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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Lyric
Non classifié
10 420
Piano & claviers
Piano, Voix et Guitare
34 064
Piano, Voix
20 773
Piano seul
11 076
Piano Facile
8 644
Piano grosses notes
5 701
Instruments en Do
1 880
Orgue
1 841
1 Piano, 4 mains
509
Accompagnement Piano
240
Instrument seul et Orgue
133
Accordéon, Voix
118
Ligne De Mélodie, Piano
111
Accordéon
91
Piano Trio: piano, violon, violoncelle
64
Clavier
60
2 Pianos, 4 mains
33
Orgue, Piano (duo)
12
Piano Quatuor: piano, violon, alto, violoncelle
11
2 Accordéons
10
Piano (partie séparée)
9
Piano Quatuor: piano, 2 violons, violoncelle
8
Orgue, Voix
7
Piano Quintette: piano, 2 violons, alto, violoncelle
7
1 Piano, 6 mains
5
Orgue, Trompette (duo)
3
Ensemble d'Accordéons
2
Clavecin
2
Fake Book
1
+ 23 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
49 442
Paroles et Accords
22 542
Guitare notes et tablatures
10 255
Ukulele
2 776
Basse electrique
770
Guitare
279
Dulcimer
185
Mandoline
132
Piano, Guitare (duo)
99
Banjo
48
2 Guitares (duo)
27
Guitare (partie séparée)
18
2 Dulcimers (duo)
14
4 Guitares (Quatuor)
5
3 Guitares (trio)
5
Ensemble de guitares
2
2 Ukuleles
2
Dobro
1
Orchestre à Plectres
1
Ukulele Baryton
1
Mandoline, Guitare (duo)
1
Mandoline, Piano (duo)
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
4 282
Chorale 3 parties
1 796
Chorale 2 parties
1 002
Chorale TTBB
607
Voix haute
567
Voix seule
466
Chorale Unison
377
Chorale SSAA
309
Voix duo, Piano
295
Voix duo
121
Voix, Guitare
117
Voix Alto, Piano
115
Voix Soprano, Piano
111
Voix Tenor, Piano
93
Voix Baryton, Piano
44
Voix Tenor
38
Voix d'Enfants
32
Voix moyenne, Piano
29
Voix Soprano
28
Voix basse, Piano
27
Chorale SSATBB
24
Chorale SSAATTBB
13
Voix basse
10
Chorale SATTB
7
Chorale SSATTB
7
Chorale SAATB A Cappella
5
Chorale
4
Voix Moyenne
4
Voix Mezzo-Soprano, Piano
4
Chorale SSAB, Piano
4
Chorale SSATB
4
Voix d'Enfants, Piano
2
Chorale SSAB a cappella
2
+ 28 instrumentations
Retracter
Vents
Saxophone Alto
1 221
Flûte traversière
1 148
Clarinette
890
Saxophone Tenor
877
Saxophone (partie séparée)
537
Flûte traversière et Piano
427
Clarinette et Piano
325
Hautbois, Piano (duo)
293
Saxophone Alto et Piano
255
Clarinette (partie séparée)
241
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
230
Flute (partie séparée)
229
Quatuor de Saxophones: 4 saxophones
224
2 Saxophones (duo)
199
Hautbois (partie séparée)
191
Ocarina
184
Flûte, Hautbois, Clarinette, Basson
179
2 Flûtes traversières (duo)
177
Flûte à bec Soprano
155
Quatuor de Clarinettes: 4 clarinettes
143
Saxophone Tenor et Piano
137
Instruments en Mib
118
Quintette de Saxophone: 5 saxophones
116
Saxophone Soprano et Piano
109
2 Clarinettes (duo)
106
Harmonica
104
Saxophone, Clarinette (duo)
79
Quatuor de Flûtes : 4 flûtes
76
Saxophone Baryton, Piano
65
Cor anglais, Piano
64
Flûte à bec Alto
58
Clarinette, Violon (duo)
52
Ensemble de saxophones
51
Hautbois
49
2 Hautbois (duo)
49
Flûte, Clarinette (duo)
48
Ensemble de Clarinettes
48
Clarinette, Trompette (duo)
39
Saxophone Soprano
38
Ensemble de Flûtes
36
Clarinette Basse, Piano
35
Flûte, Violon
34
Hautbois, Clarinette (duo)
33
Hautbois, Basson (duo)
33
Quintette de Clarinettes: 5 clarinettes
32
3 Saxophones (trio)
31
3 Clarinettes (trio)
30
Flûte et Guitare
28
Clarinette et Alto
27
Hautbois, Flûte
27
Flûte, Saxophone (duo)
25
Quatuor de Flûtes à bec
20
Flûte, Alto (duo)
20
Trio de Flûtes: 3 flûtes
19
2 Flûte à bec (duo)
16
Quintette de Flûte : 5 flûtes
16
Flûte, Trompette (duo)
16
Flûte, Clarinette et Basson
14
Cornemuse
13
Flûte, Violon, Piano
13
Cor Anglais
11
Flûte à Bec
9
Hautbois, Violoncelle
8
Clarinette, Harpe (duo)
8
Flûte, Hautbois, Clarinette (trio)
7
3 Flûtes à bec (trio)
7
Saxophone Baryton
7
Clarinette, Violoncelle (duo)
7
Flûte, Violoncelle
6
Saxophone et Harpe
6
2 Flûtes traversières, Piano
6
Clarinette, Violoncelle, Piano (trio)
5
5 Flûtes à bec
5
Flûte, Hautbois, Basson
5
Clarinette, Basson (duo)
5
Flûte, Basson et Piano
4
Flûte, Clarinette, Piano (trio)
4
Saxophone et Orgue
4
Piccolo, Piano
4
Clarinette, Guitare (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Hautbois, Harpe
4
Flûte à bec Soprano, Piano
4
Flûte, Alto et Piano
3
2 Clarinettes, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Ensemble De Flûte à bec
3
2 Hautbois, Piano
2
Flûte, alto et harpe
2
2 Saxophones, Piano
2
Flûte à bec Alto, Piano
2
Hautbois, violon (duo)
2
Clarinette, Basson, Piano (trio)
2
Flûte traversière, Orgue (duo)
2
Saxophone et Guitare
2
Flûte irlandaise
2
Flûte, Hautbois (duo)
2
Cor anglais et Harpe (duo)
1
Flûte à bec Tenor
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Contrebasse (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte et Trio à cordes
1
Flute, harpe et violon
1
Flûte, Tuba (duo)
1
Ensemble de Hautbois
1
2 Clarinettes, Basson
1
Flûte, Trombone (duo)
1
Saxophone et violoncelle
1
Hautbois, trombone (duo)
1
4 Hautbois
1
Hautbois et alto (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Orgue
1
Clarinette, Tuba
1
Hautbois, Guitare (duo)
1
Saxophone
1
Hautbois, Violon, Piano
1
Clarinette, Trombone (duo)
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Trompette (duo)
1
+ 116 instrumentations
Retracter
Cuivres
Trompette
1 148
Trombone
876
Cor
787
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
364
Trompette (partie séparée)
254
Trombone et Piano
239
Trompette, Piano
219
Bass Clef Instruments
206
Cor et Piano
186
Trombone (partie séparée)
166
Instruments en Sib
161
Quatuor de Cuivres : 2 trompettes, trombone, tuba
161
Tuba
140
Tuba et Piano
123
Quatuor de Cuivres
97
Euphonium, Piano (duo)
90
Cor (partie séparée)
77
2 Trombones (duo)
66
Cor anglais, Piano
64
2 Trompettes (duo)
56
Trompette, Saxophone (duo)
53
Quatuor de Cuivres: 2 trompettes, Cor, trombone
50
Trompette, Trombone (duo)
41
Euphonium
37
Quatuor de cuivres: 4 trombones
28
2 Cors (duo)
25
Ensemble de Trombones
22
Tuba (partie séparée)
16
Quatuor de cuivres: 4 cors
14
Trompette, Cor (duo)
12
Cor Anglais
11
Ensemble de Trompettes
10
Trio de Cuivres
9
2 Tubas (duo)
9
2 Euphoniums et 2 Tubas
8
3 Trombones (trio)
8
Quatuor de cuivres: 4 trompettes
6
4 Tubas
6
Trompette, Harpe
5
3 Trompettes (trio)
4
Trompette, Violoncelle (duo)
4
Trombone basse et Piano
4
Trombone basse
4
2 Trompettes, Clavier (piano ou orgue)
3
Ensemble de Cors
3
Trombone et orchestre
3
Trompette, Tuba (duo)
3
Cor et Harpe
3
Tuba et Orgue
3
Cor, Violoncelle (duo)
3
2 Cors, Piano
2
Trompette et Guitare
2
Trombone, violoncelle (duo)
2
3 Cors (trio)
2
Euphonium (partie séparée)
2
Cor anglais et Harpe (duo)
1
3 Euphoniums
1
Cor, Trompette, Trombone (trio)
1
Ensemble de Tubas
1
Trombone, Cor (duo)
1
Trombone, Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Violon (duo)
1
2 Euphoniums (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Basson (duo)
1
Trompette, violon (duo)
1
3 Tubas (trio)
1
Cornet et orchestre
1
+ 64 instrumentations
Retracter
Cordes
Violon
1 203
Violoncelle
980
Alto seul
921
Quatuor à cordes: 2 violons, alto, violoncelle
742
Violon et Piano
563
Alto (partie séparée)
382
Violoncelle, Piano
320
Alto, Piano
251
Violon (partie séparée)
244
Violoncelle (partie séparée)
135
Violon, Violoncelle (duo)
128
2 Violons (duo)
124
Harpe
115
Trio à Cordes: 2 violons, violoncelle
93
Contre Basse
90
Trio à Cordes: violon, alto, violoncelle
86
Contrebasse, Piano (duo)
80
2 Violoncelles (duo)
67
Violon, Alto (duo)
59
2 Altos (duo)
52
Quintette à cordes: 2 violons, alto, violoncelle, basse
51
2 Harpes (duo)
42
Contrebasse (partie séparée)
26
4 Violoncelles
21
Violon, Guitare (duo)
20
Harpe, Flûte (duo)
17
Trio à Cordes: 2 violons, alto
12
Piano Trio: Violon, Alto, Piano
12
Alto, Violoncelle (duo)
11
Harpe, Voix
11
Trio à cordes: 3 violins
11
Trio à Cordes: 3 violoncelles
6
Harpe, Violoncelle (duo)
6
Harpe, Violon (duo)
6
Ensemble de Violons
5
Alto et Harpe
5
Violoncelle , Guitare (duo)
5
Quatuor à cordes : 4 altos
5
2 Contrebasses (duo)
4
Trio à cordes: 3 altos
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Autoharp
3
Violoncelle, Orgue
3
Violoncelle, Contrebasse (duo)
3
Flûte, Contrebasse (duo)
3
Ensemble d'Altos
3
Violoncelle, Orchestre
3
Violon, Basson (duo)
3
Harpe, Trombone (duo)
2
2 Violoncelles, Piano
2
Violon, Orgue
2
Quatuor à cordes: 4 violons
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto, Guitare (duo)
2
2 Violons, Piano
2
Alto et Basson
2
4 Contrebasses
1
Harpe et Piano
1
Alto et orchestre
1
Violon, Tuba (duo)
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 907
Orchestre à Cordes
283
Orchestre
233
Ensemble Jazz
224
Ensemble de cuivres
157
Cloches
156
Jazz combo
128
Batterie
111
Orchestre de chambre
89
Fanfare
17
Percussion (partie séparée)
12
Ensemble de Percussions
12
Batterie (partie séparée)
9
Marimba
7
Xylophone, Piano
4
Piano et Orchestre
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
Xylophone
1
Big band
1
Percussion
1
Timbales (partie séparée)
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
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Instruments
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BANJO
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BASSON
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CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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XYLOPHONE
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MEDIEVAL - RENAISSAN…
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Vous avez sélectionné:
Lyric
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
11 partitions trouvées
<
1
Lyric Pieces Op.38 No.3
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Piano Quatuor: piano, violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
André Nusa
#
Lyric Pieces Op.38 No.3
#
Andre_Nusa
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1410686 Composed by Edvard Grieg. Arranged by André Nusa. 19th Century,Romantic Period. 12...
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Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1410686 Composed by Edvard Grieg. Arranged by André Nusa. 19th Century,Romantic Period. 12 pages. Andre_Nusa #993108. Published by Andre_Nusa (A0.1410686). Delight in the enchanting melodies of Grieg's 'Lyric Pieces Op.38 No.3' with this captivating arrangement for violin, viola, cello, and piano. Tailored for intermediate players, this arrangement offers a rewarding musical experience, allowing musicians to explore Grieg's rich harmonies and expressive melodies. Perfect for chamber ensembles seeking a charming repertoire, this arrangement showcases the ensemble's artistic versatility and collaborative spirit.
$3.99
Lyric Pieces Op.38 No.7
#
Piano Quatuor: piano, violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
André Nusa
#
Lyric Pieces Op.38 No.7
#
Andre_Nusa
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1410689 Composed by Edvard Grieg. Arranged by André Nusa. 19th Century,Romantic Period. 11...
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Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1410689 Composed by Edvard Grieg. Arranged by André Nusa. 19th Century,Romantic Period. 11 pages. Andre_Nusa #993111. Published by Andre_Nusa (A0.1410689). Discover the beauty of Grieg's 'Lyric Pieces Op.38 No.7' with this captivating arrangement for violin, viola, cello and piano. Designed for intermediate players, this arrangement offers a delightful musical journey, allowing musicians to explore Grieg's expressive melodies and rich harmonies. Ideal for chamber ensembles seeking engaging repertoire, this arrangement showcases the ensemble's collaborative prowess and artistic flair.
$3.99
Piano Quartet
#
Piano Quatuor: piano, violon, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Robert Cunningham
#
Piano Quartet
#
Robert E Cunningham
#
SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - SKU: A0.943203 Composed by Robert Cunningham. 20th Century,Contemporary. Score and pa...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - SKU: A0.943203 Composed by Robert Cunningham. 20th Century,Contemporary. Score and parts. 118 pages. Robert E Cunningham #6110749. Published by Robert E Cunningham (A0.943203). Robert Cunningham's Piano Quartet (violin, viola, cello, piano) is a passionately Romantic work in a single movement, in sonata-allegro form. Much of it is lyrical, but other passages bristle with driving energy. Composed in 1993, revised in 2018-2019. The full score and individual parts for the violin, viola, and cello are included. Duration: 23:10.
$24.95
Away In A Manger for Piano Quartet
#
Piano Quatuor: piano, violon, alto, violoncelle
#
DÉBUTANT
#
Noël
#
the 1880’s the cradle s
#
Mueller
#
James M
#
Away In A Manger for Piano Qua
#
jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
Silent Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Gruber
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James M
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Silent Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jmsgu3 (A0.548633). Silent Night for piano quartet. The final verse features a surprise re-harmonization of the melody. Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to accompany the lyrics. The result is probably the most famous Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs or to ensure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and Mohr's name was largely forgotten.  Though the public initially recognized Gruber as the composer, many people began rumors that a more famous composer was responsible over time. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.
$32.95
Luther: Out of the Depths for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
O Holy Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Adam
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James M
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O Holy Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #341156...
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Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
My Love is like a Red, Red Rose
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Traditional Scottish air
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Thomas Quigley
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My Love is like a Red, Red Ros
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Thomas Quigley
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.732084 Composed by Traditional Scottish air. Lyrics by Robert Burns. Arranged...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.732084 Composed by Traditional Scottish air. Lyrics by Robert Burns. Arranged by Thomas Quigley. Celtic,Concert,Folk,Wedding. Score and parts. 11 pages. Thomas Quigley #4821373. Published by Thomas Quigley (A0.732084). Reasonably easy to play but highly effective! With carefully designed string parts, rich romantic harmonies, a lush piano accompaniment and a wonderful melody this is an impressive concert item. Professionally arranged and highly recommended!
$12.95
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu...
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Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Pu...
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Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
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