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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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PIANO & CLAVIERS
Piano seul
1079
Piano, Voix
531
Piano Facile
351
Piano, Voix et Guitare
323
Piano grosses notes
113
Instruments en Do
77
Orgue
65
Accompagnement Piano
24
Piano Trio: piano, violon, violoncelle
19
1 Piano, 4 mains
12
Piano (partie séparée)
9
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
5
2 Pianos, 4 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
4
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3
Accordéon
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2 Pianos, 8 mains
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Guitare notes et tablatures
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26
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VOIX
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346
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134
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69
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Voix Soprano, Piano
29
Voix duo, Piano
12
Voix seule
11
Voix haute
7
Voix Alto, Piano
7
Voix Tenor, Piano
5
Voix moyenne, Piano
5
Voix basse, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix Tenor
2
Soli, choeur mixte et accompagnement
1
Voix basse
1
Voix duo
1
Chorale SATBB
1
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VENTS
Saxophone (partie séparée)
176
2 Saxophones (duo)
163
Quatuor de Saxophones: 4 saxophones
162
Clarinette et Piano
153
Flûte traversière et Piano
146
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
139
Clarinette
128
Hautbois, Piano (duo)
116
Flûte, Hautbois, Clarinette, Basson
106
Saxophone Alto et Piano
105
Flûte traversière
96
Saxophone Tenor et Piano
89
Saxophone Alto
85
Quintette de Saxophone: 5 saxophones
80
2 Flûtes traversières (duo)
76
Hautbois (partie séparée)
74
Quatuor de Clarinettes: 4 clarinettes
74
Saxophone Soprano et Piano
73
Ensemble de saxophones
65
Saxophone Baryton, Piano
64
2 Clarinettes (duo)
62
Saxophone
48
Saxophone, Clarinette (duo)
41
2 Hautbois (duo)
41
Flûte, Clarinette (duo)
38
Ensemble de Clarinettes
35
Cor anglais, Piano
32
Quatuor de Flûtes : 4 flûtes
29
Clarinette, Violon (duo)
29
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27
Clarinette Basse, Piano
27
Hautbois
26
Saxophone Tenor
23
Hautbois, Clarinette (duo)
23
Clarinette, Trompette (duo)
21
Hautbois, Basson (duo)
21
Saxophone Soprano
19
Flûte, Violon
18
Flûte à bec Soprano
17
Clarinette (partie séparée)
16
3 Saxophones (trio)
15
3 Clarinettes (trio)
15
Clarinette et Alto
14
Saxophone Baryton
14
Flûte, Trompette (duo)
13
Flûte et Guitare
13
Hautbois, Flûte
12
Quintette de Flûte : 5 flûtes
12
Flute (partie séparée)
11
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11
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11
Flûte, Alto (duo)
11
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11
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8
Harmonica
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2
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2
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Piccolo
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Cor anglais, Guitare (duo)
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Flûte, Hautbois, Basson
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Flûte, Clarinette et Basson
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Flûte et Trio à cordes
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Flûte, Hautbois, Clarinette (trio)
1
2 Hautbois, Piano
1
Cor anglais et Harpe (duo)
1
Hautbois, Harpe
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Flûte traversière, Basse continue
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
183
Trompette
124
Trombone et Piano
107
Cor et Piano
81
Trombone
78
Quatuor de Cuivres: 2 trompettes, Cor, trombone
78
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Trompette, Piano
75
Tuba
68
Cor
60
Trombone (partie séparée)
54
Tuba et Piano
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Euphonium, Piano (duo)
46
Trompette (partie séparée)
45
2 Trompettes (duo)
41
2 Trombones (duo)
38
Quatuor de Cuivres
37
Cor anglais, Piano
32
Quatuor de cuivres: 4 trombones
28
Trompette, Saxophone (duo)
26
Trompette, Trombone (duo)
26
2 Cors (duo)
24
Cor (partie séparée)
18
Ensemble de Trombones
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2 Tubas (duo)
13
Ensemble de Trompettes
12
Tuba (partie séparée)
10
Trompette, Cor (duo)
8
Quatuor de cuivres: 4 cors
7
2 Euphoniums et 2 Tubas
4
Ensemble de Cors
4
Cor, Tuba (duo)
3
Quatuor de cuivres: 4 trompettes
3
Trompette, Basson (duo)
3
Trombone, Cor (duo)
3
Cor Anglais
2
4 Tubas
2
Bass Clef Instruments
2
3 Trombones (trio)
2
Cor et Orgue
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Cor, Violoncelle (duo)
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3 Euphoniums
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2 Euphoniums (duo)
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Trombone basse et Piano
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Ensemble de Tubas
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Trompette, Trombone, Piano
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3 Tubas (trio)
1
3 Trompettes (trio)
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2 Cors, Piano
1
Trio de Cuivres
1
Cor anglais, Guitare (duo)
1
Trompette, Violoncelle (duo)
1
Trompette, Euphonium (duo)
1
Tuba et Orgue
1
Cor anglais et Harpe (duo)
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Instruments en Sib
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
422
Violon
160
Violon, Violoncelle (duo)
139
Violon et Piano
134
Violoncelle, Piano
114
Violoncelle (partie séparée)
113
Alto, Piano
112
2 Violons (duo)
73
Trio à Cordes: 2 violons, violoncelle
71
Violoncelle
70
Alto seul
57
Quintette à cordes: 2 violons, alto, violoncelle, basse
52
2 Violoncelles (duo)
52
Violon, Alto (duo)
51
Contre Basse
46
Contrebasse, Piano (duo)
45
Harpe
44
2 Altos (duo)
43
Trio à Cordes: violon, alto, violoncelle
33
Alto (partie séparée)
18
Violon (partie séparée)
18
Contrebasse (partie séparée)
14
4 Violoncelles
12
Harpe, Flûte (duo)
9
2 Contrebasses (duo)
9
2 Harpes (duo)
7
Alto, Violoncelle (duo)
6
Trio à Cordes: 3 violoncelles
5
Violon, Guitare (duo)
4
Piano Trio: Violon, Alto, Piano
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Quatuor à cordes: 4 violons
3
Ensemble d'Altos
3
Quatuor à cordes : 4 altos
3
Ensemble de Violons
3
Ensemble de Violoncelles
2
2 Altos, Piano
2
Violon, Clarinette, Piano (trio)
2
Trio à cordes: 3 altos
2
Violon, Basson (duo)
2
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
2 Violons, Piano
1
4 Contrebasses
1
Harpe, Voix
1
Alto, Guitare (duo)
1
Violoncelle, Orgue
1
Violoncelle, Contrebasse (duo)
1
Autoharp
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
488
Orchestre
188
Orchestre à Cordes
101
Ensemble de cuivres
87
Ensemble Jazz
70
Orchestre de chambre
53
Jazz combo
39
Cloches
29
Batterie
23
Fanfare
18
Batterie (partie séparée)
16
Ensemble de Percussions
15
Percussion (partie séparée)
8
Marimba
3
Ensemble d'École
3
Quintette de Cuivres: autres combinaisons
2
Vibraphone et Marimba
1
Piano et Orchestre
1
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AUTRES
Formation musicale - Solfège
1
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Piano Quatuor: piano, violon, alto, violoncelle
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Luther: Out of the Depths for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed …
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Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
42.2 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Martin Luther
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James M
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Luther: Out of the Depths for Piano Quartet
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jmsgu3
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SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. …
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Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.92 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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James M
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The First Noel for Piano Quartet
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jmsgu3
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SheetMusicPlus
Pachelbel: Canon in D for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
43.12 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Piano Quartet
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jmsgu3
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SheetMusicPlus
Jingle Bells for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpon…
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Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
36.69 €
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Piano Quatuor: piano, violon, alto, violoncelle
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Funny Like a Monkey for piano quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed …
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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
33.06 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Robert M
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Funny Like a Monkey for piano quartet
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Robert M. Greenberg
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SheetMusicPlus
Silent Night for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548633 Composed by Gruber. Arran…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jmsgu3 (A0.548633). Silent Night for piano quartet. The final verse features a surprise re-harmonization of the melody. Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to accompany the lyrics. The result is probably the most famous Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs or to ensure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and Mohr's name was largely forgotten.  Though the public initially recognized Gruber as the composer, many people began rumors that a more famous composer was responsible over time. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.
$32.95
30.26 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gruber
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James M
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Silent Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Strangers Like Me(r)
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1142316 By Phil Collins. By Phil Collins. Arranged by Wendy Hellmann. Broadway,Film/TV,Musical/Show,Pop,Rock. Score and parts. 23 pages. Gwendolyn Hellmann #742691. Published by Gwendolyn Hellmann (A0.1142316). This lively piece from Disney's Tarzan is arranged for the advanced ensemble. It starts in the original key of E flat and modulates to E Major at the end. Piano and cello take over the rhythmic drive throughout the piece, while violin takes the melody and viola switches between chordal harmonies and harmonizing with the violin. This piece works as a string trio (without the piano part) though the piano adds much more depth and excitement. The PDF download contains both a full score and a set of individual parts - Piano, Violin, Viola, and Cello. All strings parts are formatted on two pages to avoid page turns.
$13.99
12.85 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Phil Collins
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Wendy Hellmann
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Strangers Like Me(r)
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Gwendolyn Hellmann
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SheetMusicPlus
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