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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
King for a Day
Non classifié
2 979
Piano & claviers
Piano seul
2 342
Piano Facile
537
Instruments en Do
430
Piano, Voix
317
Piano, Voix et Guitare
256
Accordéon
171
Orgue
88
Accompagnement Piano
86
Piano grosses notes
67
Piano Trio: piano, violon, violoncelle
54
1 Piano, 4 mains
40
Piano Quatuor: piano, violon, alto, violoncelle
8
Clavecin
8
2 Pianos, 4 mains
7
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano (partie séparée)
4
Orgue, Piano (duo)
4
1 Piano, 6 mains
2
Orgue, Trompette (duo)
1
Clavier
1
+ 15 instrumentations
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Guitares
Guitare
383
Basse electrique
240
Guitare notes et tablatures
160
Ukulele
119
2 Guitares (duo)
27
Ligne De Mélodie, (Paroles) et Accords
27
Piano, Guitare (duo)
9
Mandoline
7
Paroles et Accords
5
Dulcimer
5
2 Ukuleles
4
Guitare (partie séparée)
4
Ukulele Baryton
2
3 Guitares (trio)
2
4 Guitares (Quatuor)
1
Banjo
1
+ 11 instrumentations
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Voix
Chorale SATB
554
Voix seule
349
Chorale 3 parties
195
Chorale 2 parties
158
Chorale TTBB
93
Chorale Unison
66
Voix Soprano, Piano
51
Chorale SSAA
51
Voix Tenor, Piano
40
Voix duo, Piano
35
Voix Alto, Piano
27
Voix Baryton, Piano
24
Voix duo
10
Voix Tenor
7
Chorale
4
Voix basse, Piano
4
Soli, choeur mixte et accompagnement
3
Voix Soprano
3
Voix moyenne, Piano
3
Voix haute
2
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAATTBB
1
Chorale SSATB
1
+ 19 instrumentations
Retracter
Vents
Saxophone
1 032
Flûte traversière
628
Clarinette
591
2 Saxophones (duo)
298
Saxophone Alto
215
Flûte traversière et Piano
210
Quatuor de Saxophones: 4 saxophones
201
Clarinette et Piano
200
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
178
Hautbois, Piano (duo)
176
Saxophone Alto et Piano
163
Saxophone Tenor
159
Flûte, Hautbois, Clarinette, Basson
153
2 Flûtes traversières (duo)
137
Saxophone Tenor et Piano
126
Quintette de Saxophone: 5 saxophones
106
2 Clarinettes (duo)
105
Saxophone Soprano et Piano
93
Hautbois (partie séparée)
87
Quatuor de Clarinettes: 4 clarinettes
85
Saxophone (partie séparée)
83
Hautbois
77
Flûte à Bec
73
2 Hautbois (duo)
67
Saxophone Soprano
67
Quatuor de Flûtes : 4 flûtes
67
Flûte, Clarinette (duo)
65
Saxophone Baryton, Piano
63
3 Saxophones (trio)
60
2 Flûte à bec (duo)
57
Quintette de Clarinettes: 5 clarinettes
39
Flûte, Violon, Piano
32
Saxophone, Clarinette (duo)
30
Clarinette, Violon (duo)
29
Hautbois, Basson (duo)
28
Ensemble de Flûtes
27
3 Clarinettes (trio)
26
Hautbois, Clarinette (duo)
25
Flûte à bec Soprano
23
Trio de Flûtes: 3 flûtes
21
Quintette de Flûte : 5 flûtes
19
Cor anglais, Piano
18
Saxophone Baryton
16
Flûte, Violon
16
Ensemble de saxophones
16
Flûte, Hautbois, Clarinette (trio)
15
Clarinette, Basson (duo)
14
Quatuor de Flûtes à bec
14
Clarinette et Alto
14
Ensemble de Clarinettes
13
Clarinette, Trompette (duo)
13
Hautbois, Flûte
12
Flûte à bec Alto
10
Flûte, Hautbois (duo)
10
Hautbois, Violoncelle
10
Flûte, Alto (duo)
10
Flûte, Violoncelle
9
Flûte, Saxophone (duo)
9
Clarinette Basse, Piano
9
Clarinette, Violoncelle (duo)
9
Flûte, Clarinette et Basson
8
Flûte, Clarinette, Piano (trio)
8
Flûte et Guitare
8
Clarinette, Guitare (duo)
7
Flûte, Hautbois, Basson
7
Ocarina
7
Flûte, Trompette (duo)
7
Ensemble De Flûte à bec
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette, Harpe (duo)
6
Piccolo, Piano
6
3 Flûtes à bec (trio)
6
Clarinette, Violoncelle, Piano (trio)
6
Flûte, Hautbois, Piano (trio)
6
Flute (partie séparée)
5
Harmonica
5
Flûte à bec Tenor
5
5 Flûtes à bec
5
Clarinette, Trombone (duo)
5
2 Flûtes traversières, Piano
5
Hautbois et alto (duo)
5
Cor Anglais
4
Saxophone et Harpe
4
Flûte, Violon et Violoncelle
4
Hautbois, Harpe
4
Hautbois, violon (duo)
4
Clarinette, Tuba
3
Flûte à bec Soprano, Piano
3
Flûte à bec Alto, Piano
3
Hautbois, trombone (duo)
3
Flûte, Violoncelle, Piano (trio)
3
4 Hautbois
2
Clarinette (partie séparée)
2
Saxophone et Orgue
2
Flûte, Alto et Piano
2
Flûte, Basson et Piano
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Violon, Piano
2
Flûte, Trombone (duo)
2
2 Clarinettes, Piano
2
Clarinette Basse
2
Flûte, Tuba (duo)
2
Clarinette, Contrebasse (duo)
2
Ensemble à vent
1
Clarinette, Orgue
1
2 Saxophones, Piano
1
Ensemble de Hautbois
1
Flûte traversière, Orgue (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone et violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Trompette (duo)
1
Clarinette, Basson, Piano (trio)
1
Saxophone, Basson (duo)
1
Flûte, trombone et piano
1
Clarinette, trompette et piano
1
Hautbois, Clarinette et Piano (Trio)
1
Piccolo
1
+ 113 instrumentations
Retracter
Cuivres
Trompette
529
Trombone
464
Trompette, Piano
192
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
175
Trombone et Piano
152
Cor et Piano
142
Cor
121
Tuba et Piano
101
2 Trompettes (duo)
88
Tuba
83
2 Trombones (duo)
77
Quatuor de Cuivres: 2 trompettes, Cor, trombone
65
Quatuor de Cuivres : 2 trompettes, trombone, tuba
64
2 Cors (duo)
58
Trompette, Trombone (duo)
44
Quatuor de Cuivres
40
Euphonium, Piano (duo)
26
Euphonium
23
Trompette, Saxophone (duo)
22
Trompette, Cor (duo)
22
2 Tubas (duo)
21
Trompette (partie séparée)
19
Quatuor de cuivres: 4 trombones
18
Cor anglais, Piano
18
Trombone (partie séparée)
12
Trompette, Tuba (duo)
9
Trombone, Tuba (duo)
7
Ensemble de Trompettes
6
Ensemble de Trombones
6
Quatuor de cuivres: 4 cors
6
Tuba et Orgue
5
Cor et Harpe
5
Ensemble de Cors
4
Trio de Cuivres
4
Cor Anglais
4
Quatuor de cuivres: 4 trompettes
4
Trompette, Basson (duo)
4
3 Trombones (trio)
3
Trombone, Cor (duo)
3
2 Euphoniums (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, Harpe
3
Trompette, Trombone, Piano
3
Trombone, Violon (duo)
3
Cor et Basson (duo)
3
Euphonium, Tuba (duo)
3
Trompette, Violoncelle et Piano
2
Trombone basse
2
Cor (partie séparée)
2
Trompette, Violoncelle (duo)
2
Cor, Violoncelle (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Cors (trio)
2
3 Trompettes (trio)
2
Tuba (partie séparée)
1
3 Tubas (trio)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trombone, Orgue
1
Cor et Orgue
1
+ 54 instrumentations
Retracter
Cordes
Violon
547
Violoncelle
379
Quatuor à cordes: 2 violons, alto, violoncelle
369
Violon et Piano
306
Alto seul
303
Alto, Piano
220
Violoncelle, Piano
210
2 Violons (duo)
150
Violon, Violoncelle (duo)
124
Contre Basse
110
2 Violoncelles (duo)
95
Contrebasse, Piano (duo)
87
Quintette à cordes: 2 violons, alto, violoncelle, basse
84
2 Altos (duo)
81
Trio à Cordes: violon, alto, violoncelle
79
Violon, Alto (duo)
69
Harpe
45
Trio à Cordes: 2 violons, violoncelle
33
2 Contrebasses (duo)
24
Alto, Violoncelle (duo)
24
Alto (partie séparée)
16
Violoncelle, Contrebasse (duo)
15
Trio à cordes: 3 violins
13
Quatuor à cordes: 4 violons
12
2 Harpes (duo)
12
Piano Trio: Violon, Alto, Piano
12
Trio à Cordes: 3 violoncelles
10
Violon, Basson (duo)
10
4 Violoncelles
9
Harpe, Flûte (duo)
8
Quatuor à cordes : 4 altos
7
Harpe, Violoncelle (duo)
7
Contrebasse (partie séparée)
7
Trio à cordes: 3 altos
7
Violon, Clarinette, Piano (trio)
6
Harpe, Voix
6
Flûte, Contrebasse (duo)
5
Alto et Harpe
5
Violon, Guitare (duo)
4
2 Violons, Piano
4
Violon, Tuba (duo)
3
Violoncelle , Guitare (duo)
3
Alto et Basson
3
Trio à cordes
3
Trio à Cordes: 2 violons, alto
3
Harpe, Violon (duo)
3
Violon (partie séparée)
3
4 Harpes
2
Violoncelle (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe (partie séparée)
2
Violoncelle, Orgue
2
2 Violoncelles, Piano
1
2 Altos, Piano
1
Alto, Orgue
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
543
Batterie
337
Orchestre
299
Ensemble Jazz
114
Orchestre à Cordes
94
Cloches
67
Ensemble de cuivres
62
Orchestre de chambre
26
Jazz combo
19
Fanfare
16
Marimba
13
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Percussion
9
Ensemble de Percussions
8
Xylophone, Piano
6
Xylophone
2
Percussion (partie séparée)
2
2 Marimbas
1
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Batterie (partie séparée)
1
Piano et Orchestre
1
+ 17 instrumentations
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Vous avez sélectionné:
King for a Day
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
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1
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
Jingle Bells for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Publishe...
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Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
Mozart: Romanze from K. 525 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
#
SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sac...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu...
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Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
A Million Dreams
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Pop musique
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Pink
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Susie Winkworth winkmusic
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A Million Dreams
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winkmusic.co.uk
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.847125 By Pink. By Benj Pasek and Justin Paul. Arranged by Susie Winkworth winkmusic.co.uk. Pop. Score...
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.847125 By Pink. By Benj Pasek and Justin Paul. Arranged by Susie Winkworth winkmusic.co.uk. Pop. Score and parts. 8 pages. Winkmusic.co.uk #4593249. Published by winkmusic.co.uk (A0.847125). A Million Dreams, a track from the hit musical film The Greatest Showman, arranged for easy piano quartet (violin, viola, cello, piano). Straightforward to play and put together, but satisfyingly close to the original track in performance. The melodies are shared amongst the group, making this a perfect start to playing chamber music in a fun way.Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world. Educational arrangements have received excellent reviews.
$16.00
We Three Kings (Piano Quartet): Violin, Viola, Cello and Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1104206 Composed by John Henry Hopkins, Jr. and Enrique Granados. Arranged by...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1104206 Composed by John Henry Hopkins, Jr. and Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 22 pages. John A. Dempsey #707422. Published by John A. Dempsey (A0.1104206). This piano quartet for violin, viola, cello and piano of the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for Christmas pageants, plays and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  18 pages of music (that includes separate two-page parts for violin, viola and cello).  Concert Key: A minor   We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$14.00
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Christ the Lord is Risen Today
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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Charles Wesley
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André Nusa
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Christ the Lord is Risen Today
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Andre_Nusa
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1360536 Composed by Charles Wesley. Arranged by André Nusa. Easter,Religious,Sacred. 5 pag...
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Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1360536 Composed by Charles Wesley. Arranged by André Nusa. Easter,Religious,Sacred. 5 pages. Andre_Nusa #945041. Published by Andre_Nusa (A0.1360536). Experience the joy of Easter with this captivating intermediate arrangement of 'Christ the Lord Is Risen Today' for piano quartet. This arrangement combines vibrant harmonies and melodic interplay, offering a delightful challenge for players seeking an ensemble piece that celebrates the triumphant spirit of the season. Perfect for Easter celebrations, church services or ensemble showcases.
$3.99
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King for a Day
