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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Move On
Non classifié
1 892
Piano & claviers
Piano seul
984
Piano Facile
248
Piano, Voix
160
Orgue
150
Piano, Voix et Guitare
101
1 Piano, 4 mains
41
Piano Trio: piano, violon, violoncelle
34
Instruments en Do
28
2 Pianos, 4 mains
15
Accompagnement Piano
9
Piano grosses notes
8
Accordéon
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Clavecin
4
Piano (partie séparée)
4
Accordéon, Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
2
Clavier
2
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
+ 18 instrumentations
Retracter
Guitares
Guitare
135
Guitare notes et tablatures
74
2 Guitares (duo)
25
Piano, Guitare (duo)
22
Ligne De Mélodie, (Paroles) et Accords
14
Ukulele
14
Paroles et Accords
13
Basse electrique
11
Guitare (partie séparée)
8
Mandoline
7
4 Guitares (Quatuor)
5
3 Guitares (trio)
3
Ensemble de guitares
2
Dulcimer
2
Cithare
1
Banjo
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
395
Chorale 3 parties
71
Chorale 2 parties
61
Chorale TTBB
47
Chorale SSAA
41
Chorale Unison
32
Voix Baryton, Piano
7
Voix Soprano, Piano
6
Voix duo
6
Voix duo, Piano
4
Voix basse, Piano
3
Voix Tenor, Piano
3
Voix haute
2
Soli, choeur mixte et accompagnement
2
Chorale SSAATTBB
2
Chorale SSATTB
2
Voix Tenor
2
Voix Soprano
1
Voix seule
1
Voix Alto, Piano
1
Chorale SSATB
1
Voix moyenne, Piano
1
Chorale
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
226
Quatuor de Saxophones: 4 saxophones
121
Flûte traversière et Piano
119
Quintette de Saxophone: 5 saxophones
112
Clarinette et Piano
107
Hautbois, Piano (duo)
91
Quatuor de Clarinettes: 4 clarinettes
79
Saxophone Alto et Piano
69
2 Saxophones (duo)
68
Flûte, Hautbois, Clarinette, Basson
58
2 Flûtes traversières (duo)
54
Clarinette
52
Ensemble de saxophones
49
2 Clarinettes (duo)
41
Ensemble de Clarinettes
40
Saxophone Tenor et Piano
39
Saxophone (partie séparée)
38
Flûte traversière
36
Saxophone Soprano et Piano
34
3 Saxophones (trio)
29
Quatuor de Flûtes : 4 flûtes
29
Hautbois (partie séparée)
28
2 Flûtes traversières, Piano
27
Saxophone Alto
26
Saxophone Baryton, Piano
26
Flûte, Clarinette (duo)
23
Quintette de Flûte : 5 flûtes
23
Cor anglais, Piano
22
Ensemble de Flûtes
20
3 Clarinettes (trio)
19
Quintette de Clarinettes: 5 clarinettes
19
Saxophone, Clarinette (duo)
17
Saxophone Tenor
17
2 Hautbois (duo)
16
Flûte et Guitare
16
Clarinette Basse, Piano
16
Hautbois, Basson (duo)
14
2 Flûte à bec (duo)
14
Trio de Flûtes: 3 flûtes
13
Hautbois, Flûte
12
Clarinette, Violon (duo)
10
Hautbois, Clarinette (duo)
9
Flûte, Hautbois, Clarinette (trio)
9
Hautbois
8
Clarinette, Trompette (duo)
8
Quatuor de Flûtes à bec
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Clarinette, Guitare (duo)
7
Flûte, Clarinette et Basson
7
Flûte, Saxophone (duo)
6
Flûte, Violon
6
Clarinette, Basson (duo)
6
Flute (partie séparée)
6
3 Flûtes à bec (trio)
6
Flûte à bec Alto
6
Clarinette et Alto
5
Flûte irlandaise
5
Clarinette (partie séparée)
4
Saxophone et Orgue
4
Flûte à bec Soprano, Piano
4
Flûte, Trompette (duo)
4
Flûte à Bec
4
Flûte, Alto (duo)
4
Saxophone Baryton
4
Hautbois, Guitare (duo)
4
5 Flûtes à bec
4
Flûte, Violon, Piano
3
Ocarina
3
Saxophone
3
Flûte à bec Tenor
3
Saxophone Soprano
3
Piccolo, Piano
3
Flûte à bec Soprano
3
Clarinette, Violoncelle (duo)
2
Flûte, Violoncelle
2
Flûte, Trombone (duo)
2
3 Hautbois
2
Cor anglais, Guitare (duo)
2
2 Saxophones, Piano
2
Harmonica
2
Hautbois, Harpe
2
Flûte, Hautbois, Basson
2
Clarinette, Harpe (duo)
2
2 Clarinettes, Piano
2
Clarinette, Tuba
1
Saxophone, Tuba (duo)
1
Flûte, Basson et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Clarinette, Violon (trio)
1
Clarinette Basse
1
Hautbois, Violoncelle
1
Clarinette, Contrebasse (duo)
1
Cor anglais et Harpe (duo)
1
Ensemble de Hautbois
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Trombone (duo)
1
2 Cors Anglais Et Pianoforte
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Clarinettes, Basson
1
Cor Anglais
1
Saxophone et Harpe
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
+ 99 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
165
Quatuor de Cuivres : 2 trompettes, trombone, tuba
123
Trombone et Piano
75
Trompette, Piano
60
Ensemble de Trompettes
51
Trompette
50
Cor et Piano
46
Trombone
38
Trombone (partie séparée)
35
Tuba et Piano
31
Trompette (partie séparée)
31
Ensemble de Trombones
30
Euphonium, Piano (duo)
27
Cor anglais, Piano
22
Cor
22
Tuba
22
Quatuor de Cuivres
18
2 Trombones (duo)
17
2 Trompettes (duo)
17
Trompette, Trombone (duo)
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Trompette, Saxophone (duo)
11
2 Cors (duo)
9
3 Trombones (trio)
9
Quatuor de cuivres: 4 trombones
8
Ensemble de Cors
8
Trompette, Cor (duo)
7
Quatuor de cuivres: 4 cors
7
Quatuor de cuivres: 4 trompettes
5
Trombone, Orgue
5
Cor (partie séparée)
5
3 Trompettes (trio)
5
4 Tubas
5
Trombone basse
4
3 Tubas (trio)
4
Tuba (partie séparée)
3
Euphonium
3
2 Tubas (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Cors (trio)
3
Trio de Cuivres
2
Trombone, Cor (duo)
2
Tuba et Orgue
2
Cor anglais, Guitare (duo)
2
2 Euphoniums et 2 Tubas
2
Euphonium, Tuba (duo)
2
2 Euphoniums (duo)
2
3 Euphoniums
2
2 Trompettes, Clavier (piano ou orgue)
1
Trombone basse et Piano
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor Anglais
1
Trompette, Tuba (duo)
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
302
Violon et Piano
164
Violoncelle, Piano
105
Alto, Piano
89
Violon
68
2 Violons (duo)
56
Violoncelle
55
Violon, Violoncelle (duo)
46
Violon, Alto (duo)
45
Trio à Cordes: violon, alto, violoncelle
44
Harpe
40
Alto seul
31
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
2 Altos (duo)
20
Contrebasse, Piano (duo)
19
Contre Basse
19
2 Violoncelles (duo)
17
Alto (partie séparée)
15
Contrebasse (partie séparée)
15
Trio à cordes: 3 violins
12
Trio à Cordes: 2 violons, violoncelle
11
Ensemble de Violons
10
Violoncelle, Contrebasse (duo)
10
Violon (partie séparée)
10
Harpe, Flûte (duo)
9
Trio à Cordes: 3 violoncelles
9
Ensemble d'Altos
9
Trio à cordes: 3 altos
8
Alto, Violoncelle (duo)
7
Violon, Guitare (duo)
6
4 Violoncelles
6
Trio à Cordes: 2 violons, alto
5
Quatuor à cordes: 4 violons
5
Violoncelle , Guitare (duo)
4
Piano Trio: Violon, Alto, Piano
4
Quatuor à cordes : 4 altos
4
Alto, Guitare (duo)
4
Harpe, Violon (duo)
3
Violoncelle (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Harpes (duo)
2
Violon, Clarinette, Piano (trio)
2
3 Contrebasses
2
Harpe, Violoncelle (duo)
2
4 Contrebasses
1
Violon, Violoncelle, Clarinette
1
Ensemble de Violoncelles
1
Harpe, Voix
1
Flûte, Contrebasse (duo)
1
Harpe et Piano
1
2 Contrebasses (duo)
1
Harpe, Trombone (duo)
1
Violoncelle, Orgue
1
Violoncelle, Orchestre
1
Alto et Harpe
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
643
Orchestre
256
Orchestre à Cordes
170
Orchestre de chambre
132
Ensemble de cuivres
82
Ensemble Jazz
41
Cloches
30
Ensemble de Percussions
19
Percussion (partie séparée)
15
Batterie
15
Jazz combo
8
Fanfare
7
Marimba
5
Batterie (partie séparée)
4
Vibraphone
4
Orchestre, Violon
2
Xylophone
2
Vibraphone et Marimba
2
Xylophone, Piano
2
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Conga
1
2 Xylophones
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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LIVRES
LUTH
MANDOLINE
MARIMBA
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Move On
Piano Quatuor: piano, violon, alto, violoncelle
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1
Funny Like a Monkey for piano quartet
#
Piano Quatuor: piano, violon, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Robert M
#
Funny Like a Monkey for piano
#
Robert M. Greenberg
#
SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert ...
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Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Terry Vosbein
#
Parallel Tracks
#
Max Frank Music
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Fauré: Sicilienne for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Gabriel Faure
#
James M
#
Fauré: Sicilienne for P
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 2...
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Piano Quartet - Level 4 - SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 21 pages. Jmsgu3 #3449745. Published by jmsgu3 (A0.549058). Gabriel Fauré: Sicilienne Op. 78. Nice recital encore piece. It is very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity. Significant Aspects of Faure's Sicilienne Gabriel Fauré's Sicilienne, Op. 78 is significant due to its history, influence, and musical characteristics. Historical Significance The piece was initially composed in 1893 as part of incidental music for a theatrical production that was later abandoned. Fauré reused the Sicilienne in 1898 when he wrote incidental music for the English translation of Maeterlinck's play Pelléas et Mélisande. This piece was later extracted and formed into an orchestral suite for concerts, known as the Pelléas et Mélisande Suite, Op. 80. Influence and Popularity Fauré's harmonic richness and melodic innovations in the Sicilienne influenced other composers. The Sicilienne is the most famous piece from the Pelléas et Mélisande Suite and is frequently played by significant orchestras today. Musical Characteristics The piece is known for its conversational style for both cello and piano, and it exhibits chromatic movement to evoke a Renaissance aesthetic with the Sicilienne dance. It is also more complex than the typical song in terms of chords and melody, with above-average scores in chord and melodic complexity. In conclusion, Faure's Sicilienne is significant due to its historical background, influence on other composers, and unique musical characteristics. Dance and Fabric The term Sicilienne is derived from the French word Sicilienne, which means Sicilian. It is associated with a dance called the Siciliana and a kind of rich poplin fabric. Musical Style Sicilienne refers to a musical style or genre often included as a movement within more significant pieces of music, starting in the Baroque period. It is associated with a pastoral mood and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale.
$43.95
Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1398434 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,C...
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Piano Quartet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1398434 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 219 pages. Jmsgu3 #981709. Published by jmsgu3 (A0.1398434). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874(МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.
$49.95
Mussorgsky: Pictures at an Exhibition for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549937 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standar...
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Piano Quartet - Level 4 - SKU: A0.549937 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standards. 208 pages. Jmsgu3 #4317807. Published by jmsgu3 (A0.549937). Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри) Score: 103 pages, 924 measures, duration: 34:30. Contents:  Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)    Allegretto non troppo, capriccioso  4. BYDLO (Cattle) Sempre moderato pesante  Promenade 4 Tranquillo  5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²   Scherzino  6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир Andante  Promenade 5 Allegro giusto, nel modo russico, poco sostenuto  7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)     Allegretto vivo, sempre scherzando  8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo     CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)     Andante non troppo, con lamento  9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле    Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezzaMussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$52.95
Pachelbel: Canon in D for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
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