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PIANO & CLAVIERS
Piano, Voix
1902
Piano, Voix et Guitare
790
Piano seul
752
Piano Facile
355
1 Piano, 4 mains
232
Piano grosses notes
102
Orgue
101
Instruments en Do
55
2 Pianos, 4 mains
38
Accompagnement Piano
22
Accordéon
19
Piano Trio: piano, violon, violoncelle
17
1 Piano, 6 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
4
Instrument seul et Orgue
4
Orgue, Piano (duo)
3
Ligne De Mélodie, Piano
2
2 Pianos, 8 mains
2
Accordéon, Voix
2
Piano (partie séparée)
2
2 Accordéons
1
Orgue, Voix
1
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GUITARES
Guitare notes et tablatures
176
Ligne De Mélodie, (Paroles) et Accords
168
Guitare
63
Ukulele
41
Mandoline
38
Basse electrique
17
Piano, Guitare (duo)
9
Banjo
8
Paroles et Accords
8
Dulcimer
6
4 Guitares (Quatuor)
5
2 Guitares (duo)
5
Guitare (partie séparée)
3
2 Ukuleles
3
2 Mandolines (duo)
2
Mandoline, Guitare (duo)
1
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1
Partitions De Groupes
1
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1
3 Guitares (trio)
1
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VOIX
Chorale SATB
673
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182
Chorale 2 parties
107
Chorale Unison
64
Chorale TTBB
53
Voix duo, Piano
33
Chorale SSAA
31
Chorale
16
Voix Alto, Piano
15
Voix duo
12
Voix Soprano, Piano
10
Voix seule
10
Voix Tenor, Piano
5
Voix haute
5
Voix, Guitare
3
Voix Tenor
3
Voix moyenne, Piano
2
Chorale SSATTB
2
Voix Baryton, Piano
2
Chorale SSAATTBB
1
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATB
1
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VENTS
Harmonica
110
Ocarina
106
Flûte à bec Alto
103
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
102
Flûte à bec Soprano
94
Quintette de Saxophone: 5 saxophones
88
2 Saxophones (duo)
86
Flûte traversière et Piano
86
Quatuor de Saxophones: 4 saxophones
79
Flûte traversière
73
Hautbois, Piano (duo)
72
Clarinette et Piano
68
Flûte, Hautbois, Clarinette, Basson
67
Clarinette
67
Saxophone Alto et Piano
58
Quatuor de Clarinettes: 4 clarinettes
50
Saxophone Tenor et Piano
47
Saxophone Alto
44
2 Flûte à bec (duo)
39
2 Flûtes traversières (duo)
38
2 Clarinettes (duo)
37
Saxophone Tenor
32
Saxophone Soprano et Piano
31
Saxophone (partie séparée)
29
Quatuor de Flûtes : 4 flûtes
27
Ensemble de Clarinettes
26
3 Saxophones (trio)
25
Saxophone Baryton, Piano
24
Hautbois (partie séparée)
21
Flûte, Clarinette (duo)
19
Clarinette (partie séparée)
18
Flûte à Bec
17
Cor anglais, Piano
16
2 Hautbois (duo)
15
Saxophone
15
Hautbois
15
Ensemble de Flûtes
14
Saxophone, Clarinette (duo)
13
Clarinette, Violon (duo)
12
Hautbois, Basson (duo)
11
3 Clarinettes (trio)
11
Trio de Flûtes: 3 flûtes
11
Flute (partie séparée)
11
Flûte et Guitare
11
Clarinette, Basson (duo)
10
Ensemble de saxophones
10
Quatuor de Flûtes à bec
8
Hautbois, Clarinette (duo)
7
Clarinette, Trompette (duo)
7
Flûte, Violon, Piano
7
Clarinette Basse, Piano
7
Clarinette, Violoncelle (duo)
7
Piccolo, Piano
6
Saxophone Soprano
6
Flûte à bec Alto, Piano
6
Saxophone Baryton
6
Quintette de Flûte : 5 flûtes
6
Quintette de Clarinettes: 5 clarinettes
6
Clarinette, Guitare (duo)
6
Flûte, Hautbois, Basson
6
Flûte, Hautbois, Clarinette (trio)
6
Clarinette et Alto
6
Flûte à bec Soprano, Piano
6
5 Flûtes à bec
5
Flûte, Violon et Violoncelle
5
Ensemble De Flûte à bec
5
Flûte à bec Tenor
5
Flûte, Clarinette et Basson
5
Flûte, Alto (duo)
5
2 Flûtes traversières, Piano
4
3 Flûtes à bec (trio)
4
Flûte, Hautbois (duo)
4
Hautbois, Violoncelle
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Clarinette, Piano (trio)
4
Hautbois, Flûte
4
Flûte, Violon
4
Instruments en Mib
4
Flûte, Trompette (duo)
4
Flûte, Violoncelle
3
Hautbois, Guitare (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Harpe (duo)
3
Saxophone et Harpe
2
Clarinette, Violoncelle, Piano (trio)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Cor Anglais
2
Flûte, trombone et piano
2
2 Clarinettes, Piano
2
4 Hautbois
2
Flûte, Saxophone (duo)
2
Hautbois, Harpe
1
Flûte, Alto et Piano
1
Flûte, Hautbois, Violon
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violoncelle, Guitare
1
Clarinette, trompette et piano
1
Flûte irlandaise
1
Ensemble à vent
1
Flûte, Tuba (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette Basse
1
Cor anglais et Harpe (duo)
1
Flûte, Basson et Piano
1
Clarinette, Tuba
1
Hautbois, trombone (duo)
1
Hautbois et alto (duo)
1
Flute, harpe et violon
1
Flûte, Trombone (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
89
Trompette
67
Trompette, Piano
57
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
Trombone
48
Trombone et Piano
44
Cor et Piano
44
Cor
42
Tuba et Piano
29
Tuba
29
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
2 Trombones (duo)
27
Trompette (partie séparée)
26
2 Trompettes (duo)
22
Quatuor de Cuivres
21
Trombone (partie séparée)
20
Trompette, Trombone (duo)
18
2 Cors (duo)
18
Cor anglais, Piano
16
Euphonium, Piano (duo)
13
Cor (partie séparée)
11
Trompette, Saxophone (duo)
11
Quatuor de cuivres: 4 trombones
10
Ensemble de Trompettes
9
Ensemble de Trombones
9
Bass Clef Instruments
8
2 Tubas (duo)
8
Trompette, Cor (duo)
6
Tuba (partie séparée)
6
Ensemble de Cors
5
Trombone, Tuba (duo)
5
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Euphonium
4
Quatuor de cuivres: 4 trompettes
4
Euphonium, Tuba (duo)
3
3 Trombones (trio)
3
Instruments en Sib
3
Trompette, violon (duo)
3
Trompette, Tuba (duo)
3
Trio de Cuivres
2
Cor Anglais
2
Trombone, Cor (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
2 Euphoniums et 2 Tubas
1
Trombone basse
1
Trombone, Violon (duo)
1
Tuba et Orgue
1
3 Cors (trio)
1
Cor, Violoncelle (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
Trompette, Basson (duo)
1
3 Tubas (trio)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
225
Violon et Piano
97
Violon
77
Violoncelle, Piano
69
Alto, Piano
69
2 Violons (duo)
60
Violoncelle
55
Violon, Violoncelle (duo)
53
Alto seul
52
Harpe
51
2 Violoncelles (duo)
37
Violon, Alto (duo)
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
Trio à Cordes: violon, alto, violoncelle
33
2 Altos (duo)
30
Alto (partie séparée)
22
Violon (partie séparée)
21
Contrebasse, Piano (duo)
20
Contre Basse
18
Alto, Violoncelle (duo)
16
4 Violoncelles
13
2 Harpes (duo)
12
Violoncelle, Contrebasse (duo)
11
Trio à Cordes: 2 violons, violoncelle
11
Violoncelle (partie séparée)
10
Trio à cordes: 3 violins
8
Quatuor à cordes: 4 violons
8
Trio à Cordes: 3 violoncelles
7
2 Contrebasses (duo)
7
Contrebasse (partie séparée)
6
Piano Trio: Violon, Alto, Piano
6
Violon, Guitare (duo)
5
Harpe, Voix
5
Ensemble d'Altos
4
Trio à cordes: 3 altos
4
Violoncelle , Guitare (duo)
4
Ensemble de Violons
4
Quatuor à cordes : 4 altos
4
Harpe, Flûte (duo)
3
Harpe, Violoncelle (duo)
3
Harpe, Violon (duo)
2
Trio à cordes
2
Violon, Basson (duo)
2
2 Violons, Piano
2
Alto, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
Harpe, Trombone (duo)
1
Violon, Tuba (duo)
1
Alto et Harpe
1
Trio à Cordes: 2 violons, alto
1
2 Violoncelles, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
411
Orchestre à Cordes
108
Orchestre
104
Ensemble de cuivres
85
Cloches
41
Ensemble Jazz
30
Orchestre de chambre
27
Batterie
24
Jazz combo
14
Fanfare
12
Ensemble de Percussions
9
Percussion (partie séparée)
7
Batterie (partie séparée)
6
Quatuor à Vent : 4 instruments à vents
2
2 Marimbas
1
Piano et Orchestre
1
Orchestre, Violon
1
Marimba
1
Xylophone
1
Xylophone, Piano
1
Percussion
1
Instrumentation Flexible
1
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AUTRES
Vous avez sélectionné:
We Ain
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
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We Three Kings (Piano Quartet): Violin, Viola, Cello and Piano
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1104206 Composed by John Henry Hopkins, Jr. and Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 22 pages. John A. Dempsey #707422. Published by John A. Dempsey (A0.1104206). This piano quartet for violin, viola, cello and piano of the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for Christmas pageants, plays and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  18 pages of music (that includes separate two-page parts for violin, viola and cello).  Concert Key: A minor   We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$14.00
12.67 €
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Piano Quatuor: piano, violon, alto, violoncelle
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John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
While of These Emblems We Partake
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.864456 Composed by Public Domain. Arranged by Michael Hardey, Brigham WElch. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 6 pages. Hardey and Welch Music #4283807. Published by Hardey and Welch Music (A0.864456). Michael Hardey and Brigham Welch are excited once again to bring you another beloved arrangement from their 2010 album The Spirit of God. This arrangement, though simple and reverent, will bring strong and powerful spirit into your church or community congregation. Enjoy!
$9.99
9.04 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Public Domain
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Michael Hardey, Brigham WElch
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While of These Emblems We Partake
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Hardey and Welch Music
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SheetMusicPlus
Angels We Have Heard on High (Piano Quartet): Violin, Viola, Cello and Piano
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.612672 Composed by Traditional French Carol. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 22 pages. John A. Dempsey #221864. Published by John A. Dempsey (A0.612672). Arranged as a lively piano quartet for violin, viola, cello and piano, this exultant arrangement of a traditional French Christmas carol contains variation in all parts as well as dynamic shading, embellishments and incidental music by Grieg, all adding to the joyful atmosphere of praise and thanksgiving. Â Gloria in excelsis Deo is Latin for Glory to God in the Highest. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Â Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture and special music. Â Key: C major. Â 18 pages of music (that includes the score and separate two-page parts for violin, viola and cello).
$14.00
12.67 €
#
Piano Quatuor: piano, violon, alto, violoncelle
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Traditional French Carol
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John A
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Angels We Have Heard on High
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John A. Dempsey
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SheetMusicPlus
Pachelbel: Canon in D for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
42.49 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Piano Quartet
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jmsgu3
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SheetMusicPlus
Jingle Bells for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpon…
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Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
36.15 €
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Piano Quatuor: piano, violon, alto, violoncelle
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Mozart: Romanze from K. 525 for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
18.05 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 for Piano Quartet
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jmsgu3
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SheetMusicPlus
Nocturne for Clarinet, Violin, Cello & Piano
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Compo…
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Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. Published by EAMUSIC (A0.1283409). Nocturne was inspired by a meteorological phenomenon that is known as “noctilucence†and refers to shining clouds at high altitudes only observable for a short period of time in the summer twilight sky. In Canada we don’t get many summer days, that is why this occurrence is particularly special and beautiful. From the first measures the music evokes the feelings of tranquility and ephemeral elegance. Structurally this piece is almost built after some of Chopin’s Nocturnes which were written in 3-part form and often featured emotional and moving musical material towards the end of the piece. Even though nocturnes are generally meant to depict peaceful night music and my piece certainly opens that way, it does not stay calm and quiet for the duration of the piece because the night, after all, can be full of surprises and mysteries. The music is meant to be played with flair and colour, in a light and improvisatory way. This piece was first premiered at the Intimacy of Creativity Festival in Hong Kong in May 2019 with the assistance from Bright Sheng. Following the Audience Choice vote at the festival, and further revised, the piece was brought to the audiences in Philadelphia at the Curtis Institute of Music featuring musicians from the Curtis 20/21 Ensemble in December 2019.The piece is scored for Clarinet, Violin, Cello and Piano. Duration is approximately 9 minutes.
$20.00
18.1 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Eugene Astapov
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Nocturne for Clarinet, Violin, Cello & Piano
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EAMUSIC
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SheetMusicPlus
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