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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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COR ANGLAIS
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FLUTE A BEC
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GUITARE
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HARMONICA
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HAUTBOIS
LIVRES
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MANDOLINE
MARIMBA
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Piano & claviers
Piano, Voix
346
Piano seul
295
Instruments en Do
230
Piano Facile
148
Piano, Voix et Guitare
45
Accompagnement Piano
21
Orgue
20
1 Piano, 4 mains
10
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano grosses notes
4
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
2 Pianos, 8 mains
1
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Guitares
Guitare notes et tablatures
43
Guitare
39
Basse electrique
10
2 Guitares (duo)
9
Ukulele
8
4 Guitares (Quatuor)
7
Guitare (partie séparée)
2
Piano, Guitare (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline
2
Ensemble de guitares
1
Paroles et Accords
1
Banjo
1
Mandoline, Guitare (duo)
1
+ 9 instrumentations
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Voix
Chorale SATB
148
Chorale 2 parties
52
Chorale 3 parties
31
Chorale TTBB
26
Chorale Unison
21
Chorale SSAA
16
Voix Soprano, Piano
11
Voix Alto, Piano
3
Voix duo, Piano
2
Voix seule
1
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor, Piano
1
Voix haute
1
Voix Baryton, Piano
1
+ 10 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
77
Flûte, Hautbois, Clarinette, Basson
76
Quintette de Saxophone: 5 saxophones
68
Quatuor de Saxophones: 4 saxophones
54
Flûte traversière et Piano
40
Hautbois, Piano (duo)
29
Flûte traversière
29
Clarinette et Piano
28
Quatuor de Clarinettes: 4 clarinettes
19
Hautbois (partie séparée)
18
Clarinette
17
2 Clarinettes (duo)
14
Hautbois
12
Saxophone Alto et Piano
10
Ensemble de Clarinettes
9
2 Flûtes traversières (duo)
9
Flûte, Clarinette (duo)
9
Ensemble de saxophones
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Saxophone Alto
7
2 Saxophones (duo)
7
Saxophone (partie séparée)
6
Ensemble de Flûtes
6
Saxophone Tenor et Piano
6
2 Hautbois (duo)
5
Saxophone Tenor
5
Quatuor de Flûtes : 4 flûtes
5
Clarinette, Basson (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Trio de Flûtes: 3 flûtes
4
Hautbois, Basson (duo)
4
Cor anglais, Piano
4
Flûte, Violon
4
Clarinette, Violon (duo)
4
Saxophone Baryton, Piano
4
Flûte à bec Soprano
4
Hautbois, Clarinette (duo)
3
Clarinette, Guitare (duo)
3
Saxophone Soprano et Piano
3
Clarinette, Violoncelle (duo)
3
Cor Anglais
3
3 Clarinettes (trio)
3
Ocarina
2
Flûte, Violoncelle
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Basson et Piano
2
Flûte à bec Soprano, Piano
2
Flûte à bec Alto, Piano
2
Flûte, Hautbois (duo)
2
Quatuor de Flûtes à bec
2
Clarinette Basse, Piano
2
Saxophone Baryton
2
Saxophone Soprano
2
Flûte irlandaise
2
Flûte et Guitare
2
2 Flûte à bec (duo)
1
2 Clarinettes, Piano
1
5 Flûtes à bec
1
Hautbois, Violoncelle
1
Hautbois et alto (duo)
1
2 Hautbois, Piano
1
Flûte, Alto (duo)
1
Clarinette et Alto
1
Hautbois, violon (duo)
1
3 Saxophones (trio)
1
Hautbois, Guitare (duo)
1
Harmonica
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte à bec Alto
1
Quintette de Flûte : 5 flûtes
1
Flûte à Bec
1
Cor anglais et Harpe (duo)
1
+ 67 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
92
Quatuor de Cuivres
66
Cor et Piano
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trompette
22
Trompette, Piano
22
Cor
22
Trombone et Piano
22
Tuba
17
Trombone
16
Tuba et Piano
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
2 Trombones (duo)
12
Trompette, Trombone (duo)
9
2 Trompettes (duo)
8
Ensemble de Trombones
6
2 Cors (duo)
6
Cor anglais, Piano
4
2 Tubas (duo)
4
Trombone (partie séparée)
3
Trompette (partie séparée)
3
Ensemble de Cors
3
Trompette, Cor (duo)
3
Ensemble de Trompettes
3
Trio de Cuivres
3
Cor Anglais
3
Quatuor de cuivres: 4 trompettes
2
Trombone, Cor (duo)
2
3 Trompettes (trio)
2
Tuba et Orgue
2
Euphonium, Piano (duo)
2
Trompette, Tuba (duo)
2
Cor, Tuba (duo)
2
3 Trombones (trio)
1
Cor (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Euphonium, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
175
Violon
72
Violon et Piano
64
Quintette à cordes: 2 violons, alto, violoncelle, basse
63
Violoncelle, Piano
36
Violoncelle
35
Alto seul
31
Alto, Piano
26
Contre Basse
24
Violon, Violoncelle (duo)
19
Harpe
15
Violon, Alto (duo)
14
Contrebasse, Piano (duo)
12
2 Violons (duo)
12
2 Violoncelles (duo)
6
Trio à Cordes: violon, alto, violoncelle
5
2 Altos (duo)
5
Piano Trio: Violon, Alto, Piano
4
Harpe, Voix
4
Violoncelle, Basse continue
3
2 Contrebasses (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto, Violoncelle (duo)
3
Violon, Basson (duo)
3
Violoncelle , Guitare (duo)
2
Quatuor à cordes : 4 altos
2
Alto (partie séparée)
2
Harpe, Flûte (duo)
2
4 Harpes
2
Trio à Cordes: 3 violoncelles
2
Violoncelle, Contrebasse (duo)
2
Trio à cordes: 3 violins
2
Violon, Clarinette, Piano (trio)
1
Ensemble d'Altos
1
Alto et Basson
1
Contrebasse (partie séparée)
1
Violoncelle, Orgue
1
Ensemble de Violons
1
Violoncelle (partie séparée)
1
2 Altos, Piano
1
2 Violoncelles, Piano
1
Trio à cordes: 3 altos
1
Ensemble de Violoncelles
1
2 Harpes (duo)
1
+ 39 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
182
Orchestre à Cordes
23
Ensemble de cuivres
20
Orchestre
16
Cloches
13
Ensemble Jazz
11
Jazz combo
11
Orchestre de chambre
7
Batterie
5
Ensemble de Percussions
3
Fanfare
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Batterie (partie séparée)
2
Marimba, Piano (duo)
1
Quintette de Cuivres: autres combinaisons
1
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--INSTRUMENTS--
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ALTO
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BANJO
BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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CORNET
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Piano Quatuor: piano, violon, alto, violoncelle
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Pachelbel: Canon in D for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
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Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Terry Vosbein
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Parallel Tracks
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Max Frank Music
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
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