio de Cuivres
4
2 Trompettes (duo)
4
4 Tubas
3
Ensemble de Trompettes
2
Euphonium
2
Trompette, Trombone (duo)
2
Cor anglais et Harpe (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Tuba (duo)
1
Trompette, Harpe
1
2 Tubas (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Violon (duo)
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trompettes
1
Cor et Harpe
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
277
Violon et Piano
81
Violon
45
Harpe
42
Violon, Violoncelle (duo)
42
Alto, Piano
39
Violoncelle, Piano
38
Trio à Cordes: violon, alto, violoncelle
33
Violoncelle (partie séparée)
29
2 Violons (duo)
26
Contrebasse (partie séparée)
21
Alto seul
20
Violon (partie séparée)
17
Trio à Cordes: 2 violons, violoncelle
17
2 Violoncelles (duo)
15
Violon, Alto (duo)
14
Contrebasse, Piano (duo)
13
Violoncelle
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Alto (partie séparée)
10
2 Altos (duo)
9
Contre Basse
5
Harpe, Flûte (duo)
5
Alto, Violoncelle (duo)
5
Violon, Guitare (duo)
4
Violoncelle , Guitare (duo)
4
Trio à cordes
4
Trio à Cordes: 3 violoncelles
4
4 Violoncelles
4
Alto et Basson
4
Quatuor à cordes: 4 violons
3
Harpe, Violon (duo)
3
2 Harpes (duo)
3
Trio à cordes: 3 violins
2
Violon, Basson (duo)
2
Harpe, Violoncelle (duo)
2
Harpe, Voix
2
Piano Trio: Violon, Alto, Piano
2
Harpe et mandoline
1
4 Contrebasses
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Tuba (duo)
1
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
Ensemble de Violoncelles
1
Harpe, Violon, Violoncelle
1
Alto et Harpe
1
2 Violons, Piano
1
Trio à Cordes: 2 violons, alto
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
631
Orchestre
126
Ensemble Jazz
109
Orchestre à Cordes
104
Ensemble de cuivres
88
Cloches
47
Jazz combo
26
Batterie (partie séparée)
25
Orchestre de chambre
22
Percussion (partie séparée)
11
Ensemble de Percussions
11
Fanfare
8
Batterie
4
Marimba
2
Xylophone, Piano
2
Piano et Orchestre
1
Orchestre, Violon
1
Vibraphone et Marimba
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
2
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Piano Quatuor: piano, violon, alto, violoncelle
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Beethoven - Rondo Op.49 - Piano Quartet Violin, Viola, Cello, Piano
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.823998 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.823998 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert,Standards. Score and parts. 28 pages. TK (Tim) Murray #4783589. Published by TK (Tim) Murray (A0.823998). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Violin, Viola, Cello, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
6.41 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Ludwig van Beethoven
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Tim TK Murray
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tkmurraycomp@aol
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Beethoven - Rondo Op.49 - Piano Quartet Violin, Viola, Cello, Piano
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TK
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SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. …
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Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.02 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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James M
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The First Noel for Piano Quartet
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed …
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Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
42.39 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Martin Luther
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James M
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Luther: Out of the Depths for Piano Quartet
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jmsgu3
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SheetMusicPlus
Pachelbel: Canon in D for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
43.31 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Piano Quartet
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jmsgu3
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SheetMusicPlus
Fauré: Élégie Op. 24 for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 4 - Digital Download SKU: A0.549720 Composed by Gabriel Faure…
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Piano Quartet - Level 4 - Digital Download SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
39.62 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Piano Quartet
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jmsgu3
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SheetMusicPlus
Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.44 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
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