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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s It! - Bass
Non classifié
3 189
Piano & claviers
Piano seul
2 229
Piano, Voix
923
Piano Facile
641
Piano, Voix et Guitare
594
Instruments en Do
349
Orgue
140
Accompagnement Piano
78
Piano Trio: piano, violon, violoncelle
48
Piano (partie séparée)
45
1 Piano, 4 mains
43
2 Pianos, 4 mains
16
Piano Quatuor: piano, violon, alto, violoncelle
15
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Piano grosses notes
7
Clavecin
5
Accordéon
5
Piano Quatuor: piano, 2 violons, violoncelle
4
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
1
+ 15 instrumentations
Retracter
Guitares
Guitare
221
Guitare notes et tablatures
204
Ligne De Mélodie, (Paroles) et Accords
98
Guitare (partie séparée)
94
Ukulele
58
2 Guitares (duo)
36
Paroles et Accords
19
Piano, Guitare (duo)
15
Banjo
12
Dulcimer
10
4 Guitares (Quatuor)
10
3 Guitares (trio)
10
Mandoline
8
Ensemble de guitares
3
Mandoline, Guitare (duo)
2
Mandoline, Piano (duo)
2
Dobro
1
Guitare, Violon, Violoncelle (trio)
1
2 Ukuleles
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
965
Chorale 3 parties
321
Chorale 2 parties
216
Chorale TTBB
178
Chorale Unison
118
Voix Soprano, Piano
114
Chorale SSAA
87
Voix Tenor, Piano
85
Voix Alto, Piano
81
Voix Baryton, Piano
42
Voix duo, Piano
20
Voix duo
16
Voix haute
12
Voix seule
7
Voix moyenne, Piano
6
Voix Tenor
3
Voix Soprano
3
Chorale SSAATTBB
2
Soli, choeur mixte et accompagnement
2
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Chorale SSATB
1
Chorale SATBB
1
Chorale
1
+ 19 instrumentations
Retracter
Vents
Saxophone (partie séparée)
382
Quatuor de Saxophones: 4 saxophones
382
2 Saxophones (duo)
323
Flûte traversière et Piano
284
Clarinette et Piano
268
Hautbois, Piano (duo)
232
Saxophone Alto et Piano
227
Quintette de Saxophone: 5 saxophones
226
2 Flûtes traversières (duo)
200
Flûte traversière
194
Saxophone Alto
187
Hautbois (partie séparée)
158
Saxophone Tenor et Piano
154
Clarinette
154
Saxophone Soprano et Piano
140
2 Clarinettes (duo)
113
Saxophone Tenor
105
Ensemble de saxophones
104
Saxophone Baryton, Piano
94
Flûte irlandaise
80
Clarinette, Violon (duo)
67
Saxophone, Clarinette (duo)
65
2 Hautbois (duo)
59
Flûte, Clarinette (duo)
59
3 Saxophones (trio)
57
Quatuor de Flûtes : 4 flûtes
57
Cor anglais, Piano
56
Ensemble de Clarinettes
52
2 Flûte à bec (duo)
52
Flute (partie séparée)
50
Clarinette, Trompette (duo)
49
Quatuor de Clarinettes: 4 clarinettes
46
Clarinette (partie séparée)
42
Quintette de Flûte : 5 flûtes
38
Hautbois, Clarinette (duo)
36
Flûte, Violon
35
Saxophone Soprano
34
Clarinette et Alto
34
Hautbois
34
Flûte, Alto (duo)
32
Flûte à bec Soprano
29
Flûte et Guitare
28
Flûte, Saxophone (duo)
27
Flûte, Trompette (duo)
21
Hautbois, Flûte
19
Saxophone Baryton
18
Flûte, Hautbois, Clarinette (trio)
18
Flûte, Hautbois (duo)
18
Flûte, Violoncelle
17
Flûte, Violon, Piano
16
Trio de Flûtes: 3 flûtes
16
Ensemble de Flûtes
16
3 Clarinettes (trio)
16
Clarinette, Violoncelle (duo)
15
Clarinette, Guitare (duo)
15
Flûte à Bec
14
Hautbois, violon (duo)
13
Hautbois, Violoncelle
12
Quatuor de Flûtes à bec
12
Flûte, Trombone (duo)
11
5 Flûtes à bec
11
Clarinette, Trombone (duo)
11
Quintette de Clarinettes: 5 clarinettes
10
Harmonica
9
Flûte à bec Soprano, Piano
7
Saxophone
6
Flûte à bec Alto
6
Hautbois, Guitare (duo)
6
3 Flûtes à bec (trio)
6
2 Flûtes traversières, Piano
5
Flûte, Hautbois, Piano (trio)
4
Flûte à bec Alto, Piano
4
Piccolo, Piano
4
Flûte et Trio à cordes
3
Flûte à bec Tenor
3
Flûte, Clarinette, Piano (trio)
3
Ocarina
3
Cor Anglais
3
Cornemuse
3
2 Saxophones, Piano
3
Hautbois et alto (duo)
3
Flûte, Violon et Violoncelle
2
3 Hautbois
2
Saxophone et Harpe
2
Ensemble De Flûte à bec
2
2 Clarinettes, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Harpe (duo)
2
Hautbois, Harpe
2
Saxophone et Guitare
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Alto et Piano
1
Flûte, trombone et piano
1
Piccolo
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Flute, harpe et violon
1
Saxophone et Orgue
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
440
Trombone (partie séparée)
265
Quatuor de Cuivres : 2 trompettes, trombone, tuba
248
Trompette (partie séparée)
233
Trompette
211
Trompette, Piano
197
Trombone et Piano
192
Cor et Piano
181
Quatuor de Cuivres: 2 trompettes, Cor, trombone
137
Trombone
131
Cor
128
Tuba et Piano
103
Tuba
101
2 Trompettes (duo)
83
2 Trombones (duo)
69
Ensemble de Trompettes
63
Euphonium, Piano (duo)
60
Quatuor de Cuivres
59
Cor anglais, Piano
56
Cor (partie séparée)
49
Trompette, Saxophone (duo)
47
Trompette, Trombone (duo)
46
Ensemble de Trombones
45
Tuba (partie séparée)
42
2 Cors (duo)
34
Quatuor de cuivres: 4 trombones
23
Quatuor de cuivres: 4 cors
15
Quatuor de cuivres: 4 trompettes
13
2 Tubas (duo)
12
2 Euphoniums (duo)
12
Ensemble de Cors
11
Trompette, Cor (duo)
10
4 Tubas
10
Trio de Cuivres
8
Cor, Violoncelle (duo)
6
Tuba et Orgue
6
3 Trombones (trio)
6
3 Cors (trio)
5
3 Tubas (trio)
5
Euphonium
4
Trombone, Cor (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Euphoniums et 2 Tubas
3
Cor Anglais
3
3 Trompettes (trio)
3
Trompette, Violoncelle (duo)
2
Trompette, Violoncelle et Piano
1
Euphonium, Tuba (duo)
1
Cor et Harpe
1
Trompette et Guitare
1
Ensemble de Tubas
1
Tuba ou Euphonium ou Saxhorn
1
Trompette, Tuba (duo)
1
3 Euphoniums
1
+ 49 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
752
Violon et Piano
337
Violon
292
Violoncelle, Piano
255
Violoncelle
248
Alto, Piano
241
Violon, Violoncelle (duo)
192
Alto seul
129
2 Violons (duo)
108
Trio à Cordes: violon, alto, violoncelle
104
Harpe
102
Trio à Cordes: 2 violons, violoncelle
97
2 Violoncelles (duo)
91
Violon, Alto (duo)
77
2 Altos (duo)
76
Alto (partie séparée)
70
Violon (partie séparée)
62
2 Harpes (duo)
56
Alto, Violoncelle (duo)
26
Ensemble de Violons
24
Ensemble d'Altos
23
4 Violoncelles
17
Violoncelle (partie séparée)
14
Trio à Cordes: 3 violoncelles
14
Trio à cordes: 3 violins
12
Quatuor à cordes: 4 violons
11
Quatuor à cordes : 4 altos
9
Piano Trio: Violon, Alto, Piano
9
Harpe, Flûte (duo)
8
Violon, Guitare (duo)
8
Trio à cordes: 3 altos
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Violoncelle , Guitare (duo)
7
Violon, Clarinette, Piano (trio)
3
Harpe, Trombone (duo)
3
Harpe, Violon (duo)
3
Harpe, Voix
3
Violoncelle, Orgue
2
Alto et Harpe
2
Ensemble de Violoncelles
2
Harpe, Violon, Violoncelle
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violoncelle (duo)
1
Violon, Orgue
1
Harpe et Piano
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
894
Orchestre
280
Orchestre à Cordes
221
Ensemble Jazz
194
Ensemble de cuivres
135
Fanfare
90
Cloches
75
Orchestre de chambre
69
Batterie (partie séparée)
50
Percussion (partie séparée)
26
Jazz combo
26
Ensemble de Percussions
25
Batterie
16
Marimba
13
Xylophone, Piano
12
Vibraphone
5
Xylophone
3
Quintette de Cuivres: autres combinaisons
3
Percussion
3
Orchestre, Violon
3
2 Xylophones
2
Bodhran
1
Xylophone ou Marimba ou Vibraphone
1
Vibraphone et Marimba
1
Timbales (partie séparée)
1
+ 20 instrumentations
Retracter
Autres
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
That\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s It! - Bass
Piano Quatuor: piano, violon, alto, violoncelle
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1
Nocturne for Clarinet, Violin, Cello & Piano
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Compo…
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Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. Published by EAMUSIC (A0.1283409). Nocturne was inspired by a meteorological phenomenon that is known as “noctilucence†and refers to shining clouds at high altitudes only observable for a short period of time in the summer twilight sky. In Canada we don’t get many summer days, that is why this occurrence is particularly special and beautiful. From the first measures the music evokes the feelings of tranquility and ephemeral elegance. Structurally this piece is almost built after some of Chopin’s Nocturnes which were written in 3-part form and often featured emotional and moving musical material towards the end of the piece. Even though nocturnes are generally meant to depict peaceful night music and my piece certainly opens that way, it does not stay calm and quiet for the duration of the piece because the night, after all, can be full of surprises and mysteries. The music is meant to be played with flair and colour, in a light and improvisatory way. This piece was first premiered at the Intimacy of Creativity Festival in Hong Kong in May 2019 with the assistance from Bright Sheng. Following the Audience Choice vote at the festival, and further revised, the piece was brought to the audiences in Philadelphia at the Curtis Institute of Music featuring musicians from the Curtis 20/21 Ensemble in December 2019.The piece is scored for Clarinet, Violin, Cello and Piano. Duration is approximately 9 minutes.
$20.00
18.35 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Eugene Astapov
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Nocturne for Clarinet, Violin, Cello & Piano
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EAMUSIC
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SheetMusicPlus
Jingle Bells for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpon…
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Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
36.66 €
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Piano Quatuor: piano, violon, alto, violoncelle
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Fauré: Sicilienne for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 4 - Digital Download SKU: A0.549058 Composed by Gabriel Faure…
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Piano Quartet - Level 4 - Digital Download SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 21 pages. Jmsgu3 #3449745. Published by jmsgu3 (A0.549058). Gabriel Fauré: Sicilienne Op. 78. Nice recital encore piece. It is very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity. Significant Aspects of Faure's Sicilienne Gabriel Fauré's Sicilienne, Op. 78 is significant due to its history, influence, and musical characteristics. Historical Significance The piece was initially composed in 1893 as part of incidental music for a theatrical production that was later abandoned. Fauré reused the Sicilienne in 1898 when he wrote incidental music for the English translation of Maeterlinck's play Pelléas et Mélisande. This piece was later extracted and formed into an orchestral suite for concerts, known as the Pelléas et Mélisande Suite, Op. 80. Influence and Popularity Fauré's harmonic richness and melodic innovations in the Sicilienne influenced other composers. The Sicilienne is the most famous piece from the Pelléas et Mélisande Suite and is frequently played by significant orchestras today. Musical Characteristics The piece is known for its conversational style for both cello and piano, and it exhibits chromatic movement to evoke a Renaissance aesthetic with the Sicilienne dance. It is also more complex than the typical song in terms of chords and melody, with above-average scores in chord and melodic complexity. In conclusion, Faure's Sicilienne is significant due to its historical background, influence on other composers, and unique musical characteristics. Dance and Fabric The term Sicilienne is derived from the French word Sicilienne, which means Sicilian. It is associated with a dance called the Siciliana and a kind of rich poplin fabric. Musical Style Sicilienne refers to a musical style or genre often included as a movement within more significant pieces of music, starting in the Baroque period. It is associated with a pastoral mood and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale.
$43.95
40.33 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gabriel Faure
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James M
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Fauré: Sicilienne for Piano Quartet
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jmsgu3
#
SheetMusicPlus
Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.34 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Funny Like a Monkey for piano quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed …
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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
33.04 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Robert M
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Funny Like a Monkey for piano quartet
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Robert M. Greenberg
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SheetMusicPlus
Luther: Out of the Depths for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed …
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Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
42.17 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Martin Luther
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James M
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Luther: Out of the Depths for Piano Quartet
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jmsgu3
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SheetMusicPlus
The Swan (C. Saint-Saëns) - String quartet with piano - Score and parts
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1181088…
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Piano Quartet Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1181088 By André Alberto Santos. By Camille Saint-Saens. Arranged by André Alberto Santos. Chamber,Classical,Film/TV,Romantic Period,Wedding. 17 pages. Soul - Musical Creations #780921. Published by Soul - Musical Creations (A0.1181088). If you're looking for music that can touch your heart directly, the sheet music The Swan by Camille Saint-Saëns is exactly what you need. This masterpiece of classical music is one of the most beautiful and moving pieces ever written.With its soft and enveloping melody, The Swan is able to calm the mood and relax the mind, providing a moment of peace and tranquility. Its arrangement is simple and elegant, which makes this piece accessible to beginners and experienced players alike.Additionally, The Swan is a versatile piece that can be played on a variety of instruments, including violin, piano, and cello. This means that, regardless of your instrument, you can enjoy the beauty and depth of this timeless music.If you're new to The Swan by Camille Saint-Saëns, it's time to give it a try and find out why it's one of the most popular pieces in classical music. Buy the sheet music now and start exploring the beauty and emotion of this unforgettable masterpiece.
$12.99
11.92 €
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Piano Quatuor: piano, violon, alto, violoncelle
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André Alberto Santos
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André Alberto Santos
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The Swan
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Soul - Musical Creations
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SheetMusicPlus
O Holy Night for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.548706 Composed by Ad…
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Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
36.66 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Adam
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James M
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O Holy Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 4 - Digital Download SKU: A0.549937 Composed by Modest MUSSOR…
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Piano Quartet - Level 4 - Digital Download SKU: A0.549937 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standards. 208 pages. Jmsgu3 #4317807. Published by jmsgu3 (A0.549937). Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри) Score: 103 pages, 924 measures, duration: 34:30. Contents:  Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)    Allegretto non troppo, capriccioso  4. BYDLO (Cattle) Sempre moderato pesante  Promenade 4 Tranquillo  5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²   Scherzino  6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир Andante  Promenade 5 Allegro giusto, nel modo russico, poco sostenuto  7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)     Allegretto vivo, sempre scherzando  8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo     CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)     Andante non troppo, con lamento  9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле    Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezzaMussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$52.95
48.59 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exhibition for Piano Quartet
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jmsgu3
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SheetMusicPlus
Handel: Seven Pieces from Water Music for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.552117 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 36 pages. Jmsgu3 #6121085. Published by jmsgu3 (A0.552117). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 16 pages, Duration 12:15. Players may read from the score, or from the included instrumental parts.Contents: 1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, and hornpipes, along with lively fanfares and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Water Music has been performed by many orchestras and is a popular choice for special occasions, such as coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's own compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based and where his music was extremely popular. Handel wrote a number of pieces specifically for use at weddings, including the popular Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often quite lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites that were specifically designed for this purpose. The bride and groom would often have a special dance to the music of Handel's Water Music, a particularly popular piece for the occasion. Guests at the wedding would be treated to a variety of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$36.95
33.91 €
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Piano Quatuor: piano, violon, alto, violoncelle
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George Friderick Handel
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James M
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Handel: Seven Pieces from Water Music for Piano Quartet
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jmsgu3
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SheetMusicPlus
Away In A Manger for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arra…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
22.9 €
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Piano Quatuor: piano, violon, alto, violoncelle
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the 1880’s the cradle song was being performed in church
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Mueller
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James M
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Away In A Manger for Piano Quartet
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jmsgu3
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SheetMusicPlus
Fauré: Élégie Op. 24 for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 4 - Digital Download SKU: A0.549720 Composed by Gabriel Faure…
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Piano Quartet - Level 4 - Digital Download SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
39.41 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Piano Quartet
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jmsgu3
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SheetMusicPlus
Silent Night for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548633 Composed by Gruber. Arran…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jmsgu3 (A0.548633). Silent Night for piano quartet. The final verse features a surprise re-harmonization of the melody. Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to accompany the lyrics. The result is probably the most famous Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs or to ensure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and Mohr's name was largely forgotten.  Though the public initially recognized Gruber as the composer, many people began rumors that a more famous composer was responsible over time. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.
$32.95
30.24 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gruber
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James M
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Silent Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. …
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Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.9 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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James M
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The First Noel for Piano Quartet
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jmsgu3
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SheetMusicPlus
Schubert: Moment Musicaux for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 3 - Digital Download SKU: A0.549053 Composed by Franz Schuber…
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Piano Quartet - Level 3 - Digital Download SKU: A0.549053 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Standards. 13 pages. Jmsgu3 #3448591. Published by jmsgu3 (A0.549053). Description Schubert Piano Quartet version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. String parts: 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is a great recital encore because it's short and very expressive. Piano Quartet The Piano Quartet works very well in this arrangement. The music portrays a melancholy character that the Piano Quartet can express quite naturally. Works well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. Performance
$49.95
45.84 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Franz Schubert
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James M
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Schubert: Moment Musicaux for Piano Quartet
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jmsgu3
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