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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
2 113
Piano & claviers
Piano seul
629
Piano Facile
341
Piano, Voix
190
Piano, Voix et Guitare
155
Instruments en Do
42
Accompagnement Piano
38
Orgue
21
1 Piano, 4 mains
17
2 Pianos, 4 mains
17
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano Trio: piano, violon, violoncelle
6
Piano grosses notes
6
Accordéon
3
Piano (partie séparée)
2
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
2 Accordéons
1
2 Pianos, 8 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare
63
Guitare notes et tablatures
51
Ligne De Mélodie, (Paroles) et Accords
27
Ukulele
15
2 Guitares (duo)
12
4 Guitares (Quatuor)
10
Paroles et Accords
9
Piano, Guitare (duo)
8
Guitare (partie séparée)
4
Basse electrique
4
Mandoline
4
Banjo
4
Dulcimer
3
Mandoline, Guitare (duo)
2
Ensemble de guitares
2
3 Guitares (trio)
2
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
+ 13 instrumentations
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Voix
Chorale SATB
219
Chorale 3 parties
67
Chorale TTBB
43
Chorale 2 parties
37
Chorale SSAA
30
Voix seule
17
Chorale Unison
17
Voix Soprano, Piano
14
Voix Alto, Piano
13
Pack Instrumental pour Chorale
8
Voix duo, Piano
6
Voix haute
6
Voix Baryton, Piano
4
Voix duo
3
Chorale
3
Voix Tenor
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
+ 13 instrumentations
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Vents
2 Saxophones (duo)
848
Saxophone, Clarinette (duo)
397
2 Clarinettes (duo)
276
Clarinette, Violon (duo)
265
Clarinette, Trompette (duo)
230
2 Flûtes traversières (duo)
217
Quatuor de Saxophones: 4 saxophones
181
Quintette de Saxophone: 5 saxophones
163
Saxophone Alto et Piano
160
Flûte, Clarinette (duo)
151
Flûte traversière et Piano
145
Saxophone Soprano et Piano
144
Hautbois, Basson (duo)
139
Flûte, Saxophone (duo)
132
Hautbois, Clarinette (duo)
132
Clarinette et Alto
131
Flûte, Violon
126
Saxophone Tenor et Piano
126
Hautbois, Flûte
118
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
117
Clarinette et Piano
109
Flûte, Alto (duo)
107
Flûte, Trompette (duo)
106
Hautbois, Piano (duo)
97
2 Hautbois (duo)
97
Clarinette
89
Saxophone Baryton, Piano
89
Saxophone Alto
83
Saxophone
76
Flûte traversière
71
Saxophone Tenor
69
Saxophone (partie séparée)
64
Ensemble de saxophones
48
3 Saxophones (trio)
47
Flûte, Hautbois, Clarinette, Basson
46
Quatuor de Clarinettes: 4 clarinettes
46
Clarinette Basse, Piano
37
Cor anglais, Piano
36
2 Flûte à bec (duo)
35
Hautbois
34
Saxophone Soprano
30
Hautbois (partie séparée)
27
Ensemble de Flûtes
22
Saxophone Baryton
20
Ensemble de Clarinettes
19
Quatuor de Flûtes : 4 flûtes
18
Flûte à bec Soprano
13
Flûte et Guitare
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Quintette de Flûte : 5 flûtes
11
3 Clarinettes (trio)
11
Flûte, Hautbois, Clarinette (trio)
10
Trio de Flûtes: 3 flûtes
10
Quintette de Clarinettes: 5 clarinettes
10
Harmonica
9
Flûte, Hautbois (duo)
8
Clarinette, Trombone (duo)
7
Clarinette, Violoncelle (duo)
7
Hautbois, violon (duo)
6
Cor Anglais
6
Flûte à Bec
4
Quatuor de Flûtes à bec
4
Piccolo, Piano
4
3 Flûtes à bec (trio)
4
Clarinette, Guitare (duo)
4
Hautbois, Guitare (duo)
3
5 Flûtes à bec
3
Flûte, Violoncelle, Piano (trio)
3
Ocarina
3
Flûte à bec Soprano, Piano
3
Clarinette, Basson (duo)
2
Flûte, Clarinette et Basson
2
Flûte à bec Alto
2
2 Saxophones, Piano
2
Clarinette (partie séparée)
2
Flute (partie séparée)
2
Flûte à bec Tenor
2
Flûte, Violon, Piano
2
Hautbois, Violoncelle
2
Flûte irlandaise
2
2 Flûtes traversières, Piano
2
Flûte à bec Alto, Piano
1
Ensemble de Hautbois
1
Flûte, Hautbois, Basson
1
2 Cors Anglais Et Pianoforte
1
Flûte et Trio à cordes
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Clarinette, Harpe (duo)
1
Saxophone et Guitare
1
Flûte, Basson et Piano
1
Ensemble à vent
1
Saxophone et Orgue
1
Clarinette Basse
1
Flûte, Clarinette, Piano (trio)
1
Ensemble De Flûte à bec
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
309
Trompette, Saxophone (duo)
276
2 Trombones (duo)
168
Trombone et Piano
156
Trompette, Trombone (duo)
155
Trombone
103
2 Trompettes (duo)
99
Quatuor de Cuivres : 2 trompettes, trombone, tuba
89
Trompette, Piano
84
Trompette
83
Cor et Piano
73
Quatuor de Cuivres: 2 trompettes, Cor, trombone
72
Euphonium, Piano (duo)
52
Tuba et Piano
42
Cor anglais, Piano
36
Quatuor de Cuivres
36
Cor
28
Tuba
26
Trombone (partie séparée)
24
Quatuor de cuivres: 4 trombones
24
Trompette (partie séparée)
14
Ensemble de Trompettes
13
Ensemble de Trombones
10
2 Cors (duo)
9
2 Euphoniums (duo)
8
2 Euphoniums et 2 Tubas
8
2 Tubas (duo)
6
Cor Anglais
6
Trombone, Cor (duo)
5
3 Trombones (trio)
4
Ensemble de Cors
3
Trio de Cuivres
3
Quatuor de cuivres: 4 trompettes
3
4 Tubas
3
3 Trompettes (trio)
3
Quatuor de cuivres: 4 cors
3
Trombone basse et Piano
3
Euphonium
2
Trompette, Violoncelle et Piano
2
Tuba et Orgue
1
Trompette, Trombone, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor (partie séparée)
1
Tuba (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Trombone, Tuba (duo)
1
3 Euphoniums
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 44 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
375
Violon, Violoncelle (duo)
365
Violon
236
Trio à Cordes: violon, alto, violoncelle
213
Violon, Alto (duo)
161
Quintette à cordes: 2 violons, alto, violoncelle, basse
136
Violon et Piano
126
2 Violons (duo)
121
2 Altos (duo)
104
Violoncelle, Piano
103
Alto, Piano
102
2 Violoncelles (duo)
93
Violoncelle
62
Alto seul
47
Contrebasse, Piano (duo)
31
Harpe
27
Contre Basse
27
Trio à Cordes: 2 violons, violoncelle
16
Alto, Violoncelle (duo)
13
4 Violoncelles
10
Alto (partie séparée)
9
Violon (partie séparée)
5
Trio à cordes: 3 violins
5
Contrebasse (partie séparée)
4
2 Contrebasses (duo)
4
Ensemble d'Altos
4
Ensemble de Violons
4
Trio à Cordes: 3 violoncelles
4
Harpe, Flûte (duo)
3
Quatuor à cordes: 4 violons
3
2 Harpes (duo)
3
Ensemble de Violoncelles
3
Quatuor à cordes : 4 altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Violon, Violoncelle
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Trombone (duo)
1
Alto et Harpe
1
Violoncelle (partie séparée)
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
4 Harpes
1
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
2 Violoncelles, Piano
1
Violoncelle, Orgue
1
Trio à Cordes: 2 violons, alto
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
300
Orchestre à Cordes
147
Ensemble Jazz
84
Orchestre
75
Ensemble de cuivres
61
Fanfare
34
Orchestre de chambre
30
Jazz combo
21
Cloches
16
Xylophone, Piano
14
Batterie
8
Ensemble de Percussions
8
Xylophone
5
Ensemble d'École
4
Batterie (partie séparée)
3
Percussion (partie séparée)
2
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
1
Caisse Claire
1
Vibraphone
1
Percussion
1
+ 16 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
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FLUTE
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FLUTE A DIX…
FLUTE DE PA…
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LUTH, THEOR…
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PERCU. ORCH…
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VIBRAPHONE
VIELLE A RO…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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POP ROCK - POP MUSIC
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One more Time
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
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1
Luther: Out of the Depths for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Pu...
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Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Mozart: Romanze from K. 525 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sac...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
Jingle Bells for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Publishe...
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Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
Fauré: Élégie Op. 24 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...
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Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
Handel: Seven Pieces from Water Music for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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George Friderick Handel
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James M
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Handel: Seven Pieces from Wate
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.552117 Composed by George Friderick Handel (1685-1756). Arranged by James M. ...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.552117 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 36 pages. Jmsgu3 #6121085. Published by jmsgu3 (A0.552117). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 16 pages, Duration 12:15. Players may read from the score, or from the included instrumental parts.Contents: 1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, and hornpipes, along with lively fanfares and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Water Music has been performed by many orchestras and is a popular choice for special occasions, such as coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's own compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based and where his music was extremely popular. Handel wrote a number of pieces specifically for use at weddings, including the popular Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often quite lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites that were specifically designed for this purpose. The bride and groom would often have a special dance to the music of Handel's Water Music, a particularly popular piece for the occasion. Guests at the wedding would be treated to a variety of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$36.95
Silent Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Gruber
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James M
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Silent Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jmsgu3 (A0.548633). Silent Night for piano quartet. The final verse features a surprise re-harmonization of the melody. Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to accompany the lyrics. The result is probably the most famous Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs or to ensure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and Mohr's name was largely forgotten.  Though the public initially recognized Gruber as the composer, many people began rumors that a more famous composer was responsible over time. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.
$32.95
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