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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
To Believe
Non classifié
462
Piano & claviers
Piano seul
372
Piano, Voix et Guitare
194
Piano, Voix
153
Piano Facile
57
Piano grosses notes
25
Orgue
22
Accompagnement Piano
21
Instruments en Do
20
Piano Trio: piano, violon, violoncelle
7
Accordéon
4
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
2
1 Piano, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 11 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
94
Guitare
68
Guitare notes et tablatures
57
Paroles et Accords
29
Ukulele
22
Basse electrique
8
2 Guitares (duo)
5
Banjo
3
Dulcimer
2
Guitare (partie séparée)
2
Mandoline
1
Piano, Guitare (duo)
1
Ensemble de Ukulélés
1
Mandoline, Guitare (duo)
1
+ 9 instrumentations
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Voix
Chorale SATB
267
Chorale 3 parties
67
Chorale 2 parties
33
Chorale TTBB
30
Chorale Unison
25
Chorale SSAA
14
Chorale
14
Voix seule
13
Pack Instrumental pour Chorale
10
Voix duo
8
Voix duo, Piano
7
Voix Soprano, Piano
5
Voix Tenor, Piano
2
Chorale SSATTB
2
Voix haute
1
Voix Baryton, Piano
1
Voix moyenne, Piano
1
Voix Alto, Piano
1
Voix Tenor
1
Chorale SSAB a cappella
1
+ 15 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
36
Clarinette
35
Flûte traversière
32
Flûte traversière et Piano
28
Saxophone
25
Saxophone Alto
20
2 Flûtes traversières (duo)
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Clarinette et Piano
18
2 Saxophones (duo)
17
Saxophone Tenor
16
Flûte, Hautbois, Clarinette, Basson
15
Saxophone Alto et Piano
15
Hautbois (partie séparée)
14
Saxophone Soprano et Piano
11
Saxophone Tenor et Piano
11
Quintette de Saxophone: 5 saxophones
10
2 Clarinettes (duo)
9
Hautbois, Piano (duo)
9
Saxophone (partie séparée)
8
Flûte, Clarinette (duo)
8
Quatuor de Flûtes : 4 flûtes
7
Hautbois, Basson (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
3 Clarinettes (trio)
7
Saxophone Baryton, Piano
6
Quintette de Clarinettes: 5 clarinettes
6
Hautbois
5
Saxophone, Clarinette (duo)
4
Flûte et Guitare
4
3 Saxophones (trio)
3
Harmonica
3
Clarinette (partie séparée)
3
Flûte à Bec
3
Trio de Flûtes: 3 flûtes
3
Clarinette Basse, Piano
3
Saxophone Soprano
2
Saxophone Baryton
2
2 Hautbois (duo)
2
Ensemble de Clarinettes
2
Clarinette, Guitare (duo)
2
Cor anglais, Piano
2
Quintette de Flûte : 5 flûtes
2
Clarinette et Alto
1
Hautbois, Flûte
1
Ensemble De Flûte à bec
1
Ocarina
1
Flûte, Violon
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Tuba
1
Flûte, Trompette (duo)
1
5 Flûtes à bec
1
Flûte, Alto (duo)
1
2 Saxophones, Piano
1
Quatuor de Flûtes à bec
1
Ensemble de saxophones
1
Clarinette, Basson (duo)
1
Flute (partie séparée)
1
Hautbois, Clarinette (duo)
1
Flûte, Clarinette et Basson
1
Clarinette, Violon (duo)
1
Flûte, Saxophone (duo)
1
Piccolo, Piano
1
Ensemble de Flûtes
1
+ 59 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
42
Trompette
29
Trombone
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Cor
16
Trombone et Piano
13
Trompette, Piano
13
Trompette (partie séparée)
12
Cor et Piano
12
Trombone (partie séparée)
11
2 Trompettes (duo)
7
Tuba et Piano
7
Quatuor de Cuivres
5
Tuba
5
Trompette, Trombone (duo)
5
Trompette, Cor (duo)
4
2 Euphoniums et 2 Tubas
4
2 Trombones (duo)
4
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 trombones
2
Trio de Cuivres
2
Ensemble de Cors
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
4 Tubas
2
Trompette, Saxophone (duo)
2
Cor anglais, Piano
2
Tuba (partie séparée)
1
Clarinette, Cor (duo)
1
Ensemble de Trompettes
1
Trompette, Tuba (duo)
1
2 Tubas (duo)
1
Cor (partie séparée)
1
+ 27 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
53
Violon
40
Violon et Piano
33
Violoncelle
24
Harpe
19
Violon, Violoncelle (duo)
18
2 Violons (duo)
18
Alto seul
17
Alto, Piano
15
Violoncelle, Piano
14
Trio à Cordes: violon, alto, violoncelle
9
Violon, Alto (duo)
7
2 Violoncelles (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Piano Trio: Violon, Alto, Piano
6
Contrebasse, Piano (duo)
5
Alto (partie séparée)
5
Contrebasse (partie séparée)
5
Contre Basse
4
Violon (partie séparée)
4
Harpe, Voix
3
2 Altos (duo)
2
Alto, Guitare (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Alto, Violoncelle (duo)
1
Violon, Guitare (duo)
1
4 Violoncelles
1
Violoncelle , Guitare (duo)
1
+ 23 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
239
Orchestre
62
Orchestre à Cordes
27
Ensemble Jazz
23
Marimba
19
Ensemble de cuivres
19
Batterie
15
Jazz combo
10
Cloches
9
Fanfare
8
Orchestre de chambre
4
Percussion (partie séparée)
3
Ensemble de Percussions
3
Xylophone
1
Percussion
1
Xylophone, Piano
1
Batterie (partie séparée)
1
+ 12 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
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Vous avez sélectionné:
To Believe
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
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Fauré: Élégie Op. 24 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...
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Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
O Holy Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Adam
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James M
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O Holy Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #341156...
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Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
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To Believe
