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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Train
Sheetmusicplus
Non classifié
598
Piano & claviers
Piano seul
620
Piano Facile
178
Piano, Voix
105
Piano, Voix et Guitare
94
Orgue
64
Instruments en Do
28
1 Piano, 4 mains
21
Piano grosses notes
13
2 Pianos, 4 mains
9
Accompagnement Piano
7
Piano (partie séparée)
7
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
3
2 Pianos, 8 mains
2
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Accordéons
1
Orgue, Trompette (duo)
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
99
Guitare
54
Ligne De Mélodie, (Paroles) et Accords
23
Basse electrique
21
Paroles et Accords
14
Guitare (partie séparée)
14
Ukulele
12
2 Guitares (duo)
3
3 Guitares (trio)
3
Piano, Guitare (duo)
2
Banjo
2
Mandoline
2
Guitare Pedal Steel
1
Basse électrique (partie séparée)
1
Dulcimer
1
4 Guitares (Quatuor)
1
+ 11 instrumentations
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Voix
Chorale SATB
165
Chorale 3 parties
58
Chorale 2 parties
40
Chorale TTBB
32
Chorale SSAA
23
Chorale Unison
16
Pack Instrumental pour Chorale
15
Voix Alto, Piano
14
Voix Soprano, Piano
9
Voix haute
5
Voix seule
3
Voix duo, Piano
2
Chorale
2
Voix basse, Piano
2
Voix duo
2
Voix Tenor, Piano
1
Chorale SSAB, Piano
1
Voix Baryton, Piano
1
Voix moyenne, Piano
1
+ 14 instrumentations
Retracter
Vents
Saxophone (partie séparée)
73
Quatuor de Saxophones: 4 saxophones
43
Flûte traversière et Piano
38
Flûte traversière
33
Clarinette et Piano
32
Flûte, Hautbois, Clarinette, Basson
29
Clarinette
26
Saxophone Alto et Piano
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Saxophone Alto
21
Hautbois, Piano (duo)
20
Clarinette (partie séparée)
17
Saxophone Tenor et Piano
17
Quatuor de Clarinettes: 4 clarinettes
17
Saxophone Tenor
16
2 Flûtes traversières (duo)
13
Hautbois (partie séparée)
13
2 Clarinettes (duo)
11
Saxophone Soprano et Piano
10
Quatuor de Flûtes : 4 flûtes
10
Hautbois
9
Ensemble de Clarinettes
9
Ensemble de saxophones
9
Flute (partie séparée)
8
Ensemble de Flûtes
8
2 Saxophones (duo)
7
Flûte irlandaise
6
Saxophone Baryton, Piano
6
3 Saxophones (trio)
5
Saxophone Soprano
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Clarinette (duo)
5
Cor anglais, Piano
4
Harmonica
4
Flûte, Violoncelle
4
Saxophone Baryton
3
Clarinette, Basson (duo)
3
Clarinette, Violoncelle (duo)
3
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
3
Quintette de Flûte : 5 flûtes
3
2 Flûte à bec (duo)
2
Clarinette Basse, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte et Guitare
2
Flûte, Trombone (duo)
2
Flûte, Clarinette et Basson
2
Quintette de Saxophone: 5 saxophones
2
3 Flûtes à bec (trio)
2
Instruments en Mib
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon
1
Flûte, Hautbois (duo)
1
Flûte à bec Alto
1
Flûte à bec Soprano, Piano
1
2 Hautbois (duo)
1
Saxophone et Guitare
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte à bec Alto, Piano
1
Hautbois, Clarinette (duo)
1
Saxophone, Clarinette (duo)
1
Piccolo, Piano
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
76
Trombone (partie séparée)
49
Trompette
39
Trompette (partie séparée)
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Trompette, Piano
24
Cor et Piano
20
Trombone
19
Trombone et Piano
18
Tuba
15
Cor
12
Quatuor de Cuivres
11
Cor (partie séparée)
9
Tuba et Piano
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Euphonium, Piano (duo)
7
Tuba (partie séparée)
7
Euphonium
6
2 Trompettes (duo)
4
Cor anglais, Piano
4
2 Trombones (duo)
4
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
3
Quatuor de cuivres: 4 trombones
3
Bass Clef Instruments
2
Cor, Violoncelle (duo)
2
Ensemble de Trompettes
2
2 Euphoniums et 2 Tubas
2
3 Trompettes (trio)
2
Ensemble de Trombones
2
2 Tubas (duo)
1
Tuba et Orgue
1
2 Cors (duo)
1
Instruments en Sib
1
Trombone basse et Piano
1
Trio de Cuivres
1
Trompette, Saxophone (duo)
1
Trompette, Trombone, Piano
1
Trombone basse
1
Cor et Basson (duo)
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
140
Violon et Piano
81
Violon
68
Alto, Piano
45
Violoncelle, Piano
44
Violoncelle
43
Harpe
35
Trio à Cordes: violon, alto, violoncelle
22
Alto seul
21
2 Violons (duo)
19
Violon (partie séparée)
18
Contrebasse (partie séparée)
17
Violon, Violoncelle (duo)
10
Alto (partie séparée)
9
Contrebasse, Piano (duo)
8
2 Violoncelles (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Violoncelle (partie séparée)
6
Contre Basse
6
Violon, Guitare (duo)
4
2 Altos (duo)
4
Trio à cordes: 3 violins
3
Violon, Alto (duo)
3
Violoncelle , Guitare (duo)
2
Alto, Violoncelle (duo)
2
4 Violoncelles
2
Trio à Cordes: 2 violons, alto
1
Violon, Clarinette, Piano (trio)
1
2 Contrebasses (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe et Piano
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Harpes (duo)
1
Harpe, Voix
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
242
Orchestre à Cordes
93
Fanfare
86
Ensemble Jazz
69
Orchestre
65
Ensemble de cuivres
26
Cloches
21
Orchestre de chambre
18
Percussion (partie séparée)
13
Batterie
12
Batterie (partie séparée)
10
Jazz combo
8
Ensemble de Percussions
7
Ensemble d'École
4
Timbales (partie séparée)
3
Marimba
3
Xylophone, Piano
2
Quintette de Cuivres: autres combinaisons
1
Xylophone ou Marimba ou Vibraphone
1
Vibraphone (partie séparée)
1
Quintette à Vent
1
+ 16 instrumentations
Retracter
Autres
Théorie de la musique
3
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
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BASSON
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CORNET
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EUPHONIUM
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
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XYLOPHONE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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REGGAE
SOUL - R&B - HIP HOP…
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The Train
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Partitions à imprimer
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Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Terry Vosbein
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Parallel Tracks
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Max Frank Music
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Fauré: Élégie Op. 24 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...
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Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
Piano Quartet, op. 76
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Adrian Gagiu
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Piano Quartet, op. 76
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Adrian Gagiu
#
SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1004716 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts....
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1004716 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 95 pages. Adrian Gagiu #5213345. Published by Adrian Gagiu (A0.1004716). Piano Quartet in F major in neoclassical style, loosely following the general outline of the Baroque sonata and the rhythmical patterns of the Baroque suite. A little manifesto for melody and striving for serenity, as opposed to the esthetics of avant-garde music. After the shock of the first harsh chord, the first movement (Andante molto sostenuto, un poco maestoso) wipes away all tension, in search for a renewed serenity, making use of allemande rhythmic patterns. The second movement (Allegro moderato), a scherzo-sonata form with courante rhythmic formulas and two trios, follows without a break.The third movement (Andante con moto e cantabile) is the emotional core of the composition, starting restrained and sad, with Romanian influences and a sarabande rhythm, but followed miraculously by a grand, ecstatic section.The Finale is a developed, expansive rondo (Allegro non troppo) with subtle Romanian influences, making use of bourrée and gavotte rhythms, plus minuet and gigue in the exalted coda.
$34.99
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