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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
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XYLOPHONE
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Non classifié
419
Piano & claviers
Piano seul
1 017
Piano, Voix
256
Piano Facile
89
Piano, Voix et Guitare
75
Instruments en Do
62
Accordéon
20
Orgue
19
1 Piano, 4 mains
9
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
1
+ 9 instrumentations
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Guitares
Guitare
1 739
Guitare notes et tablatures
432
Ligne De Mélodie, (Paroles) et Accords
151
Basse electrique
60
Ensemble de Ukulélés
20
Ukulele
6
2 Guitares (duo)
3
Guitare, Quatuor à cordes
1
4 Guitares (Quatuor)
1
Banjo
1
Dulcimer
1
Mandoline
1
Orchestre à Plectres
1
+ 8 instrumentations
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Voix
Voix seule
426
Chorale SATB
161
Chorale TTBB
59
Chorale 3 parties
27
Voix basse, Piano
10
Chorale
9
Chorale 2 parties
8
Chorale SSAA
6
Voix Baryton, Piano
4
Voix duo, Piano
3
Voix Soprano, Piano
3
Voix Tenor, Piano
2
Voix haute
2
Voix Alto, Piano
1
Chorale SSAATTBB
1
Voix et basse continue
1
+ 11 instrumentations
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Vents
Saxophone
226
Flûte traversière
138
Clarinette
118
Hautbois
70
Flûte traversière et Piano
31
Clarinette et Piano
28
Saxophone Tenor
27
Saxophone Alto
26
Saxophone Alto et Piano
20
Flûte à Bec
18
Quatuor de Clarinettes: 4 clarinettes
18
Quatuor de Saxophones: 4 saxophones
18
Saxophone Soprano
17
Saxophone Tenor et Piano
16
Hautbois, Piano (duo)
16
Saxophone Baryton, Piano
14
2 Saxophones (duo)
14
Saxophone Soprano et Piano
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Cor anglais, Piano
12
2 Flûte à bec (duo)
11
Flûte, Hautbois, Clarinette, Basson
9
Clarinette Basse, Piano
9
2 Flûtes traversières (duo)
7
Clarinette (partie séparée)
6
Quatuor de Flûtes à bec
6
Saxophone (partie séparée)
5
Ocarina
5
2 Clarinettes (duo)
5
Quintette de Saxophone: 5 saxophones
5
Ensemble de Clarinettes
5
Flute (partie séparée)
3
Flûte à bec Soprano
3
Ensemble de saxophones
3
Ensemble de Flûtes
3
Clarinette, Guitare (duo)
3
Flûte à bec Alto
3
Quatuor de Flûtes : 4 flûtes
3
Clarinette, Basson (duo)
3
Flûte, Clarinette (duo)
3
Hautbois, Clarinette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
3 Saxophones (trio)
2
Hautbois (partie séparée)
2
Flûte à bec Tenor
2
2 Flûtes traversières, Piano
2
Cor anglais, Guitare (duo)
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Flûte et Guitare
1
Trio de Flûtes: 3 flûtes
1
Quintette de Flûte : 5 flûtes
1
Flûte à bec Soprano, Basse continue
1
Clarinette et Alto
1
Saxophone et Guitare
1
Harmonica
1
Instruments en Mib
1
Hautbois, Basson (duo)
1
Flûte, Violon
1
+ 54 instrumentations
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Cuivres
Trompette
94
Trombone
87
Cor
18
Trombone et Piano
16
Euphonium, Piano (duo)
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Cor et Piano
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Cor anglais, Piano
12
Trompette, Piano
11
Tuba
10
Euphonium
8
Tuba et Piano
6
Trompette (partie séparée)
5
Trompette, Trombone (duo)
5
Trombone (partie séparée)
5
Trompette, Cor (duo)
4
Trombone, Cor (duo)
3
Cor (partie séparée)
2
Tuba (partie séparée)
2
2 Cors (duo)
2
Quatuor de Cuivres
2
Ensemble de Trompettes
2
Instruments en Sib
1
Tuba et Orgue
1
Cor anglais, Guitare (duo)
1
2 Euphoniums (duo)
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
Ensemble de Trombones
1
Trompette, Euphonium (duo)
1
2 Euphoniums et 2 Tubas
1
+ 27 instrumentations
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Cordes
Violon
187
Violoncelle
65
Quatuor à cordes: 2 violons, alto, violoncelle
53
Alto seul
51
Violoncelle, Piano
24
Violon et Piano
24
Alto, Piano
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Trio à Cordes: violon, alto, violoncelle
8
Violon, Alto (duo)
7
2 Violons (duo)
7
Contre Basse
7
Harpe
6
2 Violoncelles (duo)
6
Violon, Violoncelle (duo)
6
2 Altos (duo)
4
Trio à Cordes: 2 violons, alto
4
Trio à cordes: 3 violins
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Guitare (duo)
1
Ensemble de Violons
1
4 Violoncelles
1
Ensemble d'Altos
1
Alto, Guitare (duo)
1
Alto, Violoncelle (duo)
1
2 Harpes (duo)
1
Contrebasse, Piano (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Batterie
161
Orchestre d'harmonie
72
Fanfare
29
Orchestre de chambre
27
Orchestre à Cordes
23
Orchestre
20
Percussion (partie séparée)
7
Jazz combo
7
Ensemble Jazz
6
Ensemble de cuivres
5
Cloches
3
Timbales (partie séparée)
2
Ensemble de Percussions
2
Instrumentation Flexible
2
Marimba
1
3 Percussions
1
+ 11 instrumentations
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DOBRO - GUI…
DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Lââm
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
5 partitions trouvées
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Fauré: Élégie Op. 24 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...
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Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
O Holy Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Adam
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James M
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O Holy Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #341156...
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Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
Conductor's Score: 12 Variations of Twinkle, Twinkle, Little Star by Mozart arr. for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Lauri Hämäläinen
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Conductor's Score: 12 Variatio
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Suomi Music
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SheetMusicPlus
Small Ensemble Cello,Piano,Viola,Violin - Level 2 - SKU: A0.885848 Composed by Wolfgang Amadeus Mozart. Arranged by Lauri Hämäläinen. Classical...
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Small Ensemble Cello,Piano,Viola,Violin - Level 2 - SKU: A0.885848 Composed by Wolfgang Amadeus Mozart. Arranged by Lauri Hämäläinen. Classical,Instructional,Standards. Score and parts. 32 pages. Suomi Music #4330971. Published by Suomi Music (A0.885848). Conductors' Score to Twinkle, Twinkle, Little Star by Mozart arranged for piano quartet (violin, viola, cello, piano).Between 1781-1782 Mozart wrote 12 variations on the theme Ah vous dirai-je, Maman for piano. This publication by Violin Friends is an arrangement of his composition for a piano quartet. The individual parts can be played by a junior string orchestra or an intermediate level string trio, but the piano part requires an advanced player especially in the last variations.The arrangement gives the opportunity for school orchestras to perform the arrangement with 12 different piano students from beginner to advanced levels.
$9.99
Jingle Bells for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Publishe...
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Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
Luther: Out of the Depths for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
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