English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That\\\'s Life
Non classifié
900
Piano & claviers
Piano seul
513
Piano, Voix
314
Piano Facile
195
Piano, Voix et Guitare
166
Instruments en Do
98
Orgue
23
Accompagnement Piano
21
Piano Trio: piano, violon, violoncelle
17
1 Piano, 4 mains
14
2 Pianos, 4 mains
12
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano (partie séparée)
2
Piano grosses notes
1
2 Pianos, 8 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare
27
Guitare notes et tablatures
25
Ligne De Mélodie, (Paroles) et Accords
18
2 Guitares (duo)
7
Basse electrique
6
Ukulele
4
Guitare (partie séparée)
3
Mandoline
2
Banjo
1
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Mandoline, Piano (duo)
1
Paroles et Accords
1
Dulcimer
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
376
Chorale 3 parties
81
Chorale TTBB
57
Chorale SSAA
51
Chorale 2 parties
44
Voix Alto, Piano
41
Voix Soprano, Piano
40
Chorale Unison
36
Voix Baryton, Piano
33
Voix Tenor, Piano
30
Voix duo, Piano
14
Voix duo
4
Voix moyenne, Piano
3
Voix Tenor
3
Voix haute
3
Chorale SSAATTBB
2
Soli, choeur mixte et accompagnement
2
Voix basse
1
Chorale SSATB
1
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix seule
1
+ 17 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
116
Quintette de Saxophone: 5 saxophones
91
Hautbois, Piano (duo)
84
Flûte traversière et Piano
74
2 Saxophones (duo)
72
Quatuor de Saxophones: 4 saxophones
69
Clarinette et Piano
69
Clarinette
52
2 Flûtes traversières (duo)
50
Flûte, Hautbois, Clarinette, Basson
47
Flûte traversière
46
Saxophone Alto et Piano
44
Saxophone Tenor et Piano
41
Hautbois (partie séparée)
39
Flûte, Violon, Piano
38
Saxophone Alto
37
Saxophone (partie séparée)
32
Saxophone Soprano et Piano
29
Saxophone Baryton, Piano
26
Hautbois, Basson (duo)
25
2 Clarinettes (duo)
23
Quintette de Clarinettes: 5 clarinettes
19
Quatuor de Clarinettes: 4 clarinettes
19
Saxophone Tenor
15
2 Hautbois (duo)
15
Cor anglais, Piano
15
Hautbois
14
Flûte, Clarinette (duo)
14
Ensemble de Clarinettes
12
Clarinette, Violoncelle (duo)
12
Clarinette, Basson (duo)
12
Quintette de Flûte : 5 flûtes
11
Flûte, Violoncelle
10
Clarinette Basse, Piano
9
Ensemble de Flûtes
7
Flûte à bec Soprano
7
Flûte, Basson et Piano
7
2 Flûte à bec (duo)
7
Clarinette, Violon (duo)
7
Hautbois, Violoncelle
7
3 Clarinettes (trio)
7
Quatuor de Flûtes : 4 flûtes
6
Flûte, Violon
6
Flûte, Alto (duo)
5
Saxophone Soprano
4
Saxophone Baryton
4
Quatuor de Flûtes à bec
4
Hautbois, Clarinette (duo)
4
Flûte, Hautbois (duo)
3
Flûte à Bec
3
Flûte et Guitare
3
Flûte à bec Tenor
3
Clarinette (partie séparée)
3
Flûte, Hautbois, Clarinette (trio)
3
Piccolo, Piano
3
Saxophone, Clarinette (duo)
3
Flûte, Hautbois, Basson
3
Clarinette et Alto
3
Clarinette, Trompette (duo)
2
Flute (partie séparée)
2
Flûte à bec Alto
2
Ensemble De Flûte à bec
2
2 Saxophones, Piano
2
Hautbois et alto (duo)
2
Hautbois, Flûte
2
Ensemble de saxophones
2
Hautbois, Clarinette, Basson (trio d'anches)
2
3 Saxophones (trio)
2
Flûte, Trompette (duo)
1
Flûte à bec Alto, Piano
1
Flûte à bec Alto, Basse continue
1
Flûte, Clarinette et Basson
1
Flûte à bec Soprano, Piano
1
Saxophone et Orgue
1
Hautbois, violon (duo)
1
Flûte irlandaise
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette, Piano (trio)
1
+ 73 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
77
Trombone et Piano
65
Trompette
64
Cor et Piano
53
Trompette, Piano
42
Quatuor de Cuivres : 2 trompettes, trombone, tuba
41
Trombone
40
Tuba et Piano
39
Tuba
35
Cor
33
Euphonium, Piano (duo)
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trombone (partie séparée)
20
Trompette (partie séparée)
18
2 Trombones (duo)
18
2 Cors (duo)
17
2 Trompettes (duo)
17
Cor anglais, Piano
15
Trompette, Trombone (duo)
12
Quatuor de Cuivres
11
2 Tubas (duo)
8
Ensemble de Trombones
5
Trompette, Basson (duo)
5
Trompette, Cor (duo)
5
Ensemble de Trompettes
4
Trio de Cuivres
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor (partie séparée)
3
Trompette, Violoncelle (duo)
3
Cor, Violoncelle (duo)
3
Tuba (partie séparée)
2
Euphonium
2
Tuba et Orgue
2
Trompette, Saxophone (duo)
2
Ensemble de Cors
2
Cor et Basson (duo)
2
Bass Clef Instruments
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
4 Tubas
1
2 Euphoniums et 2 Tubas
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
143
Violon et Piano
99
Alto, Piano
78
Violoncelle, Piano
77
Violon
65
Violoncelle
51
Alto seul
37
Trio à Cordes: violon, alto, violoncelle
34
Violon, Violoncelle (duo)
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
2 Violons (duo)
29
2 Violoncelles (duo)
24
Contrebasse, Piano (duo)
23
Contre Basse
19
2 Altos (duo)
18
Violon, Alto (duo)
15
2 Harpes (duo)
12
Alto (partie séparée)
12
Trio à Cordes: 2 violons, violoncelle
11
Harpe
10
2 Contrebasses (duo)
9
Piano Trio: Violon, Alto, Piano
9
Ensemble de Violons
6
Violon, Basson (duo)
5
Ensemble d'Altos
5
Violon (partie séparée)
5
Contrebasse (partie séparée)
4
Harpe, Voix
4
Trio à Cordes: 3 violoncelles
3
Alto, Violoncelle (duo)
3
Violon, Clarinette, Piano (trio)
3
Alto et Basson
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
4 Violoncelles
2
Violoncelle, Basse continue
2
Trio à cordes: 3 violins
2
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Harpe, Violon, Violoncelle
1
2 Violons, Piano
1
Trio à Cordes: 2 violons, alto
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
302
Orchestre
93
Orchestre à Cordes
55
Ensemble Jazz
28
Orchestre de chambre
24
Ensemble de cuivres
18
Cloches
16
Jazz combo
12
Batterie
5
Marimba
5
Fanfare
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Ensemble de Percussions
3
Batterie (partie séparée)
2
Percussion (partie séparée)
2
Xylophone, Piano
2
Vibraphone et Marimba
1
Orchestre, Violon
1
Xylophone
1
+ 14 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
1
Partitions Numériques
5
Librairie Musicale
0
Matériel de Musique
480
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
That\\\'s Life
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
5 partitions trouvées
<
1
Fauré: Élégie Op. 24 for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 4 - Digital Download SKU: A0.549720 Composed by Gabriel Faure…
(+)
Piano Quartet - Level 4 - Digital Download SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
39.53 €
#
Piano Quatuor: piano, violon, alto, violoncelle
#
Gabriel Faure
#
James M
#
Fauré: Élégie Op. 24 for Piano Quartet
#
jmsgu3
#
SheetMusicPlus
Mozart: Romanze from K. 525 for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed …
(+)
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
18.36 €
#
Piano Quatuor: piano, violon, alto, violoncelle
#
Wolfgang Amadeus Mozart
#
James M
#
Mozart: Romanze from K. 525 for Piano Quartet
#
jmsgu3
#
SheetMusicPlus
Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
(+)
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.4 €
#
Piano Quatuor: piano, violon, alto, violoncelle
#
Terry Vosbein
#
Parallel Tracks
#
Max Frank Music
#
SheetMusicPlus
Luther: Out of the Depths for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed …
(+)
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
42.29 €
#
Piano Quatuor: piano, violon, alto, violoncelle
#
Martin Luther
#
James M
#
Luther: Out of the Depths for Piano Quartet
#
jmsgu3
#
SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. …
(+)
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.96 €
#
Piano Quatuor: piano, violon, alto, violoncelle
#
Traditional
#
James M
#
The First Noel for Piano Quartet
#
jmsgu3
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
