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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
On That Day
Non classifié
1 870
Piano & claviers
Piano seul
827
Piano, Voix
323
Piano Facile
295
Piano, Voix et Guitare
227
Instruments en Do
181
Orgue
124
Piano grosses notes
62
2 Pianos, 4 mains
27
1 Piano, 4 mains
26
Accompagnement Piano
19
Piano Trio: piano, violon, violoncelle
17
Accordéon
14
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavier
2
1 Piano, 6 mains
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
83
Guitare
61
Ligne De Mélodie, (Paroles) et Accords
28
Ukulele
15
Basse electrique
9
Guitare (partie séparée)
6
Piano, Guitare (duo)
4
Mandoline
4
Paroles et Accords
3
Banjo
3
Dulcimer
3
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Ensemble de guitares
1
+ 10 instrumentations
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Voix
Chorale SATB
527
Chorale 2 parties
194
Chorale 3 parties
163
Voix duo, Piano
109
Chorale Unison
101
Chorale TTBB
54
Chorale SSAA
21
Voix duo
19
Voix seule
14
Voix haute
12
Voix Alto, Piano
11
Voix Soprano, Piano
10
Voix Baryton, Piano
4
Soli, choeur mixte et accompagnement
3
Chorale
3
Voix Tenor, Piano
3
Voix basse
3
Voix moyenne, Piano
2
Voix Soprano
2
Voix Mezzo-Soprano, Piano
2
Voix basse, Piano
2
Chorale SSATTB
1
Chorale SSAB, Piano
1
Voix Tenor
1
Chorale SATBB
1
Chorale SSAATTBB
1
+ 21 instrumentations
Retracter
Vents
2 Saxophones (duo)
268
Quatuor de Saxophones: 4 saxophones
148
Flûte traversière et Piano
121
2 Clarinettes (duo)
117
2 Flûtes traversières (duo)
113
Clarinette et Piano
105
Saxophone Alto et Piano
105
Hautbois, Piano (duo)
104
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
90
Flûte, Hautbois, Clarinette, Basson
82
Clarinette
80
Flûte traversière
76
Quintette de Saxophone: 5 saxophones
71
Saxophone Tenor et Piano
66
Quatuor de Clarinettes: 4 clarinettes
63
Saxophone Soprano et Piano
61
Saxophone, Clarinette (duo)
59
Clarinette, Violon (duo)
58
2 Flûte à bec (duo)
57
2 Hautbois (duo)
52
Flûte, Clarinette (duo)
48
Clarinette, Trompette (duo)
47
Saxophone Alto
46
Saxophone (partie séparée)
46
3 Saxophones (trio)
45
Saxophone Tenor
37
Hautbois (partie séparée)
37
Hautbois, Basson (duo)
33
Hautbois, Clarinette (duo)
32
Saxophone Baryton, Piano
32
Flûte, Violon
28
Flûte, Saxophone (duo)
28
Clarinette et Alto
27
Saxophone
25
Flûte, Alto (duo)
25
Quatuor de Flûtes : 4 flûtes
25
Ensemble de saxophones
24
Ensemble de Flûtes
22
Ensemble de Clarinettes
20
3 Clarinettes (trio)
19
Flûte, Trompette (duo)
18
Flûte, Hautbois (duo)
16
Hautbois, Flûte
16
Quintette de Clarinettes: 5 clarinettes
16
Quintette de Flûte : 5 flûtes
13
Hautbois
13
Cor anglais, Piano
12
Trio de Flûtes: 3 flûtes
12
Hautbois, violon (duo)
11
Clarinette Basse, Piano
11
Clarinette, Trombone (duo)
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Saxophone Soprano
9
Quatuor de Flûtes à bec
9
Flûte à bec Soprano
8
Flûte à Bec
7
Clarinette (partie séparée)
7
Clarinette, Basson (duo)
7
Saxophone Baryton
7
Flute (partie séparée)
6
Flûte, Hautbois, Piano (trio)
5
2 Flûtes traversières, Piano
5
Flûte, Hautbois, Basson
4
Hautbois, Violoncelle
4
Flûte à bec Alto
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Clarinette et Basson
3
Flûte irlandaise
3
3 Flûtes à bec (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette Basse
3
5 Flûtes à bec
3
Clarinette, Guitare (duo)
3
Flûte, Clarinette, Piano (trio)
3
Ensemble De Flûte à bec
3
Clarinette, Harpe (duo)
3
Piccolo
2
Clarinette, Violoncelle (duo)
2
Cor Anglais
2
2 Clarinettes, Piano
2
Flûte, Violon et Violoncelle
2
Flûte, Violon, Piano
2
Hautbois, Harpe
2
Flûte à bec Tenor
2
Flûte, trombone et piano
1
Flûte, Violoncelle, Guitare
1
Saxophone et Harpe
1
Saxophone et Guitare
1
Flûte traversière, Orgue (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte et Guitare
1
Flûte, Violoncelle
1
3 Hautbois
1
Flûte, Alto et Piano
1
Ensemble de Hautbois
1
Saxophone et Orgue
1
Piccolo, Piano
1
Cor anglais et Harpe (duo)
1
Flûte à bec Alto, Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte, alto et harpe
1
Flûte à bec Soprano, Piano
1
+ 98 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
125
Trompette, Piano
102
Trompette
81
Quatuor de Cuivres : 2 trompettes, trombone, tuba
81
Trombone et Piano
81
Cor et Piano
74
2 Trompettes (duo)
64
2 Trombones (duo)
60
Quatuor de Cuivres: 2 trompettes, Cor, trombone
47
Trompette, Saxophone (duo)
45
Trombone
40
Cor
36
Trompette, Trombone (duo)
29
Tuba
27
Tuba et Piano
24
Trompette (partie séparée)
21
Quatuor de Cuivres
20
Trombone (partie séparée)
20
2 Cors (duo)
19
Euphonium, Piano (duo)
15
2 Euphoniums (duo)
13
Quatuor de cuivres: 4 trombones
13
Cor anglais, Piano
12
Ensemble de Trompettes
10
2 Tubas (duo)
8
Ensemble de Trombones
8
Trompette, Cor (duo)
6
Tuba et Orgue
6
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Quatuor de cuivres: 4 cors
4
Ensemble de Cors
4
4 Tubas
3
Quatuor de cuivres: 4 trompettes
3
3 Trombones (trio)
3
Trompette, Violoncelle et Piano
2
Cor Anglais
2
Trombone basse
2
3 Trompettes (trio)
2
3 Cors (trio)
2
Trombone, Orgue
2
Tuba (partie séparée)
2
Cor (partie séparée)
1
Trompette, Tuba (duo)
1
Cor, Trompette, Trombone (trio)
1
3 Tubas (trio)
1
2 Euphoniums et 2 Tubas
1
Clarinette, Cor (duo)
1
Ensemble de Tubas
1
Cor et Orgue
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Cor et Harpe
1
Euphonium, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
Trompette, Basson (duo)
1
Euphonium
1
2 Cors Anglais Et Pianoforte
1
Trio de Cuivres
1
Trompette, Harpe
1
+ 53 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
263
Violon et Piano
151
Alto, Piano
120
Violoncelle, Piano
117
Violon
99
Violon, Violoncelle (duo)
97
Violoncelle
79
2 Violons (duo)
72
Alto seul
72
2 Violoncelles (duo)
62
Harpe
61
2 Altos (duo)
53
Violon, Alto (duo)
53
Trio à Cordes: violon, alto, violoncelle
37
Quintette à cordes: 2 violons, alto, violoncelle, basse
35
Contrebasse, Piano (duo)
28
Contre Basse
27
Alto (partie séparée)
20
2 Harpes (duo)
18
Trio à cordes: 3 violins
16
Trio à Cordes: 3 violoncelles
12
Trio à Cordes: 2 violons, violoncelle
12
Violon (partie séparée)
11
Harpe, Voix
10
4 Violoncelles
9
Quatuor à cordes : 4 altos
8
Contrebasse (partie séparée)
8
Quatuor à cordes: 4 violons
7
Piano Trio: Violon, Alto, Piano
7
Trio à cordes: 3 altos
6
Alto, Violoncelle (duo)
6
2 Contrebasses (duo)
5
Alto et Harpe
5
Harpe, Flûte (duo)
5
Harpe, Violon (duo)
4
Violoncelle, Orgue
3
Violoncelle, Contrebasse (duo)
3
Ensemble de Violons
3
Violon, Clarinette, Piano (trio)
3
Violoncelle (partie séparée)
3
Harpe, Violoncelle (duo)
2
4 Harpes
2
Ensemble d'Altos
2
Harpe et Piano
1
4 Contrebasses
1
Violon, Basson (duo)
1
Ensemble de Violoncelles
1
2 Violons, Piano
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Flûte, Contrebasse (duo)
1
Alto, Guitare (duo)
1
Violon, Tuba (duo)
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
498
Orchestre
131
Orchestre à Cordes
94
Ensemble Jazz
69
Ensemble de cuivres
48
Cloches
47
Batterie
35
Orchestre de chambre
25
Ensemble de Percussions
21
Fanfare
15
Jazz combo
13
Percussion (partie séparée)
9
Marimba
4
Xylophone, Piano
3
Batterie (partie séparée)
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Quintette de Cuivres: autres combinaisons
2
Vibraphone et Marimba
1
Instrumentation Flexible
1
Piano et Orchestre
1
Bongos
1
+ 16 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
On That Day
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
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1
Angels We Have Heard on High (Piano Quartet): Violin, Viola, Cello and Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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Traditional French Carol
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John A
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Angels We Have Heard on High
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John A. Dempsey
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.612672 Composed by Traditional French Carol. Arranged by John A. Dempsey. Chr...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.612672 Composed by Traditional French Carol. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 22 pages. John A. Dempsey #221864. Published by John A. Dempsey (A0.612672). Arranged as a lively piano quartet for violin, viola, cello and piano, this exultant arrangement of a traditional French Christmas carol contains variation in all parts as well as dynamic shading, embellishments and incidental music by Grieg, all adding to the joyful atmosphere of praise and thanksgiving. Â Gloria in excelsis Deo is Latin for Glory to God in the Highest. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Â Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture and special music. Â Key: C major. Â 18 pages of music (that includes the score and separate two-page parts for violin, viola and cello).
$14.00
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
Jingle Bells for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Publishe...
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Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
Mozart: Romanze from K. 525 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sac...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Pachelbel: Canon in D for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
Funny Like a Monkey for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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Funny Like a Monkey for piano
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Robert M. Greenberg
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert ...
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Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
Fauré: Sicilienne for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Sicilienne for P
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 2...
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Piano Quartet - Level 4 - SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 21 pages. Jmsgu3 #3449745. Published by jmsgu3 (A0.549058). Gabriel Fauré: Sicilienne Op. 78. Nice recital encore piece. It is very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity. Significant Aspects of Faure's Sicilienne Gabriel Fauré's Sicilienne, Op. 78 is significant due to its history, influence, and musical characteristics. Historical Significance The piece was initially composed in 1893 as part of incidental music for a theatrical production that was later abandoned. Fauré reused the Sicilienne in 1898 when he wrote incidental music for the English translation of Maeterlinck's play Pelléas et Mélisande. This piece was later extracted and formed into an orchestral suite for concerts, known as the Pelléas et Mélisande Suite, Op. 80. Influence and Popularity Fauré's harmonic richness and melodic innovations in the Sicilienne influenced other composers. The Sicilienne is the most famous piece from the Pelléas et Mélisande Suite and is frequently played by significant orchestras today. Musical Characteristics The piece is known for its conversational style for both cello and piano, and it exhibits chromatic movement to evoke a Renaissance aesthetic with the Sicilienne dance. It is also more complex than the typical song in terms of chords and melody, with above-average scores in chord and melodic complexity. In conclusion, Faure's Sicilienne is significant due to its historical background, influence on other composers, and unique musical characteristics. Dance and Fabric The term Sicilienne is derived from the French word Sicilienne, which means Sicilian. It is associated with a dance called the Siciliana and a kind of rich poplin fabric. Musical Style Sicilienne refers to a musical style or genre often included as a movement within more significant pieces of music, starting in the Baroque period. It is associated with a pastoral mood and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale.
$43.95
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu...
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Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
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