Partitions Numériques de Rev pour Piano Quatuor: piano, violon, alto, violoncelle

Rev

Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870â€™s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling â€“ like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com

Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning â€œChristmas.â€ Therefore, â€œthe First Noelâ€ translates as â€œthe First Christmas.â€ First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the â€œCarols Ancient and Modernâ€ songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling â€“ like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.

A Million Dreams
Piano Quatuor: piano, violon, alto, violoncelle

Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.847125 By Pink. …(+)

Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.847125 By Pink. By Benj Pasek and Justin Paul. Arranged by Susie Winkworth winkmusic.co.uk. Pop. Score and parts. 8 pages. Winkmusic.co.uk #4593249. Published by winkmusic.co.uk (A0.847125). A Million Dreams, a track from the hit musical film The Greatest Showman, arranged for easy piano quartet (violin, viola, cello, piano). Straightforward to play and put together, but satisfyingly close to the original track in performance. The melodies are shared amongst the group, making this a perfect start to playing chamber music in a fun way.Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world. Educational arrangements have received excellent reviews.
$16.00 14.55 € #Piano Quatuor: piano, violon, alto, violoncelle #Pink #Susie Winkworth winkmusic #A Million Dreams #winkmusic.co.uk #SheetMusicPlus

Away In A Manger for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle

Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arra…(+)

Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse.Â Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as â€œMueller.â€ Nobody knows who this â€œMuellerâ€ is, but the name stuck.Â PopularityBy the 1880â€™s the cradle song was being performed in church. By the 1990â€™s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther.Â Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95 22.69 € #Piano Quatuor: piano, violon, alto, violoncelle #the 1880â€™s the cradle song was being performed in church #Mueller #James M #Away In A Manger for Piano Quartet #jmsgu3 #SheetMusicPlus

Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â€“1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â

Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the DepthsÂ I Cry to YouÂ by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymnÂ composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphraseÂ of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantataÂ on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the KÃ¶chel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet â€“ with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 â€“ 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com

Piano Quartet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1398434 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 219 pages. Jmsgu3 #981709. Published by jmsgu3 (A0.1398434). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.Pictures at an Exhibition (ÐšÐ°Ñ€Ñ‚Ð¸Ð½ÐºÐ¸ Ñ Ð²Ñ‹ÑÑ‚Ð°Ð²ÐºÐ¸) by Modest PetroviÄ Musorgskij, 1874(ÐœÐ¾Ð´ÐµÑÑ‚ ÐŸÐµÑ‚Ñ€Ð¾Ð²Ð¸Ñ‡ ÐœÑƒÑÐ¾Ñ€Ð³ÑÐºÐ¸Ð¹) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Ð“Ð°Ñ‚Ñ€Ð¸)Score: 103 pages, 924 measures, duration: 34:30.Â Contents:Â Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenutoÂ 1. GNOMUS (The Gnome) Sempre vivoÂ Â Promenade 2 Moderato commodo assai e con delicatezzaÂ Â 2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con doloreÂ Â Promenade 3 Moderato non tanto, pesamenteÂ Â 3. TUILLERIES Dispute d'enfants aprÃ¨s jeux (Children's Quarrel after Games)Â Â Â Allegretto non troppo, capricciosoÂ 4. BYDLO (Cattle) Sempre moderato pesanteÂ Promenade 4 TranquilloÂ 5. Ballet of the Unhatched Chicks Ð‘Ð°Ð»ÐµÑ‚ Ð½ÐµÐ²Ñ‹Ð»ÑƒÐ¿Ð¸Ð²ÑˆÐ¸Ñ…ÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð² Â ScherzinoÂ 6. Samuel Goldenberg und SchmuÃ¿le Â Ð•Ð²Ñ€ÐµÐ¹ Ð² Ð¼ÐµÑ…Ð¾Ð²Ð¾Ð¹ ÑˆÐ°Ð¿ÐºÐµ. CÐ°Ð½Ð´Ð¾Ð¼Ð¸Ñ€ AndanteÂ Promenade 5 Allegro giusto, nel modo russico, poco sostenutoÂ 7. LIMOGES. LE MARCHÃ‰. (La grande nouvelle) The Market (The Great News)Â Â Â Allegretto vivo, sempre scherzandoÂ 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ÐŸÐ°Ñ€Ð¸Ð¶ÑÐºÐ¸Ðµ ÐºÐ°Ñ‚Ð°ÐºÐ¾Ð¼Ð±Ñ‹ LargoÂ Â Â Â CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)Â Â Â Andante non troppo, con lamentoÂ 9. The Hut on Hen's Legs (Baba Yaga) Ð˜Ð·Ð±ÑƒÑˆÐºÐ° Ð‘Ð°Ð±Ñ‹-Ð¯Ð³Ð¸ Ð½Ð° ÐºÑƒÑ€ÑŒÐ¸Ñ… Ð¾Ð¶ÐºÐ°Ñ…. Ð§Ð°ÑÑ‹ Ð² Ñ€ÑƒÑÑÐºÐ¾Ð¼ ÑÑ‚Ð¸Ð»ÐµÂ Â Â Allegro con brio, feroceÂ Â 10. The Bogatyr Gates (In the Capital in Kiev) ÐŸÑ€Ð¾ÐµÐºÑ‚ Ð³Ð¾Ñ€Ð¾Ð´ÑÐºÐ¸Ñ… Ð²Ð¾Ñ€Ð¾Ñ‚ Ð² ÐšÐ¸ÐµÐ²Ðµ. Ð“Ð»Ð°Ð²Ð½Ñ‹Ð¹ Ñ„Ð°ÑÐ°Ð´The Great Gates of Kiev Allegro alla breve Maestoso con grandezza.

Piano Quartet - Level 4 - Digital Download SKU: A0.549937 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standards. 208 pages. Jmsgu3 #4317807. Published by jmsgu3 (A0.549937). Pictures at an ExhibitionÂ (ÐšÐ°Ñ€Ñ‚Ð¸Ð½ÐºÐ¸ Ñ Ð²Ñ‹ÑÑ‚Ð°Ð²ÐºÐ¸) by Modest PetroviÄ Musorgskij, 1874 (ÐœÐ¾Ð´ÐµÑÑ‚ ÐŸÐµÑ‚Ñ€Ð¾Ð²Ð¸Ñ‡ ÐœÑƒÑÐ¾Ñ€Ð³ÑÐºÐ¸Ð¹) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Ð“Ð°Ñ‚Ñ€Ð¸) Score: 103 pages, 924 measures, duration: 34:30.Â Contents: Â Promenade 1Â Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenutoÂ 1. GNOMUSÂ (The Gnome)Â Sempre vivoÂ Â Promenade 2Â Moderato commodo assai e con delicatezzaÂ Â 2. IL VECCHIO CASTELLOÂ (The Old Castle)Â Andante molto cantabile e con doloreÂ Â Promenade 3Â Moderato non tanto, pesamenteÂ Â 3. TUILLERIESÂ Dispute d'enfants aprÃ¨s jeux (Children's Quarrel after Games) Â Â Â Allegretto non troppo, capriccioso Â 4. BYDLOÂ (Cattle)Â Sempre moderato pesante Â Promenade 4Â Tranquillo Â 5. Ballet of the Unhatched ChicksÂ Ð‘Ð°Ð»ÐµÑ‚ Ð½ÐµÐ²Ñ‹Ð»ÑƒÐ¿Ð¸Ð²ÑˆÐ¸Ñ…ÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð² Â Â Scherzino Â 6. Samuel Goldenberg und SchmuÃ¿leÂ Ð•Ð²Ñ€ÐµÐ¹ Ð² Ð¼ÐµÑ…Ð¾Ð²Ð¾Ð¹ ÑˆÐ°Ð¿ÐºÐµ. CÐ°Ð½Ð´Ð¾Ð¼Ð¸Ñ€Â Andante Â Promenade 5Â Allegro giusto, nel modo russico, poco sostenuto Â 7. LIMOGES. LE MARCHÃ‰. (La grande nouvelle) The Market (The Great News) Â Â Â Â Allegretto vivo, sempre scherzando Â 8. CATACOMBAEÂ (Sepulchrum romanum) (Roman Tomb) ÐŸÐ°Ñ€Ð¸Ð¶ÑÐºÐ¸Ðµ ÐºÐ°Ñ‚Ð°ÐºÐ¾Ð¼Ð±Ñ‹Â LargoÂ Â Â Â Â CON MORTUIS IN LINGUA MORTUAÂ (With the Dead in a Dead Language) Â Â Â Â Andante non troppo, con lamento Â 9. The Hut on Hen's Legs (Baba Yaga)Â Ð˜Ð·Ð±ÑƒÑˆÐºÐ° Ð‘Ð°Ð±Ñ‹-Ð¯Ð³Ð¸ Ð½Ð° ÐºÑƒÑ€ÑŒÐ¸Ñ… Ð¾Ð¶ÐºÐ°Ñ…. Ð§Ð°ÑÑ‹ Ð² Ñ€ÑƒÑÑÐºÐ¾Ð¼ ÑÑ‚Ð¸Ð»Ðµ Â Â Â Allegro con brio, feroceÂ Â 10. The Bogatyr GatesÂ (In the Capital in Kiev) ÐŸÑ€Ð¾ÐµÐºÑ‚ Ð³Ð¾Ñ€Ð¾Ð´ÑÐºÐ¸Ñ… Ð²Ð¾Ñ€Ð¾Ñ‚ Ð² ÐšÐ¸ÐµÐ²Ðµ. Ð“Ð»Ð°Ð²Ð½Ñ‹Ð¹ Ñ„Ð°ÑÐ°Ð´ The Great Gates of Kiev Allegro alla breve Maestoso con grandezzaMussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.

Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). â€œParallel Tracksâ€ was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nationsâ€™s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.â€œParallel Tracksâ€ begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyageâ€™s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.

While of These Emblems We Partake
Piano Quatuor: piano, violon, alto, violoncelle

Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…(+)

Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.864456 Composed by Public Domain. Arranged by Michael Hardey, Brigham WElch. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 6 pages. Hardey and Welch Music #4283807. Published by Hardey and Welch Music (A0.864456). Michael Hardey and Brigham Welch are excited once again to bring you another beloved arrangement from their 2010 album The Spirit of God. This arrangement, though simple and reverent, will bring strong and powerful spirit into your church or community congregation. Enjoy!
$9.99 9.09 € #Piano Quatuor: piano, violon, alto, violoncelle #Public Domain #Michael Hardey, Brigham WElch #While of These Emblems We Partake #Hardey and Welch Music #SheetMusicPlus

Beethoven - Rondo Op.49 - Piano Quartet Violin, Viola, Cello, Piano
Piano Quatuor: piano, violon, alto, violoncelle

Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.823998 Composed …(+)

Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.823998 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert,Standards. Score and parts. 28 pages. TK (Tim) Murray #4783589. Published by TK (Tim) Murray (A0.823998). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Violin, Viola, Cello, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murrayâ€™s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as â€˜Corruscatingâ€™ (Independent) and â€˜Highly imaginativeâ€™ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95 6.32 € #Piano Quatuor: piano, violon, alto, violoncelle #Ludwig van Beethoven #Tim TK Murray #tkmurraycomp@aol #Beethoven - Rondo Op.49 - Piano Quartet Violin, Viola, Cello, Piano #TK #SheetMusicPlus

Nocturne for Clarinet, Violin, Cello & Piano
Piano Quatuor: piano, violon, alto, violoncelle

Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Compo…(+)

Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. Published by EAMUSIC (A0.1283409). Nocturne was inspired by a meteorological phenomenon that is known as â€œnoctilucenceâ€ and refers to shining clouds at high altitudes only observable for a short period of time in the summer twilight sky. In Canada we donâ€™t get many summer days, that is why this occurrenceÂ is particularly special and beautiful. From the first measures the music evokes the feelings of tranquility and ephemeral elegance. Structurally this piece is almost built after some of Chopinâ€™s Nocturnes which were written in 3-part form and often featured emotional and moving musical material towards the end of the piece. Even though nocturnes are generally meant to depict peaceful night music and my piece certainly opens that way, it does not stay calm and quiet for the duration of the piece because the night, after all, can be full of surprises and mysteries.Â The music is meant to be played with flair and colour, in a light and improvisatory way. This piece was first premiered at the Intimacy of Creativity Festival in Hong Kong in May 2019 with the assistance from Bright Sheng. Following the Audience Choice vote at the festival, and further revised, the piece was brought to the audiences in Philadelphia at the Curtis Institute of Music featuring musicians from the Curtis 20/21 Ensemble in December 2019.The piece is scored for Clarinet, Violin, Cello and Piano.Â Duration is approximately 9 minutes.
$20.00 18.19 € #Piano Quatuor: piano, violon, alto, violoncelle #Eugene Astapov #Nocturne for Clarinet, Violin, Cello & Piano #EAMUSIC #SheetMusicPlus

Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle

Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU…(+)

Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.943203 Composed by Robert Cunningham. 20th Century,Contemporary. Score and parts. 118 pages. Robert E Cunningham #6110749. Published by Robert E Cunningham (A0.943203). Robert Cunningham's Piano Quartet (violin, viola, cello, piano) is a passionately Romantic work in a single movement, in sonata-allegro form. Much of it is lyrical, but other passages bristle with driving energy. Composed in 1993, revised in 2018-2019. The full score and individual parts for the violin, viola, and cello are included. Duration: 23:10.
$24.95 22.69 € #Piano Quatuor: piano, violon, alto, violoncelle #Robert Cunningham #Piano Quartet #Robert E Cunningham #SheetMusicPlus

Love Under The Autumn Sky
Piano Quatuor: piano, violon, alto, violoncelle

Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU…(+)

Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.611419 Composed by Stephen DeCesare. Contemporary,Standards,Wedding,World. Score and parts. 21 pages. Exultet Music #20215. Published by Exultet Music (A0.611419). Lush and romantic chamber piece scored for Violin, Viola, Cello and Piano. Accessible for medium to advanced players. A rehearsal track is also available.Video Review: https://www.youtube.com/watch?v=gIKdmUMbnyI
$7.95 7.23 € #Piano Quatuor: piano, violon, alto, violoncelle #Stephen DeCesare #Love Under The Autumn Sky #Exultet Music #SheetMusicPlus

Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus.Â Â