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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
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DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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313
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70
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24
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11
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6
Piano Facile
4
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3
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2
Instruments en Do
2
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 4 mains
1
Orgue, Trompette (duo)
1
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Guitares
Guitare notes et tablatures
13
Guitare
11
Ukulele
6
Piano, Guitare (duo)
5
Ensemble de guitares
2
Guitare (partie séparée)
2
3 Guitares (trio)
2
Basse electrique
1
Banjo
1
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1
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1
2 Guitares (duo)
1
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40
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17
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11
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3
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1
Voix duo, Piano
1
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34
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20
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19
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14
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13
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12
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9
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9
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9
Saxophone Soprano et Piano
8
Flûte traversière et Piano
8
Ensemble de Flûtes
8
Quatuor de Saxophones: 4 saxophones
7
Flûte, Hautbois, Clarinette, Basson
4
2 Saxophones (duo)
3
Saxophone, Clarinette (duo)
3
Trio de Flûtes: 3 flûtes
3
Quatuor de Clarinettes: 4 clarinettes
3
Quintette de Flûte : 5 flûtes
3
2 Clarinettes (duo)
3
Clarinette, Trompette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
3 Saxophones (trio)
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Flûte
1
Flûte à bec Soprano
1
Saxophone et Piano
1
2 Flûtes traversières, Piano
1
Clarinette
1
Flûte, Trompette (duo)
1
Flûte traversière
1
Cornemuse
1
Flûte, Violon
1
2 Flûtes traversières (duo)
1
Flûte et Guitare
1
Hautbois (partie séparée)
1
Flûte irlandaise
1
2 Hautbois (duo)
1
Flûte, Clarinette, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Guitare (duo)
1
Clarinette Basse, Piano
1
Clarinette, Violon (duo)
1
Saxophone Alto
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette (duo)
1
Saxophone Baryton, Piano
1
Hautbois, Basson (duo)
1
Flûte, Alto (duo)
1
3 Clarinettes (trio)
1
Cor anglais, Piano
1
Flute (partie séparée)
1
Flûte à bec Tenor
1
+ 48 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Quatuor de Cuivres
10
Trompette, Piano
8
Trompette (partie séparée)
8
Trombone (partie séparée)
8
Ensemble de Trombones
8
Ensemble de Trompettes
6
Trombone et Piano
5
Ensemble de Cors
4
Trompette
4
Cor et Piano
3
Euphonium, Piano (duo)
3
Tuba et Piano
2
2 Trombones (duo)
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Tubas (duo)
1
2 Trompettes (duo)
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 cors
1
3 Cors (trio)
1
Cor anglais, Piano
1
Trombone
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
21
Trio à Cordes: violon, alto, violoncelle
7
Violon et Piano
7
Harpe
6
Alto, Piano
5
Violon
5
Violoncelle, Piano
4
2 Violoncelles (duo)
3
Ensemble d'Altos
3
2 Violons (duo)
3
Ensemble de Violons
3
4 Violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à Cordes: 3 violoncelles
1
Violon, Alto (duo)
1
2 Altos (duo)
1
Contrebasse (partie séparée)
1
Contrebasse, Piano (duo)
1
Contre Basse
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Violoncelle (duo)
1
3 Harpes
1
+ 17 instrumentations
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Orchestre d'harmonie
40
Ensemble Jazz
20
Orchestre à Cordes
12
Orchestre
11
Ensemble de cuivres
11
Cloches
6
Orchestre de chambre
3
Ensemble de Percussions
2
Fanfare
2
Marimba, Piano (duo)
1
Batterie (partie séparée)
1
Percussion
1
Piano et Orchestre
1
Xylophone, Piano
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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Piano Quatuor: piano, violon, alto, violoncelle
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Parallel Tracks
#
Piano Quatuor: piano, violon, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Terry Vosbein
#
Parallel Tracks
#
Max Frank Music
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
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