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PIANO & CLAVIERS
Piano seul
1751
Piano, Voix
1175
Piano, Voix et Guitare
935
Piano Facile
687
Orgue
348
Instruments en Do
129
Piano grosses notes
71
Accompagnement Piano
51
1 Piano, 4 mains
41
Piano Trio: piano, violon, violoncelle
31
Accordéon
20
2 Pianos, 4 mains
18
Piano Quatuor: piano, 2 violons, violoncelle
12
Piano Quatuor: piano, violon, alto, violoncelle
9
Clavecin
7
Piano (partie séparée)
7
Orgue, Piano (duo)
7
Orgue, Trompette (duo)
4
1 Piano, 6 mains
2
Clavier
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Accordéons
1
2 Pianos, 8 mains
1
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GUITARES
Guitare notes et tablatures
286
Basse electrique
249
Guitare
156
Mandoline
121
Ligne De Mélodie, (Paroles) et Accords
79
Ukulele
71
Paroles et Accords
37
2 Guitares (duo)
22
Dulcimer
16
Piano, Guitare (duo)
13
Guitare (partie séparée)
13
Mandoline, Guitare (duo)
10
Banjo
10
Mandoline, Piano (duo)
6
4 Guitares (Quatuor)
5
3 Guitares (trio)
4
Dobro
3
2 Ukuleles
2
Basse électrique (partie séparée)
2
2 Mandolines (duo)
2
Ensemble de guitares
2
Orchestre à Plectres
1
Guitare, Violon, Violoncelle (trio)
1
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VOIX
Chorale SATB
1120
Chorale 3 parties
444
Chorale Unison
406
Chorale 2 parties
403
Chorale TTBB
233
Voix duo, Piano
125
Chorale SSAA
108
Voix duo
67
Voix seule
28
Chorale
27
Voix Soprano, Piano
25
Voix haute
18
Voix moyenne, Piano
16
Voix basse, Piano
10
Voix Alto, Piano
7
Voix Mezzo-Soprano, Piano
7
Chorale SSAATTBB
6
Voix Baryton, Piano
6
Voix Tenor, Piano
6
Chorale SSATTB
4
Chorale SSATB
2
Voix Soprano
2
Voix Tenor
2
Soli, choeur mixte et accompagnement
1
Voix, Guitare
1
Chorale SSAB, Piano
1
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VENTS
2 Saxophones (duo)
568
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
465
Flûte, Hautbois, Clarinette, Basson
374
2 Clarinettes (duo)
246
Saxophone, Clarinette (duo)
246
Flûte traversière et Piano
242
2 Flûtes traversières (duo)
224
Quatuor de Saxophones: 4 saxophones
217
Saxophone (partie séparée)
215
Saxophone Alto et Piano
192
Clarinette
179
Saxophone Tenor et Piano
177
Clarinette et Piano
176
Clarinette, Violon (duo)
167
Hautbois, Basson (duo)
164
Saxophone Soprano et Piano
160
Flûte traversière
154
Hautbois, Piano (duo)
153
Clarinette, Trompette (duo)
147
Quintette de Saxophone: 5 saxophones
136
Saxophone Alto
127
Flûte, Clarinette (duo)
121
2 Hautbois (duo)
105
Quatuor de Clarinettes: 4 clarinettes
101
Hautbois, Clarinette (duo)
89
Saxophone Baryton, Piano
87
Clarinette et Alto
83
Flûte, Saxophone (duo)
82
Flûte, Violon
82
Hautbois (partie séparée)
80
Hautbois, Flûte
73
Flûte, Trompette (duo)
67
Ensemble de saxophones
66
Flûte, Alto (duo)
63
Ensemble de Clarinettes
62
Quatuor de Flûtes : 4 flûtes
55
3 Saxophones (trio)
52
Ensemble de Flûtes
43
2 Flûte à bec (duo)
42
Clarinette (partie séparée)
37
Cor anglais, Piano
29
3 Clarinettes (trio)
29
Quintette de Clarinettes: 5 clarinettes
28
Flûte et Guitare
24
Saxophone Tenor
24
Flûte à bec Soprano
22
Trio de Flûtes: 3 flûtes
21
Quintette de Flûte : 5 flûtes
19
Clarinette Basse, Piano
19
Clarinette, Basson (duo)
16
Flûte à Bec
16
Hautbois, Clarinette, Basson (trio d'anches)
15
Flûte, Clarinette et Basson
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Flute (partie séparée)
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Saxophone Soprano
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Hautbois
11
Clarinette, Guitare (duo)
11
Flûte, Hautbois, Clarinette (trio)
9
Cor Anglais
7
2 Saxophones, Piano
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Flûte à bec Tenor
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Clarinette, Violoncelle (duo)
7
Flûte, Hautbois (duo)
7
Saxophone Baryton
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Clarinette, Trombone (duo)
7
Saxophone et Guitare
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Flûte à bec Alto
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Hautbois, Guitare (duo)
7
Quatuor de Flûtes à bec
6
Flûte, Violon et Violoncelle
6
Harmonica
6
Flûte à bec Alto, Piano
5
Clarinette, Harpe (duo)
5
Flûte, Violoncelle
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Flûte, Basson et Piano
4
Flûte, Violon, Piano
4
Hautbois, violon (duo)
4
Flûte, Hautbois, Basson
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Cor anglais, Guitare (duo)
4
Flute, harpe et violon
4
Saxophone et Orgue
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Flûte à bec Soprano, Piano
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3 Hautbois
3
Saxophone
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Clarinette, Piano (trio)
3
Hautbois, Violoncelle
3
Flûte, Violon, Violoncelle et Piano
3
Piccolo, Piano
3
2 Flûtes traversières, Piano
3
2 Clarinettes, Basson
3
Flûte, Hautbois, Violon
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Harpe
2
Saxophone et Harpe
1
Flûte de Pan
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
5 Flûtes à bec
1
Clarinette, Alto et Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Flûte, alto et harpe
1
Hautbois, Basson et Piano
1
Piccolo
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Flûtes, Basse continue
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Cor anglais et Harpe (duo)
1
Flûte, Trombone (duo)
1
Ocarina
1
2 Clarinettes, Piano
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Cornemuse
1
Flûte traversière, Basse continue
1
Flûte, Alto et Piano
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Flûte irlandaise
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Flûte, Harpe et Violoncelle
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Flûte et Trio à cordes
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Flûte à bec Alto, Basse continue
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Ensemble à vent
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Flûte, Clarinette, Violon (trio)
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Flûte, trombone et piano
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2 Hautbois, 2 Cors et 2 Bassons
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
258
Quatuor de Cuivres : 2 trompettes, trombone, tuba
189
Trombone et Piano
186
Trompette, Saxophone (duo)
177
Trompette
171
Trompette, Piano
148
2 Trombones (duo)
127
Cor et Piano
117
2 Trompettes (duo)
113
Trombone
107
Trompette, Trombone (duo)
94
Quatuor de Cuivres: 2 trompettes, Cor, trombone
77
Trombone (partie séparée)
71
Cor
65
Tuba et Piano
64
Trompette (partie séparée)
63
Quatuor de Cuivres
57
Ensemble de Trompettes
42
Euphonium, Piano (duo)
38
Ensemble de Trombones
35
2 Cors (duo)
30
Cor anglais, Piano
29
Cor (partie séparée)
28
Quatuor de cuivres: 4 trombones
27
Tuba
26
Tuba (partie séparée)
20
Quatuor de cuivres: 4 cors
16
2 Euphoniums (duo)
15
2 Tubas (duo)
14
Trompette, Cor (duo)
13
Trio de Cuivres
9
Cor Anglais
7
2 Euphoniums et 2 Tubas
7
3 Trombones (trio)
7
Quatuor de cuivres: 4 trompettes
6
Trompette, Trombone, Piano
5
3 Trompettes (trio)
4
Euphonium
4
Cor anglais, Guitare (duo)
4
Trompette, violon (duo)
3
Trombone basse et Piano
3
Ensemble de Cors
3
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, Basson (duo)
3
2 Cors Anglais Et Pianoforte
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Tuba et Orgue
2
Trombone, Tuba (duo)
2
Trompette, Euphonium (duo)
1
Cor et Harpe
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
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Cor, Trompette, Trombone (trio)
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Trombone, Orgue
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Bass Clef Instruments
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Trombone, Cor (duo)
1
Cor anglais et Harpe (duo)
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Trompette et Guitare
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Trompette, Harpe
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Euphonium, Tuba (duo)
1
Ensemble de Tubas
1
Cor, Violoncelle (duo)
1
4 Tubas
1
Trombone basse
1
2 Trombones, Piano
1
Cor et Orgue
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
606
Violon et Piano
322
Violon, Violoncelle (duo)
245
Violon
241
Alto, Piano
209
Violoncelle, Piano
208
Harpe
193
2 Violons (duo)
166
2 Violoncelles (duo)
136
Violon, Alto (duo)
130
2 Altos (duo)
119
Violoncelle (partie séparée)
104
Trio à Cordes: violon, alto, violoncelle
101
Trio à Cordes: 2 violons, violoncelle
84
Alto seul
67
Contrebasse, Piano (duo)
59
Violoncelle
51
Quintette à cordes: 2 violons, alto, violoncelle, basse
29
Violon (partie séparée)
28
Contre Basse
26
Alto (partie séparée)
25
Piano Trio: Violon, Alto, Piano
23
Violon, Guitare (duo)
21
4 Violoncelles
20
Contrebasse (partie séparée)
20
Ensemble de Violons
14
Violoncelle , Guitare (duo)
12
2 Harpes (duo)
11
Harpe, Voix
11
Ensemble d'Altos
11
2 Contrebasses (duo)
10
Alto, Violoncelle (duo)
10
Harpe, Flûte (duo)
9
Trio à cordes: 3 violins
6
Trio à Cordes: 3 violoncelles
6
Violoncelle, Contrebasse (duo)
6
Quatuor à cordes: 4 violons
5
Violon, Basson (duo)
4
Alto et Harpe
4
Alto, Guitare (duo)
4
Harpe, Violon (duo)
4
Harpe et mandoline
3
Harpe, Violoncelle (duo)
3
Violoncelle, Orgue
3
2 Violons, Piano
3
Quatuor à cordes : 4 altos
3
Harpe, Violon, Violoncelle
2
Violon, Basse continue
2
Trio à Cordes: 2 violons, alto
2
Autoharp
2
Alto et Basson
2
2 Violoncelles, Piano
2
Harpe et Piano
1
Violon, Orgue
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble de Violoncelles
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Basse continue
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
909
Orchestre
275
Cloches
235
Orchestre à Cordes
176
Ensemble de cuivres
153
Ensemble Jazz
150
Orchestre de chambre
73
Percussion (partie séparée)
28
Fanfare
26
Jazz combo
26
Batterie
24
Batterie (partie séparée)
18
Ensemble de Percussions
12
Ensemble d'École
7
Vibraphone
6
Xylophone, Piano
5
Instrumentation Flexible
2
Quintette de Cuivres: autres combinaisons
2
Marimba
2
Percussion
2
Quintette à Vent
1
2 Marimbas
1
Bongos
1
Xylophone
1
Cajon
1
Caisse Claire
1
Conga
1
Orchestre, Violon
1
Marimba, Piano (duo)
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
8
Théorie de la musique
1
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Son Of Man*
Piano Quatuor: piano, violon, alto, violoncelle
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Luther: Out of the Depths for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed …
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Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
42.76 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Martin Luther
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James M
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Luther: Out of the Depths for Piano Quartet
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jmsgu3
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SheetMusicPlus
Away In A Manger for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arra…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
23.22 €
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Piano Quatuor: piano, violon, alto, violoncelle
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the 1880’s the cradle song was being performed in church
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Mueller
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James M
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Away In A Manger for Piano Quartet
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jmsgu3
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SheetMusicPlus
Funny Like a Monkey for piano quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed …
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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
33.5 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Robert M
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Funny Like a Monkey for piano quartet
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Robert M. Greenberg
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SheetMusicPlus
O Holy Night for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.548706 Composed by Ad…
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Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
37.18 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Adam
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James M
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O Holy Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet, op. 76
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1004716 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 95 pages. Adrian Gagiu #5213345. Published by Adrian Gagiu (A0.1004716). Piano Quartet in F major in neoclassical style, loosely following the general outline of the Baroque sonata and the rhythmical patterns of the Baroque suite. A little manifesto for melody and striving for serenity, as opposed to the esthetics of avant-garde music. After the shock of the first harsh chord, the first movement (Andante molto sostenuto, un poco maestoso) wipes away all tension, in search for a renewed serenity, making use of allemande rhythmic patterns. The second movement (Allegro moderato), a scherzo-sonata form with courante rhythmic formulas and two trios, follows without a break.The third movement (Andante con moto e cantabile) is the emotional core of the composition, starting restrained and sad, with Romanian influences and a sarabande rhythm, but followed miraculously by a grand, ecstatic section.The Finale is a developed, expansive rondo (Allegro non troppo) with subtle Romanian influences, making use of bourrée and gavotte rhythms, plus minuet and gigue in the exalted coda.
$34.99
32.56 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Adrian Gagiu
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Piano Quartet, op. 76
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Adrian Gagiu
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SheetMusicPlus
Silent Night for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548633 Composed by Gruber. Arran…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jmsgu3 (A0.548633). Silent Night for piano quartet. The final verse features a surprise re-harmonization of the melody. Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to accompany the lyrics. The result is probably the most famous Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs or to ensure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and Mohr's name was largely forgotten.  Though the public initially recognized Gruber as the composer, many people began rumors that a more famous composer was responsible over time. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.
$32.95
30.67 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gruber
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James M
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Silent Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Pachelbel: Canon in D for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
43.69 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Piano Quartet
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jmsgu3
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SheetMusicPlus
Jingle Bells for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpon…
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Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
37.18 €
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Piano Quatuor: piano, violon, alto, violoncelle
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arrange…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
23.22 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Wade
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James M
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O Come All Ye Faithful for Piano Quartet
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jmsgu3
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SheetMusicPlus
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