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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
S century
Non classifié
5 442
Piano & claviers
Piano seul
8 579
Piano, Voix
3 792
Piano Facile
1 458
Instruments en Do
546
Piano, Voix et Guitare
514
Orgue
329
1 Piano, 4 mains
180
Accompagnement Piano
179
Piano Trio: piano, violon, violoncelle
96
2 Pianos, 4 mains
61
Piano Quatuor: piano, violon, alto, violoncelle
28
Accordéon
24
Piano Quintette: piano, 2 violons, alto, violoncelle
19
Piano Quatuor: piano, 2 violons, violoncelle
9
Clavecin
9
1 Piano, 6 mains
4
2 Pianos, 8 mains
3
Orgue, Piano (duo)
3
Accordéon, Corde(s)
2
Orgue, Trompette (duo)
2
Ligne De Mélodie, Piano
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Piano grosses notes
1
Clavier
1
+ 19 instrumentations
Retracter
Guitares
Guitare
601
Guitare notes et tablatures
395
Ligne De Mélodie, (Paroles) et Accords
65
Ukulele
53
2 Guitares (duo)
48
Basse electrique
28
Dulcimer
18
Piano, Guitare (duo)
16
Mandoline
16
4 Guitares (Quatuor)
13
Paroles et Accords
12
3 Guitares (trio)
5
Banjo
5
Mandoline, Piano (duo)
4
Ensemble de guitares
4
Guitare (partie séparée)
3
Guitare, Violon, Violoncelle (trio)
2
Ensemble de Ukulélés
2
Guitare, Orchestre
1
Orchestre à Plectres
1
Guitare, Flûte, Clarinette
1
2 Ukuleles
1
Mandoline, Guitare (duo)
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
2 252
Chorale TTBB
492
Chorale 3 parties
440
Chorale SSAA
313
Chorale 2 parties
231
Voix Soprano, Piano
105
Voix Tenor, Piano
95
Chorale Unison
81
Voix Alto, Piano
78
Voix duo
49
Voix Baryton, Piano
49
Voix haute
36
Voix Tenor
33
Voix duo, Piano
30
Voix Soprano
25
Chorale
18
Voix moyenne, Piano
10
Voix seule
9
Voix basse, Piano
6
Chorale SSAB, Piano
5
Chorale SSAATTBB
5
Voix Mezzo-Soprano, Piano
4
Chorale SSATB
2
Voix basse
2
Chorale SSAB a cappella
2
Voix duo, Orgue
1
Voix Baryton
1
Chorale SSAATB
1
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
+ 25 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
714
Flûte traversière et Piano
582
Quatuor de Saxophones: 4 saxophones
503
Clarinette et Piano
498
Hautbois, Piano (duo)
375
Hautbois (partie séparée)
375
Flûte traversière
363
Clarinette
357
Flûte, Hautbois, Clarinette, Basson
338
Quatuor de Clarinettes: 4 clarinettes
326
Saxophone Alto et Piano
306
2 Flûtes traversières (duo)
281
2 Saxophones (duo)
267
Quintette de Saxophone: 5 saxophones
254
Saxophone (partie séparée)
249
Saxophone Alto
240
Saxophone Tenor et Piano
176
2 Clarinettes (duo)
175
Quatuor de Flûtes : 4 flûtes
148
Flûte et Guitare
145
Saxophone Soprano et Piano
128
Saxophone Tenor
125
Hautbois
103
Ensemble de Clarinettes
97
Flûte, Clarinette (duo)
94
Ensemble de saxophones
94
3 Saxophones (trio)
89
Quintette de Clarinettes: 5 clarinettes
88
3 Clarinettes (trio)
85
Saxophone Baryton, Piano
83
Cor anglais, Piano
72
2 Hautbois (duo)
71
Clarinette, Guitare (duo)
61
Trio de Flûtes: 3 flûtes
60
Ensemble de Flûtes
58
Quintette de Flûte : 5 flûtes
46
Flûte à Bec
46
Hautbois, Basson (duo)
44
Saxophone Baryton
44
Saxophone Soprano
43
Hautbois, Clarinette (duo)
43
Quatuor de Flûtes à bec
41
Saxophone, Clarinette (duo)
37
Flûte à bec Soprano
36
Cor Anglais
35
Clarinette Basse, Piano
35
Clarinette, Violon (duo)
32
2 Flûte à bec (duo)
31
Flûte, Violon
31
Flute (partie séparée)
30
Flûte, Clarinette et Basson
26
Clarinette, Basson (duo)
26
Flûte à bec Alto
25
Clarinette, Trompette (duo)
24
Clarinette (partie séparée)
21
Flûte, Violoncelle
19
Flûte, Hautbois, Basson
19
Hautbois, Clarinette, Basson (trio d'anches)
19
Hautbois, Flûte
19
Flûte, Alto (duo)
18
Cor anglais, Guitare (duo)
17
Clarinette et Alto
17
Flûte, Hautbois, Clarinette (trio)
15
Flûte, Hautbois (duo)
15
Clarinette, Violoncelle (duo)
13
Flûte, Hautbois, Piano (trio)
13
Saxophone
13
Flûte, Saxophone (duo)
13
Flûte, Clarinette, Cor, Basson (Quartet)
13
Flûte, Trompette (duo)
12
Flûte à bec Tenor
12
Flûte, Violon, Piano
11
Saxophone et Guitare
11
Hautbois, Violoncelle
10
5 Flûtes à bec
10
Piccolo
10
Saxophone et Piano
9
Piccolo, Piano
9
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
8
Ocarina
8
Ensemble De Flûte à bec
8
Clarinette, Violoncelle, Piano (trio)
6
Flûte à bec Alto, Piano
6
Flûte, Violoncelle, Piano (trio)
6
Clarinette Basse
5
Flûte à Bec, Piano
5
3 Flûtes à bec (trio)
5
Harmonica
5
2 Saxophones, Piano
5
Hautbois, violon (duo)
4
Hautbois et alto (duo)
4
2 Flûtes traversières, Piano
4
Clarinette, Basson, Piano (trio)
3
Hautbois, Clarinette et Piano (Trio)
3
Clarinette, Harpe (duo)
3
Hautbois, Guitare (duo)
3
Flûte, Clarinette, Piano (trio)
3
Flûte à bec, Guitare (duo)
3
Clarinette, Trombone (duo)
3
Flûte, Basson et Piano
3
Flûte, Trombone (duo)
3
Clarinette, Tuba
2
Saxophone et Orgue
2
Flûte, Violon et Violoncelle
2
Clarinette, Alto et Piano (trio)
2
Flûte et Trio à cordes
2
Clarinette, Contrebasse (duo)
2
Flûte, alto et harpe
2
Flûte, Clarinette, Violon (trio)
2
Flûte irlandaise
2
3 Hautbois
2
Hautbois, Basson et Piano
1
Cor anglais et Harpe (duo)
1
2 Hautbois, Piano
1
Clarinette, Orgue
1
2 Clarinettes, Piano
1
Ensemble à vent
1
Flûte, Alto et Piano
1
Flûte, Tuba (duo)
1
Flûte à bec Soprano, Piano
1
Flute, harpe et violon
1
Flûte, Violon, Violoncelle et Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
4 Hautbois
1
Hautbois, Harpe
1
Hautbois et Orchestre
1
Flûte, Harpe et Violoncelle
1
Hautbois, Violoncelle et Piano
1
2 Clarinettes, Basson
1
Hautbois, Violon, Piano
1
Flûte traversière, Orgue (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
+ 127 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
690
Trombone et Piano
374
Trompette
370
Trompette, Piano
363
Cor et Piano
291
Trombone
259
Cor
230
Quatuor de Cuivres : 2 trompettes, trombone, tuba
228
Tuba
174
Tuba et Piano
174
Quatuor de Cuivres
140
2 Trompettes (duo)
102
Euphonium, Piano (duo)
100
2 Trombones (duo)
95
Trompette, Trombone (duo)
74
Quatuor de Cuivres: 2 trompettes, Cor, trombone
73
Quatuor de cuivres: 4 trombones
72
Cor anglais, Piano
72
Trompette (partie séparée)
67
Ensemble de Trombones
54
2 Cors (duo)
53
Quatuor de cuivres: 4 cors
44
Cor Anglais
35
Trombone basse
32
Trompette, Saxophone (duo)
31
Trompette, Cor (duo)
26
Ensemble de Trompettes
24
Quatuor de cuivres: 4 trompettes
23
Trombone, Cor (duo)
20
Trombone basse et Piano
19
3 Trombones (trio)
18
Cor anglais, Guitare (duo)
17
Trio de Cuivres
17
Trombone (partie séparée)
17
4 Tubas
16
Euphonium
15
2 Tubas (duo)
14
Ensemble de Cors
12
3 Tubas (trio)
10
Cor, Tuba (duo)
9
3 Trompettes (trio)
9
Trompette et Guitare
7
Cor (partie séparée)
7
Euphonium, Tuba (duo)
7
2 Euphoniums et 2 Tubas
6
Trompette, Tuba (duo)
6
Trombone, Orgue
5
Trombone, Tuba (duo)
5
Tuba et Orgue
5
3 Cors (trio)
4
Trombone et orchestre
4
Trompette, Trombone, Piano
4
3 Euphoniums
3
Trompette, violon (duo)
3
Cor, Trompette, Trombone (trio)
2
Tuba (partie séparée)
2
Clarinette, Cor (duo)
2
Trompette, Basson (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Cor et Orgue
1
2 Cors, Piano
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Violoncelle (duo)
1
Cor et Basson (duo)
1
Cor, Violoncelle (duo)
1
+ 62 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 418
Violon et Piano
630
Violoncelle, Piano
485
Violon
440
Alto, Piano
380
Violoncelle
379
Trio à Cordes: violon, alto, violoncelle
217
Alto seul
211
Alto (partie séparée)
189
Violon, Violoncelle (duo)
178
Harpe
164
Quintette à cordes: 2 violons, alto, violoncelle, basse
154
2 Violons (duo)
149
Contre Basse
129
2 Violoncelles (duo)
121
Contrebasse, Piano (duo)
117
Violon, Alto (duo)
100
2 Altos (duo)
93
4 Violoncelles
71
Violon, Guitare (duo)
61
Trio à Cordes: 2 violons, violoncelle
57
Alto, Violoncelle (duo)
38
Violon (partie séparée)
34
Violoncelle , Guitare (duo)
32
Trio à cordes: 3 violins
30
Trio à Cordes: 3 violoncelles
29
Piano Trio: Violon, Alto, Piano
24
2 Harpes (duo)
21
2 Contrebasses (duo)
19
Harpe, Flûte (duo)
18
Alto, Guitare (duo)
18
Quatuor à cordes : 4 altos
15
Trio à Cordes: 2 violons, alto
14
Trio à cordes: 3 altos
13
Quatuor à cordes: 4 violons
12
Contrebasse (partie séparée)
12
Violoncelle, Contrebasse (duo)
10
Violon, Basson (duo)
9
Ensemble d'Altos
8
Ensemble de Violons
8
Violoncelle (partie séparée)
8
Harpe, Violon (duo)
7
Violoncelle, Orgue
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Harpe, Violoncelle (duo)
4
Violon, Clarinette, Piano (trio)
3
Alto et Basson
3
Harpe et Piano
3
Flûte, Contrebasse (duo)
3
2 Altos, Piano
2
2 Violoncelles, Piano
2
Ensemble de Violoncelles
2
Harpe, Voix
2
Harpe, Violon, Violoncelle
1
Violon, Violoncelle, Clarinette
1
3 Harpes
1
Trio à cordes
1
Violon, Basse continue
1
4 Contrebasses
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
952
Orchestre
656
Orchestre à Cordes
462
Orchestre de chambre
270
Ensemble de cuivres
147
Ensemble Jazz
120
Fanfare
101
Cloches
79
Batterie
63
Jazz combo
38
Marimba
32
Ensemble de Percussions
30
Xylophone
23
Xylophone, Piano
20
Vibraphone
14
Percussion (partie séparée)
14
Piano et Orchestre
5
Quintette à Vent
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Marimba, Piano (duo)
3
2 Xylophones
3
2 Marimbas
2
Quintette de Cuivres: autres combinaisons
2
Instrumentation Flexible
2
Orchestre, Violon
2
Quatuor à Vent : 4 instruments à vents
2
Timbales (partie séparée)
2
Marimba, Saxophone (duo)
1
Trio à Vent: 3 instruments à vents
1
Batterie (partie séparée)
1
Caisse Claire
1
+ 26 instrumentations
Retracter
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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
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OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
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26
The King's Joy for string trio and piano
#
Piano Quatuor: piano, violon, alto, violoncelle
#
Contemporain
#
Traditional
#
David Warin Solomons
#
The King's Joy for string trio
#
David Warin Solomons
#
SheetMusicPlus
Composed by Traditional. Arranged by David Warin Solomons. 21st Century, Baroque Period, World, European. Score, Set of Parts. 8 pages. Published by David Warin...
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Composed by Traditional. Arranged by David Warin Solomons. 21st Century, Baroque Period, World, European. Score, Set of Parts. 8 pages. Published by David Warin Solomons (S0.95019). - Score,Set of Parts - 21st Century,Baroque Period,World,European - David Warin Solomons
$8.00
Mahler 1888 Symphony No 1 1st Movement Themes Mixed Quartet Score and Parts
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Piano Quatuor: piano, violon, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Rainer's Rainbow
#
R G Roth
#
Mahler 1888 Symphony No 1 1st
#
Rainer's Rainbow
#
SheetMusicPlus
Piano Quartet Cello,Piano,Violin - Level 4 - SKU: A0.1243498 By Rainer's Rainbow. By Gustav Mahler 1860-1911. Arranged by R G Roth. 19th Century,20th Ce...
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Piano Quartet Cello,Piano,Violin - Level 4 - SKU: A0.1243498 By Rainer's Rainbow. By Gustav Mahler 1860-1911. Arranged by R G Roth. 19th Century,20th Century,21st Century,New Age,Romantic Period. 70 pages. Rainer's Rainbow #838463. Published by Rainer's Rainbow (A0.1243498). Mahler composed his 1st Symphony in 1888. Many of the themes from the 1st movement are presented here as a new arrangement for a mixed Quartet. The parts included are Flute, Violin, Cello and Piano. The flute part could be played be a violin if desired.
$9.99
Fauré: Élégie Op. 24 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Gabriel Faure
#
James M
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Fauré: Élé
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...
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Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
Fauré: Sicilienne for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Sicilienne for P
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 2...
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Piano Quartet - Level 4 - SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 21 pages. Jmsgu3 #3449745. Published by jmsgu3 (A0.549058). Gabriel Fauré: Sicilienne Op. 78. Nice recital encore piece. It is very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity. Significant Aspects of Faure's Sicilienne Gabriel Fauré's Sicilienne, Op. 78 is significant due to its history, influence, and musical characteristics. Historical Significance The piece was initially composed in 1893 as part of incidental music for a theatrical production that was later abandoned. Fauré reused the Sicilienne in 1898 when he wrote incidental music for the English translation of Maeterlinck's play Pelléas et Mélisande. This piece was later extracted and formed into an orchestral suite for concerts, known as the Pelléas et Mélisande Suite, Op. 80. Influence and Popularity Fauré's harmonic richness and melodic innovations in the Sicilienne influenced other composers. The Sicilienne is the most famous piece from the Pelléas et Mélisande Suite and is frequently played by significant orchestras today. Musical Characteristics The piece is known for its conversational style for both cello and piano, and it exhibits chromatic movement to evoke a Renaissance aesthetic with the Sicilienne dance. It is also more complex than the typical song in terms of chords and melody, with above-average scores in chord and melodic complexity. In conclusion, Faure's Sicilienne is significant due to its historical background, influence on other composers, and unique musical characteristics. Dance and Fabric The term Sicilienne is derived from the French word Sicilienne, which means Sicilian. It is associated with a dance called the Siciliana and a kind of rich poplin fabric. Musical Style Sicilienne refers to a musical style or genre often included as a movement within more significant pieces of music, starting in the Baroque period. It is associated with a pastoral mood and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale.
$43.95
Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1398434 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,C...
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Piano Quartet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1398434 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 219 pages. Jmsgu3 #981709. Published by jmsgu3 (A0.1398434). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874(МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.
$49.95
Away In A Manger for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger for Piano Qua
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
Pachelbel: Canon in D for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
Jingle Bells for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Publishe...
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Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
Lyric Pieces Op.38 No.3
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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André Nusa
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Lyric Pieces Op.38 No.3
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Andre_Nusa
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1410686 Composed by Edvard Grieg. Arranged by André Nusa. 19th Century,Romantic Period. 12...
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Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1410686 Composed by Edvard Grieg. Arranged by André Nusa. 19th Century,Romantic Period. 12 pages. Andre_Nusa #993108. Published by Andre_Nusa (A0.1410686). Delight in the enchanting melodies of Grieg's 'Lyric Pieces Op.38 No.3' with this captivating arrangement for violin, viola, cello, and piano. Tailored for intermediate players, this arrangement offers a rewarding musical experience, allowing musicians to explore Grieg's rich harmonies and expressive melodies. Perfect for chamber ensembles seeking a charming repertoire, this arrangement showcases the ensemble's artistic versatility and collaborative spirit.
$3.99
Lyric Pieces Op.38 No.7
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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André Nusa
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Lyric Pieces Op.38 No.7
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Andre_Nusa
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1410689 Composed by Edvard Grieg. Arranged by André Nusa. 19th Century,Romantic Period. 11...
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Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1410689 Composed by Edvard Grieg. Arranged by André Nusa. 19th Century,Romantic Period. 11 pages. Andre_Nusa #993111. Published by Andre_Nusa (A0.1410689). Discover the beauty of Grieg's 'Lyric Pieces Op.38 No.7' with this captivating arrangement for violin, viola, cello and piano. Designed for intermediate players, this arrangement offers a delightful musical journey, allowing musicians to explore Grieg's expressive melodies and rich harmonies. Ideal for chamber ensembles seeking engaging repertoire, this arrangement showcases the ensemble's collaborative prowess and artistic flair.
$3.99
Vivaldi RV 106 Concerto in Em Full Score Parts Flute Violin Cello
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Rainer's Rainbow
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R G Roth
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Vivaldi RV 106 Concerto in Em
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Rainer's Rainbow
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1372313 By Rainer's Rainbow. By Antonio Vivaldi 1678-1741. Arranged by R G Roth. 19th Century...
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Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1372313 By Rainer's Rainbow. By Antonio Vivaldi 1678-1741. Arranged by R G Roth. 19th Century,Baroque,Chamber,Classical,Romantic Period. 97 pages. Rainer's Rainbow #956604. Published by Rainer's Rainbow (A0.1372313). This popular Vivaldi Quartet for Flute, Violin, Cello and Keyboard is published here for the first time in the alternative key of E minor. This makes it possible to substitute the Flute part with a Soprano Recorder. Also included is a full string arrangement to make it into a tradition concerto grosso for 3 soloists.
$10.91
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Concerto #8 "Opus #15 In G Major" 3rd movement (For String Quartet)
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Joseph Pugh
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Concerto #8 "Opus #15 In
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Joseph Pugh
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.855263 Composed by Joseph Pugh. 20th Century,Concert,Contemporary,Easter,Wedd...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.855263 Composed by Joseph Pugh. 20th Century,Concert,Contemporary,Easter,Wedding. Score and parts. 12 pages. Joseph Pugh #6516495. Published by Joseph Pugh (A0.855263). This light classical piece is from Joseph's, Opus Series and is the 3rd movement of Joseph's Concerto #8 for string quartet. originally composed for piano and here arranged for string Quartet and Viola solo.
$9.99
Falada
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Contemporain
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Sarah Wallin Huff and Sarah Wa
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Falada
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Novel Soundtrax
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - SKU: A0.800373 Composed by Sarah Wallin Huff and Sarah Wallin Huff. 20th Century,New ...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - SKU: A0.800373 Composed by Sarah Wallin Huff and Sarah Wallin Huff. 20th Century,New Age. Score and parts. 24 pages. Novel Soundtrax #3014323. Published by Novel Soundtrax (A0.800373). Falada is a compilation-piece from two of Wallin Huff's earliest works: The Dove (1998) and The Old Music Box (2001). Together, this work for piano and string trio (violin, viola, and cello) evokes the mood of a storyteller weaving ancient tales that remind the listener of humankind's shared history.
$24.00
Funny Like a Monkey for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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Funny Like a Monkey for piano
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Robert M. Greenberg
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert ...
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Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
Schumann - Carnaval arr. for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Classique
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Robert Schumann
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Sahun Hong
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Schumann - Carnaval arr. for p
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Sahun Hong
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1138378 Composed by Robert Schumann. Arranged by Sahun Hong. 19th Century,Classical,Romantic ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1138378 Composed by Robert Schumann. Arranged by Sahun Hong. 19th Century,Classical,Romantic Period. 118 pages. Sahun Hong #738712. Published by Sahun Hong (A0.1138378). Each movement of Schumann's Carnaval is a caricature of real-life characters in musical form - the faces of Schumann himself, along with his friends and colleagues. The original piano work is a virtuoso kaleidoscope of character pieces, and Sahun Hong's arrangemnet amplifies these qualities through its use of collaborative chamber writing.
$149.99
La Vie En Rose
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Edith Piaf
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Wendy Hellmann
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La Vie En Rose
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Gwendolyn Hellmann
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SheetMusicPlus
Piano Quartet Cello,Piano,Violin - Level 4 - SKU: A0.1248921 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Wendy Hellmann. 20th Century,...
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Piano Quartet Cello,Piano,Violin - Level 4 - SKU: A0.1248921 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Wendy Hellmann. 20th Century,Jazz,Pop,Standards,Wedding. 10 pages. Gwendolyn Hellmann #843396. Published by Gwendolyn Hellmann (A0.1248921). This classic arrangement of La Vie en Rose is for Violin 1, Violin 2, Cello, and Piano. It has been transposed for ease of playing to the comfortable key of D Major and follows the road map of Edith Piaf's original performance. This makes a perfect processional piece or an addition to wedding repertoire!The PDF download contains both a full score and a set of individual parts - Violin 1, Violin 2, Cello, and Piano. All strings parts are formatted on a single page; Piano is formatted on 2 pages to avoid any page turns.
$12.99
Nocturne for Clarinet, Violin, Cello & Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Eugene Astapov
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Nocturne for Clarinet, Violin,
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EAMUSIC
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SheetMusicPlus
Piano Quartet Cello,Piano,Violin - Level 5 - SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. P...
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Piano Quartet Cello,Piano,Violin - Level 5 - SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. Published by EAMUSIC (A0.1283409). Nocturne was inspired by a meteorological phenomenon that is known as “noctilucence†and refers to shining clouds at high altitudes only observable for a short period of time in the summer twilight sky. In Canada we don’t get many summer days, that is why this occurrence is particularly special and beautiful. From the first measures the music evokes the feelings of tranquility and ephemeral elegance. Structurally this piece is almost built after some of Chopin’s Nocturnes which were written in 3-part form and often featured emotional and moving musical material towards the end of the piece. Even though nocturnes are generally meant to depict peaceful night music and my piece certainly opens that way, it does not stay calm and quiet for the duration of the piece because the night, after all, can be full of surprises and mysteries. The music is meant to be played with flair and colour, in a light and improvisatory way. This piece was first premiered at the Intimacy of Creativity Festival in Hong Kong in May 2019 with the assistance from Bright Sheng. Following the Audience Choice vote at the festival, and further revised, the piece was brought to the audiences in Philadelphia at the Curtis Institute of Music featuring musicians from the Curtis 20/21 Ensemble in December 2019.The piece is scored for Clarinet, Violin, Cello and Piano. Duration is approximately 9 minutes.
$20.00
The Swan
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Classique
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Camille Saint-Saens
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Yulian Heroim
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The Swan
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Yulian Heroim
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 2 - SKU: A0.1357172 Composed by Camille Saint-Saens. Arranged by Yulian Heroim. 19th Century,Chamber,Clas...
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Piano Quartet Cello,Piano,Viola,Violin - Level 2 - SKU: A0.1357172 Composed by Camille Saint-Saens. Arranged by Yulian Heroim. 19th Century,Chamber,Classical,Romantic Period,Wedding. 15 pages. Yulian Heroim #941802. Published by Yulian Heroim (A0.1357172). Immerse yourself in the grace of Saint-Saëns' The Swan through this meticulously edited and formatted piano quartet score. With added bowing techniques and dynamic markings, this professional arrangement for Piano, Violin, Viola, and Cello preserves the piece's timeless beauty, perfect for stage performances or elegant events.
$16.00
Behold the Lord High Executioner - piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sir Arthur Seymour Sullivan
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John J
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Behold the Lord High Execution
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John Kula
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.908828 Composed by Sir Arthur Seymour Sullivan. Arranged by John J. Kula. 20t...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.908828 Composed by Sir Arthur Seymour Sullivan. Arranged by John J. Kula. 20th Century. Score and parts. 22 pages. John Kula #3106633. Published by John Kula (A0.908828). A favorite song title from Gilbert and Sullivan's Mikado.: This arrangement for piano, violin, viola, cello makes accessible this delightful piece normally only heard in its original orchestral version. Now made accessible to performers of chamber music who wish to expand their repertoire into familiar pieces of the orchestral repertoire. All four
$3.99
Waltz of the Prancing Satyrs, Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Gavin Koh
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Waltz of the Prancing Satyrs,
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Gavin Koh
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.874434 Composed by Gavin Koh. 20th Century,Concert,New Age,Standards. Score a...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.874434 Composed by Gavin Koh. 20th Century,Concert,New Age,Standards. Score and parts. 14 pages. Gavin Koh #4300655. Published by Gavin Koh (A0.874434). Imagine for a moment - prancing satyrs in a forgotten forest... dancing to a lovely waltz. This version is for Piano Quartet (piano, violin, viola, cello). I sincerely hope you will like performing this. Please provide feedback at the Facebook link below.Listen to the composer's works at https://soundcloud.com/gavinkohFollow the composer at https://www.facebook.com/gavinkoh1970
$6.00
An Arduous Journey, Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Gavin Koh
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An Arduous Journey, Piano Quar
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Gavin Koh
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.874433 Composed by Gavin Koh. 20th Century,Concert,New Age,Standards. Score a...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.874433 Composed by Gavin Koh. 20th Century,Concert,New Age,Standards. Score and parts. 23 pages. Gavin Koh #4300533. Published by Gavin Koh (A0.874433). Embark on a journey that is full of hardships. This version is for Piano Quartet (piano, violin, viola, cello). I sincerely hope you will like performing this. Please provide feedback at the Facebook link below.Listen to the composer's works at https://soundcloud.com/gavinkohFollow the composer at https://www.facebook.com/gavinkoh1970
$6.00
In The Land of Wonder-Wander for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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In The Land of Wonder-Wander f
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Sy Brandon
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.755009 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 49...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.755009 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 49 pages. Sy Brandon #3239669. Published by Sy Brandon (A0.755009). In The Land of Wonder-Wander attempts to capture the essence of both Maxfield Parrish’s illustration and Eugene Fields’ poem The Dinkey-Bird. Both the painting and the poem create the feeling of a magical place where beauty, joy and pleasure abound. It is a mysterious place, perhaps as occurring in a dream, yet a place where one does not wish to leave. In The Land of Wonder-Wander begins quietly with vague tonality and sparse instrumentation as it transports the listener into this mystical land. As the tempo becomes stricter and the instrumentation fuller, the beauty of this place is apparent. A change to a triple meter and a faster tempo creates a joyous and wondrous section as there are many sweet treats growing to satisfy the soul. Children scampering and playing are represented by an allegro section with playful melodies and slight dissonance. The Dinkey Bird becomes the focus of the next section, which uses a staccato motif surrounded by rapid scales and arpeggios. These ideas build in intensity, expressing the wonder and beauty of this far away land, until they begin to fade away as the land recedes into the sea. A last flourish occurs as if one is trying to hold on to the experience before one wakes up from this marvelous dream.
$9.99
Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert Cunningham
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Piano Quartet
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Robert E Cunningham
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - SKU: A0.943203 Composed by Robert Cunningham. 20th Century,Contemporary. Score and pa...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - SKU: A0.943203 Composed by Robert Cunningham. 20th Century,Contemporary. Score and parts. 118 pages. Robert E Cunningham #6110749. Published by Robert E Cunningham (A0.943203). Robert Cunningham's Piano Quartet (violin, viola, cello, piano) is a passionately Romantic work in a single movement, in sonata-allegro form. Much of it is lyrical, but other passages bristle with driving energy. Composed in 1993, revised in 2018-2019. The full score and individual parts for the violin, viola, and cello are included. Duration: 23:10.
$24.95
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Pu...
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Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
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