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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Through It All
Non classifié
994
Piano & claviers
Piano seul
625
Piano Facile
245
Piano, Voix
235
Piano, Voix et Guitare
86
Instruments en Do
61
Orgue
35
Accompagnement Piano
18
1 Piano, 4 mains
11
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
10
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano (partie séparée)
2
Orgue, Trompette (duo)
1
Piano grosses notes
1
Clavecin
1
Orgue, Piano (duo)
1
Accordéon
1
2 Accordéons
1
+ 14 instrumentations
Retracter
Guitares
Guitare
67
Guitare notes et tablatures
38
Ligne De Mélodie, (Paroles) et Accords
18
Ukulele
12
Basse electrique
8
Mandoline
6
2 Guitares (duo)
6
Banjo
5
Guitare (partie séparée)
4
Dulcimer
3
Mandoline, Guitare (duo)
2
Piano, Guitare (duo)
2
2 Ukuleles
1
3 Guitares (trio)
1
Guitare, Orchestre
1
Dobro
1
Guitare, Violon, Violoncelle (trio)
1
+ 12 instrumentations
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Voix
Chorale SATB
280
Chorale 3 parties
86
Chorale 2 parties
43
Chorale TTBB
36
Chorale SSAA
35
Chorale Unison
26
Voix Alto, Piano
26
Voix Soprano, Piano
20
Voix Tenor, Piano
18
Voix Baryton, Piano
16
Voix duo
7
Voix haute
2
Voix duo, Piano
2
Voix seule
2
Voix Tenor
1
Chorale
1
Chorale SATTBB A Cappella
1
+ 12 instrumentations
Retracter
Vents
2 Saxophones (duo)
90
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Quatuor de Saxophones: 4 saxophones
72
Hautbois, Piano (duo)
68
Flûte traversière et Piano
61
Saxophone Alto et Piano
59
Flûte, Hautbois, Clarinette, Basson
56
Saxophone Alto
55
Flûte traversière
52
Clarinette et Piano
48
2 Flûtes traversières (duo)
46
Quintette de Saxophone: 5 saxophones
42
2 Clarinettes (duo)
42
Clarinette
41
Saxophone Soprano et Piano
36
Saxophone Tenor et Piano
32
Saxophone Tenor
31
Saxophone (partie séparée)
30
2 Flûtes traversières, Piano
25
Quatuor de Clarinettes: 4 clarinettes
25
Saxophone Baryton, Piano
25
3 Clarinettes (trio)
25
2 Hautbois (duo)
25
Hautbois (partie séparée)
19
Saxophone Soprano
17
Quintette de Clarinettes: 5 clarinettes
17
Saxophone Baryton
15
Quatuor de Flûtes : 4 flûtes
15
Hautbois
13
3 Saxophones (trio)
12
Ensemble de Flûtes
10
Flûte à bec Soprano
9
Ensemble de Clarinettes
9
2 Flûte à bec (duo)
9
Flûte, Violon, Piano
8
Trio de Flûtes: 3 flûtes
7
Flûte, Basson et Piano
7
Flûte, Hautbois, Clarinette (trio)
6
Flûte, Clarinette (duo)
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette Basse, Piano
5
Flûte à Bec
4
Ensemble de saxophones
4
Cor anglais, Piano
4
Flûte à bec Alto, Piano
3
Saxophone, Clarinette (duo)
3
Flute (partie séparée)
3
Cor Anglais
3
Flûte, Hautbois, Basson
3
Hautbois, Clarinette (duo)
3
Flûte à bec Alto
2
Flûte, Clarinette et Basson
2
Saxophone et Orgue
2
Clarinette Basse
2
2 Saxophones, Piano
2
Flûte à bec Soprano, Piano
2
5 Flûtes à bec
2
Clarinette, Violon (duo)
2
Hautbois, Basson (duo)
2
Clarinette, Basson (duo)
2
Quintette de Flûte : 5 flûtes
2
Flûte et Trio à cordes
1
Flûte, Alto (duo)
1
Flûte, Violoncelle
1
3 Hautbois
1
Flûte, Trompette (duo)
1
Instruments en Mib
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Flûte
1
Cornemuse
1
Clarinette, Guitare (duo)
1
Flûte, Saxophone (duo)
1
Flûte irlandaise
1
Flûte, Hautbois, Piano (trio)
1
Clarinette et Alto
1
Flûte et Guitare
1
Ocarina
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon
1
Quatuor de Flûtes à bec
1
+ 77 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
146
Trombone et Piano
55
Cor et Piano
54
Trompette
52
Tuba et Piano
44
Trombone
43
Trompette, Piano
42
Tuba
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Cor
27
2 Trombones (duo)
26
2 Trompettes (duo)
26
2 Cors (duo)
22
2 Tubas (duo)
13
Quatuor de Cuivres
13
Trombone (partie séparée)
12
Trompette (partie séparée)
11
Trompette, Trombone (duo)
11
Euphonium, Piano (duo)
8
Cor anglais, Piano
4
Trio de Cuivres
3
Quatuor de cuivres: 4 trombones
3
Cor Anglais
3
Trompette, Basson (duo)
3
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trompettes
2
Euphonium
2
Cor (partie séparée)
2
Tuba (partie séparée)
2
3 Trombones (trio)
2
Trombone basse
2
Trompette, Violoncelle (duo)
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 cors
1
3 Cors (trio)
1
Ensemble de Trombones
1
3 Trompettes (trio)
1
Bass Clef Instruments
1
Ensemble de Cors
1
Instruments en Sib
1
Ensemble de Trompettes
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
340
Violon
175
Violon, Violoncelle (duo)
167
Trio à Cordes: violon, alto, violoncelle
148
Violon et Piano
82
Violoncelle
78
Violoncelle, Piano
73
Quintette à cordes: 2 violons, alto, violoncelle, basse
62
Alto, Piano
61
Harpe
53
Alto seul
37
2 Violons (duo)
31
2 Violoncelles (duo)
29
Contrebasse, Piano (duo)
28
Contre Basse
27
2 Altos (duo)
24
Violon, Alto (duo)
18
2 Harpes (duo)
13
2 Contrebasses (duo)
11
Alto (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Violon (partie séparée)
6
Piano Trio: Violon, Alto, Piano
4
Contrebasse (partie séparée)
4
4 Violoncelles
4
Violon, Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
Violon, Basson (duo)
3
Violon, Clarinette, Piano (trio)
3
4 Harpes
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
2
Violoncelle, Orgue
1
Violoncelle (partie séparée)
1
Violoncelle, Orchestre
1
Harpe, Trombone (duo)
1
Quatuor à cordes : 4 altos
1
Alto, Guitare (duo)
1
2 Violoncelles, Piano
1
Harpe, Violon, Violoncelle
1
Trio à Cordes: 2 violons, alto
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
219
Orchestre à Cordes
184
Orchestre
108
Ensemble de cuivres
28
Ensemble Jazz
28
Orchestre de chambre
28
Cloches
23
Fanfare
17
Jazz combo
13
Ensemble de Percussions
13
Batterie
9
Marimba
7
Xylophone, Piano
3
Batterie (partie séparée)
2
Xylophone
2
Piano et Orchestre
1
Caisse Claire
1
Vibraphone
1
Percussion (partie séparée)
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
+ 15 instrumentations
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CHARANGO
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CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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FUNK
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Through It All
Piano Quatuor: piano, violon, alto, violoncelle
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Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Mussorgsky: Pictures at an Exhibition for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Modest MUSSORGSKY
#
James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549937 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standar...
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Piano Quartet - Level 4 - SKU: A0.549937 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standards. 208 pages. Jmsgu3 #4317807. Published by jmsgu3 (A0.549937). Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри) Score: 103 pages, 924 measures, duration: 34:30. Contents:  Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)    Allegretto non troppo, capriccioso  4. BYDLO (Cattle) Sempre moderato pesante  Promenade 4 Tranquillo  5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²   Scherzino  6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир Andante  Promenade 5 Allegro giusto, nel modo russico, poco sostenuto  7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)     Allegretto vivo, sempre scherzando  8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo     CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)     Andante non troppo, con lamento  9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле    Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezzaMussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$52.95
Luther: Out of the Depths for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
#
Martin Luther
#
James M
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Luther: Out of the Depths for
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jmsgu3
#
SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
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Through It All
