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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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AUTOHARPE
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CHORALE - CHAN…
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GUITARE LAP ST…
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HARPE
HAUTBOIS
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LUTH
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PIANO & CLAVIERS
Piano seul
811
Piano Facile
339
Piano, Voix
297
Piano, Voix et Guitare
142
Orgue
71
Instruments en Do
66
1 Piano, 4 mains
28
Accompagnement Piano
17
2 Pianos, 4 mains
16
Piano grosses notes
9
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Trio: piano, violon, violoncelle
5
Orgue, Piano (duo)
5
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
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Piano Quintette: piano, 2 violons, alto, violoncelle
2
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Ligne De Mélodie, Piano
1
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Piano, Guitare (duo)
112
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110
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47
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Ukulele
23
Basse electrique
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6
2 Guitares (duo)
6
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VOIX
Chorale SATB
359
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100
Chorale 2 parties
82
Voix Soprano, Piano
66
Chorale Unison
65
Voix Alto, Piano
58
Voix Tenor, Piano
55
Chorale TTBB
40
Chorale SSAA
39
Voix duo
10
Voix duo, Piano
9
Voix seule
7
Voix haute
7
Voix Baryton, Piano
4
Voix moyenne, Piano
4
Voix Soprano
3
Chorale SSATTB
2
Voix Tenor
2
Chorale SSAATTBB
2
Soli, choeur mixte et accompagnement
1
Voix basse
1
Chorale
1
Instrumentations suivantes
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VENTS
Hautbois, Piano (duo)
236
Clarinette et Piano
208
Flûte traversière et Piano
204
Saxophone Alto et Piano
156
Saxophone Tenor et Piano
146
2 Saxophones (duo)
98
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
86
Quatuor de Saxophones: 4 saxophones
81
2 Flûtes traversières (duo)
68
Flûte traversière
67
Clarinette
52
Hautbois (partie séparée)
46
Quintette de Saxophone: 5 saxophones
45
2 Clarinettes (duo)
45
Quatuor de Clarinettes: 4 clarinettes
45
Flûte, Hautbois, Clarinette, Basson
39
Quatuor de Flûtes : 4 flûtes
30
Quintette de Flûte : 5 flûtes
30
3 Saxophones (trio)
26
Quintette de Clarinettes: 5 clarinettes
25
Saxophone, Clarinette (duo)
24
Clarinette, Violon (duo)
23
Saxophone (partie séparée)
23
Ensemble de Clarinettes
23
Flûte, Hautbois, Clarinette (trio)
23
Flûte à bec Soprano
21
Saxophone Alto
21
Flûte, Clarinette (duo)
20
3 Clarinettes (trio)
19
Flûte, Hautbois, Basson
18
Hautbois, Basson (duo)
17
Flûte, Violon et Violoncelle
17
Ensemble de Flûtes
15
Ensemble de saxophones
15
Saxophone Soprano et Piano
14
Clarinette, Trompette (duo)
14
Flûte, Violon
13
2 Hautbois (duo)
13
Trio de Flûtes: 3 flûtes
13
2 Flûte à bec (duo)
13
Flûte, Clarinette et Basson
13
Hautbois, Clarinette (duo)
12
Flûte à Bec
12
2 Clarinettes, Basson
11
Saxophone Tenor
11
Clarinette et Alto
10
Flûte, Alto (duo)
10
Quatuor de Flûtes à bec
9
Flûte, Saxophone (duo)
9
Saxophone Baryton, Piano
8
Flûte et Guitare
8
Hautbois, Flûte
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Clarinette (partie séparée)
5
Flûte, Trompette (duo)
5
Flûte, Hautbois (duo)
5
Clarinette, Basson (duo)
5
Flûte, Violoncelle
5
Clarinette, Violoncelle (duo)
4
Clarinette, Guitare (duo)
4
Clarinette Basse, Piano
4
Flûte à bec Soprano, Piano
4
Flûte à bec Alto
4
Ocarina
3
Hautbois, Violoncelle
3
Hautbois
3
Flûte traversière, Basse continue
2
Saxophone Baryton
2
2 Flûtes traversières, Piano
2
Saxophone Soprano
2
Saxophone
2
Cor anglais, Piano
2
Hautbois, violon (duo)
2
Flûte à bec Alto, Piano
2
Saxophone, Violon (duo)
2
2 Cors Anglais Et Pianoforte
2
Flûte, Trombone (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Cor Anglais
2
Cor anglais, Guitare (duo)
2
3 Flûtes à bec (trio)
1
Flûte à bec Tenor
1
Hautbois, Guitare (duo)
1
Hautbois et alto (duo)
1
Flûte et Quatuor à Cordes
1
Hautbois, Basson et Piano
1
Piccolo, Piano
1
2 Hautbois et Basson
1
Ensemble de Hautbois
1
Flûte, Hautbois, Piano (trio)
1
Flute (partie séparée)
1
Melodica
1
5 Flûtes à bec
1
Flûte à bec Alto, Basse continue
1
2 Clarinettes, Piano
1
Flûte irlandaise
1
Flûte et Trio à cordes
1
Piccolo
1
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CUIVRES
Trombone et Piano
182
Trompette
120
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
99
Trompette, Piano
90
Quatuor de Cuivres : 2 trompettes, trombone, tuba
60
Ensemble de Trompettes
39
Trombone
34
Cor et Piano
32
Ensemble de Trombones
26
Trompette (partie séparée)
24
Quatuor de cuivres: 4 trombones
22
2 Trompettes (duo)
22
2 Trombones (duo)
19
Trompette, Trombone (duo)
18
Trompette, Saxophone (duo)
18
Cor
18
Tuba et Piano
17
Trombone (partie séparée)
16
Tuba
15
Euphonium, Piano (duo)
12
Quatuor de Cuivres
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
2 Tubas (duo)
8
2 Cors (duo)
7
2 Euphoniums (duo)
4
Quatuor de cuivres: 4 cors
4
2 Euphoniums et 2 Tubas
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor (partie séparée)
3
Euphonium
3
Trio de Cuivres
3
3 Trompettes (trio)
2
Trompette, violon (duo)
2
Quatuor de cuivres: 4 trompettes
2
Euphonium, Tuba (duo)
2
Cor anglais, Piano
2
2 Cors Anglais Et Pianoforte
2
Trombone basse
2
Trompette, Violoncelle (duo)
2
Trompette, Cor (duo)
2
Cor Anglais
2
Cor anglais, Guitare (duo)
2
Ensemble de Cors
1
3 Trombones (trio)
1
Cor, Violoncelle (duo)
1
Trompette, Tuba (duo)
1
Trombone basse et Piano
1
Tuba (partie séparée)
1
Ensemble de Tubas
1
Trombone, Cor (duo)
1
4 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Bass Clef Instruments
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
354
Violon
219
Violon et Piano
212
Violon, Violoncelle (duo)
209
Alto, Piano
186
Trio à Cordes: violon, alto, violoncelle
167
Violoncelle, Piano
162
Violoncelle
57
Harpe
50
2 Violons (duo)
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
Alto seul
30
Violon, Alto (duo)
27
2 Violoncelles (duo)
25
2 Altos (duo)
23
2 Harpes (duo)
19
Alto (partie séparée)
14
Contre Basse
14
Contrebasse, Piano (duo)
14
Trio à Cordes: 2 violons, violoncelle
12
4 Violoncelles
10
Violon, Guitare (duo)
8
Violon (partie séparée)
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto, Violoncelle (duo)
5
Contrebasse (partie séparée)
5
Ensemble de Violons
4
Flûte, Contrebasse (duo)
4
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 violins
3
Violoncelle , Guitare (duo)
3
4 Contrebasses
2
Quatuor à cordes : 4 altos
2
3 Harpes
2
Violoncelle (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
5 Harpes
2
Violon, Basson (duo)
2
Harpe, Violon (duo)
2
Quatuor à cordes: 4 violons
2
Ensemble d'Altos
2
Alto, Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
Violon, Clarinette, Piano (trio)
1
Alto et Basson
1
Harpe, Flûte (duo)
1
Autoharp
1
2 Contrebasses (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe et Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
523
Orchestre à Cordes
195
Orchestre
122
Ensemble Jazz
62
Cloches
48
Ensemble de cuivres
47
Orchestre de chambre
33
Jazz combo
25
Marimba
20
Fanfare
17
Ensemble de Percussions
17
Batterie
16
Xylophone, Piano
5
Vibraphone
3
Batterie (partie séparée)
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Percussion (partie séparée)
2
Orchestre, Violon
1
Piano et Orchestre
1
Xylophone
1
Ensemble d'École
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
6
Théorie de la musique
2
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Piano Quatuor: piano, violon, alto, violoncelle
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Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.04 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. …
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Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
22.52 €
#
Piano Quatuor: piano, violon, alto, violoncelle
#
Traditional
#
James M
#
The First Noel for Piano Quartet
#
jmsgu3
#
SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. …
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Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.52 €
#
Piano Quatuor: piano, violon, alto, violoncelle
#
Traditional
#
James M
#
The First Noel for Piano Quartet
#
jmsgu3
#
SheetMusicPlus
Silent Night for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548633 Composed by Gruber. Arran…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jmsgu3 (A0.548633). Silent Night for piano quartet. The final verse features a surprise re-harmonization of the melody. Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to accompany the lyrics. The result is probably the most famous Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs or to ensure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and Mohr's name was largely forgotten.  Though the public initially recognized Gruber as the composer, many people began rumors that a more famous composer was responsible over time. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.
$32.95
29.74 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gruber
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James M
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Silent Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Funny Like a Monkey for piano quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed …
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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
32.49 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Robert M
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Funny Like a Monkey for piano quartet
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Robert M. Greenberg
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SheetMusicPlus
O Come All Ye Faithful for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arrange…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
22.52 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Wade
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James M
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O Come All Ye Faithful for Piano Quartet
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jmsgu3
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SheetMusicPlus
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