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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mati
Non classifié
2 288
Piano & claviers
Piano seul
1 949
Piano, Voix
498
Piano Facile
373
Piano, Voix et Guitare
170
Orgue
142
Accompagnement Piano
77
1 Piano, 4 mains
52
Instruments en Do
49
Accordéon
32
Piano Trio: piano, violon, violoncelle
30
2 Pianos, 4 mains
18
Piano grosses notes
9
Orgue, Piano (duo)
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Clavier
5
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Trompette (duo)
3
Clavecin
3
2 Accordéons
2
Piano (partie séparée)
2
Ensemble d'Accordéons
1
2 Pianos, 8 mains
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
199
Guitare
160
Dulcimer
44
Ligne De Mélodie, (Paroles) et Accords
34
Ukulele
20
Paroles et Accords
16
Basse electrique
14
2 Guitares (duo)
13
4 Guitares (Quatuor)
8
Banjo
8
Piano, Guitare (duo)
7
Mandoline
6
2 Dulcimers (duo)
4
Ensemble de guitares
3
Guitare (partie séparée)
2
3 Guitares (trio)
2
Guitare, Violon, Violoncelle (trio)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
809
Chorale 3 parties
232
Chorale 2 parties
161
Chorale TTBB
86
Chorale Unison
73
Chorale SSAA
65
Voix duo, Piano
42
Voix duo
31
Voix Soprano, Piano
25
Pack Instrumental pour Chorale
24
Voix seule
23
Chorale
17
Voix haute
16
Voix Tenor, Piano
9
Voix Baryton, Piano
9
Voix Alto, Piano
7
Chorale SSAATTBB
4
Voix moyenne, Piano
4
Voix Soprano
4
Voix Mezzo-Soprano, Piano
2
Chorale SSAB a cappella
2
Voix basse, Piano
1
Voix, Guitare
1
Voix Baryton
1
Voix Tenor
1
Chorale SSATB
1
Soli, choeur mixte et accompagnement
1
Voix basse
1
+ 23 instrumentations
Retracter
Vents
Harmonica
218
Quatuor de Saxophones: 4 saxophones
131
Flûte traversière et Piano
128
Clarinette et Piano
93
2 Saxophones (duo)
91
Flûte traversière
89
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Clarinette
83
Quatuor de Clarinettes: 4 clarinettes
80
Hautbois, Piano (duo)
79
Saxophone Alto et Piano
77
Flûte, Hautbois, Clarinette, Basson
55
Saxophone Tenor et Piano
50
Quatuor de Flûtes : 4 flûtes
49
2 Clarinettes (duo)
49
2 Flûtes traversières (duo)
46
3 Saxophones (trio)
45
Saxophone Alto
42
Saxophone Soprano et Piano
41
Quintette de Saxophone: 5 saxophones
41
Saxophone Tenor
35
Saxophone (partie séparée)
27
Flûte et Guitare
25
Clarinette (partie séparée)
24
Saxophone Baryton, Piano
23
Ensemble de Clarinettes
23
Flûte, Clarinette (duo)
22
Hautbois (partie séparée)
21
3 Clarinettes (trio)
21
2 Hautbois (duo)
20
Ensemble de saxophones
17
Quintette de Clarinettes: 5 clarinettes
17
2 Flûte à bec (duo)
17
Trio de Flûtes: 3 flûtes
17
Hautbois, Basson (duo)
14
Hautbois
13
Ensemble de Flûtes
13
Cor anglais, Piano
12
Saxophone Soprano
12
Clarinette Basse, Piano
12
Hautbois, Clarinette, Basson (trio d'anches)
11
Flûte, Hautbois, Basson
10
Saxophone, Clarinette (duo)
10
Quatuor de Flûtes à bec
9
Clarinette, Violon (duo)
9
Flûte, Clarinette et Basson
9
Quintette de Flûte : 5 flûtes
9
Clarinette, Violoncelle, Piano (trio)
8
Hautbois, Clarinette (duo)
8
Clarinette, Basson (duo)
7
Saxophone Baryton
7
Flûte, Violon
7
Flûte, Saxophone (duo)
7
3 Flûtes à bec (trio)
6
Flûte, Hautbois (duo)
6
Flûte à Bec
6
Flûte, Hautbois, Piano (trio)
6
Flûte à bec Alto
6
Flûte, Violoncelle, Piano (trio)
6
Flute (partie séparée)
6
Flûte à bec Soprano
5
Clarinette, Trompette (duo)
4
Flûte, Alto (duo)
4
Clarinette, Violoncelle (duo)
4
Clarinette et Alto
4
Flûte, Violon et Violoncelle
3
Flûte, Alto et Piano
3
Clarinette, Guitare (duo)
3
5 Flûtes à bec
3
2 Flûtes traversières, Piano
3
Flûte à bec Alto, Piano
3
Hautbois, Guitare (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Clarinette, Piano (trio)
2
Hautbois, Flûte
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
2 Clarinettes, Piano
2
Flûte, Violoncelle
2
Ensemble De Flûte à bec
2
Piccolo, Piano
2
Saxophone
2
Instruments en Mib
2
Harmonica, Piano
1
Hautbois, Basson et Piano
1
Flûte à Bec, Piano
1
Piccolo
1
2 Clarinettes, Basson
1
Flûte à bec Soprano, Piano
1
Cor anglais, Guitare (duo)
1
Flûte à bec Tenor
1
Flute, harpe et violon
1
Flûte et Trio à cordes
1
Flûte, Trompette (duo)
1
Clarinette, Trombone (duo)
1
Flûte de Pan
1
Saxophone et Piano
1
Flute, alto, violoncelle et guitare
1
Flûte, trombone et piano
1
Cor Anglais
1
Flûte, Violoncelle, Guitare
1
Saxophone et Orgue
1
+ 96 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
140
Trombone et Piano
87
Trompette
75
Quatuor de Cuivres : 2 trompettes, trombone, tuba
72
Trompette, Piano
62
Cor et Piano
49
Trombone
45
Cor
34
Trompette (partie séparée)
33
Trombone (partie séparée)
33
Tuba et Piano
29
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Ensemble de Trombones
19
2 Trompettes (duo)
16
2 Trombones (duo)
16
Tuba
14
Quatuor de Cuivres
14
Quatuor de cuivres: 4 trombones
13
Euphonium, Piano (duo)
13
Quatuor de cuivres: 4 cors
13
Cor anglais, Piano
12
Ensemble de Trompettes
12
Cor (partie séparée)
12
2 Cors (duo)
11
Tuba (partie séparée)
11
2 Euphoniums et 2 Tubas
9
Trompette, Saxophone (duo)
7
Trompette, Trombone (duo)
7
4 Tubas
7
Ensemble de Cors
6
2 Tubas (duo)
4
Quatuor de cuivres: 4 trompettes
4
Bass Clef Instruments
3
Trombone et orchestre
3
Instruments en Sib
2
Cor et Orgue
2
3 Trompettes (trio)
2
Trombone basse et Piano
2
2 Euphoniums (duo)
2
Trombone basse
2
Tuba et Orgue
2
Trio de Cuivres
1
Instruments en Fa
1
3 Cors (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Clarinette, Cor (duo)
1
Cor anglais, Guitare (duo)
1
Trombone, Orgue
1
Ensemble de Tubas
1
3 Euphoniums
1
Cor, Tuba (duo)
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Cor Anglais
1
+ 49 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
378
Violon et Piano
148
Violon
120
Violoncelle, Piano
103
Violon, Violoncelle (duo)
80
Alto, Piano
80
Harpe
72
Violoncelle
71
Violon (partie séparée)
53
Alto seul
48
2 Violons (duo)
47
Trio à Cordes: violon, alto, violoncelle
43
2 Violoncelles (duo)
34
2 Altos (duo)
31
Contrebasse, Piano (duo)
27
Alto (partie séparée)
25
Violon, Alto (duo)
24
Violoncelle (partie séparée)
18
Contre Basse
17
Contrebasse (partie séparée)
17
4 Violoncelles
16
Alto, Violoncelle (duo)
16
Trio à Cordes: 2 violons, violoncelle
15
Trio à Cordes: 3 violoncelles
13
Trio à cordes: 3 violins
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Quatuor à cordes: 4 violons
9
Quatuor à cordes : 4 altos
8
Trio à cordes: 3 altos
7
Violoncelle , Guitare (duo)
7
Violon, Guitare (duo)
6
2 Harpes (duo)
5
Flûte, Contrebasse (duo)
5
Trio à Cordes: 2 violons, alto
4
2 Contrebasses (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Alto, Guitare (duo)
4
Violoncelle, Contrebasse (duo)
2
Harpe, Violon (duo)
2
Violon, Clarinette, Piano (trio)
2
Autoharp
2
Piano Trio: Violon, Alto, Piano
1
Harpe, Violoncelle (duo)
1
Violon, Orgue
1
Violoncelle, Orgue
1
Ensemble d'Altos
1
Alto et orchestre
1
Alto et Basson
1
Violoncelle, Orchestre
1
Ensemble de Violons
1
Harpe, Voix
1
2 Violons, Piano
1
4 Harpes
1
Harpe, Violon, Violoncelle
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 832
Orchestre à Cordes
285
Orchestre
266
Ensemble de cuivres
98
Cloches
70
Ensemble Jazz
63
Orchestre de chambre
61
Jazz combo
25
Ensemble de Percussions
18
Percussion (partie séparée)
14
Fanfare
12
Batterie
10
Marimba
10
Vibraphone
9
Piano et Orchestre
6
Xylophone
6
Percussion
5
2 Xylophones
4
Batterie (partie séparée)
2
Orchestre, Violon
2
Timbales
1
Marimba, Piano (duo)
1
Quintette de Cuivres: autres combinaisons
1
Bongos
1
Quintette à Vent
1
Ensemble d'École
1
Instrumentation Flexible
1
2 Caisses Claires (duo)
1
Timbales (partie séparée)
1
+ 24 instrumentations
Retracter
Autres
Formation musicale - Solfège
238
Théorie de la musique
2
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Piano Quatuor: piano, violon, alto, violoncelle
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1
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Terry Vosbein
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Parallel Tracks
#
Max Frank Music
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Funny Like a Monkey for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Robert M
#
Funny Like a Monkey for piano
#
Robert M. Greenberg
#
SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert ...
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Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
Fauré: Sicilienne for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
Gabriel Faure
#
James M
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Fauré: Sicilienne for P
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 2...
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Piano Quartet - Level 4 - SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 21 pages. Jmsgu3 #3449745. Published by jmsgu3 (A0.549058). Gabriel Fauré: Sicilienne Op. 78. Nice recital encore piece. It is very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity. Significant Aspects of Faure's Sicilienne Gabriel Fauré's Sicilienne, Op. 78 is significant due to its history, influence, and musical characteristics. Historical Significance The piece was initially composed in 1893 as part of incidental music for a theatrical production that was later abandoned. Fauré reused the Sicilienne in 1898 when he wrote incidental music for the English translation of Maeterlinck's play Pelléas et Mélisande. This piece was later extracted and formed into an orchestral suite for concerts, known as the Pelléas et Mélisande Suite, Op. 80. Influence and Popularity Fauré's harmonic richness and melodic innovations in the Sicilienne influenced other composers. The Sicilienne is the most famous piece from the Pelléas et Mélisande Suite and is frequently played by significant orchestras today. Musical Characteristics The piece is known for its conversational style for both cello and piano, and it exhibits chromatic movement to evoke a Renaissance aesthetic with the Sicilienne dance. It is also more complex than the typical song in terms of chords and melody, with above-average scores in chord and melodic complexity. In conclusion, Faure's Sicilienne is significant due to its historical background, influence on other composers, and unique musical characteristics. Dance and Fabric The term Sicilienne is derived from the French word Sicilienne, which means Sicilian. It is associated with a dance called the Siciliana and a kind of rich poplin fabric. Musical Style Sicilienne refers to a musical style or genre often included as a movement within more significant pieces of music, starting in the Baroque period. It is associated with a pastoral mood and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale.
$43.95
Intermezzo from Cavalleria Rusticana - Piano Quartet (Full Score and Parts)
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Pietro Mascagni
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César Madeira
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Intermezzo from Cavalleria Rus
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Sheet Music To Play Editions
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1320922 Composed by Pietro Mascagni. Arranged by César Madeira. Classical,Lent,Opera,Roman...
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Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1320922 Composed by Pietro Mascagni. Arranged by César Madeira. Classical,Lent,Opera,Romantic Period,Wedding. 12 pages. Sheet Music To Play Editions #909365. Published by Sheet Music To Play Editions (A0.1320922). Intermezzo from Cavalleria Rusticana by Mascagni. Arrangement for String Trio - Violin, Viola and Violoncello - and Piano. With Full Score and Individual Parts. Enjoy it!Pietro Mascagni (1863 – 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece Cavalleria rusticana caused one of the greatest sensations in opera history and single-handedly ushered in the Verismo movement in Italian dramatic music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$12.99
Intermezzo from Cavalleria Rusticana - Piano Quartet (Individual Parts)
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Pietro Mascagni
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César Madeira
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Intermezzo from Cavalleria Rus
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Sheet Music To Play Editions
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1320923 Composed by Pietro Mascagni. Arranged by César Madeira. 19th Century,20th Century,...
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Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1320923 Composed by Pietro Mascagni. Arranged by César Madeira. 19th Century,20th Century,Opera,Romantic Period,Wedding. 5 pages. Sheet Music To Play Editions #909366. Published by Sheet Music To Play Editions (A0.1320923). Intermezzo from Cavalleria Rusticana by Mascagni. Arrangement for String Trio - Violin, Viola and Violoncello - and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Pietro Mascagni (1863 – 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece Cavalleria rusticana caused one of the greatest sensations in opera history and single-handedly ushered in the Verismo movement in Italian dramatic music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
The Promised Land
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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David Carovillano
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The Promised Land
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Acclarion Records
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - SKU: A0.992783 Composed by David Carovillano (SOCAN). 20th Century,Contemporary. Scor...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - SKU: A0.992783 Composed by David Carovillano (SOCAN). 20th Century,Contemporary. Score and parts. 63 pages. Acclarion Records #3626895. Published by Acclarion Records (A0.992783). This piece for piano, violin, viola and cello features epic, sweeping melodies and bold rhythmic gestures for musicians to perform with passionate, dramatic flair. The Promised Land flows with milk and honey. There is a yearning to reach it but this gift comes at a cost. It is an epic journey filled with trial and tribulation but the weary travellers carry with them a jubilant spirit full of optimism and hope.
$35.00
Luther: Out of the Depths for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
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