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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One More Night
Non classifié
311
Piano & claviers
Piano seul
130
Piano Facile
49
Piano, Voix et Guitare
48
Piano, Voix
47
2 Pianos, 4 mains
22
Instruments en Do
10
Piano grosses notes
7
Piano Trio: piano, violon, violoncelle
5
Orgue
5
Piano Quatuor: piano, violon, alto, violoncelle
4
1 Piano, 4 mains
2
Accompagnement Piano
2
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
26
Guitare
17
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
6
Basse electrique
2
Ukulele
2
Guitare, Violon, Violoncelle (trio)
1
+ 2 instrumentations
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Voix
Chorale SATB
40
Chorale 3 parties
11
Chorale TTBB
9
Chorale SSAA
6
Chorale 2 parties
6
Chorale Unison
4
Voix Alto, Piano
2
Voix Soprano, Piano
2
Voix haute
2
Voix duo, Piano
2
Voix Baryton, Piano
1
Voix seule
1
Voix Mezzo-Soprano, Piano
1
Soli, choeur mixte et accompagnement
1
Voix moyenne, Piano
1
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Vents
2 Saxophones (duo)
67
Saxophone Alto et Piano
39
Saxophone Tenor et Piano
35
Saxophone Alto
30
Saxophone Soprano et Piano
27
Clarinette
25
Saxophone
24
Saxophone, Clarinette (duo)
24
Saxophone Tenor
20
Quatuor de Saxophones: 4 saxophones
19
Flûte traversière
18
2 Flûtes traversières (duo)
18
Saxophone Baryton, Piano
17
2 Clarinettes (duo)
16
Flûte traversière et Piano
15
Clarinette et Piano
15
Quintette de Saxophone: 5 saxophones
14
Saxophone (partie séparée)
14
Clarinette, Violon (duo)
14
Ensemble de saxophones
13
Hautbois, Piano (duo)
11
Clarinette, Trompette (duo)
10
Flûte, Clarinette (duo)
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte, Violon
8
Hautbois, Flûte
7
Flûte, Hautbois, Clarinette, Basson
7
Saxophone Soprano
7
Clarinette et Alto
7
Flûte, Saxophone (duo)
7
Hautbois, Basson (duo)
6
Flûte, Alto (duo)
6
Hautbois, Clarinette (duo)
5
3 Saxophones (trio)
5
Ensemble de Clarinettes
5
Flûte, Trompette (duo)
5
Quatuor de Flûtes : 4 flûtes
5
2 Hautbois (duo)
5
Cor anglais, Piano
4
Clarinette Basse, Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Ensemble de Flûtes
2
Trio de Flûtes: 3 flûtes
2
Flûte à bec Soprano
2
Flûte et Guitare
2
5 Flûtes à bec
2
Quintette de Flûte : 5 flûtes
2
Hautbois (partie séparée)
2
Piccolo, Piano
1
Flûte, Basson et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Flute, harpe et violon
1
3 Clarinettes (trio)
1
Ensemble à vent
1
Flûte de Pan
1
Clarinette, Basson (duo)
1
+ 51 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Trombone et Piano
35
Trombone
27
Trompette
21
Trompette, Saxophone (duo)
16
2 Trombones (duo)
15
Quatuor de cuivres: 4 trombones
14
Trompette, Trombone (duo)
10
Cor et Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trompette, Piano
8
2 Trompettes (duo)
6
Ensemble de Trompettes
6
Ensemble de Trombones
5
Cor anglais, Piano
4
Euphonium, Piano (duo)
4
Tuba et Piano
4
Ensemble de Cors
2
Cor
2
2 Tubas (duo)
1
Trompette (partie séparée)
1
Trombone, Tuba (duo)
1
2 Cors (duo)
1
Trompette, Trombone, Piano
1
Euphonium, Tuba (duo)
1
3 Trombones (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon et Piano
18
Violon, Violoncelle (duo)
13
Alto, Piano
10
Violoncelle, Piano
9
2 Violons (duo)
9
Violoncelle
8
2 Violoncelles (duo)
8
Violon, Alto (duo)
7
Violon
6
Harpe
5
Trio à Cordes: violon, alto, violoncelle
4
2 Altos (duo)
4
Alto seul
4
Trio à Cordes: 2 violons, violoncelle
3
Contrebasse, Piano (duo)
3
Harpe, Voix
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Ensemble de Violoncelles
1
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
Ensemble d'Altos
1
Alto (partie séparée)
1
Ensemble de Violons
1
Harpe, Flûte (duo)
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
115
Orchestre
19
Ensemble de cuivres
16
Orchestre à Cordes
15
Ensemble Jazz
15
Orchestre de chambre
9
Jazz combo
8
Fanfare
7
Big band
4
Batterie
4
Cloches
3
Ensemble de Percussions
2
Marimba ou Xylophone et Piano
1
Marimba
1
Quintette de Cuivres: autres combinaisons
1
Ensemble d'École
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
One More Night
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
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Silent Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Gruber
#
James M
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Silent Night for Piano Quartet
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jmsgu3 (A0.548633). Silent Night for piano quartet. The final verse features a surprise re-harmonization of the melody. Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to accompany the lyrics. The result is probably the most famous Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs or to ensure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and Mohr's name was largely forgotten.  Though the public initially recognized Gruber as the composer, many people began rumors that a more famous composer was responsible over time. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.
$32.95
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Mozart: Romanze from K. 525 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sac...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
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One More Night 
