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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Song For No One
Non classifié
764
Piano & claviers
Piano, Voix
408
Piano seul
253
Piano Facile
136
Piano, Voix et Guitare
128
Instruments en Do
57
Accompagnement Piano
44
Orgue
16
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
2
2 Pianos, 4 mains
2
Piano grosses notes
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
41
Guitare
39
Ligne De Mélodie, (Paroles) et Accords
17
Basse electrique
13
Ukulele
8
2 Guitares (duo)
7
Piano, Guitare (duo)
6
Dulcimer
4
Paroles et Accords
3
Mandoline
2
2 Dulcimers (duo)
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
139
Chorale 3 parties
67
Voix seule
46
Chorale TTBB
40
Chorale 2 parties
40
Voix Baryton, Piano
29
Chorale SSAA
19
Chorale Unison
14
Voix haute
10
Voix moyenne, Piano
4
Voix duo, Piano
4
Voix Soprano, Piano
3
Voix Tenor, Piano
1
Voix Tenor
1
Voix Alto, Piano
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
+ 12 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
79
Saxophone Alto et Piano
69
Saxophone Alto
66
2 Saxophones (duo)
62
Saxophone Tenor
51
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
50
Quintette de Saxophone: 5 saxophones
48
Saxophone (partie séparée)
46
Flûte traversière et Piano
38
Saxophone Tenor et Piano
37
Saxophone Soprano et Piano
37
3 Saxophones (trio)
32
Saxophone
30
Clarinette et Piano
29
Quatuor de Clarinettes: 4 clarinettes
28
Saxophone Baryton, Piano
25
Hautbois, Piano (duo)
25
Flûte, Hautbois, Clarinette, Basson
24
Saxophone, Clarinette (duo)
20
Clarinette
16
2 Flûtes traversières (duo)
16
2 Clarinettes (duo)
15
Clarinette, Violon (duo)
14
Flûte, Clarinette (duo)
13
Flûte traversière
13
Cor anglais, Piano
10
Clarinette, Trompette (duo)
10
Hautbois, Basson (duo)
9
Quintette de Clarinettes: 5 clarinettes
9
Quatuor de Flûtes : 4 flûtes
9
Hautbois, Clarinette (duo)
8
Flûte, Saxophone (duo)
7
Ensemble de Clarinettes
7
Clarinette et Alto
7
Clarinette Basse, Piano
7
Hautbois (partie séparée)
7
3 Clarinettes (trio)
7
Flûte, Violon
7
Quintette de Flûte : 5 flûtes
6
Ensemble de saxophones
6
Flûte, Hautbois, Clarinette (trio)
6
Hautbois, Flûte
6
Ocarina
5
Flûte, Alto (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Trompette (duo)
4
2 Hautbois (duo)
4
Ensemble de Flûtes
3
Flûte, Violon, Piano
3
Cor Anglais
3
Clarinette, Guitare (duo)
3
Flûte et Guitare
3
Clarinette, Harpe (duo)
2
Clarinette (partie séparée)
2
Flûte irlandaise
2
Flûte à bec Soprano
2
Saxophone Soprano
2
Clarinette, Violoncelle (duo)
2
3 Hautbois
2
Hautbois, Violoncelle
1
Saxophone et violoncelle
1
Harmonica
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Ensemble de Hautbois
1
Trio de Flûtes: 3 flûtes
1
Ensemble De Flûte à bec
1
Flûte, Hautbois (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Violoncelle
1
Flûte à bec Alto, Piano
1
Saxophone, Basson (duo)
1
Piccolo, Piano
1
Hautbois et alto (duo)
1
+ 69 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
131
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Trombone et Piano
64
Trombone
43
Cor et Piano
22
Trompette
21
Quatuor de cuivres: 4 trombones
20
Trompette, Trombone (duo)
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de Cuivres
18
Trombone (partie séparée)
16
Trompette, Piano
16
Euphonium, Piano (duo)
16
Trompette, Saxophone (duo)
15
Cor anglais, Piano
10
2 Trombones (duo)
10
Ensemble de Trombones
6
Tuba et Piano
6
2 Trompettes (duo)
5
Trompette, Cor (duo)
4
Tuba
4
2 Cors (duo)
3
Cor Anglais
3
Tuba et Orgue
3
Cor
3
Trombone basse
2
Quatuor de cuivres: 4 cors
2
Ensemble de Trompettes
2
Trompette (partie séparée)
2
Trio de Cuivres
2
Trombone basse et Piano
2
3 Trombones (trio)
1
Cor, Violoncelle (duo)
1
Euphonium, Tuba (duo)
1
Trombone, Cor (duo)
1
Ensemble de Tubas
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Euphonium
1
4 Tubas
1
Trompette, Tuba (duo)
1
2 Tubas (duo)
1
+ 36 instrumentations
Retracter
Cordes
Harpe
121
Quatuor à cordes: 2 violons, alto, violoncelle
113
Violon et Piano
57
Violon
54
Violoncelle, Piano
51
Violoncelle
37
Alto, Piano
30
Violon, Violoncelle (duo)
23
Trio à Cordes: 2 violons, violoncelle
19
Trio à Cordes: violon, alto, violoncelle
18
Violon, Alto (duo)
15
2 Violons (duo)
14
Alto seul
10
2 Violoncelles (duo)
8
4 Violoncelles
6
2 Altos (duo)
5
Harpe, Voix
5
Piano Trio: Violon, Alto, Piano
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon (partie séparée)
3
2 Harpes (duo)
3
5 Harpes
2
Ensemble de Violons
2
3 Harpes
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 altos
2
4 Contrebasses
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Contre Basse
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto (partie séparée)
1
Trio à cordes: 3 violins
1
Contrebasse, Piano (duo)
1
Contrebasse (partie séparée)
1
Quatuor à cordes : 4 altos
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
101
Ensemble de cuivres
71
Orchestre
56
Orchestre à Cordes
46
Batterie
26
Ensemble Jazz
26
Orchestre de chambre
15
Jazz combo
6
Cloches
3
Fanfare
2
Marimba
2
Ensemble de Percussions
2
Percussion (partie séparée)
2
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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Vous avez sélectionné:
Song For No One
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
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O Holy Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Adam
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James M
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O Holy Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #341156...
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Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
Jingle Bells for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Publishe...
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Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
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Song For No One
