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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
So, It\\\\\\
Non classifié
3 153
Piano & claviers
Piano seul
2 408
Piano Facile
939
Piano, Voix
730
Piano, Voix et Guitare
390
Instruments en Do
349
Orgue
103
1 Piano, 4 mains
57
Accompagnement Piano
32
Piano Trio: piano, violon, violoncelle
23
Clavecin
14
Piano Quatuor: piano, violon, alto, violoncelle
11
2 Pianos, 4 mains
10
Piano (partie séparée)
9
Accordéon
8
Piano grosses notes
8
Piano Quatuor: piano, 2 violons, violoncelle
6
Orgue, Trompette (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
1 Piano, 6 mains
3
Orgue, Piano (duo)
3
2 Pianos, 8 mains
2
Ligne De Mélodie, Piano
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
229
Guitare
152
Ligne De Mélodie, (Paroles) et Accords
80
Ukulele
59
Basse electrique
37
2 Guitares (duo)
22
Guitare (partie séparée)
21
Paroles et Accords
20
4 Guitares (Quatuor)
18
Piano, Guitare (duo)
13
3 Guitares (trio)
12
Banjo
8
Mandoline
7
Ensemble de guitares
6
Mandoline, Piano (duo)
2
Dulcimer
2
2 Ukuleles
1
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Guitare (duo)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
615
Chorale 3 parties
222
Chorale 2 parties
140
Chorale TTBB
105
Chorale SSAA
86
Chorale Unison
53
Voix seule
23
Voix Soprano, Piano
19
Voix duo
13
Voix haute
13
Voix Alto, Piano
12
Pack Instrumental pour Chorale
10
Voix Baryton, Piano
9
Voix Tenor, Piano
7
Voix duo, Piano
7
Voix basse, Piano
5
Voix Tenor
3
Voix moyenne, Piano
3
Chorale SSATTB
2
Chorale SSATB
2
Chorale
2
Chorale SSAATTBB
1
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
+ 20 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
217
Quatuor de Saxophones: 4 saxophones
214
Quintette de Saxophone: 5 saxophones
175
Flûte traversière et Piano
173
Flûte, Hautbois, Clarinette, Basson
153
Flûte traversière
147
Clarinette et Piano
134
Clarinette
118
Hautbois, Piano (duo)
107
Saxophone (partie séparée)
106
2 Saxophones (duo)
103
Quatuor de Clarinettes: 4 clarinettes
103
Saxophone Alto
88
Saxophone Alto et Piano
81
Flûte irlandaise
80
Saxophone Tenor et Piano
77
2 Clarinettes (duo)
71
Ensemble de Clarinettes
68
Ensemble de saxophones
68
Hautbois (partie séparée)
67
Saxophone Tenor
66
2 Flûtes traversières (duo)
62
Saxophone Soprano et Piano
50
Ensemble de Flûtes
44
3 Saxophones (trio)
43
Saxophone Baryton, Piano
42
Quatuor de Flûtes : 4 flûtes
37
Flûte à bec Soprano
35
Cor anglais, Piano
33
Flûte, Clarinette (duo)
29
Saxophone
26
Flûte et Guitare
26
3 Clarinettes (trio)
25
Clarinette Basse, Piano
24
Trio de Flûtes: 3 flûtes
24
Saxophone, Clarinette (duo)
23
2 Flûte à bec (duo)
23
Quintette de Clarinettes: 5 clarinettes
23
Quintette de Flûte : 5 flûtes
22
Clarinette, Violon (duo)
20
Flûte à bec Alto
18
Hautbois
17
2 Hautbois (duo)
17
Clarinette, Guitare (duo)
15
Clarinette, Trompette (duo)
14
Cor Anglais
14
Quatuor de Flûtes à bec
13
Flûte, Violon
13
Flûte, Violon, Piano
13
Hautbois, Basson (duo)
13
Clarinette, Basson (duo)
11
Flûte à Bec
10
Flute (partie séparée)
9
Hautbois, Clarinette (duo)
9
Hautbois, Flûte
9
Hautbois, Guitare (duo)
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flûte, Saxophone (duo)
8
Clarinette et Alto
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte, Trompette (duo)
7
Ocarina
7
Flûte, Alto (duo)
6
Harmonica
6
5 Flûtes à bec
6
3 Flûtes à bec (trio)
6
Flûte à bec Soprano, Piano
5
Flûte, Hautbois, Clarinette (trio)
5
Clarinette (partie séparée)
5
Flûte, Hautbois, Basson
5
Flûte à bec Alto, Piano
5
Clarinette, Harpe (duo)
4
Clarinette, Violoncelle (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Hautbois (duo)
3
Piccolo, Piano
3
Flûte, Violon et Violoncelle
3
Ensemble à vent
2
2 Saxophones, Piano
2
Flûte et Trio à cordes
2
Hautbois, Harpe
2
Flûte à bec Tenor
2
Instruments en Mib
2
Flûte, Alto et Piano
2
Flûte, Clarinette, Piano (trio)
2
3 Hautbois
2
Clarinette, Trombone (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Clarinette et Basson
2
Saxophone Soprano
2
4 Hautbois
1
Flûte, Trombone (duo)
1
Clarinette, Contrebasse (duo)
1
Cor anglais et Harpe (duo)
1
Cornemuse
1
Clarinette, Tuba
1
Ensemble De Flûte à bec
1
Flûte, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûtes traversières, Piano
1
Clarinette Basse
1
Flute, harpe et violon
1
Flûte, trombone et piano
1
Saxophone et Orgue
1
Saxophone et Guitare
1
Clarinette, Orgue
1
Ensemble de Hautbois
1
Saxophone Baryton
1
2 Clarinettes, Piano
1
+ 106 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
240
Trompette
135
Quatuor de Cuivres : 2 trompettes, trombone, tuba
132
Quatuor de Cuivres
92
Trombone
89
Trombone et Piano
84
Trompette, Piano
80
Cor
71
Cor et Piano
67
Tuba
53
Trombone (partie séparée)
49
Trompette (partie séparée)
46
Tuba et Piano
39
Euphonium, Piano (duo)
35
Cor anglais, Piano
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
2 Trombones (duo)
25
Ensemble de Trombones
25
2 Trompettes (duo)
23
Ensemble de Trompettes
20
Trompette, Saxophone (duo)
18
Trompette, Trombone (duo)
18
Quatuor de cuivres: 4 trombones
14
Euphonium
14
Cor Anglais
14
Ensemble de Cors
13
2 Cors (duo)
11
Quatuor de cuivres: 4 cors
10
Cor (partie séparée)
9
Trio de Cuivres
8
2 Tubas (duo)
7
Tuba (partie séparée)
7
Quatuor de cuivres: 4 trompettes
7
Trompette, Cor (duo)
6
Tuba et Orgue
5
4 Tubas
5
Bass Clef Instruments
5
2 Euphoniums et 2 Tubas
4
3 Trombones (trio)
4
Trompette, Tuba (duo)
3
Trombone, Tuba (duo)
3
Instruments en Sib
2
2 Euphoniums (duo)
2
3 Trompettes (trio)
2
Trombone, Cor (duo)
2
Cor, Tuba (duo)
2
Trombone basse
1
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
3 Tubas (trio)
1
Ensemble de Tubas
1
Cornet et orchestre
1
Trombone, Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 49 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
576
Violon
224
Violon et Piano
202
Violoncelle
171
Harpe
154
Violoncelle, Piano
129
Alto, Piano
128
Violon, Violoncelle (duo)
112
Quintette à cordes: 2 violons, alto, violoncelle, basse
87
Alto seul
85
2 Violons (duo)
81
Trio à Cordes: violon, alto, violoncelle
76
Contre Basse
57
Violon, Alto (duo)
49
Trio à Cordes: 2 violons, violoncelle
46
2 Violoncelles (duo)
42
Contrebasse, Piano (duo)
35
Alto (partie séparée)
25
2 Altos (duo)
24
Contrebasse (partie séparée)
15
Trio à Cordes: 3 violoncelles
14
4 Violoncelles
13
Ensemble de Violons
12
Violon (partie séparée)
12
Violoncelle , Guitare (duo)
11
2 Harpes (duo)
11
Violon, Guitare (duo)
11
Quatuor à cordes: 4 violons
11
Alto, Violoncelle (duo)
11
Trio à cordes: 3 violins
10
Harpe, Flûte (duo)
10
Ensemble d'Altos
9
Trio à cordes: 3 altos
8
Quatuor à cordes : 4 altos
7
Piano Trio: Violon, Alto, Piano
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Harpe, Violon (duo)
5
4 Contrebasses
4
Violoncelle, Basse continue
4
2 Contrebasses (duo)
4
Violoncelle (partie séparée)
3
Harpe, Voix
3
4 Harpes
3
Violon, Basson (duo)
3
3 Harpes
2
Violoncelle, Contrebasse (duo)
2
Alto et Basson
2
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
Flûte, Contrebasse (duo)
1
Violon, Tuba (duo)
1
Autoharp
1
Ensemble de Violoncelles
1
Harpe et Piano
1
Alto, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
438
Jazz combo
351
Orchestre
165
Orchestre à Cordes
162
Ensemble Jazz
151
Ensemble de cuivres
122
Orchestre de chambre
66
Ensemble de Percussions
42
Cloches
38
Fanfare
33
Batterie
30
Batterie (partie séparée)
12
Vibraphone
7
Marimba
3
Xylophone ou Marimba ou Vibraphone
3
Percussion (partie séparée)
3
Percussion
2
Xylophone
2
Xylophone, Piano
2
Piano et Orchestre
1
Marimba, Piano (duo)
1
Quintette à Vent
1
Quintette de Cuivres: autres combinaisons
1
Ensemble d'École
1
2 Xylophones
1
+ 20 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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So, It\\\\\\
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
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1
'Tis So Sweet To Trust In Jesus
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.683437 Composed by William J. Kirkpatrick. Arranged by Gert Th. Walter. Christian,Praise & Worship,Sacred. Score and parts. 3 pages. Gert Th. Walter #6025655. Published by Gert Th. Walter (A0.683437). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$5.99
5.52 €
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Piano Quatuor: piano, violon, alto, violoncelle
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William J
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Gert Th
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'Tis So Sweet To Trust In Jesus
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Gert Th. Walter
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SheetMusicPlus
O Come All Ye Faithful for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arrange…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
23 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Wade
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James M
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O Come All Ye Faithful for Piano Quartet
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jmsgu3
#
SheetMusicPlus
Jingle Bells for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpon…
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Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
36.83 €
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Piano Quatuor: piano, violon, alto, violoncelle
#
James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
#
SheetMusicPlus
Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.43 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Pachelbel: Canon in D for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
43.28 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Piano Quartet
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jmsgu3
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SheetMusicPlus
Away In A Manger for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arra…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
23 €
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Piano Quatuor: piano, violon, alto, violoncelle
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the 1880’s the cradle song was being performed in church
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Mueller
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James M
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Away In A Manger for Piano Quartet
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jmsgu3
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SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. …
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Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
23 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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James M
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The First Noel for Piano Quartet
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jmsgu3
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SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. …
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Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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James M
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The First Noel for Piano Quartet
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jmsgu3
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1048653 By Tony Bennett. By Bart Howard. Arranged by Wendy Hellmann. Jazz,Standards. Score and parts. 7 pages. Gwendolyn Hellmann #653063. Published by Gwendolyn Hellmann (A0.1048653). This arrangement is written for piano quartet (piano, violin, viola, and cello). It was arranged to vamp at a wedding for groomsmen during the bridal party processional, so have fun with it! The piano part has some chords written above and each part is easy enough to improvise with little licks here and there. The cellist plucks a walking bass line throughout. The PDF download contains both a full score and a set of individual parts - Piano, Violin, Viola, and Cello.
$12.99
11.98 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Tony Bennett
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Wendy Hellmann
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Fly Me To The Moon
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Gwendolyn Hellmann
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SheetMusicPlus
St Anthony Chorale for String Quartet with optional piano
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.767756 Composed by Haydn/Brahms. Arranged by Jerry Lanning. Classical,Romantic Period. Score and parts. 8 pages. Jerry Lanning #3863257. Published by Jerry Lanning (A0.767756). St Anthony Chorale is the theme from Brahms' great set of orchestral variations, the 'Variations on a Theme of Haydn'. It may be played by string quartet or piano quintet, the piano being optional. If the piano is present the viola and/or cello parts may be safely omitted, so this arrangement is very flexible.
$7.95
7.33 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Haydn/Brahms
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Jerry Lanning
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St Anthony Chorale for String Quartet with optional piano
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Jerry Lanning
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SheetMusicPlus
Silent Night (Piano Quartet): Violin, Viola, Cello and Piano
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1104261 Composed by Franz Xaver Gruber and Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 21 pages. John A. Dempsey #707467. Published by John A. Dempsey (A0.1104261). A classic Christmas carol reimagined as a festive piano quartet for violin, viola, cello and piano, this arrangement begins simply but builds in intensity as it progresses, with an embellished piano part, dynamic shading and incidental music by Enrique Granados.  Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  Key: D major. 17 pages of music (that includes separate two-page parts for violin, viola and cello       Silent night, holy night / All is calm, all is bright / Round yon virgin, mother and child / Holy infant so tender and mild / Sleep in heavenly peace / Sleep in heavenly peace.
$14.00
12.91 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Franz Xaver Gruber and Enrique Granados
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John A
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Silent Night
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John A. Dempsey
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SheetMusicPlus
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