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PIANO & CLAVIERS
Piano, Voix
4109
Piano seul
4037
Piano Facile
1373
Piano, Voix et Guitare
615
Instruments en Do
488
Orgue
379
1 Piano, 4 mains
182
Accompagnement Piano
126
Piano Trio: piano, violon, violoncelle
124
Accordéon
59
2 Pianos, 4 mains
46
Orgue, Trompette (duo)
20
Piano Quatuor: piano, violon, alto, violoncelle
20
Piano Quintette: piano, 2 violons, alto, violoncelle
19
Piano grosses notes
16
Piano (partie séparée)
16
Clavecin
14
Piano Quatuor: piano, 2 violons, violoncelle
11
Orgue, Piano (duo)
9
Clavier
3
2 Pianos, 8 mains
2
2 Accordéons
1
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GUITARES
Guitare
479
Guitare notes et tablatures
378
Ligne De Mélodie, (Paroles) et Accords
145
Ukulele
138
2 Guitares (duo)
56
Guitare (partie séparée)
29
Basse electrique
28
Paroles et Accords
25
4 Guitares (Quatuor)
23
Mandoline
19
Piano, Guitare (duo)
19
Dulcimer
19
Banjo
15
3 Guitares (trio)
8
Ensemble de guitares
7
Mandoline, Guitare (duo)
4
Guitare Pedal Steel
3
2 Ukuleles
3
Mandoline, Piano (duo)
2
Ukulele Baryton
2
Guitare, Quatuor à cordes
2
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
2 Dulcimers (duo)
1
Ensemble de Ukulélés
1
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Chorale SATB
2548
Chorale Unison
691
Chorale 3 parties
502
Chorale 2 parties
313
Chorale TTBB
263
Chorale SSAA
206
Voix duo, Piano
75
Voix Soprano, Piano
75
Voix haute
45
Voix Tenor, Piano
45
Voix duo
45
Voix Alto, Piano
39
Pack Instrumental pour Chorale
32
Voix seule
25
Voix Baryton, Piano
23
Voix moyenne, Piano
15
Chorale
12
Voix basse, Piano
8
Chorale SSAATTBB
7
Chorale SSATB
5
Voix Mezzo-Soprano, Piano
5
Voix Soprano
5
Voix Tenor
4
Voix basse
3
Soli, choeur mixte et accompagnement
3
Voix, Guitare
3
Chorale SATBB
2
Chorale SSAB a cappella
2
Chorale SSAB, Piano
1
Voix Soprano, Orchestre
1
Chorale SSATTB
1
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VENTS
Flûte traversière et Piano
557
Quatuor de Saxophones: 4 saxophones
500
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
485
Hautbois, Piano (duo)
409
Clarinette et Piano
377
2 Saxophones (duo)
374
Flûte, Hautbois, Clarinette, Basson
346
Saxophone Alto et Piano
332
Quatuor de Clarinettes: 4 clarinettes
308
Clarinette
287
2 Flûtes traversières (duo)
250
Flûte traversière
244
2 Clarinettes (duo)
237
Quintette de Saxophone: 5 saxophones
209
Saxophone Tenor et Piano
199
Saxophone (partie séparée)
186
Saxophone Alto
184
Saxophone Soprano et Piano
160
Saxophone Tenor
135
3 Saxophones (trio)
132
Quatuor de Flûtes : 4 flûtes
129
Ensemble de saxophones
126
Saxophone, Clarinette (duo)
122
Ensemble de Clarinettes
111
Hautbois (partie séparée)
103
Cor anglais, Piano
102
Flûte, Clarinette (duo)
101
Saxophone Baryton, Piano
99
Clarinette, Violon (duo)
96
3 Clarinettes (trio)
88
Ensemble de Flûtes
82
Clarinette, Trompette (duo)
72
2 Hautbois (duo)
72
Quintette de Clarinettes: 5 clarinettes
72
Trio de Flûtes: 3 flûtes
69
Clarinette Basse, Piano
64
Flûte et Guitare
63
Hautbois, Basson (duo)
62
Flûte, Violon
61
Flûte, Violon, Piano
60
Clarinette (partie séparée)
51
Hautbois, Clarinette (duo)
50
Clarinette et Alto
47
Flûte, Hautbois, Clarinette (trio)
46
Flûte, Saxophone (duo)
43
Hautbois, Flûte
42
2 Flûte à bec (duo)
40
Flûte, Trompette (duo)
38
Quintette de Flûte : 5 flûtes
37
Flûte, Alto (duo)
35
Flûte, Clarinette et Basson
35
2 Flûtes traversières, Piano
33
Saxophone Soprano
31
Flûte, Violon et Violoncelle
30
Flute (partie séparée)
30
Flûte à bec Soprano
29
Flûte, Hautbois, Basson
28
Quatuor de Flûtes à bec
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Flûte, Violoncelle
25
Hautbois, Clarinette, Basson (trio d'anches)
23
Clarinette, Basson (duo)
22
Flûte à bec Soprano, Piano
20
Clarinette, Guitare (duo)
20
Clarinette, Violoncelle (duo)
18
Flûte à Bec
16
Flûte à bec Alto, Piano
16
Flûte à bec Alto
16
Harmonica
12
Flûte, Hautbois (duo)
12
2 Clarinettes, Basson
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Ocarina
11
Flûte, Clarinette, Piano (trio)
11
2 Saxophones, Piano
10
Piccolo, Piano
10
3 Flûtes à bec (trio)
9
Hautbois
9
Clarinette, Harpe (duo)
9
Cor Anglais
9
Flûte, Harpe et Violoncelle
7
Hautbois, Violoncelle
7
2 Clarinettes, Piano
7
Flûte à Bec, Piano
7
Hautbois, violon (duo)
7
3 Hautbois
7
Flûte, Hautbois, Piano (trio)
6
Saxophone, Basson (duo)
6
Flûte, Violoncelle, Piano (trio)
6
Ensemble De Flûte à bec
6
Flûte à bec Tenor
6
Saxophone et Guitare
6
Hautbois, Guitare (duo)
5
Flûte, Basson et Piano
5
Cor anglais, Guitare (duo)
5
Piccolo
5
Flûte irlandaise
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Cornemuse
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
2 Cors Anglais Et Pianoforte
4
Clarinette, Trombone (duo)
4
Flûte, Trombone (duo)
4
5 Flûtes à bec
4
Hautbois, Harpe
4
2 Hautbois et Basson
3
Hautbois et alto (duo)
3
Ensemble à vent
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Flûte, alto et harpe
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte à bec Alto, Basse continue
3
Flûte traversière, Basse continue
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Flûte, Violon, Violoncelle et Piano
3
Flûte traversière, Orgue (duo)
3
Saxophone et Orgue
3
Flute, harpe et violon
3
Hautbois, Clarinette et Piano (Trio)
2
Saxophone
2
Saxophone Baryton
2
Flûte, Hautbois, Violon
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Saxophone et Harpe
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1
Flûte de Pan
1
Clarinette Basse
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Clarinette, Contrebasse (duo)
1
Saxophone et Piano
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Melodica
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2 Flûtes à bec, Piano
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Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone, Violon (duo)
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Ensemble de Hautbois
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Flûte, Alto et Piano
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Flute, Cor (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte et Trio à cordes
1
Instruments en Mib
1
Saxophone et violoncelle
1
Hautbois, Basson et Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Flûtes à bec, Guitare
1
Clarinette, Orgue
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Basson, Piano (trio)
1
4 Hautbois
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
671
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420
Trombone et Piano
275
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262
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181
Trombone
144
Euphonium, Piano (duo)
122
2 Trombones (duo)
114
Trompette (partie séparée)
112
2 Trompettes (duo)
112
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106
Cor anglais, Piano
102
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99
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90
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86
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82
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79
Cor
75
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73
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69
2 Cors (duo)
60
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36
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30
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Tuba (partie séparée)
23
2 Tubas (duo)
18
3 Trompettes (trio)
17
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16
Ensemble de Cors
15
Trio de Cuivres
15
2 Euphoniums et 2 Tubas
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Quatuor de cuivres: 4 trompettes
13
Euphonium
11
Tuba et Orgue
10
Cor Anglais
9
Euphonium, Tuba (duo)
8
4 Tubas
7
Cor et Harpe
7
Trombone, Orgue
6
3 Tubas (trio)
6
Trompette, violon (duo)
6
Cor anglais, Guitare (duo)
5
3 Cors (trio)
5
2 Euphoniums (duo)
4
2 Cors Anglais Et Pianoforte
4
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4
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2 Trompettes, Clavier (piano ou orgue)
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Cor, Violoncelle (duo)
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Trompette, Basson (duo)
3
Trombone, Tuba (duo)
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Trombone, Cor (duo)
3
Clarinette, Cor (duo)
3
Trombone basse
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Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
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2
Quatuor de cuivres: 2 trompettes, 2 trombones
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Trompette, Violoncelle et Piano
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Cornet A Pistons
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Trompette, Trombone, Piano
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2 Trombones, Piano
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Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
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Ensemble de Tubas
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Cor, Tuba (duo)
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Cor et Orgue
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Trombone et orchestre
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Trompette, Violoncelle (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1414
Violon et Piano
853
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472
Violon
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Alto, Piano
341
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303
Violoncelle
293
2 Violons (duo)
270
Harpe
234
Trio à Cordes: violon, alto, violoncelle
228
2 Violoncelles (duo)
186
Violon, Alto (duo)
135
Violon (partie séparée)
131
Trio à Cordes: 2 violons, violoncelle
117
Alto seul
115
2 Altos (duo)
113
Quintette à cordes: 2 violons, alto, violoncelle, basse
100
Alto (partie séparée)
80
2 Harpes (duo)
74
Contrebasse, Piano (duo)
65
Alto, Violoncelle (duo)
55
Contrebasse (partie séparée)
54
Contre Basse
53
4 Violoncelles
53
Trio à cordes: 3 violins
47
Trio à Cordes: 3 violoncelles
34
Violon, Guitare (duo)
34
Violoncelle (partie séparée)
31
Violoncelle, Contrebasse (duo)
22
Quatuor à cordes: 4 violons
20
Harpe, Flûte (duo)
19
Ensemble de Violons
19
Violoncelle , Guitare (duo)
18
Piano Trio: Violon, Alto, Piano
18
Ensemble d'Altos
18
Trio à Cordes: 2 violons, alto
15
Trio à cordes: 3 altos
13
Alto, Guitare (duo)
13
Harpe, Violon (duo)
11
2 Violons, Piano
11
Violon, Basson (duo)
10
2 Contrebasses (duo)
10
Quatuor à cordes : 4 altos
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Harpe, Violoncelle (duo)
8
Alto et Basson
6
4 Contrebasses
5
Harpe, Voix
5
Alto et Harpe
4
Flûte, Contrebasse (duo)
4
Violon, Basse continue
4
Violon, Orgue
3
Trio à cordes
3
Harpe et Piano
2
3 Contrebasses
2
Violon, Clarinette, Piano (trio)
2
Harpe et mandoline
2
Autoharp
2
Ensemble de Violoncelles
2
Harpe, Trombone (duo)
2
Violoncelle, Orchestre
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Basse continue
1
Violoncelle, Orgue
1
3 Harpes
1
Violon, Violoncelle, Clarinette
1
4 Harpes
1
Harpe, Violon, Violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
3421
Orchestre à Cordes
976
Orchestre
666
Ensemble de cuivres
391
Ensemble Jazz
242
Orchestre de chambre
235
Cloches
186
Jazz combo
70
Fanfare
51
Ensemble de Percussions
43
Percussion (partie séparée)
36
Batterie
24
Batterie (partie séparée)
18
Marimba
14
Xylophone, Piano
10
Vibraphone
10
Percussion
5
2 Xylophones
4
Xylophone
3
Orchestre, Violon
3
Cajon
2
Caisse Claire
2
Bongos
2
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
2
Quatuor à Vent : 4 instruments à vents
1
2 Marimbas
1
Instrumentation Flexible
1
Marimba, Piano (duo)
1
Ensemble d'École
1
Conga
1
Vibraphone et Marimba
1
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AUTRES
Théorie de la musique
1
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Luther: Out of the Depths for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed …
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Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
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Piano Quatuor: piano, violon, alto, violoncelle
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Martin Luther
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James M
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Luther: Out of the Depths for Piano Quartet
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jmsgu3
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SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. …
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Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
22.82 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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James M
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The First Noel for Piano Quartet
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jmsgu3
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SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. …
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Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.82 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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James M
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The First Noel for Piano Quartet
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arrange…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
22.82 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Wade
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James M
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O Come All Ye Faithful for Piano Quartet
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jmsgu3
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SheetMusicPlus
Funny Like a Monkey for piano quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed …
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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
32.93 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Robert M
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Funny Like a Monkey for piano quartet
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Robert M. Greenberg
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SheetMusicPlus
Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.29 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Jingle Bells for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpon…
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Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
36.54 €
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Piano Quatuor: piano, violon, alto, violoncelle
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Away In A Manger for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arra…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
22.82 €
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Piano Quatuor: piano, violon, alto, violoncelle
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the 1880’s the cradle song was being performed in church
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Mueller
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James M
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Away In A Manger for Piano Quartet
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jmsgu3
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SheetMusicPlus
Fauré: Élégie Op. 24 for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 4 - Digital Download SKU: A0.549720 Composed by Gabriel Faure…
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Piano Quartet - Level 4 - Digital Download SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
39.29 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Piano Quartet
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jmsgu3
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SheetMusicPlus
I'm Yours
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1243434 By Ja…
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Piano Quartet Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1243434 By Jason Mraz. By Jason Mraz. Arranged by Wendy Hellmann. Pop,Rock,Wedding. 24 pages. Gwendolyn Hellmann #838399. Published by Gwendolyn Hellmann (A0.1243434). This bubbly arrangement of I'm Yours is written for Violin 1, Violin 2, Cello, and Piano. Although harmonically sound as just a string trio, the piano part covers the guitar rhythm and other keys licks heard in the original recording. The first and second violin pass off the main melody between one another. Perfect for weddings and cocktail hour events! Â The PDF download includes both a full score and a set of individual parts - Violin 1, Violin 2, Cello, and Piano. All string parts are formatted on 2 pages to avoid page turns.
$12.99
11.88 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Jason Mraz
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Wendy Hellmann
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I'm Yours
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Gwendolyn Hellmann
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SheetMusicPlus
Nocturne for Clarinet, Violin, Cello & Piano
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Compo…
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Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. Published by EAMUSIC (A0.1283409). Nocturne was inspired by a meteorological phenomenon that is known as “noctilucence†and refers to shining clouds at high altitudes only observable for a short period of time in the summer twilight sky. In Canada we don’t get many summer days, that is why this occurrence is particularly special and beautiful. From the first measures the music evokes the feelings of tranquility and ephemeral elegance. Structurally this piece is almost built after some of Chopin’s Nocturnes which were written in 3-part form and often featured emotional and moving musical material towards the end of the piece. Even though nocturnes are generally meant to depict peaceful night music and my piece certainly opens that way, it does not stay calm and quiet for the duration of the piece because the night, after all, can be full of surprises and mysteries. The music is meant to be played with flair and colour, in a light and improvisatory way. This piece was first premiered at the Intimacy of Creativity Festival in Hong Kong in May 2019 with the assistance from Bright Sheng. Following the Audience Choice vote at the festival, and further revised, the piece was brought to the audiences in Philadelphia at the Curtis Institute of Music featuring musicians from the Curtis 20/21 Ensemble in December 2019.The piece is scored for Clarinet, Violin, Cello and Piano. Duration is approximately 9 minutes.
$20.00
18.29 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Eugene Astapov
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Nocturne for Clarinet, Violin, Cello & Piano
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EAMUSIC
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SheetMusicPlus
Piano Quartet, op. 76
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1004716 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 95 pages. Adrian Gagiu #5213345. Published by Adrian Gagiu (A0.1004716). Piano Quartet in F major in neoclassical style, loosely following the general outline of the Baroque sonata and the rhythmical patterns of the Baroque suite. A little manifesto for melody and striving for serenity, as opposed to the esthetics of avant-garde music. After the shock of the first harsh chord, the first movement (Andante molto sostenuto, un poco maestoso) wipes away all tension, in search for a renewed serenity, making use of allemande rhythmic patterns. The second movement (Allegro moderato), a scherzo-sonata form with courante rhythmic formulas and two trios, follows without a break.The third movement (Andante con moto e cantabile) is the emotional core of the composition, starting restrained and sad, with Romanian influences and a sarabande rhythm, but followed miraculously by a grand, ecstatic section.The Finale is a developed, expansive rondo (Allegro non troppo) with subtle Romanian influences, making use of bourrée and gavotte rhythms, plus minuet and gigue in the exalted coda.
$34.99
32.01 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Adrian Gagiu
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Piano Quartet, op. 76
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Adrian Gagiu
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SheetMusicPlus
Second Way for piano quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1201355…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1201355 Composed by Tapio Sayppo. Chamber,Classical. 37 pages. MSTS Music Studio #800010. Published by MSTS Music Studio (A0.1201355). Second Way for piano quartet – Second Way per quartetto di pianoforte – Second Way pianokvartetilleTonal, melodic, light and easy to listen to music.The sheet music PDF contains BOTH the full score AND all the instrument parts. There are two piano parts with the exactly same music, but the first one (5 pages) is with chord symbols, the second one (4 pages) without chord symbols.37 pages, duration 3 minutes 5 seconds.ISMN 979-0-9001735-2-2 (PDF) – Registered internationally by The National Library of Finland, which stores quite a lot of Tapio Sayppo's music in its vast collections.
$15.00
13.72 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Tapio Sayppo
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Second Way for piano quartet
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MSTS Music Studio
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SheetMusicPlus
O Holy Night for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.548706 Composed by Ad…
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Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
36.54 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Adam
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James M
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O Holy Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Vivaldi RV 106 Concerto in Em Full Score Parts Flute Violin Cello
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1372313…
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Piano Quartet Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1372313 By Rainer's Rainbow. By Antonio Vivaldi 1678-1741. Arranged by R G Roth. 19th Century,Baroque,Chamber,Classical,Romantic Period. 97 pages. Rainer's Rainbow #956604. Published by Rainer's Rainbow (A0.1372313). This popular Vivaldi Quartet for Flute, Violin, Cello and Keyboard is published here for the first time in the alternative key of E minor. This makes it possible to substitute the Flute part with a Soprano Recorder. Also included is a full string arrangement to make it into a tradition concerto grosso for 3 soloists.
$10.91
9.98 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Rainer's Rainbow
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R G Roth
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Vivaldi RV 106 Concerto in Em Full Score Parts Flute Violin Cello
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Rainer's Rainbow
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SheetMusicPlus
Duo #6 Movement 1
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.648235 Composed by Ignaz Josef Pleyel. Arranged by Nick Lacanski. Classical,Concert,Instructional,Standards. Score and parts. 26 pages. Theupperstaff #3236639. Published by theupperstaff (A0.648235). The first movement of the sixth Duo arranged for string trio and piano.
$12.95
11.85 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Ignaz Josef Pleyel
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Nick Lacanski
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Duo #6 Movement 1
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theupperstaff
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SheetMusicPlus
Silent Night for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548633 Composed by Gruber. Arran…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jmsgu3 (A0.548633). Silent Night for piano quartet. The final verse features a surprise re-harmonization of the melody. Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to accompany the lyrics. The result is probably the most famous Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs or to ensure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and Mohr's name was largely forgotten.  Though the public initially recognized Gruber as the composer, many people began rumors that a more famous composer was responsible over time. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.
$32.95
30.14 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gruber
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James M
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Silent Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Restoration Medley
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.864457 Composed by Brigham Welch, Michael Hardey. Arranged by Hardey and Welch Music. Sacred. Score and parts. 14 pages. Hardey and Welch Music #3567503. Published by Hardey and Welch Music (A0.864457). Hardey and Welch Music is excited to provide with another one of their powerful hymnal arrangements entitled, Restoration Medley which highlights popular LDS hymns Joseph Smith's First Vision, Praise to the Man, and A Poor Wayfaring Man. Thank you for purchasing this long-awaited sheet music arrangement.
$11.99
10.97 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Brigham Welch, Michael Hardey
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Hardey and Welch Music
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Restoration Medley
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Hardey and Welch Music
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SheetMusicPlus
Poor Unfortunate Souls
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1231488…
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Piano Quartet Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1231488 Composed by Alan Menken and Howard Ashman. Arranged by André Nusa. Broadway,Film/TV,Musical/Show,Singer/Songwriter. 10 pages. Andre_Nusa #827178. Published by Andre_Nusa (A0.1231488). Experience the mesmerizing melodies of Poor Unfortunate Souls from Disney's The Little Mermaid in a captivating arrangement for piano, violin, viola, and cello. This enchanting sheet music brings the iconic song to life, immersing you in the magic and malevolence of Ursula the Sea Witch. Meticulously transcribed for this piano quartet, this arrangement faithfully captures the haunting and theatrical essence of Poor Unfortunate Souls. The piano sets a rich and dynamic foundation, while the strings intertwine in a tapestry of expressive and melodic voices. From the very first note, you'll be transported to Ursula's lair as the dark and alluring melodies unfold before you. The intricate harmonies and evocative phrasing delve deep into the heart of the song, allowing you to explore the depths of Ursula's villainous character through the power of music. Perfect for performances, recitals, or casual play, this arrangement offers a platform to showcase your musical prowess and share the enchantment of The Little Mermaid with your audience. Each instrument adds its unique color and character, culminating in a truly memorable and immersive musical experience.
$12.99
11.88 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Alan Menken and Howard Ashman
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André Nusa
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Poor Unfortunate Souls
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Andre_Nusa
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SheetMusicPlus
Eureka Springs Sunset
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.782497 Composed by Tyler Merideth. 20th Century,Contemporary,Instructional. Score and parts. 10 pages. Tyler Merideth #2331339. Published by Tyler Merideth (A0.782497). This original piece was composed while attending a friends wedding at the Crescent Hotel in Eureka Springs Arkansas on September 1, 2006. I sketched the idea while sitting on the rooftop patio watching the sunset in the Ozarks. It was first performed at a dinner party with a colleague of mine in July of 2010. It has now been arranged for violin, viola, cello and piano and is a depiction of how I felt watching a beautiful sunset in a very peaceful environment.tylermerideth.com
$9.99
9.14 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Tyler Merideth
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Eureka Springs Sunset
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Tyler Merideth
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SheetMusicPlus
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