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618
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277
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276
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157
Clavier
24
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14
Piano (partie séparée)
11
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8
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8
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7
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6
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5
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3
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2
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2
2 Pianos, 8 mains
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1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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185
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163
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114
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75
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37
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14
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11
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9
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4
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3
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3
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Guitare Pedal Steel
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Guitare, Violon, Violoncelle (trio)
1
4 Guitares (Quatuor)
1
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
+ 16 instrumentations
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81
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65
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58
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23
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21
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19
Voix seule
17
Voix Soprano, Piano
16
Pack Instrumental pour Chorale
15
Voix Baryton, Piano
14
Voix duo
11
Voix duo, Piano
8
Voix haute
4
Voix, Guitare
2
Chorale
2
Voix Tenor
2
Voix basse, Piano
2
Voix Soprano
1
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Chorale SSAATTBB
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+ 17 instrumentations
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160
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109
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83
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81
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76
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69
Saxophone
63
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60
Flûte traversière
59
Hautbois (partie séparée)
54
Clarinette
46
Saxophone Alto
44
Flûte traversière et Piano
42
Flûte, Violon, Piano
34
Flûte à bec Alto, Piano
31
Flûte à bec Soprano
31
Saxophone Tenor
31
Clarinette et Piano
29
Quatuor de Clarinettes: 4 clarinettes
24
Saxophone Tenor et Piano
24
Flute (partie séparée)
21
Hautbois, Piano (duo)
21
Saxophone Alto et Piano
20
Flûte, Violon et Violoncelle
20
Flûte à Bec
19
2 Clarinettes (duo)
19
2 Saxophones (duo)
16
2 Flûtes traversières (duo)
16
Ensemble de Clarinettes
14
Quatuor de Flûtes : 4 flûtes
12
Saxophone Soprano et Piano
12
Hautbois
10
3 Clarinettes (trio)
9
2 Hautbois (duo)
8
Flûte, Clarinette (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Saxophone, Clarinette (duo)
6
3 Saxophones (trio)
6
Quintette de Clarinettes: 5 clarinettes
6
Quintette de Flûte : 5 flûtes
6
Saxophone Baryton, Piano
6
Ensemble de saxophones
6
Flûte, Hautbois (duo)
5
Clarinette, Violon (duo)
5
Hautbois, Clarinette (duo)
5
Harmonica
5
Flûte irlandaise
5
Flûte, Hautbois, Clarinette (trio)
5
Ensemble de Flûtes
4
Saxophone Soprano
4
Trio de Flûtes: 3 flûtes
3
Flûte, Violon
3
Flûte et Guitare
3
Flûte, Hautbois, Basson
3
Hautbois, Flûte
3
Saxophone Baryton
2
Clarinette, Basson (duo)
2
Clarinette Basse, Piano
2
Clarinette et Alto
2
Flûte, Violon, Violoncelle et Piano
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2
Hautbois, Basson (duo)
2
2 Flûte à bec (duo)
2
Cor anglais, Piano
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2
Clarinette, Trompette (duo)
1
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1
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Flûte, Trompette (duo)
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Ensemble à vent
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Flûte, Clarinette et Basson
1
Flûte, Alto (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Saxophone (duo)
1
Flûte à bec Soprano, Piano
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3 Hautbois
1
2 Flûtes traversières, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Alto
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91
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87
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68
Trompette
65
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57
Trombone
41
Quatuor de Cuivres
27
Cor
26
Trompette, Piano
21
Tuba (partie séparée)
18
Cor et Piano
17
Cor (partie séparée)
17
Trombone et Piano
16
2 Trompettes (duo)
13
Tuba
10
Ensemble de Trombones
9
2 Trombones (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Euphonium
7
Tuba et Piano
7
Bass Clef Instruments
4
Ensemble de Trompettes
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Trompette, Trombone (duo)
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3
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2
Trompette, Cor (duo)
2
Trombone, Tuba (duo)
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Trompette, Tuba (duo)
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2 Tubas (duo)
2
Quatuor de cuivres: 4 cors
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Cor anglais, Piano
2
2 Trompettes, Clavier (piano ou orgue)
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2 Trombones, Piano
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Instruments en Sib
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Trombone basse et Piano
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2 Euphoniums et 2 Tubas
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231
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123
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71
Violoncelle
64
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58
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48
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42
Alto (partie séparée)
40
Contrebasse (partie séparée)
39
Alto, Piano
34
Harpe
33
Trio à Cordes: violon, alto, violoncelle
31
Violoncelle, Piano
30
Trio à Cordes: 2 violons, violoncelle
25
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
2 Violons (duo)
21
Violoncelle (partie séparée)
18
2 Altos (duo)
11
2 Violoncelles (duo)
11
Violon, Alto (duo)
8
Contre Basse
7
Contrebasse, Piano (duo)
7
2 Harpes (duo)
6
Trio à cordes
6
Ensemble de Violons
6
Violon, Guitare (duo)
6
Ensemble d'Altos
4
Alto, Violoncelle (duo)
3
Harpe, Flûte (duo)
3
Piano Trio: Violon, Alto, Piano
3
2 Contrebasses (duo)
2
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, alto
2
Violoncelle , Guitare (duo)
1
Harpe, Violon (duo)
1
Alto et Harpe
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
Alto, Guitare (duo)
1
Autoharp
1
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Orchestre à Cordes
64
Fanfare
46
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46
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40
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32
Ensemble de cuivres
28
Ensemble Jazz
23
Jazz combo
20
Cloches
13
Orchestre de chambre
12
Timbales (partie séparée)
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Ensemble de Percussions
2
Caisse Claire
1
Vibraphone (partie séparée)
1
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Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
3 partitions trouvées
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1
God Bless The U.s.a.
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Piano Quatuor: piano, violon, alto, violoncelle
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Musique Sacrée
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American Idol Finalists
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Nancy Frese Tabb
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God Bless The U.s.a.
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Nancy Frese Tabb
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - SKU: A0.857486 By American Idol Finalists. By Lee Greenwood. Arranged by Nancy Frese Tabb. Coun...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - SKU: A0.857486 By American Idol Finalists. By Lee Greenwood. Arranged by Nancy Frese Tabb. Country,Patriotic,Pop,Praise & Worship. Score and parts. 19 pages. Nancy Frese Tabb #463984. Published by Nancy Frese Tabb (A0.857486). This timely arrangement of God Bless the USA by Lee Greenwood is arranged as a Piano Quartet featuring Violin, Viola, Cello and Piano. The parts are easy to master and this piece is great for any patriotic gathering or church service.
$12.99
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Terry Vosbein
#
Parallel Tracks
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Max Frank Music
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Fauré: Élégie Op. 24 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...
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Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
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