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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
M.I.A.
Non classifié
1 758
Piano & claviers
Piano seul
1 186
Piano, Voix
590
Piano, Voix et Guitare
490
Piano Facile
295
Instruments en Do
164
Orgue
101
Piano grosses notes
38
1 Piano, 4 mains
19
Accompagnement Piano
11
Piano Trio: piano, violon, violoncelle
10
2 Pianos, 4 mains
10
Accordéon
9
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano (partie séparée)
2
2 Pianos, 8 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Ligne De Mélodie, Piano
1
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
+ 14 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
700
Guitare notes et tablatures
182
Guitare
79
Paroles et Accords
68
Basse electrique
42
Ukulele
30
2 Guitares (duo)
11
Guitare (partie séparée)
8
4 Guitares (Quatuor)
5
Piano, Guitare (duo)
5
Banjo
5
Mandoline
3
Dulcimer
3
Ensemble de guitares
1
Guitare, Violon, Violoncelle (trio)
1
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
+ 12 instrumentations
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Voix
Chorale SATB
578
Chorale 3 parties
271
Chorale TTBB
156
Chorale SSAA
118
Chorale 2 parties
78
Pack Instrumental pour Chorale
56
Chorale Unison
26
Voix seule
18
Voix duo, Piano
9
Voix Soprano, Piano
9
Voix haute
9
Voix duo
8
Chorale
8
Voix Baryton, Piano
4
Voix moyenne, Piano
3
Voix Alto, Piano
3
Voix Tenor, Piano
2
Voix basse
1
Voix basse, Piano
1
Chorale SSATBB
1
Voix Soprano
1
Chorale SSAATTBB
1
+ 17 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
150
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
117
Ensemble de saxophones
105
Flûte traversière et Piano
78
Quatuor de Saxophones: 4 saxophones
71
Clarinette
66
Flûte traversière
63
Clarinette et Piano
58
Hautbois, Piano (duo)
54
Flûte, Hautbois, Clarinette, Basson
51
2 Saxophones (duo)
49
Ensemble de Clarinettes
49
Saxophone (partie séparée)
45
Saxophone Alto
38
2 Flûtes traversières (duo)
38
Quatuor de Clarinettes: 4 clarinettes
36
Saxophone Tenor
32
2 Clarinettes (duo)
29
Saxophone Alto et Piano
28
Saxophone Tenor et Piano
24
Quintette de Flûte : 5 flûtes
23
Hautbois (partie séparée)
21
Ensemble de Flûtes
17
Saxophone Soprano et Piano
16
2 Hautbois (duo)
14
Flûte à Bec
14
Hautbois
14
Flûte, Clarinette (duo)
10
Hautbois, Basson (duo)
10
Saxophone Baryton, Piano
9
3 Clarinettes (trio)
9
Cor anglais, Piano
9
Flute (partie séparée)
8
3 Saxophones (trio)
8
Clarinette et Alto
8
Trio de Flûtes: 3 flûtes
8
Flûte, Alto (duo)
6
Clarinette Basse, Piano
6
Flûte, Violoncelle
6
2 Flûte à bec (duo)
5
Quatuor de Flûtes : 4 flûtes
5
Clarinette (partie séparée)
5
Flûte, Violon
5
Flûte à bec Soprano
4
Flûte, Violon et Violoncelle
4
Flûte et Guitare
4
Clarinette, Violon (duo)
4
Clarinette, Violoncelle (duo)
3
Clarinette, Guitare (duo)
3
Saxophone, Clarinette (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
2 Cors Anglais Et Pianoforte
2
Clarinette, Trompette (duo)
2
Hautbois, Violoncelle
2
Hautbois, Harpe
2
Flûte à bec Alto
2
Piccolo, Piano
2
Flûte à bec Tenor
2
Flûte, Hautbois, Basson
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Clarinette (duo)
2
Instruments en Mib
2
Hautbois, Flûte
1
Flûte, Hautbois, Violon
1
Clarinette, Harpe (duo)
1
Saxophone Soprano
1
Flûte, Clarinette et Basson
1
Flûte, Saxophone (duo)
1
Flute, harpe et violon
1
Flûte et Trio à cordes
1
Quatuor de Flûtes à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Orchestre
1
Saxophone et Guitare
1
Saxophone et Orgue
1
Ensemble De Flûte à bec
1
Flûte, Clarinette, Violon (trio)
1
Hautbois et alto (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte, Violon, Piano
1
Clarinette, Basson (duo)
1
Cornemuse
1
Harmonica
1
Flûte, Hautbois (duo)
1
+ 79 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
144
Quatuor de Cuivres : 2 trompettes, trombone, tuba
131
Trompette
61
Trompette, Piano
46
Ensemble de Trompettes
44
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
Ensemble de Trombones
39
Trombone
36
Cor et Piano
32
Trombone et Piano
30
Cor
28
Trompette (partie séparée)
24
Quatuor de Cuivres
23
Tuba
19
Tuba et Piano
17
Trombone (partie séparée)
14
2 Trompettes (duo)
13
Trompette, Trombone (duo)
12
Euphonium, Piano (duo)
12
2 Cors (duo)
11
2 Trombones (duo)
11
Cor anglais, Piano
9
Trio de Cuivres
7
Ensemble de Cors
6
Bass Clef Instruments
4
2 Euphoniums (duo)
4
Euphonium
3
Tuba (partie séparée)
3
Quatuor de cuivres: 4 trombones
3
2 Cors Anglais Et Pianoforte
2
2 Tubas (duo)
2
Cor (partie séparée)
2
2 Euphoniums et 2 Tubas
2
Euphonium, Tuba (duo)
2
Trombone, Tuba (duo)
2
Instruments en Sib
2
Trompette, Saxophone (duo)
2
Trompette, Cor (duo)
2
4 Tubas
1
Trombone basse et Piano
1
Trombone basse
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
1
Cor, Tuba (duo)
1
Trompette, Tuba (duo)
1
Trompette, Euphonium (duo)
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
382
Violon
206
Violon, Violoncelle (duo)
193
Trio à Cordes: violon, alto, violoncelle
155
Violon et Piano
92
Violoncelle
73
Violoncelle, Piano
63
Alto, Piano
59
Alto seul
57
Quintette à cordes: 2 violons, alto, violoncelle, basse
48
2 Violons (duo)
37
Violon, Alto (duo)
33
Harpe
32
2 Violoncelles (duo)
30
Ensemble d'Altos
27
Ensemble de Violons
26
Trio à Cordes: 2 violons, violoncelle
25
2 Altos (duo)
23
Contre Basse
22
Contrebasse, Piano (duo)
17
2 Contrebasses (duo)
15
Alto (partie séparée)
11
4 Violoncelles
10
Contrebasse (partie séparée)
6
Violoncelle, Contrebasse (duo)
6
Flûte, Contrebasse (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes: 4 violons
3
2 Harpes (duo)
3
Trio à cordes: 3 violins
3
Ensemble de Violoncelles
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 altos
2
Harpe, Violon (duo)
2
Quatuor à cordes : 4 altos
2
Violon, Guitare (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
2 Altos, Piano
1
Alto et Harpe
1
Violon, Tuba (duo)
1
2 Violons, Piano
1
Violoncelle, Orgue
1
Violon (partie séparée)
1
Alto, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Basson (duo)
1
Trio à Cordes: 2 violons, alto
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
167
Orchestre à Cordes
156
Ensemble Jazz
92
Orchestre
84
Fanfare
56
Orchestre de chambre
43
Ensemble de cuivres
43
Jazz combo
31
Marimba
19
Cloches
17
Ensemble de Percussions
15
Batterie
15
Batterie (partie séparée)
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Percussion (partie séparée)
4
Vibraphone
2
Quintette de Cuivres: autres combinaisons
2
Xylophone
1
+ 13 instrumentations
Retracter
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COR ANGLAIS
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DULCIMER
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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LUTH, THEOR…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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Vous avez sélectionné:
M.I.A.
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
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1
Funny Like a Monkey for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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Funny Like a Monkey for piano
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Robert M. Greenberg
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert ...
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Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
I'm Yours
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jason Mraz
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Wendy Hellmann
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I'm Yours
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Gwendolyn Hellmann
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SheetMusicPlus
Piano Quartet Cello,Piano,Violin - Level 4 - SKU: A0.1243434 By Jason Mraz. By Jason Mraz. Arranged by Wendy Hellmann. Pop,Rock,Wedding. 24 pages. Gwend...
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Piano Quartet Cello,Piano,Violin - Level 4 - SKU: A0.1243434 By Jason Mraz. By Jason Mraz. Arranged by Wendy Hellmann. Pop,Rock,Wedding. 24 pages. Gwendolyn Hellmann #838399. Published by Gwendolyn Hellmann (A0.1243434). This bubbly arrangement of I'm Yours is written for Violin 1, Violin 2, Cello, and Piano. Although harmonically sound as just a string trio, the piano part covers the guitar rhythm and other keys licks heard in the original recording. The first and second violin pass off the main melody between one another. Perfect for weddings and cocktail hour events! Â The PDF download includes both a full score and a set of individual parts - Violin 1, Violin 2, Cello, and Piano. All string parts are formatted on 2 pages to avoid page turns.
$12.99
The One I Love
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Rock
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R
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Rob Barnes
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The One I Love
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Rob Barnes
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - SKU: A0.924681 By R.E.M. By Michael Mills, Michael Stipe, Peter Buck, and William Ber...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - SKU: A0.924681 By R.E.M. By Michael Mills, Michael Stipe, Peter Buck, and William Berry. Arranged by Rob Barnes. Pop,Rock. Score and parts. 15 pages. Rob Barnes #4985035. Published by Rob Barnes (A0.924681). A piano quartet arrangement of the R.E.M. song 'The One I Love'. The sheet music includes separate parts for vioin, viola, cello and piano. The violin takes the melody for most of the piece and the viola provides some harmony lines. There is also some added interplay between the parts to add interest. Overall, the strings have a 'romantic' feel with long, sustained notes.This piece would be perfect for a wedding or any appropriate ceremony. It could also be used in a recital when a more contemporary piece is required.
$12.99
Luther: Out of the Depths for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
Handel: Seven Pieces from Water Music for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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George Friderick Handel
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James M
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Handel: Seven Pieces from Wate
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.552117 Composed by George Friderick Handel (1685-1756). Arranged by James M. ...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.552117 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 36 pages. Jmsgu3 #6121085. Published by jmsgu3 (A0.552117). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 16 pages, Duration 12:15. Players may read from the score, or from the included instrumental parts.Contents: 1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, and hornpipes, along with lively fanfares and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Water Music has been performed by many orchestras and is a popular choice for special occasions, such as coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's own compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based and where his music was extremely popular. Handel wrote a number of pieces specifically for use at weddings, including the popular Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often quite lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites that were specifically designed for this purpose. The bride and groom would often have a special dance to the music of Handel's Water Music, a particularly popular piece for the occasion. Guests at the wedding would be treated to a variety of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$36.95
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu...
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Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Pu...
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Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
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