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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Red Pen Music
Non classifié
1 740
Piano & claviers
Piano seul
742
Piano, Voix
339
Orgue
135
Piano, Voix et Guitare
134
Piano Facile
119
Instruments en Do
77
Accompagnement Piano
37
Piano (partie séparée)
26
2 Pianos, 4 mains
24
1 Piano, 4 mains
19
Piano Trio: piano, violon, violoncelle
12
Orgue, Trompette (duo)
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue, Piano (duo)
3
Clavier
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano grosses notes
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon
1
2 Pianos, 8 mains
1
Fake Book
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
100
Guitare
72
Guitare (partie séparée)
50
Ligne De Mélodie, (Paroles) et Accords
35
Basse electrique
12
Piano, Guitare (duo)
7
Ukulele
6
Paroles et Accords
4
Mandoline
4
2 Guitares (duo)
3
4 Guitares (Quatuor)
3
Banjo
2
Dulcimer
1
Ensemble de guitares
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
852
Chorale 3 parties
242
Chorale 2 parties
173
Chorale Unison
86
Voix duo, Piano
56
Chorale TTBB
45
Voix Soprano, Piano
36
Voix Baryton, Piano
32
Chorale SSAA
31
Voix Alto, Piano
29
Voix Tenor, Piano
28
Voix duo
23
Voix basse, Piano
10
Voix seule
9
Chorale
8
Voix haute
8
Voix moyenne, Piano
3
Voix Tenor
2
Chorale SSAATTBB
2
Voix basse
2
Voix Mezzo-Soprano, Piano
1
Chorale SSATB
1
Voix Soprano
1
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
+ 20 instrumentations
Retracter
Vents
Saxophone (partie séparée)
188
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
74
Clarinette (partie séparée)
74
Quatuor de Saxophones: 4 saxophones
73
Flûte traversière et Piano
66
Flûte, Hautbois, Clarinette, Basson
52
Hautbois, Piano (duo)
48
Clarinette et Piano
47
Saxophone Alto et Piano
45
Quintette de Saxophone: 5 saxophones
43
Quatuor de Clarinettes: 4 clarinettes
43
Flûte traversière
40
Flute (partie séparée)
39
Flûte, Violon, Piano
35
Saxophone Tenor et Piano
33
Hautbois (partie séparée)
32
Clarinette
31
2 Saxophones (duo)
29
Ensemble de saxophones
26
Saxophone Alto
25
Ensemble de Clarinettes
24
Saxophone Tenor
24
Quatuor de Flûtes : 4 flûtes
18
Saxophone Soprano et Piano
17
2 Flûtes traversières (duo)
16
Quintette de Clarinettes: 5 clarinettes
15
Ensemble de Flûtes
14
3 Saxophones (trio)
12
Saxophone Soprano
11
Trio de Flûtes: 3 flûtes
10
2 Clarinettes (duo)
10
Quintette de Flûte : 5 flûtes
9
Saxophone Baryton, Piano
9
Hautbois
8
Ocarina
8
3 Clarinettes (trio)
8
Flûte à bec Soprano
7
Cor anglais, Piano
7
Clarinette Basse, Piano
7
2 Flûte à bec (duo)
6
Saxophone, Clarinette (duo)
6
Flûte à bec Alto
6
Flûte, Clarinette (duo)
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Clarinette et Basson
5
Clarinette, Violon (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte et Guitare
3
Harmonica
3
3 Flûtes à bec (trio)
3
Flûte, Violon, Violoncelle et Piano
2
Saxophone et Orgue
2
Ensemble De Flûte à bec
2
Flûte, Saxophone (duo)
2
Flûte, Violoncelle
2
Saxophone et Harpe
2
Clarinette, Guitare (duo)
2
Flûte à Bec
2
Flûte irlandaise
2
Flute, harpe et violon
2
Ensemble à vent
2
2 Clarinettes, Piano
2
Clarinette, Basson (duo)
2
Flûte, Violon
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Trompette (duo)
2
Flûte à Bec, Piano
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto, Piano
1
Flûte à bec Soprano, Piano
1
Quatuor de Flûtes à bec
1
2 Clarinettes, Basson
1
Clarinette et Alto
1
Flûte traversière, Orgue (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
2 Hautbois (duo)
1
5 Flûtes à bec
1
Clarinette, Orgue
1
Piccolo, Piano
1
Flûte, Harpe et Violoncelle
1
Hautbois, Basson (duo)
1
Hautbois, Guitare (duo)
1
Saxophone
1
Flûte, Trompette (duo)
1
Flûte à bec Tenor
1
Hautbois, Clarinette (duo)
1
+ 83 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
195
Trompette (partie séparée)
161
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
107
Quatuor de Cuivres : 2 trompettes, trombone, tuba
80
Trompette
55
Cor (partie séparée)
53
Trombone et Piano
44
Tuba (partie séparée)
41
Trompette, Piano
36
Cor et Piano
31
Trombone
21
Quatuor de cuivres: 4 trombones
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Cor
14
Ensemble de Trompettes
12
Tuba et Piano
12
Ensemble de Trombones
11
2 Trompettes (duo)
10
Euphonium, Piano (duo)
7
Cor anglais, Piano
7
Tuba
7
Quatuor de Cuivres
6
4 Tubas
5
2 Trombones (duo)
5
Ensemble de Cors
4
2 Tubas (duo)
3
Quatuor de cuivres: 4 trompettes
3
Quatuor de cuivres: 4 cors
2
Trombone, Cor (duo)
2
3 Trombones (trio)
2
Trompette, Trombone, Piano
2
Trompette, Trombone (duo)
2
Cor et Harpe
2
2 Cors (duo)
2
2 Euphoniums et 2 Tubas
1
Trombone, Orgue
1
3 Tubas (trio)
1
Trompette, Cor (duo)
1
Trompette, Harpe
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse et Piano
1
Trompette, Euphonium (duo)
1
Trompette, Saxophone (duo)
1
2 Cors, Piano
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
168
Violon et Piano
104
Violon (partie séparée)
95
Alto, Piano
70
Contrebasse (partie séparée)
67
Violon
60
Violoncelle, Piano
53
Violoncelle
43
Alto (partie séparée)
26
Trio à Cordes: violon, alto, violoncelle
23
Violon, Violoncelle (duo)
22
Harpe
22
Alto seul
22
Violoncelle (partie séparée)
20
2 Violons (duo)
20
Violon, Alto (duo)
13
Contrebasse, Piano (duo)
11
Contre Basse
11
2 Violoncelles (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
2 Harpes (duo)
6
Ensemble de Violons
6
2 Altos (duo)
6
Harpe, Flûte (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Ensemble d'Altos
4
Trio à Cordes: 3 violoncelles
3
Harpe, Voix
3
Trio à cordes: 3 violins
3
4 Violoncelles
3
Alto et Harpe
2
Alto, Orgue
2
Quatuor à cordes : 4 altos
2
Violoncelle, Orgue
2
Trio à cordes: 3 altos
2
Piano Trio: Violon, Alto, Piano
2
Quatuor à cordes: 4 violons
2
Alto, Violoncelle (duo)
2
4 Contrebasses
1
Violoncelle, Orchestre
1
Alto et orchestre
1
Harpe et Piano
1
Harpe, Violoncelle (duo)
1
Harpe, Violon (duo)
1
Trio à Cordes: 2 violons, alto
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 356
Fanfare
358
Orchestre
279
Orchestre à Cordes
228
Ensemble Jazz
127
Cloches
60
Orchestre de chambre
59
Percussion (partie séparée)
56
Ensemble de cuivres
47
Jazz combo
29
Batterie (partie séparée)
28
Ensemble de Percussions
11
Batterie
7
Timbales (partie séparée)
6
Vibraphone
4
Percussion
4
Marimba
4
Instrumentation Flexible
3
Ensemble d'École
3
Piano et Orchestre
2
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
Caisse Claire
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
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COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Red Pen Music
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
5 partitions trouvées
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1
Nocturne for Clarinet, Violin, Cello & Piano
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Piano Quatuor: piano, violon, alto, violoncelle
#
AVANCÉ
#
Eugene Astapov
#
Nocturne for Clarinet, Violin,
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EAMUSIC
#
SheetMusicPlus
Piano Quartet Cello,Piano,Violin - Level 5 - SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. P...
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Piano Quartet Cello,Piano,Violin - Level 5 - SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. Published by EAMUSIC (A0.1283409). Nocturne was inspired by a meteorological phenomenon that is known as “noctilucence†and refers to shining clouds at high altitudes only observable for a short period of time in the summer twilight sky. In Canada we don’t get many summer days, that is why this occurrence is particularly special and beautiful. From the first measures the music evokes the feelings of tranquility and ephemeral elegance. Structurally this piece is almost built after some of Chopin’s Nocturnes which were written in 3-part form and often featured emotional and moving musical material towards the end of the piece. Even though nocturnes are generally meant to depict peaceful night music and my piece certainly opens that way, it does not stay calm and quiet for the duration of the piece because the night, after all, can be full of surprises and mysteries. The music is meant to be played with flair and colour, in a light and improvisatory way. This piece was first premiered at the Intimacy of Creativity Festival in Hong Kong in May 2019 with the assistance from Bright Sheng. Following the Audience Choice vote at the festival, and further revised, the piece was brought to the audiences in Philadelphia at the Curtis Institute of Music featuring musicians from the Curtis 20/21 Ensemble in December 2019.The piece is scored for Clarinet, Violin, Cello and Piano. Duration is approximately 9 minutes.
$20.00
O Holy Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
#
FACILE
#
Noël
#
Adam
#
James M
#
O Holy Night for Piano Quartet
#
jmsgu3
#
SheetMusicPlus
Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #341156...
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Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Terry Vosbein
#
Parallel Tracks
#
Max Frank Music
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
#
Noël
#
Traditional
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James M
#
The First Noel for Piano Quart
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu...
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Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Pu...
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Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
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