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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That's The Way It Is
Non classifié
1 105
Piano & claviers
Piano seul
523
Piano, Voix
227
Piano Facile
148
Piano, Voix et Guitare
124
Instruments en Do
112
Orgue
27
Piano Trio: piano, violon, violoncelle
17
Piano Quatuor: piano, violon, alto, violoncelle
7
1 Piano, 4 mains
7
Piano (partie séparée)
6
2 Pianos, 4 mains
5
Accompagnement Piano
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
1
Accordéon
1
Piano grosses notes
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
67
Guitare
66
Ligne De Mélodie, (Paroles) et Accords
11
Ukulele
11
Guitare (partie séparée)
10
2 Guitares (duo)
7
Basse electrique
5
4 Guitares (Quatuor)
3
3 Guitares (trio)
2
Banjo
2
Paroles et Accords
1
Dulcimer
1
Mandoline
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
238
Chorale 3 parties
79
Voix Soprano, Piano
53
Chorale 2 parties
47
Chorale TTBB
42
Voix Alto, Piano
38
Chorale Unison
30
Voix Tenor, Piano
29
Chorale SSAA
23
Voix duo
8
Voix duo, Piano
7
Voix basse, Piano
3
Voix Tenor
2
Voix Baryton, Piano
2
Voix haute
2
Chorale SSATTB
1
Chorale SSATB
1
Chorale
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
93
Flûte traversière et Piano
76
Hautbois, Piano (duo)
70
Clarinette et Piano
64
Quatuor de Saxophones: 4 saxophones
62
Flûte traversière
60
Saxophone Alto
59
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Saxophone Alto et Piano
53
2 Flûtes traversières (duo)
48
Saxophone Tenor et Piano
48
Flûte, Hautbois, Clarinette, Basson
40
Saxophone (partie séparée)
40
Saxophone Soprano et Piano
39
Clarinette
37
2 Clarinettes (duo)
37
Quintette de Saxophone: 5 saxophones
35
Hautbois (partie séparée)
33
Saxophone Baryton, Piano
29
Quatuor de Clarinettes: 4 clarinettes
26
Saxophone Tenor
21
Saxophone, Clarinette (duo)
21
Clarinette, Violon (duo)
20
2 Hautbois (duo)
19
Cor anglais, Piano
18
Flûte, Clarinette (duo)
17
3 Saxophones (trio)
16
Quatuor de Flûtes : 4 flûtes
16
Flûte à bec Soprano
16
Ensemble de Clarinettes
15
Ensemble de Flûtes
15
Clarinette Basse, Piano
14
Saxophone Soprano
11
Hautbois, Basson (duo)
10
Hautbois
10
Clarinette, Trompette (duo)
10
Flûte, Violon, Piano
10
Clarinette et Alto
10
Flûte, Violon
10
Hautbois, Clarinette (duo)
10
Flute (partie séparée)
9
Flûte et Guitare
9
Flûte, Alto (duo)
9
Clarinette, Basson (duo)
9
Saxophone Baryton
8
Clarinette (partie séparée)
8
Flûte à Bec
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte irlandaise
7
Hautbois, Flûte
6
Flûte, Basson et Piano
6
Ensemble de saxophones
6
Flûte, Saxophone (duo)
6
Flûte, Trompette (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Hautbois (duo)
5
Quintette de Clarinettes: 5 clarinettes
4
2 Flûte à bec (duo)
4
Quintette de Flûte : 5 flûtes
4
Clarinette, Violoncelle (duo)
4
Hautbois, Guitare (duo)
4
Quatuor de Flûtes à bec
3
Hautbois, Violoncelle
3
Flûte à bec Alto, Piano
3
Flûte, Violoncelle
3
Trio de Flûtes: 3 flûtes
3
2 Clarinettes, Piano
3
Hautbois, violon (duo)
3
Clarinette, Guitare (duo)
3
3 Clarinettes (trio)
3
Flûte à bec Tenor
3
2 Saxophones, Piano
2
Piccolo, Piano
2
Saxophone
2
Hautbois et alto (duo)
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Harpe (duo)
1
Clarinette Basse
1
Flûte, Clarinette et Basson
1
Cor Anglais
1
Ocarina
1
Clarinette, Trombone (duo)
1
Flûte à Bec, Piano
1
Flûte, Violon et Violoncelle
1
Cor anglais, Guitare (duo)
1
2 Flûtes traversières, Piano
1
3 Flûtes à bec (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Cor anglais et Harpe (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Alto
1
Saxophone et Orgue
1
Flûte, Hautbois, Basson
1
Flûte et Trio à cordes
1
+ 91 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
91
Cor et Piano
53
Trombone et Piano
47
Trompette
47
Trompette, Piano
45
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
Trombone
36
Cor
34
Tuba et Piano
27
Tuba
26
Trombone (partie séparée)
25
Trompette (partie séparée)
25
Euphonium, Piano (duo)
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
2 Trompettes (duo)
22
2 Trombones (duo)
21
Trompette, Trombone (duo)
19
Cor anglais, Piano
18
Trompette, Saxophone (duo)
14
2 Cors (duo)
13
Quatuor de cuivres: 4 trombones
8
Cor (partie séparée)
6
Quatuor de cuivres: 4 cors
6
2 Tubas (duo)
5
Ensemble de Trompettes
5
Quatuor de cuivres: 4 trompettes
4
Tuba (partie séparée)
4
Trompette, Cor (duo)
3
Ensemble de Trombones
3
3 Tubas (trio)
2
3 Trombones (trio)
2
3 Cors (trio)
2
Quatuor de Cuivres
2
Ensemble de Cors
2
Trio de Cuivres
2
Tuba et Orgue
2
Trompette, Basson (duo)
1
Ensemble de Tubas
1
Cor Anglais
1
Trompette et Guitare
1
Trompette, Violoncelle (duo)
1
Cor, Violoncelle (duo)
1
Cor anglais, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Bass Clef Instruments
1
4 Tubas
1
Trombone basse
1
Cor et Basson (duo)
1
2 Euphoniums et 2 Tubas
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
301
Violon
180
Violon, Violoncelle (duo)
166
Trio à Cordes: violon, alto, violoncelle
136
Violon et Piano
84
Alto, Piano
66
Violoncelle, Piano
66
Violoncelle
48
Quintette à cordes: 2 violons, alto, violoncelle, basse
41
Alto seul
35
2 Violons (duo)
29
Trio à Cordes: 2 violons, violoncelle
25
2 Violoncelles (duo)
24
2 Altos (duo)
23
Harpe
23
Violon, Alto (duo)
22
Contrebasse, Piano (duo)
20
Contre Basse
14
Alto (partie séparée)
10
Contrebasse (partie séparée)
7
Trio à Cordes: 3 violoncelles
6
Alto, Violoncelle (duo)
6
Violon, Guitare (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Contrebasses (duo)
4
4 Violoncelles
4
Violon (partie séparée)
4
Piano Trio: Violon, Alto, Piano
4
Trio à cordes: 3 violins
4
2 Harpes (duo)
3
Quatuor à cordes: 4 violons
3
Violon, Clarinette, Piano (trio)
3
Harpe, Voix
3
Violon, Basson (duo)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto et Basson
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
Violoncelle (partie séparée)
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 altos
1
Ensemble d'Altos
1
Ensemble de Violons
1
Trio à Cordes: 2 violons, alto
1
Alto et Harpe
1
Ensemble de Violoncelles
1
Violoncelle, Orchestre
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
263
Orchestre à Cordes
136
Orchestre
98
Ensemble Jazz
59
Orchestre de chambre
36
Ensemble de cuivres
35
Cloches
19
Jazz combo
13
Fanfare
6
Batterie (partie séparée)
5
Ensemble de Percussions
4
Percussion (partie séparée)
3
Ensemble d'École
3
Xylophone, Piano
3
Marimba
2
Piano et Orchestre
1
Vibraphone
1
2 Xylophones
1
Vibraphone et Marimba
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
That's The Way It Is
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
7 partitions trouvées
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1
Luther: Out of the Depths for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
Away In A Manger for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger for Piano Qua
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Funny Like a Monkey for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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Funny Like a Monkey for piano
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Robert M. Greenberg
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert ...
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Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
Nocturne for Clarinet, Violin, Cello & Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Eugene Astapov
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Nocturne for Clarinet, Violin,
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EAMUSIC
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SheetMusicPlus
Piano Quartet Cello,Piano,Violin - Level 5 - SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. P...
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Piano Quartet Cello,Piano,Violin - Level 5 - SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. Published by EAMUSIC (A0.1283409). Nocturne was inspired by a meteorological phenomenon that is known as “noctilucence†and refers to shining clouds at high altitudes only observable for a short period of time in the summer twilight sky. In Canada we don’t get many summer days, that is why this occurrence is particularly special and beautiful. From the first measures the music evokes the feelings of tranquility and ephemeral elegance. Structurally this piece is almost built after some of Chopin’s Nocturnes which were written in 3-part form and often featured emotional and moving musical material towards the end of the piece. Even though nocturnes are generally meant to depict peaceful night music and my piece certainly opens that way, it does not stay calm and quiet for the duration of the piece because the night, after all, can be full of surprises and mysteries. The music is meant to be played with flair and colour, in a light and improvisatory way. This piece was first premiered at the Intimacy of Creativity Festival in Hong Kong in May 2019 with the assistance from Bright Sheng. Following the Audience Choice vote at the festival, and further revised, the piece was brought to the audiences in Philadelphia at the Curtis Institute of Music featuring musicians from the Curtis 20/21 Ensemble in December 2019.The piece is scored for Clarinet, Violin, Cello and Piano. Duration is approximately 9 minutes.
$20.00
Pachelbel: Canon in D for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
Mussorgsky: Pictures at an Exhibition for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549937 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standar...
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Piano Quartet - Level 4 - SKU: A0.549937 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standards. 208 pages. Jmsgu3 #4317807. Published by jmsgu3 (A0.549937). Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри) Score: 103 pages, 924 measures, duration: 34:30. Contents:  Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)    Allegretto non troppo, capriccioso  4. BYDLO (Cattle) Sempre moderato pesante  Promenade 4 Tranquillo  5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²   Scherzino  6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир Andante  Promenade 5 Allegro giusto, nel modo russico, poco sostenuto  7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)     Allegretto vivo, sempre scherzando  8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo     CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)     Andante non troppo, con lamento  9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле    Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezzaMussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$52.95
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