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ACCORDEON
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BASSON
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PIANO New age - Ambient Easy
Non classifié
575
Piano & claviers
Piano Facile
3 176
Piano seul
1 114
Piano, Voix
362
Piano, Voix et Guitare
82
1 Piano, 4 mains
49
Accompagnement Piano
49
Piano grosses notes
48
Orgue
26
2 Pianos, 4 mains
25
Piano Trio: piano, violon, violoncelle
16
Instruments en Do
8
Orgue, Piano (duo)
6
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
+ 14 instrumentations
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Guitares
Piano, Guitare (duo)
114
Guitare notes et tablatures
25
Guitare
19
Ligne De Mélodie, (Paroles) et Accords
9
Basse electrique
2
Ukulele
1
2 Guitares (duo)
1
+ 2 instrumentations
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Voix
Chorale SATB
102
Chorale 2 parties
63
Chorale 3 parties
59
Chorale Unison
24
Voix Baryton, Piano
19
Voix Tenor, Piano
19
Voix Alto, Piano
18
Chorale TTBB
18
Voix Soprano, Piano
16
Chorale SSAA
14
Voix duo, Piano
6
Voix haute
5
Voix duo
3
Voix basse, Piano
2
Voix moyenne, Piano
1
Voix Tenor
1
+ 11 instrumentations
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Vents
Clarinette et Piano
311
Hautbois, Piano (duo)
307
Flûte traversière et Piano
288
Saxophone Alto et Piano
189
Saxophone Tenor et Piano
165
2 Saxophones (duo)
53
Flûte, Hautbois, Clarinette, Basson
51
Saxophone Soprano et Piano
44
Quatuor de Saxophones: 4 saxophones
42
Quintette de Saxophone: 5 saxophones
40
Saxophone Baryton, Piano
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
36
Clarinette
28
Flûte traversière
25
Hautbois (partie séparée)
19
2 Flûtes traversières (duo)
17
2 Clarinettes (duo)
16
Cor anglais, Piano
14
Saxophone Alto
10
Flûte à bec Soprano
10
Saxophone Tenor
9
Quatuor de Clarinettes: 4 clarinettes
8
2 Hautbois (duo)
8
Saxophone, Clarinette (duo)
6
Flûte, Clarinette (duo)
6
Hautbois, Clarinette (duo)
5
Saxophone (partie séparée)
5
Hautbois
5
Clarinette Basse, Piano
5
Flûte à Bec
4
Saxophone Soprano
4
Saxophone Baryton
4
Clarinette, Trompette (duo)
4
Clarinette, Violon (duo)
4
Flûte à bec Soprano, Piano
4
Hautbois, Basson (duo)
3
Flûte, Saxophone (duo)
3
Flûte à bec Alto
3
Clarinette, Basson (duo)
3
3 Clarinettes (trio)
3
Flûte, Hautbois (duo)
3
3 Hautbois
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Violon, Piano
2
Piccolo, Piano
2
Flûte, Trompette (duo)
2
2 Flûtes traversières, Piano
2
Flûte, Alto (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Basson et Piano
2
Flûte, Violon
2
Flûte à bec Tenor
2
Clarinette et Alto
2
Flûte à Bec, Piano
1
Hautbois, Flûte
1
Ensemble de Clarinettes
1
Flûte et Guitare
1
Flûte, Basson et Piano
1
2 Hautbois, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte à bec Alto, Piano
1
2 Clarinettes, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle, Piano (trio)
1
Flûte et Quatuor à Cordes
1
+ 62 instrumentations
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Cuivres
Trombone et Piano
236
Trompette, Piano
170
Trompette
92
Cor et Piano
83
Tuba et Piano
47
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
42
Quatuor de Cuivres: 2 trompettes, Cor, trombone
26
Trombone
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Cor anglais, Piano
14
2 Trombones (duo)
14
2 Trompettes (duo)
13
Tuba et Orgue
11
Trompette (partie séparée)
10
Quatuor de Cuivres
10
Tuba
9
Cor
9
Trompette, Trombone (duo)
9
2 Cors (duo)
8
Euphonium, Piano (duo)
6
Trompette, Saxophone (duo)
4
2 Tubas (duo)
3
Trombone, Cor (duo)
2
Cor, Tuba (duo)
2
3 Trombones (trio)
2
Trompette, Tuba (duo)
2
Euphonium
2
2 Euphoniums (duo)
1
Trombone basse et Piano
1
3 Trompettes (trio)
1
Trombone, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
+ 27 instrumentations
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Cordes
Violon et Piano
306
Alto, Piano
277
Violoncelle, Piano
266
Quatuor à cordes: 2 violons, alto, violoncelle
70
Contrebasse, Piano (duo)
58
Quintette à cordes: 2 violons, alto, violoncelle, basse
51
Violon
33
Violoncelle
27
Alto seul
19
2 Violons (duo)
18
2 Violoncelles (duo)
17
2 Altos (duo)
14
Alto (partie séparée)
9
Piano Trio: Violon, Alto, Piano
7
Contre Basse
7
Violon, Violoncelle (duo)
5
Violon, Alto (duo)
4
2 Contrebasses (duo)
4
Trio à cordes: 3 violins
3
Trio à Cordes: violon, alto, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 altos
2
Alto, Violoncelle (duo)
2
2 Violons, Piano
2
3 Contrebasses
2
Violon (partie séparée)
2
Harpe
2
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Violoncelle, Contrebasse (duo)
1
Violon, Guitare (duo)
1
Contrebasse (partie séparée)
1
Harpe, Violon, Violoncelle
1
2 Violoncelles, Piano
1
2 Altos, Piano
1
+ 30 instrumentations
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Orchestre & Percussions
Ensemble Jazz
21
Orchestre à Cordes
18
Orchestre
12
Orchestre d'harmonie
8
Xylophone, Piano
7
Orchestre de chambre
5
Cloches
4
Ensemble de cuivres
3
Ensemble d'École
2
Xylophone
2
Marimba
2
Percussion (partie séparée)
1
2 Xylophones
1
Marimba, Piano (duo)
1
Fanfare
1
Jazz combo
1
Piano et Orchestre
1
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Vous avez sélectionné:
PIANO New age - Ambient Easy
Piano Quatuor: piano, violon, alto, violoncelle
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Silent Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Gruber
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James M
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Silent Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jmsgu3 (A0.548633). Silent Night for piano quartet. The final verse features a surprise re-harmonization of the melody. Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to accompany the lyrics. The result is probably the most famous Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs or to ensure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and Mohr's name was largely forgotten.  Though the public initially recognized Gruber as the composer, many people began rumors that a more famous composer was responsible over time. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.
$32.95
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Terry Vosbein
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Parallel Tracks
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Max Frank Music
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
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