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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time To Sing
Non classifié
2 764
Piano & claviers
Piano seul
1 608
Piano, Voix
739
Piano Facile
709
Piano, Voix et Guitare
645
Instruments en Do
194
Accompagnement Piano
130
Orgue
84
Accordéon
57
1 Piano, 4 mains
30
Piano Trio: piano, violon, violoncelle
24
2 Pianos, 4 mains
17
Piano Quatuor: piano, violon, alto, violoncelle
11
Clavecin
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
2 Pianos, 8 mains
3
Piano (partie séparée)
2
1 Piano, 6 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
2
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
163
Guitare
122
Ligne De Mélodie, (Paroles) et Accords
37
Basse electrique
32
Ukulele
15
Mandoline
13
2 Guitares (duo)
10
4 Guitares (Quatuor)
9
Banjo
8
Paroles et Accords
5
Guitare (partie séparée)
4
Dulcimer
3
Ensemble de guitares
3
Piano, Guitare (duo)
3
3 Guitares (trio)
2
2 Ukuleles
2
Guitare, Orchestre
1
+ 12 instrumentations
Retracter
Voix
Voix seule
5 741
Chorale SATB
966
Chorale Unison
415
Chorale 3 parties
377
Chorale 2 parties
241
Chorale TTBB
148
Chorale SSAA
127
Voix duo, Piano
54
Voix Tenor, Piano
48
Voix Soprano, Piano
41
Voix Alto, Piano
40
Voix Baryton, Piano
18
Voix duo
15
Voix haute
14
Voix moyenne, Piano
8
Voix Tenor
6
Voix basse, Piano
5
Chorale SSAATTBB
4
Chorale
3
Voix Soprano
2
Voix Soprano, Orchestre
1
Voix Mezzo-Soprano, Piano
1
Chorale SAATB A Cappella
1
Chorale SSATB
1
+ 19 instrumentations
Retracter
Vents
2 Saxophones (duo)
293
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
163
Flûte traversière
162
Hautbois, Piano (duo)
147
Saxophone, Clarinette (duo)
145
Saxophone Alto
138
Flûte traversière et Piano
138
Clarinette et Piano
132
Saxophone Alto et Piano
127
Clarinette
124
Quatuor de Saxophones: 4 saxophones
124
2 Flûtes traversières (duo)
118
Quintette de Saxophone: 5 saxophones
118
2 Clarinettes (duo)
105
Clarinette, Violon (duo)
97
Saxophone Tenor
97
Flûte, Hautbois, Clarinette, Basson
85
Hautbois (partie séparée)
83
Saxophone Soprano et Piano
77
Quatuor de Clarinettes: 4 clarinettes
75
Clarinette, Trompette (duo)
74
Saxophone Tenor et Piano
70
Flûte, Clarinette (duo)
67
Saxophone (partie séparée)
65
Hautbois, Basson (duo)
64
2 Hautbois (duo)
58
Hautbois, Clarinette (duo)
55
Flûte, Violon
51
Hautbois, Flûte
49
Clarinette et Alto
47
Flûte, Saxophone (duo)
44
Saxophone
41
Flûte irlandaise
40
Flûte, Trompette (duo)
38
Flûte, Alto (duo)
36
Saxophone Baryton, Piano
34
Quatuor de Flûtes : 4 flûtes
32
Ensemble de Clarinettes
32
Hautbois
28
Quintette de Clarinettes: 5 clarinettes
25
Clarinette Basse, Piano
25
Flûte à bec Soprano
25
Quintette de Flûte : 5 flûtes
21
Hautbois, Violoncelle
20
Cor anglais, Piano
20
3 Clarinettes (trio)
19
Ensemble de Flûtes
19
Saxophone Soprano
18
Cor Anglais
16
3 Saxophones (trio)
16
Clarinette (partie séparée)
14
2 Flûte à bec (duo)
13
Ensemble de saxophones
13
Trio de Flûtes: 3 flûtes
13
Flûte et Guitare
12
Clarinette, Basson (duo)
10
Clarinette, Violoncelle (duo)
9
Flûte à Bec
9
Flute (partie séparée)
9
Flûte, Violoncelle
8
Flûte, Hautbois (duo)
8
Flûte à bec Soprano, Piano
6
Saxophone Baryton
6
Flûte à bec Alto
6
Flûte, Violon, Piano
5
Clarinette, Trombone (duo)
5
3 Flûtes à bec (trio)
4
Quatuor de Flûtes à bec
4
Flûte à bec Tenor
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Clarinette et Basson
4
Hautbois, violon (duo)
3
Hautbois et alto (duo)
3
Flûte, Basson et Piano
3
2 Flûtes traversières, Piano
3
5 Flûtes à bec
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Trombone (duo)
3
Ensemble De Flûte à bec
3
Clarinette Basse
2
Flûte, Hautbois, Basson
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Guitare (duo)
2
Ocarina
2
Clarinette, Harpe (duo)
2
Clarinette, Guitare (duo)
2
Flûte, Alto et Piano
2
Flûte, Clarinette, Piano (trio)
2
2 Clarinettes, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Ensemble à vent
1
Clarinette, Orgue
1
Harmonica
1
Flûte, Violon, Guitare
1
Flûte, trombone et piano
1
2 Saxophones, Piano
1
Clarinette, Contrebasse (duo)
1
Flûte à bec Alto, Piano
1
Hautbois, trombone (duo)
1
Saxophone et Guitare
1
Saxophone et Orgue
1
Hautbois, Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
+ 98 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
143
Trompette
133
Trompette, Piano
121
Trombone et Piano
108
Quatuor de Cuivres : 2 trompettes, trombone, tuba
100
Trompette, Saxophone (duo)
100
Trombone
97
Cor et Piano
88
Trompette, Trombone (duo)
58
Tuba et Piano
56
2 Trompettes (duo)
54
2 Trombones (duo)
52
Cor
48
Quatuor de Cuivres: 2 trompettes, Cor, trombone
35
Tuba
35
Trompette (partie séparée)
31
Trombone (partie séparée)
21
Euphonium, Piano (duo)
21
Cor anglais, Piano
20
Quatuor de Cuivres
18
Cor Anglais
16
Ensemble de Trombones
14
Ensemble de Trompettes
14
2 Cors (duo)
13
Quatuor de cuivres: 4 trombones
9
Euphonium
8
Tuba (partie séparée)
7
Cor (partie séparée)
7
3 Trombones (trio)
6
Quatuor de cuivres: 4 cors
6
2 Tubas (duo)
5
Ensemble de Cors
5
Quatuor de cuivres: 4 trompettes
4
Trompette, Cor (duo)
4
Cor, Violoncelle (duo)
3
Trio de Cuivres
3
Tuba et Orgue
3
2 Euphoniums et 2 Tubas
3
3 Trompettes (trio)
2
Trompette, Tuba (duo)
2
Trombone, Tuba (duo)
2
Instruments en Sib
2
Trombone, Orgue
2
4 Tubas
2
Trompette, Euphonium (duo)
1
Trompette et Guitare
1
3 Cors (trio)
1
Trombone basse et Piano
1
3 Euphoniums
1
2 Cors, Piano
1
Trompette, Basson (duo)
1
Ensemble de Tubas
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
344
Violon et Piano
226
Violon
204
Violoncelle
180
Alto, Piano
150
Violoncelle, Piano
148
Violon, Violoncelle (duo)
117
Alto seul
95
2 Violons (duo)
75
Violon, Alto (duo)
68
Trio à Cordes: violon, alto, violoncelle
66
2 Altos (duo)
64
Harpe
62
2 Violoncelles (duo)
49
Quintette à cordes: 2 violons, alto, violoncelle, basse
46
Contre Basse
45
Trio à Cordes: 2 violons, violoncelle
45
Contrebasse, Piano (duo)
44
Alto (partie séparée)
24
Violon (partie séparée)
24
Violon, Basson (duo)
17
Alto, Violoncelle (duo)
14
4 Violoncelles
11
Ensemble de Violons
11
Contrebasse (partie séparée)
11
2 Harpes (duo)
10
Ensemble d'Altos
9
Piano Trio: Violon, Alto, Piano
6
Violon, Guitare (duo)
5
2 Contrebasses (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Trio à Cordes: 3 violoncelles
5
Harpe, Flûte (duo)
5
Violoncelle (partie séparée)
4
Trio à cordes: 3 violins
4
Quatuor à cordes : 4 altos
4
Alto et Basson
3
Alto, Guitare (duo)
3
Trio à Cordes: 2 violons, alto
3
Harpe, Voix
3
Violoncelle , Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
4 Contrebasses
2
Trio à cordes: 3 altos
2
Harpe, Violon (duo)
2
Violoncelle, Contrebasse (duo)
2
Violon, Clarinette, Piano (trio)
1
Flûte, Contrebasse (duo)
1
3 Harpes
1
Harpe et mandoline
1
Quatuor à cordes: 4 violons
1
4 Harpes
1
2 Violoncelles, Piano
1
Autoharp
1
Alto et Harpe
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
635
Orchestre
183
Orchestre à Cordes
148
Cloches
128
Ensemble de cuivres
80
Ensemble Jazz
75
Orchestre de chambre
52
Batterie
47
Fanfare
47
Jazz combo
34
Ensemble de Percussions
15
Percussion (partie séparée)
11
Xylophone, Piano
10
Ensemble d'École
3
Batterie (partie séparée)
3
2 Xylophones
2
Percussion
2
Vibraphone
1
Piano et Orchestre
1
Marimba
1
Xylophone
1
Voix Mezzo-Soprano, Orchestre
1
Caisse Claire
1
2 Marimbas
1
+ 19 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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BASSE
BASSON
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CHANT - CHO…
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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LUTH, THEOR…
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PAS DE PART…
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
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LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Time To Sing
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
11 partitions trouvées
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1
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
Fauré: Élégie Op. 24 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...
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Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Pu...
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Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Mozart: Romanze from K. 525 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sac...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
Silent Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Gruber
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James M
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Silent Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jmsgu3 (A0.548633). Silent Night for piano quartet. The final verse features a surprise re-harmonization of the melody. Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to accompany the lyrics. The result is probably the most famous Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs or to ensure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and Mohr's name was largely forgotten.  Though the public initially recognized Gruber as the composer, many people began rumors that a more famous composer was responsible over time. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.
$32.95
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Away In A Manger for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger for Piano Qua
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1398434 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,C...
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Piano Quartet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1398434 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 219 pages. Jmsgu3 #981709. Published by jmsgu3 (A0.1398434). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874(МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.
$49.95
La Vie En Rose
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Edith Piaf
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André Nusa
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La Vie En Rose
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Andre_Nusa
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 1 - SKU: A0.1236393 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Sin...
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Piano Quartet Cello,Piano,Viola,Violin - Level 1 - SKU: A0.1236393 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Singer/Songwriter,Standards. 8 pages. Andre_Nusa #831908. Published by Andre_Nusa (A0.1236393). Immerse yourself in the timeless allure of Edith Piaf's La Vie en Rose with this captivating arrangement for violin, viola, cello, and piano. Indulge in the romantic and soul-stirring melodies of this iconic French song as they intertwine harmoniously among these four exquisite instruments. The strings paint heartfelt and expressive melodies, while the piano adds depth, texture, and rhythmic intricacies to create a captivating tapestry of sound. The interplay between the instruments ignites a mesmerizing musical dialogue, allowing you to fully immerse yourself in the passionate essence of Piaf's composition.Whether performing for an audience or savoring the music in the comfort of your own space, this arrangement promises an unforgettable experience. Let the expressive melodies and harmonies of La Vie en Rose ignite your heart and soul, as the violin, viola, cello, and piano unite to breathe new life into this beloved classic.
$12.99
La Vie En Rose
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Edith Piaf
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André Nusa
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La Vie En Rose
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Andre_Nusa
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 2 - SKU: A0.1236693 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Sin...
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Piano Quartet Cello,Piano,Viola,Violin - Level 2 - SKU: A0.1236693 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Singer/Songwriter,Standards. 7 pages. Andre_Nusa #832214. Published by Andre_Nusa (A0.1236693). Immerse yourself in the timeless allure of Edith Piaf's La Vie en Rose with this captivating arrangement for violin, viola, cello and piano. Indulge in the romantic and soul-stirring melodies of this iconic French song as they intertwine harmoniously among these four exquisite instruments. The strings paint heartfelt and expressive melodies, while the piano adds depth, texture, and rhythmic intricacies to create a captivating tapestry of sound. The interplay between the instruments ignites a mesmerizing musical dialogue, allowing you to fully immerse yourself in the passionate essence of Piaf's composition.Whether performing for an audience or savoring the music in the comfort of your own space, this arrangement promises an unforgettable experience. Let the expressive melodies and harmonies of La Vie en Rose ignite your heart and soul, as the violin, viola, cello, and piano unite to breathe new life into this beloved classic.
$12.99
A Change In Me
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Film Walt Disney
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Alan Menken and Tim Rice
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André Nusa
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A Change In Me
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Andre_Nusa
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1257439 Composed by Alan Menken and Tim Rice. Arranged by André Nusa. Broadway,Children,Co...
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Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1257439 Composed by Alan Menken and Tim Rice. Arranged by André Nusa. Broadway,Children,Contemporary,Film/TV,Musical/Show,Singer/Songwriter. 17 pages. Andre_Nusa #850761. Published by Andre_Nusa (A0.1257439). Experience the enchanting transformation of A Change in Me from Disney's Beauty and the Beast with this exquisite arrangement for violin, viola, cello and piano. Immerse yourself in the captivating melodies as the strings intertwine in harmonious unity, supported by the rich and resonant tones of the piano. This arrangement beautifully captures the essence of personal growth and self-discovery, inviting players and listeners alike to embark on an emotional journey. Perfect for string ensemble performances or chamber music settings, this arrangement offers a wonderful opportunity for musicians to showcase their expressive playing and musical artistry. Delight in the timeless magic of A Change in Me as the strings and piano blend in a harmonious celebration of transformation and inner strength. Elevate your repertoire with this unforgettable arrangement that captures the heart and soul of this beloved Disney song.
$12.99
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