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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Some Day
Non classifié
1 251
Piano & claviers
Piano seul
1 020
Piano, Voix
503
Piano, Voix et Guitare
337
Piano Facile
256
Orgue
96
Piano grosses notes
92
Instruments en Do
56
1 Piano, 4 mains
51
Accompagnement Piano
50
Accordéon
32
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
8
Piano (partie séparée)
6
2 Pianos, 4 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
2
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
Ligne De Mélodie, Piano
1
1 Piano, 6 mains
1
Clavier
1
Accordéon, Voix
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
120
Guitare
94
Ligne De Mélodie, (Paroles) et Accords
50
Ukulele
29
Basse electrique
25
Paroles et Accords
17
Guitare (partie séparée)
10
Piano, Guitare (duo)
8
Banjo
6
Mandoline
4
Dulcimer
4
3 Guitares (trio)
3
2 Guitares (duo)
3
4 Guitares (Quatuor)
2
Ensemble de guitares
1
Guitare, Quatuor à cordes
1
Mandoline, Guitare (duo)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
474
Chorale 3 parties
109
Chorale 2 parties
79
Chorale TTBB
61
Chorale Unison
51
Pack Instrumental pour Chorale
49
Chorale SSAA
42
Voix seule
41
Voix Soprano, Piano
27
Voix duo, Piano
16
Voix Tenor, Piano
15
Voix Alto, Piano
9
Chorale
6
Voix Baryton, Piano
6
Voix haute
5
Voix basse, Piano
4
Voix Tenor
4
Voix duo
3
Chorale SSAATTBB
3
Voix Soprano
1
Chorale SSATB
1
Chorale SSATTB
1
+ 17 instrumentations
Retracter
Vents
Saxophone
160
Clarinette
152
2 Saxophones (duo)
143
Flûte traversière
121
Quatuor de Saxophones: 4 saxophones
92
Saxophone Alto
91
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Flûte traversière et Piano
82
2 Flûtes traversières (duo)
73
Saxophone Alto et Piano
66
Clarinette et Piano
64
2 Clarinettes (duo)
61
Flûte, Hautbois, Clarinette, Basson
61
Saxophone Tenor
57
Saxophone (partie séparée)
50
Hautbois, Piano (duo)
50
Quintette de Saxophone: 5 saxophones
47
Quatuor de Clarinettes: 4 clarinettes
44
Saxophone Tenor et Piano
38
Hautbois (partie séparée)
34
Clarinette, Violon (duo)
29
Saxophone Soprano et Piano
26
Ensemble de saxophones
26
Flûte, Clarinette (duo)
25
2 Hautbois (duo)
25
Clarinette, Trompette (duo)
24
Saxophone, Clarinette (duo)
23
Ensemble de Clarinettes
23
Ensemble de Flûtes
21
Quintette de Clarinettes: 5 clarinettes
20
3 Saxophones (trio)
19
Hautbois, Basson (duo)
18
Hautbois, Clarinette (duo)
16
Flûte, Violon
16
3 Clarinettes (trio)
16
Flûte à Bec
15
Saxophone Baryton, Piano
14
Clarinette et Alto
12
Flûte, Saxophone (duo)
12
Flûte, Hautbois (duo)
12
Flûte, Alto (duo)
12
Hautbois
12
Quatuor de Flûtes : 4 flûtes
12
Flûte, Trompette (duo)
11
Hautbois, violon (duo)
10
Flute (partie séparée)
10
Quintette de Flûte : 5 flûtes
10
Trio de Flûtes: 3 flûtes
9
2 Flûte à bec (duo)
8
Hautbois, Flûte
7
Clarinette (partie séparée)
7
Ocarina
6
Flûte, Hautbois, Clarinette (trio)
4
Flûte à bec Soprano
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette Basse, Piano
3
Flûte, Violon et Violoncelle
3
Quatuor de Flûtes à bec
3
Cor Anglais
3
Cor anglais, Piano
3
Flûte, Violoncelle
2
Cornemuse
2
5 Flûtes à bec
2
2 Clarinettes, Piano
2
Flûte, Basson et Piano
2
Clarinette, Violoncelle (duo)
2
Clarinette, Harpe (duo)
2
Flûte, Violon, Piano
2
Flûte à bec Tenor
2
Hautbois, Violoncelle
2
Flûte et Guitare
2
Clarinette, Basson (duo)
2
Flûte, Clarinette, Piano (trio)
1
Flûte, Clarinette et Basson
1
Flûte irlandaise
1
Flûte, Tuba (duo)
1
Clarinette Basse
1
Clarinette, Trombone (duo)
1
Flûte à Bec, Piano
1
Hautbois, Trompette (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Trombone (duo)
1
Harmonica
1
Clarinette, Tuba
1
Ensemble de Hautbois
1
Clarinette, Contrebasse (duo)
1
Hautbois, trombone (duo)
1
Saxophone et Orgue
1
3 Flûtes à bec (trio)
1
2 Cors Anglais Et Pianoforte
1
Flute, Cor (duo)
1
Flûte à bec Alto
1
Clarinette, trompette et piano
1
Flûte, Alto et Piano
1
Hautbois et alto (duo)
1
Flûte, Hautbois, Piano (trio)
1
+ 91 instrumentations
Retracter
Cuivres
Trompette
129
Trombone
115
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
100
Quatuor de Cuivres : 2 trompettes, trombone, tuba
56
Trompette, Piano
50
Trombone et Piano
47
Cor
42
Cor et Piano
37
Trompette (partie séparée)
36
Trombone (partie séparée)
33
2 Trompettes (duo)
32
2 Trombones (duo)
32
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
Tuba et Piano
25
Quatuor de Cuivres
23
Trompette, Saxophone (duo)
19
Tuba
19
Trompette, Trombone (duo)
19
2 Cors (duo)
11
Euphonium, Piano (duo)
11
Quatuor de cuivres: 4 trombones
9
Ensemble de Trompettes
9
Ensemble de Trombones
6
Cor (partie séparée)
6
Tuba (partie séparée)
6
4 Tubas
5
2 Tubas (duo)
4
Quatuor de cuivres: 4 cors
4
Euphonium
4
2 Euphoniums (duo)
4
2 Euphoniums et 2 Tubas
3
Trio de Cuivres
3
3 Trompettes (trio)
3
Cor Anglais
3
Cor anglais, Piano
3
Ensemble de Cors
2
Quatuor de cuivres: 4 trompettes
2
Trombone, Tuba (duo)
2
Trompette, Cor (duo)
2
Trompette, Tuba (duo)
1
Trombone, Violon (duo)
1
Tuba et Orgue
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Euphonium, Tuba (duo)
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
221
Violon et Piano
129
Violon
113
Violon, Violoncelle (duo)
89
Violoncelle, Piano
89
Violoncelle
87
Harpe
73
2 Violons (duo)
68
Alto seul
66
Violon, Alto (duo)
62
Alto, Piano
62
2 Altos (duo)
43
2 Violoncelles (duo)
40
Trio à Cordes: violon, alto, violoncelle
34
Alto, Violoncelle (duo)
27
Trio à Cordes: 2 violons, violoncelle
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Contrebasse, Piano (duo)
13
Violon (partie séparée)
12
Alto (partie séparée)
12
Contrebasse (partie séparée)
9
Contre Basse
9
Harpe, Voix
6
2 Harpes (duo)
5
Piano Trio: Violon, Alto, Piano
5
Harpe, Flûte (duo)
4
Harpe, Violon (duo)
4
Ensemble de Violons
3
Trio à Cordes: 3 violoncelles
3
2 Contrebasses (duo)
3
Violoncelle (partie séparée)
3
Quatuor à cordes: 4 violons
3
4 Violoncelles
3
Ensemble d'Altos
3
Violon, Guitare (duo)
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
2
Alto et Harpe
2
Violon, Clarinette, Piano (trio)
2
Violoncelle , Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes : 4 altos
2
Violon, Tuba (duo)
1
Violoncelle, Orgue
1
Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
2 Violons, Piano
1
Harpe, Violoncelle (duo)
1
Flûte, Contrebasse (duo)
1
Violon, Basson (duo)
1
Harpe et Piano
1
Alto et Basson
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
514
Orchestre à Cordes
116
Orchestre
97
Ensemble Jazz
64
Batterie
60
Ensemble de cuivres
55
Cloches
40
Jazz combo
31
Orchestre de chambre
23
Marimba
10
Ensemble de Percussions
7
Fanfare
7
Batterie (partie séparée)
7
Percussion (partie séparée)
5
Xylophone, Piano
4
Xylophone
3
Conga
1
Voix Mezzo-Soprano, Orchestre
1
Piano et Orchestre
1
2 Marimbas
1
Bongos
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
+ 18 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
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Matériel de musique
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Profs-edition
Quickpartitions
SheetMusicPlus
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Crtitères actifs :
Some Day
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
8 partitions trouvées
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1
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
#
Noël
#
Wade
#
James M
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O Come All Ye Faithful for Pia
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
Jingle Bells for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
#
Noël
#
James Pierpont
#
James M
#
Jingle Bells for Piano Quartet
#
jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Publishe...
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Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Terry Vosbein
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Parallel Tracks
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Max Frank Music
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Mozart: Romanze from K. 525 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sac...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu...
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Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
Funny Like a Monkey for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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Funny Like a Monkey for piano
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Robert M. Greenberg
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert ...
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Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
Nocturne for Clarinet, Violin, Cello & Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Eugene Astapov
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Nocturne for Clarinet, Violin,
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EAMUSIC
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SheetMusicPlus
Piano Quartet Cello,Piano,Violin - Level 5 - SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. P...
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Piano Quartet Cello,Piano,Violin - Level 5 - SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. Published by EAMUSIC (A0.1283409). Nocturne was inspired by a meteorological phenomenon that is known as “noctilucence†and refers to shining clouds at high altitudes only observable for a short period of time in the summer twilight sky. In Canada we don’t get many summer days, that is why this occurrence is particularly special and beautiful. From the first measures the music evokes the feelings of tranquility and ephemeral elegance. Structurally this piece is almost built after some of Chopin’s Nocturnes which were written in 3-part form and often featured emotional and moving musical material towards the end of the piece. Even though nocturnes are generally meant to depict peaceful night music and my piece certainly opens that way, it does not stay calm and quiet for the duration of the piece because the night, after all, can be full of surprises and mysteries. The music is meant to be played with flair and colour, in a light and improvisatory way. This piece was first premiered at the Intimacy of Creativity Festival in Hong Kong in May 2019 with the assistance from Bright Sheng. Following the Audience Choice vote at the festival, and further revised, the piece was brought to the audiences in Philadelphia at the Curtis Institute of Music featuring musicians from the Curtis 20/21 Ensemble in December 2019.The piece is scored for Clarinet, Violin, Cello and Piano. Duration is approximately 9 minutes.
$20.00
Beethoven - Rondo Op.49 - Piano Quartet Violin, Viola, Cello, Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Tim TK Murray
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tkmurraycomp@aol
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Beethoven - Rondo Op.49 - Pian
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TK
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.823998 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert,Standards. Score...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.823998 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert,Standards. Score and parts. 28 pages. TK (Tim) Murray #4783589. Published by TK (Tim) Murray (A0.823998). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Violin, Viola, Cello, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
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