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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rather Be - Drums
Non classifié
282
Piano & claviers
Piano seul
211
Piano, Voix
128
Piano, Voix et Guitare
51
Piano Facile
34
Instruments en Do
16
Orgue
10
Piano Trio: piano, violon, violoncelle
4
Orgue, Piano (duo)
2
Accompagnement Piano
2
Piano grosses notes
2
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavier
1
Clavecin
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
31
Guitare
23
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
9
Banjo
5
Basse electrique
4
4 Guitares (Quatuor)
4
Mandoline
3
Dulcimer
3
Mandoline, Guitare (duo)
2
Paroles et Accords
2
2 Guitares (duo)
1
+ 7 instrumentations
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Voix
Chorale SATB
81
Chorale 3 parties
25
Chorale TTBB
16
Chorale SSAA
13
Chorale Unison
4
Chorale 2 parties
3
Pack Instrumental pour Chorale
3
Chorale
2
Voix Baryton, Piano
2
Chorale SSAATTBB
1
Voix Alto, Piano
1
Voix Soprano, Piano
1
Voix Tenor
1
Voix haute
1
Chorale SSAB a cappella
1
Voix duo
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
31
Hautbois, Piano (duo)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Clarinette et Piano
19
Quatuor de Saxophones: 4 saxophones
18
Quintette de Saxophone: 5 saxophones
14
Saxophone Tenor et Piano
13
Saxophone Soprano et Piano
13
Saxophone Alto et Piano
12
Saxophone Baryton, Piano
12
Cor anglais, Piano
12
Quatuor de Clarinettes: 4 clarinettes
11
Clarinette
10
Clarinette Basse, Piano
10
2 Clarinettes (duo)
10
Ensemble de Clarinettes
8
2 Flûtes traversières (duo)
8
Ensemble de Flûtes
7
Saxophone Alto
7
Quatuor de Flûtes : 4 flûtes
7
Flûte, Hautbois, Clarinette, Basson
7
Ensemble de saxophones
6
2 Saxophones (duo)
5
Quintette de Flûte : 5 flûtes
4
Flûte traversière
4
Clarinette, Violon (duo)
4
Flûte, Violon
3
Flûte, Saxophone (duo)
2
Saxophone (partie séparée)
2
Flûte, Clarinette (duo)
2
Hautbois (partie séparée)
2
Clarinette, Trompette (duo)
2
Saxophone, Clarinette (duo)
2
Flûte et Guitare
2
2 Hautbois (duo)
1
2 Flûte à bec (duo)
1
Hautbois, Basson (duo)
1
Flûte, Violon, Piano
1
Clarinette et Alto
1
Flûte, Trompette (duo)
1
Hautbois, Flûte
1
Flute (partie séparée)
1
Instruments en Mib
1
Saxophone Tenor
1
Trio de Flûtes: 3 flûtes
1
Clarinette (partie séparée)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Alto (duo)
1
+ 43 instrumentations
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Cuivres
Euphonium, Piano (duo)
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trombone et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Cor et Piano
12
Cor anglais, Piano
12
Trompette, Piano
9
Trompette (partie séparée)
8
Trompette
8
Trombone (partie séparée)
6
Cor
6
Ensemble de Trompettes
4
Ensemble de Trombones
4
Tuba et Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, Trombone (duo)
3
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
Tuba
1
Instruments en Sib
1
2 Trombones (duo)
1
Trombone, Violon (duo)
1
Euphonium
1
Trombone basse et Piano
1
3 Trombones (trio)
1
3 Cors (trio)
1
Bass Clef Instruments
1
Quatuor de Cuivres
1
Trompette, Tuba (duo)
1
Cor (partie séparée)
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trombones
1
Trombone
1
+ 28 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
62
Violon et Piano
25
Violon
19
Violoncelle, Piano
16
Alto, Piano
15
Violoncelle
13
Harpe
11
Violon, Violoncelle (duo)
10
Trio à Cordes: violon, alto, violoncelle
9
Trio à Cordes: 2 violons, violoncelle
7
Alto seul
5
Ensemble de Violons
4
Ensemble d'Altos
4
2 Violons (duo)
4
Alto (partie séparée)
4
Violon, Alto (duo)
2
Contre Basse
2
4 Violoncelles
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes: 4 violons
1
Contrebasse (partie séparée)
1
Trio à cordes
1
Trio à Cordes: 3 violoncelles
1
2 Violoncelles (duo)
1
2 Altos (duo)
1
Violon (partie séparée)
1
Violoncelle (partie séparée)
1
Quatuor à cordes : 4 altos
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
50
Orchestre à Cordes
22
Ensemble Jazz
21
Orchestre
16
Ensemble de cuivres
10
Fanfare
8
Cloches
4
Ensemble de Percussions
4
Orchestre de chambre
4
Vibraphone
3
Piano et Orchestre
1
Jazz combo
1
Marimba
1
Xylophone (partie séparée)
1
Vibraphone (partie séparée)
1
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
+ 12 instrumentations
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Autres
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ACCORDEON
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AUTRES INST…
BALALAIKA
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
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EUPHONIUM
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FLUTE
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Crtitères actifs :
Rather Be - Drums
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
2 partitions trouvées
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Funny Like a Monkey for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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Funny Like a Monkey for piano
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Robert M. Greenberg
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert ...
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Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
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Rather Be - Drums
