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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It
Non classifié
24 614
Piano & claviers
Piano seul
18 113
Piano, Voix et Guitare
7 742
Piano, Voix
7 634
Piano Facile
6 844
Instruments en Do
2 621
Orgue
1 277
Accompagnement Piano
604
1 Piano, 4 mains
562
Piano grosses notes
336
Piano Trio: piano, violon, violoncelle
266
Accordéon
226
Piano (partie séparée)
196
2 Pianos, 4 mains
147
Piano Quatuor: piano, violon, alto, violoncelle
91
Piano Quintette: piano, 2 violons, alto, violoncelle
68
Clavecin
46
Piano Quatuor: piano, 2 violons, violoncelle
43
Orgue, Piano (duo)
42
Orgue, Trompette (duo)
36
Ligne De Mélodie, Piano
19
Clavier
12
1 Piano, 6 mains
11
2 Pianos, 8 mains
7
Accordéon, Voix
4
Orgue, Voix
2
2 Accordéons
2
Ensemble d'Accordéons
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Fake Book
1
Accordéon et Orchestre
1
+ 25 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3 344
Ligne De Mélodie, (Paroles) et Accords
1 981
Guitare
1 850
Ukulele
931
Paroles et Accords
832
Basse electrique
543
Guitare (partie séparée)
387
Dulcimer
211
2 Guitares (duo)
157
Mandoline
91
4 Guitares (Quatuor)
87
Banjo
82
Piano, Guitare (duo)
66
Ensemble de guitares
52
Mandoline, Piano (duo)
47
3 Guitares (trio)
25
Basse électrique (partie séparée)
18
Ensemble de Ukulélés
16
2 Dulcimers (duo)
14
Ukulele Baryton
12
2 Ukuleles
5
Mandoline, Guitare (duo)
5
Guitare Pedal Steel
4
Guitare, Violon, Violoncelle (trio)
3
Partitions De Groupes
2
2 Mandolines (duo)
2
Dobro
1
Cithare
1
Guitare, Orchestre
1
+ 24 instrumentations
Retracter
Voix
Chorale SATB
7 550
Chorale 3 parties
2 728
Chorale 2 parties
1 605
Chorale TTBB
1 464
Chorale Unison
1 082
Chorale SSAA
879
Pack Instrumental pour Chorale
587
Voix Soprano, Piano
367
Voix Alto, Piano
318
Voix duo, Piano
282
Voix Tenor, Piano
279
Voix seule
215
Voix haute
205
Voix duo
193
Chorale
171
Voix Baryton, Piano
140
Voix moyenne, Piano
63
Voix basse, Piano
60
Voix Tenor
25
Chorale SSAATTBB
17
Chorale SSATB
15
Voix Soprano
13
Voix basse
12
Chorale SSATTB
10
Voix Mezzo-Soprano, Piano
9
Voix, Guitare
9
Soli, choeur mixte et accompagnement
3
Chorale SSAB, Piano
3
Chorale SSATBB
3
Chorale SSAB a cappella
2
Voix Moyenne
1
Chorale SATBB
1
Chorale SSAATB
1
Chorale SATTBB A Cappella
1
Voix haute, Piano
1
Chorale SAATB A Cappella
1
+ 31 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
2 096
Flûte traversière et Piano
2 052
Saxophone (partie séparée)
1 846
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 828
Clarinette et Piano
1 687
Flûte traversière
1 632
Flûte, Hautbois, Clarinette, Basson
1 448
Hautbois, Piano (duo)
1 374
Clarinette
1 347
2 Saxophones (duo)
1 302
Quatuor de Clarinettes: 4 clarinettes
1 221
Saxophone Alto
1 221
Saxophone Alto et Piano
1 193
2 Flûtes traversières (duo)
954
Saxophone Tenor
928
Quintette de Saxophone: 5 saxophones
812
Saxophone Tenor et Piano
792
2 Clarinettes (duo)
768
Quatuor de Flûtes : 4 flûtes
621
Saxophone Soprano et Piano
605
Hautbois (partie séparée)
567
Ensemble de Clarinettes
445
Saxophone
418
3 Saxophones (trio)
397
Clarinette (partie séparée)
347
Ensemble de saxophones
344
Saxophone Baryton, Piano
336
Flûte, Clarinette (duo)
316
Flute (partie séparée)
295
3 Clarinettes (trio)
284
Quintette de Clarinettes: 5 clarinettes
282
2 Hautbois (duo)
279
Trio de Flûtes: 3 flûtes
254
Ensemble de Flûtes
254
Cor anglais, Piano
236
Hautbois
229
2 Flûte à bec (duo)
227
Saxophone, Clarinette (duo)
204
Clarinette, Violon (duo)
184
Flûte à Bec
181
Saxophone Soprano
178
Hautbois, Basson (duo)
175
Flûte, Violon
143
Flûte et Guitare
142
Hautbois, Clarinette (duo)
134
Clarinette, Trompette (duo)
132
Clarinette Basse, Piano
132
Flûte à bec Soprano
130
Quintette de Flûte : 5 flûtes
119
Saxophone Baryton
115
Clarinette, Basson (duo)
103
Quatuor de Flûtes à bec
97
Clarinette et Alto
96
Flûte, Clarinette et Basson
95
Flûte, Violon, Piano
95
Flûte, Alto (duo)
86
Flûte, Violoncelle
85
Flûte irlandaise
81
Flûte, Hautbois, Clarinette (trio)
81
Hautbois, Flûte
79
Flûte, Trompette (duo)
73
Flûte, Saxophone (duo)
72
Flûte, Hautbois, Basson
72
Hautbois, Clarinette, Basson (trio d'anches)
72
Cor Anglais
68
Flûte, Hautbois (duo)
64
Clarinette, Violoncelle (duo)
60
Clarinette, Guitare (duo)
60
Flûte à bec Alto
58
2 Flûtes traversières, Piano
53
Ensemble De Flûte à bec
46
Flûte, Clarinette, Piano (trio)
42
Harmonica
40
Hautbois, Violoncelle
40
Ocarina
39
Flûte, Violon et Violoncelle
39
Flûte, Violoncelle, Piano (trio)
37
5 Flûtes à bec
37
3 Hautbois
36
Flûte, Trombone (duo)
36
4 Hautbois
35
Instruments en Mib
32
2 Saxophones, Piano
32
Hautbois, violon (duo)
31
Flûte, Basson et Piano
29
Flûte à bec Tenor
29
Flûte à bec Soprano, Piano
28
3 Flûtes à bec (trio)
26
Piccolo, Piano
24
Flûte à bec Alto, Piano
24
Clarinette, Trombone (duo)
23
Clarinette, Harpe (duo)
23
Flûte, Hautbois, Piano (trio)
22
Piccolo
21
2 Clarinettes, Piano
20
Clarinette, Violoncelle, Piano (trio)
18
Clarinette Basse
18
Flûte, Clarinette, Cor, Basson (Quartet)
18
Flûte, Alto et Piano
16
Saxophone et Harpe
15
Hautbois, Guitare (duo)
14
Hautbois et alto (duo)
14
Flûte, Harpe et Violoncelle
12
Flûte, Violon, Violoncelle et Piano
11
2 Clarinettes, Basson
11
Flûte à Bec, Piano
11
Saxophone et Guitare
11
Cor anglais, Guitare (duo)
10
Hautbois, Trompette (duo)
9
Flûte et Trio à cordes
9
Hautbois, Harpe
9
Saxophone, Violon (duo)
8
Flute, harpe et violon
8
Cornemuse
8
Clarinette, Basson, Piano (trio)
8
Ensemble de Hautbois
6
Flûte, Hautbois, Violon
6
Ensemble à vent
6
Flûte, Clarinette, Violon (trio)
5
Clarinette, Contrebasse (duo)
5
Saxophone et Piano
5
Saxophone et Orgue
4
Flûte traversière, Orgue (duo)
4
Flute, Cor (duo)
4
Flûte, trombone et piano
3
Hautbois, Clarinette et Piano (Trio)
3
Flûte à bec, Guitare (duo)
3
Saxophone et violoncelle
3
Hautbois, trombone (duo)
3
Clarinette, Tuba
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Tuba (duo)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte à bec Alto, Basse continue
2
Hautbois, Basson et Piano
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Violon, Piano
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte, Violoncelle, Guitare
2
Clarinette, Orgue
2
Flûte, alto et harpe
2
Hautbois, Violoncelle et Piano
1
Saxophone, Tuba (duo)
1
Flute, alto, violoncelle et guitare
1
Clarinette, trompette et piano
1
Hautbois et Orchestre
1
Cor anglais et Harpe (duo)
1
Flûte traversière, Basse continue
1
2 Hautbois, Piano
1
Saxophone, Basson (duo)
1
2 Hautbois et Basson
1
Melodica
1
Flûte de Pan
1
2 Flûtes à bec, Guitare
1
Flûte à bec, Harpe
1
2 Flûtes à bec, Piano
1
+ 152 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2 009
Trompette
1 522
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1 288
Trombone (partie séparée)
1 179
Trompette, Piano
1 160
Trompette (partie séparée)
1 099
Trombone et Piano
1 098
Trombone
1 093
Cor et Piano
822
Cor
738
Quatuor de Cuivres: 2 trompettes, Cor, trombone
473
Tuba et Piano
469
Tuba
465
2 Trompettes (duo)
415
Quatuor de Cuivres
384
2 Trombones (duo)
369
Cor (partie séparée)
260
Trompette, Trombone (duo)
243
Cor anglais, Piano
236
Euphonium, Piano (duo)
231
Tuba (partie séparée)
226
2 Cors (duo)
209
Quatuor de cuivres: 4 trombones
205
Trompette, Saxophone (duo)
155
Ensemble de Trombones
131
Quatuor de cuivres: 4 cors
126
Ensemble de Trompettes
91
2 Euphoniums et 2 Tubas
80
Euphonium
80
2 Tubas (duo)
78
Trompette, Cor (duo)
74
Cor Anglais
68
Quatuor de cuivres: 4 trompettes
67
Trio de Cuivres
50
4 Tubas
48
3 Trombones (trio)
43
Bass Clef Instruments
41
Ensemble de Cors
39
Tuba et Orgue
34
3 Trompettes (trio)
33
Instruments en Sib
30
Trombone, Cor (duo)
25
Cor, Violoncelle (duo)
23
Trombone basse
20
Trombone, Tuba (duo)
18
Trombone basse et Piano
17
Trompette, Tuba (duo)
16
2 Euphoniums (duo)
15
Cor et Harpe
15
Cor, Tuba (duo)
14
Trompette, Basson (duo)
14
Euphonium, Tuba (duo)
14
Trompette, violon (duo)
13
Quatuor de cuivres: 2 trompettes, 2 trombones
13
3 Tubas (trio)
13
Trompette, Violoncelle (duo)
12
Cor et Basson (duo)
11
3 Cors (trio)
11
Trombone, Orgue
11
Cor anglais, Guitare (duo)
10
Trombone, violoncelle (duo)
10
Tuba ou Euphonium ou Saxhorn
9
Trompette, Harpe
9
Instruments en Fa
6
Trompette, Trombone, Piano
6
Trombone, Violon (duo)
6
Trompette, Violoncelle et Piano
4
Cor et Orgue
4
Clarinette, Cor (duo)
3
Trombone, Alto (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone et orchestre
2
2 Cors, Piano
2
2 Cors Anglais Et Pianoforte
2
2 Trombones, Piano
2
Trompette et Guitare
1
3 Euphoniums
1
4 Euphoniums
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Trompette, Orchestre
1
Cornet et orchestre
1
+ 80 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5 091
Violon et Piano
2 465
Violon
2 092
Harpe
1 795
Violoncelle, Piano
1 758
Alto, Piano
1 590
Violoncelle
1 560
Violon, Violoncelle (duo)
1 086
Alto seul
942
2 Violons (duo)
854
Trio à Cordes: violon, alto, violoncelle
800
2 Violoncelles (duo)
528
Quintette à cordes: 2 violons, alto, violoncelle, basse
483
Violon, Alto (duo)
429
Contrebasse, Piano (duo)
414
Contre Basse
405
2 Altos (duo)
400
Trio à Cordes: 2 violons, violoncelle
398
Contrebasse (partie séparée)
341
Violon (partie séparée)
267
Alto (partie séparée)
266
2 Harpes (duo)
227
Harpe, Flûte (duo)
179
Alto, Violoncelle (duo)
178
4 Violoncelles
125
Trio à cordes: 3 violins
124
Trio à Cordes: 3 violoncelles
108
Piano Trio: Violon, Alto, Piano
87
Violon, Guitare (duo)
84
Quatuor à cordes: 4 violons
66
Violoncelle (partie séparée)
64
2 Contrebasses (duo)
60
Trio à cordes: 3 altos
58
Harpe, Violon (duo)
56
Violoncelle, Contrebasse (duo)
54
Quatuor à cordes : 4 altos
53
Violon, Basson (duo)
42
Trio à Cordes: 2 violons, alto
39
Violoncelle , Guitare (duo)
38
Ensemble de Violons
30
Alto et Basson
29
Ensemble d'Altos
28
Quintette à cordes: 2 violons, 2 altos, violoncelle
26
Harpe, Violoncelle (duo)
24
Alto, Guitare (duo)
18
Trio à cordes
17
Alto et Harpe
16
4 Contrebasses
14
Harpe et mandoline
12
2 Violons, Piano
11
Harpe, Voix
10
Violon, Clarinette, Piano (trio)
9
Flûte, Contrebasse (duo)
9
Violon, Orgue
9
Ensemble de Violoncelles
9
Violoncelle, Orgue
9
Harpe, Violon, Violoncelle
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Harpe et Piano
7
Harpe, Trombone (duo)
7
3 Harpes
6
Autoharp
4
Violoncelle, Basse continue
4
Violon, Tuba (duo)
4
Harpe, Quatuor à cordes
3
2 Violoncelles, Piano
3
4 Harpes
3
Violoncelle, Orchestre
3
2 Altos, Piano
2
5 Harpes
2
Alto, Orgue
2
Harpe (partie séparée)
2
Violon, Violoncelle, Clarinette
1
Violon, Contrebasse (duo)
1
Harpe et Orgue
1
+ 70 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
6 702
Ensemble Jazz
2 065
Orchestre à Cordes
1 988
Orchestre
1 853
Cloches
1 315
Ensemble de cuivres
1 258
Fanfare
1 215
Jazz combo
701
Orchestre de chambre
618
Batterie
560
Ensemble de Percussions
252
Batterie (partie séparée)
241
Percussion (partie séparée)
206
Xylophone
82
Vibraphone
70
Marimba
64
Percussion
49
Xylophone, Piano
41
Timbales (partie séparée)
29
2 Xylophones
13
Quintette à Vent
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
9
Piano et Orchestre
7
Orchestre, Violon
7
Ensemble d'École
6
Vibraphone (partie séparée)
6
Timbales
6
Quintette de Cuivres: autres combinaisons
5
Instrumentation Flexible
4
Xylophone ou Marimba ou Vibraphone
4
Big band
3
Caisse Claire
3
3 Marimbas
3
Quatuor à Vent : 4 instruments à vents
2
Marimba, Piano (duo)
2
Vibraphone et Marimba
1
Bodhran
1
Bongos
1
Xylophone (partie séparée)
1
Conga
1
3 Percussions
1
Marimba ou Xylophone et Piano
1
+ 37 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Piano Quatuor: piano, violon, alto, violoncelle
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It's Not Unusual
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Tom Jones
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Wendy Hellmann
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It's Not Unusual
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Gwendolyn Hellmann
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1190333 By Tom Jones. By Gordon Mills and Les Reed. Arranged by Wendy Hellman...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1190333 By Tom Jones. By Gordon Mills and Les Reed. Arranged by Wendy Hellmann. Pop. Score and parts. 19 pages. Gwendolyn Hellmann #789930. Published by Gwendolyn Hellmann (A0.1190333). This arrangement of the pop song It's Not Unusual originally performed by Tom Jones is for Piano Quartet (piano, violin, viola, and cello). Its rhythmic drive and upbeat nature make it great for cocktail hour or to be played as an encore and it is sure to get your audience singing and dancing along! Perfectly suited for an intermediate/advanced ensemble. Â The PDF download contains both a full score and a set of individual parts - Piano, Violin, Viola, and Cello. All strings parts are formatted on 2 pages.
$12.99
It Is Well With My Soul (Piano Quartet): Violin, Viola, Cello and Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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Horatio Spafford, Philip P
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John A
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It Is Well With My Soul
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John A. Dempsey
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1153831 Composed by Horatio Spafford, Philip P. Bliss. Arranged by John A. De...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1153831 Composed by Horatio Spafford, Philip P. Bliss. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 20 pages. John A. Dempsey #754098. Published by John A. Dempsey (A0.1153831). An unforgettable hymn of comfort and assurance, this peaceful string quartet for violin, viola, cello and piano is recommended for traditional church services and other worship events (including funerals), as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Key: D major. 16 pages of music (that includes the score and separate two-parts for violin 1, viola and cello).      When peace like a river attendeth my way   When sorrows like sea billows roll;   Whatever my lot, Thou hast taught me to say   It is well, it is well with my soul.
$14.00
You Got It
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Bonnie Raitt
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Fernando Britto
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You Got It
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Minhas Partituras
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1006348 By Bonnie Raitt. By Jeff Lynne, Roy Orbison, and Tom Petty. Arranged ...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1006348 By Bonnie Raitt. By Jeff Lynne, Roy Orbison, and Tom Petty. Arranged by Fernando Britto. 20th Century,Film/TV,Pop,Wedding. Score and parts. 10 pages. Minhas Partituras #611996. Published by Minhas Partituras (A0.1006348). Arrangement of the song You Got It (from Boys on The Side) for String Trio and Piano.
$12.99
It Came Upon the Midnight Clear, for Violin, Viola, Cello and Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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Richard Storrs Willis
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Cindy Blevins
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It Came Upon the Midnight Clea
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Cindy Blevins
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SheetMusicPlus
Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1320087 Composed by Richard Storrs Willis. Arranged by Cindy Blevins. Christmas. 12 pages. Cindy Blevins #9...
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Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1320087 Composed by Richard Storrs Willis. Arranged by Cindy Blevins. Christmas. 12 pages. Cindy Blevins #908645. Published by Cindy Blevins (A0.1320087). This beautiful, playable arrangement for violin, viola, cello and piano was done by special request. You receive the score and the separate parts.
$7.99
Rhode Island's It For Me (for String Quintet and Piano)
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Maria Day
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Stephen DeCesare
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Rhode Island's It For Me
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Exultet Music
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - SKU: A0.618759 Composed by Maria Day. Arranged by Stephen DeCesare. Folk,Instructiona...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - SKU: A0.618759 Composed by Maria Day. Arranged by Stephen DeCesare. Folk,Instructional,Patriotic,Standards. Score and parts. 26 pages. Exultet Music #2001483. Published by Exultet Music (A0.618759). The state song of Rhode Island is now arranged for String Quintet. Scored for: Violin 1 and 2, Viola, Cello 1 and 2, and Piano.
$12.99
Let It Go
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Comédie Musicale
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Idina Menzel
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Betsuel Uesile Prado
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Let It Go
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BETSUEL UESILE DO PRADO
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.809312 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged ...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.809312 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Betsuel Uesile Prado. Musical/Show. Score and parts. 33 pages. BETSUEL UESILE DO PRADO #6511297. Published by BETSUEL UESILE DO PRADO (A0.809312).
$29.99
Mozart: Romanze from K. 525 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sac...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
Jingle Bells for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Publishe...
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Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Fauré: Sicilienne for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Sicilienne for P
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 2...
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Piano Quartet - Level 4 - SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 21 pages. Jmsgu3 #3449745. Published by jmsgu3 (A0.549058). Gabriel Fauré: Sicilienne Op. 78. Nice recital encore piece. It is very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity. Significant Aspects of Faure's Sicilienne Gabriel Fauré's Sicilienne, Op. 78 is significant due to its history, influence, and musical characteristics. Historical Significance The piece was initially composed in 1893 as part of incidental music for a theatrical production that was later abandoned. Fauré reused the Sicilienne in 1898 when he wrote incidental music for the English translation of Maeterlinck's play Pelléas et Mélisande. This piece was later extracted and formed into an orchestral suite for concerts, known as the Pelléas et Mélisande Suite, Op. 80. Influence and Popularity Fauré's harmonic richness and melodic innovations in the Sicilienne influenced other composers. The Sicilienne is the most famous piece from the Pelléas et Mélisande Suite and is frequently played by significant orchestras today. Musical Characteristics The piece is known for its conversational style for both cello and piano, and it exhibits chromatic movement to evoke a Renaissance aesthetic with the Sicilienne dance. It is also more complex than the typical song in terms of chords and melody, with above-average scores in chord and melodic complexity. In conclusion, Faure's Sicilienne is significant due to its historical background, influence on other composers, and unique musical characteristics. Dance and Fabric The term Sicilienne is derived from the French word Sicilienne, which means Sicilian. It is associated with a dance called the Siciliana and a kind of rich poplin fabric. Musical Style Sicilienne refers to a musical style or genre often included as a movement within more significant pieces of music, starting in the Baroque period. It is associated with a pastoral mood and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale.
$43.95
Pachelbel: Canon in D for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
Away In A Manger for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger for Piano Qua
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu...
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Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Pu...
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Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Handel: Seven Pieces from Water Music for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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George Friderick Handel
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James M
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Handel: Seven Pieces from Wate
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.552117 Composed by George Friderick Handel (1685-1756). Arranged by James M. ...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.552117 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 36 pages. Jmsgu3 #6121085. Published by jmsgu3 (A0.552117). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 16 pages, Duration 12:15. Players may read from the score, or from the included instrumental parts.Contents: 1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, and hornpipes, along with lively fanfares and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Water Music has been performed by many orchestras and is a popular choice for special occasions, such as coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's own compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based and where his music was extremely popular. Handel wrote a number of pieces specifically for use at weddings, including the popular Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often quite lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites that were specifically designed for this purpose. The bride and groom would often have a special dance to the music of Handel's Water Music, a particularly popular piece for the occasion. Guests at the wedding would be treated to a variety of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$36.95
Luther: Out of the Depths for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
O Holy Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Adam
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James M
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O Holy Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #341156...
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Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
Love Story
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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Taylor Swift
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Wendy Hellmann
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Love Story
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Gwendolyn Hellmann
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SheetMusicPlus
Piano Quartet Cello,Piano,Violin - Level 3 - SKU: A0.1242963 By Taylor Swift. By Taylor Swift. Arranged by Wendy Hellmann. Country,Pop,Rock,Wedding. 28 ...
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Piano Quartet Cello,Piano,Violin - Level 3 - SKU: A0.1242963 By Taylor Swift. By Taylor Swift. Arranged by Wendy Hellmann. Country,Pop,Rock,Wedding. 28 pages. Gwendolyn Hellmann #838017. Published by Gwendolyn Hellmann (A0.1242963). This popular tune by Taylor Swift is arranged for Violin 1, Violin 2, Cello, and Piano. It also works as a string trio, without the piano part. It is perfect for the advanced/intermediate ensemble, with engaging parts in each instrument. Following the original format of the piece, it starts in D Major and modulates to E Major at the end. This arrangement makes an excellent addition for wedding and cocktail hour events! Â The PDF download contains both a score and a set of individual parts - Violin 1, Violin 2, Cello, and Piano.
$12.99
Remnants of the Past - for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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W
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Remnants of the Past - for Pia
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Diamond S Music
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1086071 Composed by W. Brent Sawyer. Classical,Contemporary. Score and parts....
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1086071 Composed by W. Brent Sawyer. Classical,Contemporary. Score and parts. 68 pages. Diamond S Music #690266. Published by Diamond S Music (A0.1086071). Remnants of the Past - for Piano Quartet by W. Brent Sawyer. scored for Violin, Viola, Cello, and Piano. FULL SCORE and PARTS. Written in a Neo-Classical style, yet has elements of Romanticism and even jazz, a very energetic and entertaining piece. It is in one movements yet has very distinct sections. This piece is written in what I call … a nouveau classique style - meaning It sounds kinda classical and kinda modern - with a dash of jazz thrown in as well. Hence the Title… Remnants of the Past. In fact there are several different styles used within the piece. Most of the piece is written in an energetic 6/8 time with a reoccurring melancholy 3/4 section and there is a short nostalgic interlude in 4/4. The piece uses a 5 note turn around swirl as it's melodic germ. The end section uses exciting uprising arpeggios and upward scales in modulating keys.
$12.00
Love Story
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Taylor Swift
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Wendy Hellmann
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Love Story
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Gwendolyn Hellmann
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1132268 By Taylor Swift. By Taylor Swift. Arranged by Wendy Hellmann. Country...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1132268 By Taylor Swift. By Taylor Swift. Arranged by Wendy Hellmann. Country,Pop,Rock,Wedding. Score and parts. 28 pages. Gwendolyn Hellmann #732514. Published by Gwendolyn Hellmann (A0.1132268). This popular tune is arranged for Piano Quartet - Violin, Viola, Cello, and Piano. It also works as a string trio, without the piano part. It is perfect for the advanced/intermediate ensemble, with engaging parts in each instrument. Following the original format of the piece, it starts in D Major and modulates to E Major at the end. This arrangement makes an excellent addition for wedding and cocktail hour events! The PDF download contains both a score and a set of individual parts - Violin, Viola, Cello, and Piano.
$12.99
The Swan (C. Saint-Saëns) - String quartet with piano - Score and parts
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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André Alberto Santos
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André Alberto Santos
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The Swan
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Soul - Musical Creations
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 2 - SKU: A0.1181088 By André Alberto Santos. By Camille Saint-Saens. Arranged by André Alberto Sant...
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Piano Quartet Cello,Piano,Viola,Violin - Level 2 - SKU: A0.1181088 By André Alberto Santos. By Camille Saint-Saens. Arranged by André Alberto Santos. Chamber,Classical,Film/TV,Romantic Period,Wedding. 17 pages. Soul - Musical Creations #780921. Published by Soul - Musical Creations (A0.1181088). If you're looking for music that can touch your heart directly, the sheet music The Swan by Camille Saint-Saëns is exactly what you need. This masterpiece of classical music is one of the most beautiful and moving pieces ever written.With its soft and enveloping melody, The Swan is able to calm the mood and relax the mind, providing a moment of peace and tranquility. Its arrangement is simple and elegant, which makes this piece accessible to beginners and experienced players alike.Additionally, The Swan is a versatile piece that can be played on a variety of instruments, including violin, piano, and cello. This means that, regardless of your instrument, you can enjoy the beauty and depth of this timeless music.If you're new to The Swan by Camille Saint-Saëns, it's time to give it a try and find out why it's one of the most popular pieces in classical music. Buy the sheet music now and start exploring the beauty and emotion of this unforgettable masterpiece.
$12.99
Funny Like a Monkey for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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Funny Like a Monkey for piano
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Robert M. Greenberg
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert ...
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Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
Vivaldi RV 106 Concerto in Em Full Score Parts Flute Violin Cello
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Rainer's Rainbow
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R G Roth
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Vivaldi RV 106 Concerto in Em
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Rainer's Rainbow
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1372313 By Rainer's Rainbow. By Antonio Vivaldi 1678-1741. Arranged by R G Roth. 19th Century...
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Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1372313 By Rainer's Rainbow. By Antonio Vivaldi 1678-1741. Arranged by R G Roth. 19th Century,Baroque,Chamber,Classical,Romantic Period. 97 pages. Rainer's Rainbow #956604. Published by Rainer's Rainbow (A0.1372313). This popular Vivaldi Quartet for Flute, Violin, Cello and Keyboard is published here for the first time in the alternative key of E minor. This makes it possible to substitute the Flute part with a Soprano Recorder. Also included is a full string arrangement to make it into a tradition concerto grosso for 3 soloists.
$10.91
My Country, 'Tis Of Thee (America)
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Musique Sacrée
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Thesaurus Musicus
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Gert Th
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My Country, 'Tis Of Thee
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Gert Th. Walter
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - SKU: A0.684587 Composed by Thesaurus Musicus (1744). Arranged by Gert Th. Walter. Pat...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - SKU: A0.684587 Composed by Thesaurus Musicus (1744). Arranged by Gert Th. Walter. Patriotic,Praise & Worship,Sacred. Score and parts. 5 pages. Gert Th. Walter #6472419. Published by Gert Th. Walter (A0.684587). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2021 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$4.99
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